Star Trek Production Details
Including the movies, the old TV shows and a few select episodes from both Discovery & Picard
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- DirectorRobert WiseStarsWilliam ShatnerLeonard NimoyDeForest KelleyWhen an alien spacecraft of enormous power is spotted approaching Earth, Admiral James T. Kirk resumes command of the overhauled USS Enterprise in order to intercept it.Director: Robert Wise
Composer: Jerry Goldsmith
Film Editor: Todd Ramsey
Production Designer: Harold Michelson
Cinematographer: Richard Kline ASC
Screenwriter: Harold Livingston
Story Writer: Alan Dean Foster
Producer: Gene Roddenberry
Special Photographic Effects Director: Douglas Trumball
Special Photographic Effects Supervisor: John Dykstra ASC
Special Photographic Effects Producer: Richard Edlund ASC
Executive in Charge of Production: Lindsey Parsons Jr
Associate Producer: Jon Povill
Special Animation Effects Supervisor: Robert Swarthe
Special Science Advisor: Jesco Von Puttkamer
Special Science Consultant: Isaac Asimov
Costume Designer: Bob Fletcher
Set Decorator: Linda DeScenna
Unit Production Manager: Phil Rawlins
Assistant Director: Danny McCauley
2nd Ass't Director: Doug Wise
Art Directors: Joe Jennings, Leon Harris, John Vallone
Mechanical Special Effects Supervisors: Alex Weldon, Darrell Pritchett, Ray Mattey, Marty Bresin
Camera Operator: Al Bettcher
Assistant A-Camera: Michael Genne
Assistant B-Camera: Rob Wise
Gaffer: Larry Howard
Photographic Effects Unit DoPs: Dave Stewart, Richard Yuricich ASC
Matte Paintings Supervisor: Matthew Yuricich
Add'l Matte Paintings Designer: Rocco Gioffre
Miniatures Supervisors: Jim Dow, Russ Simpson, Greg Jien
Photographic Effects Unit Cameramen: Scott Squires, Hoyt Yeatman ASC
Add'l Cinematographers: Jim Dickson, Bruce Logan ASC, Charles Wheeler ASC
Mechanical Designer: George Polkinghorne
Visual Consultants: Virgil Mirano, Ernest Garza, Guy Marsden
Photographic Effects Unit Gaffer: David Gold
Photographic Effects Unit Photography: Scott Farrar ASC
Optical Consultants: Alan Gundelfinger, Milt Laiken
Apogee Miniatures Supervisor: Grant McCune
Apogee Supervisor of Optical Photography: Roger Dorney
Apogee Photographic Effects Photographers: Cosmos Paul Bolger, Robert Elswit ASC
Apogee Special Visual Consultants: Mike Middleton, Eric Nash, Phil Joanau
Apogee Optical & Mechanical Consultants: Abbot Grafton, Gerald Nash
Geometric Designer: Ron Resch
Engine Room & Voyager 6 Complex Designers: Sam Nicholson, Brian Longbotham
Filming Dates: 7 August 1978 - 26 January 1979
Cameras: Panaflex & PSR R-200 (35mm Eastman 100T 5247)
Lenses: Panavision C-Series Anamorphic Primes & C-Series Split Diopter Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(8-Perf VistaVision: Visual Effects)
Budget: 35-44 Million USD
Budget AFI (2022): 133.9-168.4 Million USD
Photographic Effects Sequences Provided by: Apogee
Attribute: Filmed in Panavision - DirectorNicholas MeyerStarsWilliam ShatnerLeonard NimoyDeForest KelleyWith the assistance of the Enterprise crew, Admiral Kirk must stop an old nemesis, Khan Noonien Singh, from using the life-generating Genesis Device as the ultimate weapon.Director/Co-Writer: Nicholas Meyer
Executive Consultant: Gene Roddenberry
Composer: James Horner
Film Editor: William Dornisch
Production Designer: Joseph Jennings
Cinematographer: Gayne Rescher ASC
Executive Producer/Story Writer: Harve Bennett
Associate Producer: William Phillips
Costume Designer: Bob Fletcher
Unit Production Manager: Austen Jewell
1st Assistant Director: Douglas E. Wise
2nd Assistant Director: Richard Espinoza
Art Director: Michael Minor
Set Decorator: Charles Graffeo
A-Camera Operator: Craig Denault
1st Assistant A-Camera: Catherine Coulson
2nd Assistant A-Camera: Tom Connole
Production SFX Supervisor: Bob Dawson
Add'l Special Lighting Effects Supervisor: Sam Nicholson ASC
Set Designers: Daniel Gluck, Daniel E. Maltese
Graphic Designer: Lee Cole
Stunt Coordinator: Bill Couch
Technical Advisor: Richard Green
Title Designers: Don Kracke, Rodger Johnson
Vulcan Translation Supervisor: Marc Okrand
ILM Special Visual Effects Supervisors: Jim Veilleux, Ken Ralston
ILM Effects Unit DoPs: Don Dow, Scott Farrar ASC
ILM Effects Unit Camera Operator: Stewart Barbee
ILM Effects Unit Ass't A-Camera: Selwyn Eddy III
ILM Effects Unit Ass't B-Camera: David Hardberger
ILM Effects Unit Ass't C-Series: Robert Hill
ILM Effects Unit Ass't D-Camera: Michael Owens
ILM Effects Unit Ass't E-Camera: Michael Santy
ILM Optical Photography Supervisor: Bruce Nicholson
ILM Optical Printer Operators: Kenneth Smith, Mark Vargo ASC, John Ellis
ILM General Manager: Tom Smith
ILM VFX Production Supervisor: Patricia Rose Duignan
ILM VFX Production Coordinator: Warren Franklin
ILM Matte Photography Supervisor: Neil Krepela ASC
ILM Matte Photography Assistant: Craig Barron
ILM Model Makers: Bill George, Sean Casey, Larry Tan, Jeff Mann
ILM Supervising Model Maker: Steve Gawley
Ultra High Speed Camera Operator: Bruce Hill
Filming Dates: 11 November 1981 - 28 January 1982
Cameras: Panaflex Gold & VistaVision (35mm Fuji A 250T 8518)
Lenses: Panavision C & E-Series Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.40:1 (Anamorphic)(8-Perf VistaVision: Visual Effects)
Budget: 11.2-12 Million USD
Budget AFI (2022): 32.2-34.5 Million USD
Special Visual Effects Produced at: Industrial Light & Magic
Additional Animation & Optical Visual Effects Provided by: Visual Concept Engineering & Modern Film Effects
Attribute: Filmed in Panavision - DirectorLeonard NimoyStarsWilliam ShatnerLeonard NimoyDeForest KelleyAdmiral Kirk and his bridge crew risk their careers stealing the decommissioned U.S.S. Enterprise to return to the restricted Genesis Planet to recover Spock's body.Director: Leonard Nimoy
Executive Consultant: Gene Roddenberry
Composer: James Horner
Associate Producer: Ralph Winter
Film Editor: Robert Shugrue
Supervising Art Director: John E. Chilberg II
Cinematographer: Charles Correll ASC
Executive Producer: Gary Nardino
Writer/Producer: Harve Bennett
Unit Production Manager: Michael P. Schoenbrun
1st Assistant Director: John Hockridge
2nd Assistant Director: Ken Stringer
VFX Supervisor: Ken Ralston
Costume Designer: Bob Fletcher
Camera Operator: David B. Nowell ASC
Cameras: Mitchell VistaVision & Panaflex Gold (35mm Eastman 125T 5247/400T 5294)
Lenses: Panavision C-, E-Series Anamorphic Primes & Nikon Nikkor Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(8-Perf VistaVision: Visual Effects)
Budget: 16-17 Million USD
Budget AFI (2022): 42.8-45.4 Million USD
Printed on: Eastman 5384
Visual Effects by: Industrial Light & Magic
Attribute: Filmed in Panavision - DirectorLeonard NimoyStarsWilliam ShatnerLeonard NimoyDeForest KelleyTo save Earth from an alien probe, Admiral James T. Kirk and his fugitive crew go back in time to San Francisco in 1986 to retrieve the only beings who can communicate with it: humpback whales.Director/Story Writer: Leonard Nimoy
Executive Consultant: Gene Roddenberry
Composer: Leonard Rosenman
Film Editor: Peter Berger ACE
Executive Producer: Ralph Winter
Production Designer: Jack Collis
Cinematographer: Donald Peterman ASC
Producer/Co-Writer: Harve Bennett
Screenwriter: Nicholas Meyer
2nd Unit Director: Michael Owens
ILM FX DP: Don Dow
Underwater DP: Pete Romano ASC
Camera Operator: Keith Peterman
2nd Assistant Director: Frank Capra III
Production VFX Supervisor: Ken Ralston
Costume Designer: Bob Fletcher
Filming Dates: 24 February 1986 - 5 May 1986
Cameras: Arriflex 35-III & Panaflex Gold (35mm Eastman 125T 5247/400T 5294)
Lenses: Panavision C-Series Anamorphic Primes & Super High Speed Anamorphic Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)
Budget: 25-26 Million USD
Budget AFI (2022): 63.4-65.9 Million USD
Printed on: Eastman 5384
Visual Effects Provided by: Industrial Light & Magic
Attribute: Filmed in Panavision - DirectorWilliam ShatnerStarsWilliam ShatnerLeonard NimoyDeForest KelleyCaptain Kirk and his crew must deal with Mr. Spock's long-lost half-brother who hijacks the Enterprise for an obsessive search for God at the center of the galaxy.Director/Story Writer: William Shatner
Executive Consultant: Gene Roddenberry
Composer: Jerry Goldsmith
Costume Designer: Nilo Rodis-Jamero
Film Editor: Peter Berger ACE
Production Designer: Herman Zimmerman
Cinematographer: Andrew Laszlo ASC
Executive Producer: Ralph Winter
Producer/Story Writer: Harve Bennett
Co-Writer: David Loughery
High Fall Stunt Performer: Kenny Bates
Camera Operator/2nd Unit Director: Bob Carmichael
Add'l Camera Operator: Keith Peterman
2nd Assistant Camera: Jeffrey Thorin
Illusion Arts Matte DoP: Mark Sawicki
Live Action FX Unit DoPs: Tom Weston, Frost Wilkinson
New Spacecraft Model Designer: Greg Jien
Filming Dates: 11 October 1988 - 28 December 1988
Cameras: Mitchell VistaVision, Panaflex GII & Platinum (35mm Eastman 400T 5294/400T 5295)
Lenses: Panavision Primo Anamorphic Primes (Prototype), C-, E-Series Anamorphic Primes & Nikon Nikkor Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(8-Perf VistaVision: Visual Effects)
Budget: 27.8-33 Million USD
Budget AFI (2022): 62.3-73.9 Million USD
Printed on: Eastman 5384
Phase: The Original Series - Prime Timeline
Stock Optical Recomposites Provided by: Industrial Light & Magic
Special Visual Effects Produced by: Associates & Ferren
Additional Optical Effects Provided by: Visual Concept Engineering
Matte Paintings Provided by: Illusion Arts
Attribute: Filmed in Panavision - DirectorNicholas MeyerStarsWilliam ShatnerLeonard NimoyDeForest KelleyOn the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.Director/Screenwriter: Nicholas Meyer
Dedicated to: Gene Roddenberry
Executive Producer/Story Writer: Leonard Nimoy
Composer/Conductor: Cliff Eidelman
Co-Producer: Marty Hornstein
Associate Producer: Brooke Breton
Film Editor: Ronald Roose
Production Designer: Herman Zimmerman
Cinematographer: Hiro Narita ASC
Story Writers: Lawrence Konner, Mark Rosenthal
Producer: Ralph Winter
Producer/2nd Unit Director: Steven Jaffe
Costume Designer: Dodie Shepard
Production VFX Supervisor: Scott Farrar ASC
2nd Film Editor: William Hoy ACE
2nd Unit DoP: John Fante
Filming Dates: 16 April 1991 - 2 July 1991
Cameras: Panaflex GII & Platinum (35mm Eastman 125T 5247/EXR 100T 5248/500T 5296)
Lenses: Panavision Primo Spherical Primes
AR: 2.00:1 (DVD), 2.39:1 (4-Perf Super 35mm)(8-Perf VistaVision: Visual Effects)
Budget: 27-30 Million USD
Budget AFI (2022): 55-61.2 Million USD
Printed on: Eastman 5384
Visual Effects by: Industrial Light & Magic
Attribute: Filmed with Panavision Cameras and Lenses - DirectorDavid CarsonStarsPatrick StewartWilliam ShatnerMalcolm McDowellWith the help of long presumed dead Captain Kirk, Captain Picard must stop a deranged scientist willing to murder on a planetary scale in order to enter a space matrix.Director: David Carson
Composer/Conductor/Orchestrator: Den McCarthy
Orchestrator: William Ross
Co-Producer: Peter Lauriston
Costume Designer: Robert Blackman
Film Editor: Peter Berger ACE
Production Designer: Herman Zimmerman
Cinematographer: John A. Alonzo ASC
Cinematographer (ILM Miniature Crash Sequence Photography Unit): Kim Marks
Executive Producer/Unit Production Manager: Bernie Williams
Producer/Story Writer: Rick Berman
Co-Writers: Ronald D. Moore, Brannon Braga
Stunt Coordinator: Bud Davis
Unit Production Manager: Robert Grand
1st Assistant Directors: Yudi Bennett, Chris Soldo
2nd Assistant Director: Daniel Silverberg
ILM Senior VFX Supervisor: John Knoll
Production VFX Supervisor: Ronald B. Moore
Special Makeup Effects Designer & Supervisor: Michael Westmore
Production Supervisor: Michelle Wright
Art Director: Sandy Veneziano
Set Decorator: John M. Dwyer
Set Designers: Robert Fechtman, Ron Wilkinson, Dianne Wager
Scenic Art Supervisor: Michael H. Okuda
A-Camera Operator: Pernell Youngblood Tyus
B-Camera Operator: Krishna Rao
C-Camera/Steadicam Operator: George Billinger III
1st Assistant A-Camera: Gregory W. Smith
1st Assistant B-Camera: Jeff Greeley
1st Assistant C-Camera: Alan Gitlin
1st Assistant D-Camera: Mike May
2nd Assistant A-Camera: Jorge Sanchez
2nd Assistant B-Camera: David Goldstein
Production SFX Supervisor: Terry D. Frazee
2nd 2nd Ass't Director: Arlene Fukai
Main Title Designer: Dan Curry
Production VFX Associate: Eric Alba
ILM VFX Co-Supervisor: Alex Seiden
ILM VFX Producer: Roni McKinley
ILM VFX Art Director: Bill George
ILM CG Supervisor: John Schlag
ILM VFX Coordinators: Alia Almeida Agha, Ginger Thiesen
ILM CG Sequence Supervisor: Bart Giovannetti
ILM CG Technical Director: Joel Aron
ILM CG Animator: Douglas Smythe
ILM CG Artist: Ben Snow
ILM Concept Designer: Mark Moore
ILM VFX Editor: Michael McGovern
ILM VFX Unit Camera Operator: Patrick Sweeney
ILM VFX Unit Ass't A-Camera: Kate O'Neill
ILM VFX Unit Ass't B-Camera: Joe Biggins
ILM Model Supervisor: John Goodson
ILM Model Department Supervisor: Jeff Olson
ILM Chief Model Makers: Lorne Peterson, Larry Tan, Steve Gawley, Brian Gernand
ILM Model Maker: Steve Walton
ILM Stage Manager (Miniature Crash Sequence Photography Unit): Ed Hirsh
ILM Miniature Crash Sequence Photography Unit 1st AC: Patrick McArdle
ILM Miniature Crash Sequence Photography Unit Key Rigging Technician: Dave Heron
ILM Effects Riggers (Miniature Crash Sequence Photography Unit): Geoff Heron, Joseph Fulmer
ILM VFX Unit Camera Engineer (Miniature Crash Sequence Photography Unit): Duncan Sutherland
ILM Optical Supervisor (Miniature Crash Sequence Photography Unit): Bruce Vecchitto
ILM CG Software Developer (Miniature Crash Sequence Photography Unit): Zoran Kacic-Alesic
ILM Scanning Supervisor (Miniature Crash Sequence Photography Unit): Joshua Pines
ILM Scanning Operator (Miniature Crash Sequence Photography Unit): Mike Ellis
ILM Production Assistant (Miniature Crash Sequence Photography Unit): Margaret Lynch
ILM Executive in Charge of Production (Miniature Crash Sequence Photography Unit): Patricia Blau
ILM President (Miniature Crash Sequence Photography Unit): Jim Morris
CIS VFX Producer: C. Marie Davis
CIS Digital Compositing Supervisor: Don Lee
CIS Digital Compositors: Steve Bowen, Danny Mudgett
CIS Associate Digital Compositors: Ernie Camacho, Selena Cornish, Lenny Forher
CIS VFX Editor: Karey Maltzahn
CIS Creative Supervisor for Computer Imaging: Joni Jacobson
CIS Computer Imaging Supervisor: Dawn Guinta
SBS Effects Supervisor: John Grower
SBS VFX Producer: Bruce Jones
SBS Animation Supervisor: Eric Guaglione
Cinesite DFX Coordinator: Scott Dougherty
Filming Dates: 24 March 1994 - 9 June 1994
Camera: Panaflex Platinum (35mm Eastman EXR 100T 5248/500T 5296)
Lenses: Panavision Primo Anamorphic Primes, C- & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 35 Million USD
Budget AFI (2022): 65.6 Million USD
Special Digital Visual Effects Provided by: Industrial Light & Magic, CIS Hollywood + Santa Barbara Studios
Matte Paintings Provided by: Illusion Arts
Attribute: Filmed in Panavision - DirectorJonathan FrakesStarsPatrick StewartJonathan FrakesBrent SpinerThe Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.Director: Jonathan Frakes
Composer: Jerry Goldsmith
Costume Designer: Deborah Everton
Film Editor: John Wheeler ACE
Production Designer: Herman Zimmerman
Cinematographer: Matthew Leonetti ASC
2nd Unit Director: Peter Lauritson
2nd Unit DPs: Henryk Cymerman, Bing Sokolsky ASC
Add'l Cinematographers: Jorge Sanchez, Lowell Peterson ASC
Special VFX Supervisor: John Knoll
Borg Stunt Preformer: Thomas Robinson Harper
Filming Dates: 8 April 1996 - 2 July 1996
Cameras: Panaflex Platinum & VistaVision (35mm Eastman EXR 100T 5248/500T 5298)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)(8-Perf VistaVision: Special Effects)
Budget: 45 Million USD
Budget AFI (2021): 75.4 Million USD
Visual Effects Provided by: Industrial Light & Magic
Attribute: Filmed in Panavision - DirectorJonathan FrakesStarsPatrick StewartJonathan FrakesBrent SpinerWhen the crew of the Enterprise learn of a Federation conspiracy against the inhabitants of a unique planet, Captain Picard begins an open rebellion.Director: Jonathan Frakes
Cinematographer: Matthew Leonetti ASC
Production Designer: Herman Zimmerman
2nd Unit Director: Peter Lauritson
2nd Unit DPs: John Leonetti ASC, Bing Sokolsky ASC
Composer: Jerry Goldsmith
Film Editor: Peter Berger ACE
Costume Designer: Sanja Milkovic Hays
Filming Dates: 31 March 1998 - 2 July 1998
Camera: Panaflex Platinum (35mm Eastman EXR 100T 5248/Kodak Vision 500T 5279)
Lenses: Panavision Primo SL50mm Prime & C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)(4-Perf Super 35mm: Waterfall Scene)
Budget: 58 Million USD
Budget AFI (2021): 93.5 Million USD
Attribute: Filmed in Panavision - DirectorStuart BairdStarsPatrick StewartJonathan FrakesBrent SpinerThe Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.Director: Stuart Baird ACE
Co-Writer: John Logan
Producer/Story Writer: Rick Berman
Story Writer: Brent Spiner
Executive Producer/Unit Production Manager: Marty Hornstein
Cinematographer: Jeffrey Kimball ASC
Production Designer: Herman Zimmerman
Film Editor: Dallas Puett ACE
Costume Designer: Bob Ringwood
Co-Producer: Peter Lauriston
Composer: Jerry Goldsmith
Production VFX Supervisor: Mark O. Forker
1st Assistant Director: David Sardi
2nd Assistant Director: Richard Oswald
2nd Unit Director: Doug Coleman
2nd Unit DoP: Flemming Olsen
DI Colorist: Steven J. Scott ASC
Filming Dates: 28 November 2001 - 9 March 2002
Cameras: Panaflex Millennium & Platinum (35mm Kodak Vision 500T 5279)
Lenses: Panavision Primo Anamorphic Primes, C- & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 67 Million USD
Budget AFI (2022): 103.5 Million USD
Special Visual Effects & Digital Animation Provided by: Digital Domain, CIS Hollywood & Illusion Arts
Additional Optical Effects Provided by: Digiscope, EFilm & Pacific Title Digital
Attribute: Filmed in Panavision - DirectorJ.J. AbramsStarsChris PineZachary QuintoSimon PeggThe brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.Director/Producer/Co-Writer: JJ Abrams
Writers & EPs: Alex Kurtzman, Roberto Orci
Producer & Co-Writer: Damon Lindelof
Executive Producer: Bryan Burk
Executive Producer & UPM: Jeffrey Chernov
Cinematographer: Dan Mindel ASC BSC SASC
Production Designer: Scott Chambliss
Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE
Costume Designer: Michael Kaplan
Composer/Add'l Orchestrator: Michael Giacchino
Production VFX Supervisor & 2nd Unit Director: Roger Guyett
Production Visual Effects Producer: Shari Hanson
Co-Producer & Unit Prod Manager: David Witz
Associate Producer: David Baronoff
Unit Production Manager: Stratton Leopold
1st Assistant Director: Tommy Gormley
Stunt Coordinator: Joey Box
Fight Choreographer: Robert Alonzo
ILM Senior Visual Effects Supervisor: Russell Earl
ILM Senior Animation Supervisor: Paul Kavanagh
ILM Senior VFX Producers: Jeff Olson, Jill Brooks
Post Production Supervisor: Debbi Bossi
Production Supervisor: Deb Schwab
Supervising Art Director: Keith P. Cunningham
Art Director: Beat Frutiger
Concert Artist: Ryan Church
Creature & Makeup FX Designer: Neville Page
A Cam/Steadicam Operator: Colin Anderson SOC
1st Assistant A Camera: John T. Connor
2nd Assistant A Camera: Jesse Roth SOC
B Camera Operator: Philippe Carr-Forster
1st Assistant B Camera: Brad Peterman
Supervising Prop Master: Russell Bobbitt
Production Special FX Supervisor: Burt Dalton
SFX Shop Operations Supervisor: Dale Ettema
Special Effects Set Supervisor: William Aldridge
Special Sound FX & Montage Designer: Ben Burtt
Picture Car Coordinator: Tim Woods
2nd Unit DoP: Bruce McCleery ASC
2nd Unit Stunt Coordinator: Terry Jackson
2nd Unit A Cam/Steady Op: Andrew Rowlands SOC
2nd Unit A Cam 1st AC: Sergius Nafa Nofield
2nd Unit B Camera Operator: Dale Myrand
Aerial Unit DoP: David B. Nowell ASC
Underwater Unit DoP: Pete Romano ASC
Romulan & Vulcan Language Cons.: Mark Okrand
Science Consultant: Carolyn Porco
Bad Robot VFX Consultant: Brandon Fayette
Production VFX Consultant: Rhonda C. Gunner
Production VFX Coordinator: Tom Elder-Groebe
ILM Associate VFX Supervisor: Eddie Pasquarello
ILM Digital Prod Supervisor: Michael Di Como
ILM CG Supervisor: Nigel Sumner
ILM Visual Effects Art Director: Alex Jaeger
ILM Digital Matte Supervisor: Chris Stoski
ILM Digital Model Supervisor: Bruce Holcomb
ILM VFX Viewpaint Supervisor: Ron Woodall
ILM Seq. Supervisors: Richard Bluff, Todd Vaziri, Grady Cofer, Jay Cooper, Raul Essig
ILM Sr VFX Production Manager: Jessica Teach
ILM Visual Effects Production Manager: Lisa Todd
ILM Visual Effects Editor: Greg Hyman
ILM Add'l VFX Art Director: Yanick Dusseault
ILM Assoc. VFX PMs: Katherine Farrar Bluff, Dale Taylor, Chrysta Marie Burton
ILM VFX Executive Producer: Gretchen Libby
ILM Add'l VFX Executive Producer: Janet Lewin
ILM Sr Staff: Chrissie England, Vicki Dobbs Beck
Digital Domain VFX Supervisor: Kelly Port
Digital Domain VFX Producer: Julian Levi
Digital Domain DFX Supervisor: Darren M. Poe
Digital Domain CG Supervisor: Paul George Palop
Digital Domain Comp Supervisor: Lou Pecora
Digital Domain Digital PM: Michelle Jacobs
Svengali FX VFX Supervisor: Stefano Trivelli
Svengali FX VFX Exec Producer: Jamie Venable
Svengali FX VFX Producer: Eric Withee
Lola VFX Supervisor: Edson Williams
Lola VFX Producer: Thomas Nittmann
Lola VFX Associate Producer: Ryan Zuttermeister
Lola VFX Inferno Artists: Casey Allen, Trent Claus
CO3 EP-Sr Finishing Colorist: Stefan Sonnenfeld ASC
DI Finishing Producer: Nick Monton
Online Finishing Editor: Rob Doolittle
DI Finishing Assistant: James Cody Baker
CO3 Sr Finishing Producer: Missy Papageorge
DI Account Executive: Jackie Lee
DI Finishing Technologist: Mike Chiado
Font Consultant: Richard Massey
Filming Dates: 11 November 2007 - 27 March 2008
Cameras: Arriflex 435 ES, Panaflex XL2 & Platinum (35mm Kodak Vision2 100T 5212/500T 5218)
Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes & Anamorphic Zooms
AR: 1.43:1 (Main Title shot: IMAX 70mm version), 2.39:1 (Anamorphic)
Budget: 150 Million USD
Budget AFI (2021): 183.8 Million USD
Printed on: Kodak Vision 2383
Visual Effects & Animation Provided by: Industrial Light & Magic
Additional Visual Effects Provided by: Digital Domain, Svengali FX & Lola VFX
Miniatures & Additional Special Effects Photography Provided by: Kerner Optical
Digital Intermediate Finishing Provided by: Company 3
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision - DirectorJ.J. AbramsStarsChris PineZachary QuintoZoe SaldanaAfter the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.Director/Producer: JJ Abrams
Writers/Producers: Alex Kurtzman, Roberto Orci, Damon Lindelof
Producer: Bryan Burk
Executive Producer & UPM: Jeffrey Chernov
Cinematographer: Dan Mindel ASC BSC
Production Designer: Scott Chambliss
Film Editors: Maryann Brandon ACE, Mary Jo Markey ACE
Composer: Michael Giacchino
Costume Designer: Michael Kaplan
Production VFX Supervisor & 2nd Unit Director: Roger Guyett
Production Visual Effects Producer: Ron Ames
Co-Producer & Key 1st AD: Tommy Gormley
Co-Producers: Michelle Rejwan, Ben Rosenblatt
Stunt Coordinator: John Stoneham Jr
Fight Choreographer: Marcus Young
Supervising Art Director: Ramsey Avery
Visual Effects Art Director: James Clyne
Art Directors: Kasra Farahani, Lauren Polizzi
On-Set Art Director: James Baldwin Stewart
A Cam/Steadicam Operator: Colin Anderson SOC
B Camera Operator: Philippe Carr-Forster
C Camera Operator: John Skotchdopole
1st Assistant A Camera: Sergius Nafa Nofield
2nd Assistant A Camera: Simon England
IMAX Technician: Tim Lovasen
Production Special FX Supervisor: Burt Dalton
Set Designer: Robert Fechtman
Creature Designer: Neville Page
1st Assistant Film Editor: Matt Evans
2nd Assistant Film Editor: Nathan Orloff
3rd Assistant Film Editors: Evan Schiff
Kelvin Opt. Sr VFX Sup & Previz Editor: Adam Gerstel
Production 3D Producer: Phelicia Sperrazzo
Production 3D Coordinator: Alicia Drury
3D Assistant Coordinator: Tony Damjanov
Stereoscopic Consultant: Rob Engle
Visual Effects Associate Producer: TJ Falls
Visual Effects Plate Coordinator: Chris Antonini
Production Visual FX Data Wrangler: Jason Chen
Sup. Sound Editor & Designer: Ben Burtt
Picture Car Coordinator: Tim Woods
Language Consultant: Britton Watkins
2nd Unit DoP: Bruce McCleery ASC
2nd Unit A Cam/Steady Op: Andrew Rowlands SOC
2nd Unit B Camera Operator: Dale Myrand
2nd Unit 1st Assistant A Camera: Nino Neuboeck
2nd Unit 1st Assistant B Camera: Bob Hall
2nd Unit 2nd Assist A Camera: Rodney Sandoval
2nd Unit 2nd Assistant B Camera: Dan Schroer
2nd Unit Chief Lighting Tech: Michael Ambrose
2nd Unit Special FX Foreperson: JD Schwalm
ILM Visual Effects Co-Supervisor: Patrick Tubach
ILM Senior Visual Effects Producer: Luke O'Byrne
ILM Senior Animation Supervisor: Paul Kavanagh
ILM Associate Visual FX Supervisor: Patrick Roos
ILM Digital Production Supervisor: Michael Bauer
ILM CG Supervisors: Dan Pearson, Rob Weaver
ILM Senior Compositing Supervisor: Jay Cooper
ILM Digital Matte Supervisor: Barry Williams
ILM Digital Model Supervisor: Bruce Holcomb
ILM VFX Viewpaint Supervisor: Ron Woodall
ILM Creature Supervisor: Karin Cooper
ILM Layout Supervisor: Tim Dobbert
ILM Roto & Paint Supervisor: Trevor Hazel
ILM Stereo Supervisor: Sean Mackenzie
ILM Singapore Comp Supervisors: Dave Dally, Al Prichard
ILM Visual Effects Editor: Lorelei David
ILM Singapore VFX Producer: Stuart McAra
ILM Location Unit Assoc. VFX Supervisor: Eddie Pasquarello
ILM Compositing Supervisor: Todd Vaziri
ILM VFX PMs: Brian Barlettani, Lauren Carara, Karen Kelly, Cheng Pei Shan
ILM Technical Support Artist: Jason Snell
ILM Visual Effects Executive Producer: Jill Brooks
ILM Add'l Visual Effects Supervisor: Samir Hoon
ILM Add'l VFX EPs: Gretchen Libby, Janet Lewin
ILM Executive Staff: Vicki Dobbs-Beck
Pixomondo Visual FX Supervisor: Ben Grossman
Pixomondo VFX Producer: Richard Ivan Mann
Pixomondo On-Set VFX Supervisor: Alex Henning
Pixomondo Digital FX Supervisor: Adam Watkins
Pixomondo Compositing Supervisor: Dan Cobbett
Pixomondo Visual Effects Editor: Brian Miller
Pixomondo VFX Stereo Supervisor: Del Depierro
Pixomondo CG Supervisor: Enrico Damm
Pixomondo FX Supervisors: Pieter Mentz, Patrick Schuler
Pixomondo VFX EPs: Thilo Kuther, Christian Vogt
Kelvin Opt. DI Finish Sup: Juan Ignacio Cabrera
Kelvin Opt. Main Title Designer: Andrew Kramer
Kelvin Opt. Sr Compositors: Olaf Wendt, Tim LeDoux, Ken Littleton
Kelvin Opt. DI Finishing Producer: Erin M. Davis
Atomic Fiction Visual FX Supervisor: Kevin Baillie
Atomic Fiction Digital Art Director: Chris Stoski
Atomic Fiction Visual FX Producer: Dale Taylor
Atomic Fiction CG Supervisor: Mauricio Baiocchi
Atomic Fiction Animation Sup.: Jenn Emberly
Atomic Fiction VFX Exec Producer: Sandra Scott
Stereo D Stereo EPs: Will Sherak, Aaron Parry, Mike Gunter, Mike Bodkin
Stereo D Head of Stereography: Graham Clark
Stereo D Stereo Producer: Adam Schardein
Stereo D Stereographer: Brian Taber
Stereo D Stereo Supervisor: David Phillips
Stereo D Finaling Supervisor: Russell R. McCoy
Stereo D Stereo Prod Supervisor: Jessica Smith
Stereo D Roto Supervisor: Bryan Higgins
Stereo D Stereoscopic Post Exec: Milton Amadou
Stereo D VP of Int'l Prod Services: Prafull Gade
Stereo D Stereo Editorial Sup.: Derek N. Prusak
Stereo D Senior Stereo Editor: Greg Emerson
Stereo D Stereo Editor: Michael G. Buck
Stereo D 1st Ass't Stereo Editor: Adrian Scherger
Stereo D Visual FX Manager: Charles Giarratano
Stereo D Stereo PCs: Todd Hoppmeyer, Jeffrey Stewart, Rebecca Kramp, Andrew Eick, Javier Paz
Stereo D Visual Effects Lead: Milady Bridges
Stereo D Element QC Lead: Les Foor
Stereo D Tracking Lead: Eric Sanford
CO3 EP & Supervising Finishing Colorist: Stefan Sonnenfeld ASC
CO3 Add'l Finishing Colorist: James Cody Baker
CO3 Senior DI Finishing Producer: Andy Kaplan
CO3 DI Finishing Technologist: Mike Chiado
CO3 Color Finishing Assistant: Jordan Fox
CO3 Head of Production: Devin Sterling
CO3 Account Executive: Jackie Lee
CO3 DI Finishing Accountant: Ian Sullivan
FotoKem Project Supervisors: Katherine Kane, Jose Parra, Mark Van Horne
FotoKem Dailies Colorists: Brian Kahovec, Robert Tomaszewski
FotoKem Dailies Film Timers: Don Capaferi, Kristen Zimmerman
FotoKem DI Visual FX Producer: Jason Pelham
Filming Dates: 12 January 2012 - 8 May 2012
Cameras: Arriflex 435 ES, IMAX MSM 9802, Iwerks MSM 8870 & Panaflex XL2 (35mm/65mm Kodak Vision3 200T 5213/500T 5219)
Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes, Anamorphic Zooms & Hasselblad
AR: 1.43:1 (IMAX 70mm Version: Some Scenes), 1.66:1 (IMAX 70mm Version: Some Scenes), 1.78:1 (IMAX Blu-Ray & 4K UHD Version: Some Scenes), 1.90:1 (IMAX Digital Version: Some Scenes), 2.39:1 (Anamorphic)
Budget: 185-190 Million USD
Printed on: Kodak Vision 2383
Post-Production Sound Service Provided by: Skywalker Sound
Special Visual Effects, Animation, Digital Intermediate Finishing & Titles Design Provided by: Industrial Light & Magic, Atomic Fiction, Pixomondo, Kelvin Optical + Company 3
3D Conversion Provided by: Stereo D
35mm/65mm Film & VFX Dailies Provided by: FotoKem
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision - DirectorJustin LinStarsChris PineZachary QuintoKarl UrbanThe crew of the USS Enterprise explores the furthest reaches of uncharted space, where they encounter a new ruthless enemy, who puts them, and everything the Federation stands for, to the test.Director/Producer: Justin Lin
Co-Writer: Simon Pegg
Producer/Co-Writer: Roberto Orci
Script Consultant: Alfredo Botello
Producer: JJ Abrams
Executive Producer/Unit Production Manager: Jeffrey Chernov
Cinematographer: Stephen F. Windon ASC ACS
Production Designer: Thomas Sanders
Production Designer (Add'l Photography): Andrew Murdock
Film Editors: Kelly Matsumoto ACE, Steven Sprung ACE, Dylan Highsmith, Greg D'Auria
Composer: Michael Giacchino
Costume Designer: Sanja Milkovic Hays
Production VFX Supervisor: Peter Chiang
Associate Producer/Production VFX Producer: Ron Ames
Special Makeup Effects Designer: Joel Harlow
Dedicated to: Leonard Nimoy & Anton Yelchin
Associate Producer/Unit Production Manager: Helen Pollak
1st Assistant Director: Nick Satriano
2nd Assistant Director: Philip Nee Nee
Associate Producer: Joshua Henson
Stunt Coordinator/2nd Unit Director: Mike Gunther
Sound Designer & Supervisor: Peter Brown
Re-Recording Mixers: Jon Taylor, Frank Montano
Production Manager: Stewart Bethune
Production Supervisor: Evangeline Morgan
Supervising Art Director: Don Macaulay
Set Decorator: Lin MacDonald
C-Camera Operator: Stephen Maier
1st Assistant A-Camera: Gregory Irwin
A-Camera/Steadicam Operator: Geoffrey Haley SOC
Steadicam Operator: Peter Wilke
Aerial Unit DoP: Steve Koster
Supervising SFX Coordinator: Cameron Waldbauer
Location Manager: Ann Goobie
VFX Art Director/Senior Concept Designer: Sean Hargreaves
VFX Production Supervisors: Kim Doyle, Shelly Lloyd-Samson
Political Consultant: Richard Klein
Consultant: Marc Okrand
2nd Unit Director/Visualization Supervisor: Alexander Vegh
2nd Unit Key 1st Ass't Dir.: Misha Bukowski
2nd Unit 1st Ass't Director: Douglas Plasse
2nd Unit DoP: Bruce McCleery ASC
2nd Unit Camera Operator: Dean Heselden
Unit Production Managers (Dubai Unit): Scott Thaler, Leigh Clarke
Dubai Unit C-Camera Operators: Riki Butland
Dubai Unit SFX Coordinator: Rudolphe Saleh
Dubai Unit Art Director: Salim Al Razouk
Dubai Unit Drone Camera Operator: Davide Tiraboschi
Dubai Unit Set Designer: Sonia Savova
C-Camera Operator (Reshoots): Jesse Roth SOC
SFX Supervisor (Add'l Photography): Casey D. Noel
Art Director (Add'l Photography): Eric Sundahl
DNEG VFX Producer: Andy Taylor
DNEG VFX Supervisors: Raymond Chen, Sean Stranks
DNEG VFX CG Supervisors: Rick Leary, Stuart Farley, Daniel Paullson
DNEG CG FX Supervisors: Mark Hodgkins, Shaun Roth, May Leung
DNEG VFX Animation Supervisor: Michael Lum
DNEG VFX Associate Producer: Katrina Navassartian
DNEG VFX Colorist: Aurora Shannon
DNEG VFX Mocap Supervisor: Simon Kay
DNEG VFX Supervisor (Barco Escape): Gregor Lakner
Barco Escape Supervisor: Varun Hadkar
Atomic Fiction Senior VFX Supervisor: Kevin Baillie
Atomic Fiction VFX Supervisor: Ryan Tudhope
Atomic Fiction DFX Supervisor: Jonathan Harman
Atomic Fiction Add'l VFX Supervisors: Jim Gibbs, Michael Janov
Atomic Fiction VFX Executive Producer: Marc Sadeghi
Atomic Fiction VFX Producers: Annie Normandin, Jenna Kent
Atomic Fiction Associate VFX Producer: Dale Taylor
Atomic Fiction VFX Art Director: Brian Flora
Kelvin Optical Senior VFX Producer: Chrysta Marie Burton
Kelvin Optical VFX Supervisors: Pauline Duvall, Stefano Trivelli
Kelvin Optical Consulting VFX Supervisor: Luke McDonald
Kelvin Optical Assets Supervisor: Nicholas Barnes
Kelvin Optical Lead Lighting Artist: Li Xu
Kelvin Optical Environments Department Supervisor: Ting Lo
Base FX VFX Supervisor: Geng Li
Rodeo FX VP of Production: Isabelle Langlois
Rodeo FX VFX Executive Producer: Sebastian Moreau
Rodeo FX VFX Producer: Adam O'Brien Locke
Rodeo FX VP of Development & Technology: Jordan Soles
UPP VFX Supervisor: Viktor Muller
Action Sequence Consultant: David Chan
Stereo D Stereo Exec Producers: William Sherak, Aaron Parry, Mike Gunter
Stereo D Stereographer: Brian Taber
Stereo D Stereo Producer: Alexandra Gonzalez
Stereo D Stereo Supervisors: Jeremy Carroll, Prateek Kaushal, Brad Darrow
Stereo D Stereo Prod Supervisors: Ryan Fisk, Vincent De Febo
Stereo D Depth Supervisor: Roy Vincent Mann
Stereo D Finaling Supervisor: Brian Schultz
Stereo D Roto Supervisor: Daniel Schrepf
Stereo D VP of Int'l Prod Services: Prafull Gade
Stereo D VP of 3D Technology: Nizar Thabet
Stereo D VP of Conversion (VFX): Adam Schardein
Stereo D Stereoscopic Post Executive: Milton Amadou
Stereo D Post-Production Manager: Derek Prusak
Stereo D Line Producers: Chris Treichel, Krishna Prasad
Stereo D Asset Producer: Michael Anders
Stereo D Stereo Editor: Emily Mason
Stereo D Pipeline Supervisor: Chris Montesanto
Stereo D Element QC Supervisor: Les Foor
Supervising Digital Colorist: Tom Reiser
DI Producer: Vanessa Galvez
DI Editor: Amy Pawlowski
DI Color Assistant: Andre Rivas
DI Ass't Producer: Hunter Clancey
EFilm VFX Portal Producer: Jeremy Stapleton
Dailies Colorist: John Hart
Senior Dailies Producer: Ken Lebre
Filming Dates: 25 June 2015 - 14 October 2015, 14 March 2016 - 31 March 2016 (Reshoots)
Cameras: Alexa XT & Red Epic Dragon (3.4K ARRIRAW & 6K Redcode RAW)
Lenses: Arri Master Anamorphic Primes, Zeiss Compact Primes, Master Primes, Ultra Primes, Anamorphic Ultra-Wide Zoom & Angenieux Optimo 2S Anamorphic Zooms
AR: 2.39:1 (Anamorphic/Super 35mm Hybrid), 5.95:1 (Barco Escape Version: Some Scenes)
Budget: 185 Million USD
Printed on: Kodak Vision 2383
Visual Effects Provided by: Double Negative VFX, Atomic Fiction & Kelvin Optical
Additional Visual Effects Provided by: Base FX, Rodeo FX & Universal Production Partners
3D Conversion Provided by: Stereo D
Attribute: Filmed with Arri Cameras and Lenses - DirectorDavid SemelStarsSonequa Martin-GreenDoug JonesShazad LatifWhile patrolling Federation space, the U.S.S. Shenzhou encounters an object of unknown origin, putting First Officer Michael Burnham to her greatest test yet.Director/Executive Producer: David Semel
Composer/Conductor: Jeff Russo
Composer (Original Star Trek Theme): Alexander Courage
Lead VFX Supervisor: Jason Michael Zimmerman
Film Editor: Jon Dudkowski ACE
Production Designer: Mark Worthington
Cinematographer: Guillermo Navarro ASC
Consulting Producer: Nicholas Meyer
Executive Producer: Eugene Roddenberry
Executive Producer/Co-Writer: Bryan Fuller
Executive Producer/Teleplay Writer: Akiva Goldsman
Executive Producer/Story Writer: Alex Kurtzman
Associate Producer: Dana N. Wilson
Production Manager: David Till
1st Assistant Directors: Libby Hodgson, Beau Ferris
2nd Assistant Director: Rita Colucci
2nd Unit Directors: Christopher J. Byrne, Tamir Naber
Costume Designer: Gersha Phillips
Art Directors: Greg Chown, Matt Middleton
Supervising Art Directors: Joshua de Cartier, Mark Steel
Set Decorator: Peter Nicolakkakos
Prop Masters: Mario Moreira, Jim Murray
A-Camera Operator: Tony Guerin
B-Camera/Steadicam Operator: Sean Sealey
B-Camera Operator: Joseph Kfoury
Studio Manager: Robert Jones
Location Production Assistant: Chris Vargas
Lead Creature Designer: Neville Page
Lighting Designer: Franco Tata
1st Assistant A-Camera: Barrett Axford
1st Assistant B-Camera: Brian White
2nd Assistant A-Camera: Christina Louie
2nd Assistant B-Camera: Craig Jewell
Digital Imaging Technician: Rob Stronghill
Ass't Production Manager: Kosta Orfanidis
Production Coordinator: Janet Gayford
1st Ass't Production Coordinator: Nicole Lane
2nd Assistant Production Coordinator: Derrick O'Toole
Add'l Production Designer: Todd Cherniawsky
1st Ass't Art Director: Tasha Peschlow
2nd Ass't Art Director: Hyebin Yoon
Storyboard Artist: Rob McCallum
Supervising Stunt Coordinator: Rick Forsyth
Production SFX Coordinator: Darcy Callaghan
Production VFX Supervisor: Ante Dekovic
Production VFX Producer: Aleksandra Kochoska
VFX Production Manager: Helen Jen
VFX Lead Artist: Charles Collyer
Senior VFX Coordinator: David Takemura
Production VFX Coordinators: Anaya Reid, Julie Rothfarb
1st Assistant Editor: Matthew Kovach
Production VFX Editors: Jon Angus, Glenn Cote
VFX Ass't Editor: Greg Minihan
Post-Production Coordinator: Ruben Michael Molina
Post-Production Assistant: Ryan Miles
Researcher: Anthony Maranville
Klingon Translator: Robyn Stewart
Executive Assistant (Toronto): Emma Sampson
Unit Production Manager (LA Unit): Joe Lotito
LA Unit 1st Ass't Director: Susan Elmore
LA Unit 2nd Ass't Director: Marcia Woske
LA Art Director (LA Unit): William Budge
LA Prod Coord (LA Unit): Andrew McCulloch
LA Lead Crane Tech (LA Unit): Philip Hallford
LA Chief Lighting Technician (LA Unit): David Lee
Jordan Unit Producer: Issam Husseini
Jordan Prod Coord (Jordan Unit): Tala Olabi
Jordan Chief Lighting Tech (Jordan Unit): Hosni Al Baga
Jordan Art Director (Jordan Unit): Sami Keilani
Sound Designer: Christopher Scarabosio
Chainsaw Supervising Producer: Byron Smith
Chainsaw Online Editor: Chad Cole
CO3 Final Colorist/Supervising Finishing Artist: Stefan Sonnenfeld ASC
CO3 Ass't Finishing Colorist: James Cody Baker
Filming Dates: January 24, 2017 - October 11, 2017
Camera: Alexa SXT (3.4K ARRIRAW)
Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms
AR: 2.00:1 (Super 35mm)
Budget: 8 Million USD
Post-Production Sound Services Provided by: Skywalker Sound
Post Production Services & Color Timing Provided by: Company 3 & Chainsaw
Visual Effects Provided by: Crafty Apes, Pixomondo & Spin VFX
Attribute: Camera and Lenses by Sim Digital - 2017–202438mTV-147.5 (7.3K)TV EpisodeDirectorAdam KaneStarsSonequa Martin-GreenDoug JonesShazad LatifEscaping from the brig while the ship is under attack, Burnham joins the captain in an audacious plan to end a battle rapidly escalating into war.Director: Adam Kane
Composer/Conductor: Jeff Russo
Composer (Original Star Trek Theme): Alexander Courage
Lead VFX Supervisor: Jason Michael Zimmerman
Film Editor: Scott Gamzon ACE
Production Designer: Todd Cherniawsky
Cinematographer: Colin Hoult CSC
Consulting Producer: Nicholas Meyer
Executive Producer/Story Writer: Bryan Fuller
Executive Producer: Eugene Roddenberry
Teleplay Writers: Gretchen J. Berg, Aaron Harberts
Associate Producer: Dana N. Wilson
Production Manager: David Till
1st Assistant Director: Tim Singh
2nd Assistant Director: Kira McCord
Costume Designer: Gersha Phillips
Art Directors: Greg Chown, Matt Middleton
Supervising Art Directors: Joshua de Cartier, Mark Steel
Set Decorator: Peter P. Nicolakkakos
Prop Master: Jim Murray
A-Camera Operator: Tony Guerin
B-Camera/Steadicam Operator: Sean Sealey
Studio Manager: Robert Jones
Location Production Assistant: Chris Vargas
Lead Creature Designer: Neville Page
Lighting Designer: Franco Tata
1st Assistant A-Camera: Barrett Axford
1st Assistant B-Camera: Brian White
2nd Assistant A-Camera: Christina Louie
2nd Assistant B-Camera: Craig Jewell
Digital Imaging Technician: Rob Stronghill
Ass't Production Manager: Kosta Orfanidis
Production Coordinator: Janet Gayford
1st Ass't Production Coordinator: Nicole Lane
2nd Assistant Production Coordinator: Derrick O'Toole
1st Ass't Art Director: Tasha Peschlow
2nd Ass't Art Director: Hyebin Yoon
Storyboard Artist: Rob McCallum
Digital Asset Manager: James Jarvis
Stunt Coordinator: Rick Forsyth
Production SFX Coordinator: Darcy Callaghan
Production VFX Supervisor: Ante Dekovic
Production VFX Producer: Aleksandra Kochoska
VFX Production Manager: Helen Jen
VFX Lead Artist: Charles Collyer
Senior VFX Coordinator: David Takemura
Production VFX Coordinators: Anaya Reid, Julie Rothfarb
VFX Art Director: William Budge
1st Assistant Editor: Jeffrey D. Brown
2nd Assistant Editor: John Mullin
Production VFX Editors: Jon Angus, Glenn Cote
VFX Ass't Editor: Greg Minihan
Post-Production Coordinator: Ruben Michael Molina
Post-Production Assistant: Ryan Miles
Researcher: Anthony Maranville
Klingon Translator: Robyn Stewart
Executive Assistant (Toronto): Emma Sampson
Sound Designer: Christopher Scarabosio
Chainsaw Supervising Producer: Byron Smith
Chainsaw Online Editor: Chad Cole
CO3 Final Colorist/Supervising Finishing Artist: Stefan Sonnenfeld ASC
CO3 Ass't Finishing Colorist: James Cody Baker
Filming Dates: January 24, 2017 - October 11, 2017
Camera: Alexa SXT (3.4K ARRIRAW)
Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms
AR: 2.00:1 (Super 35mm)
Budget: 8 Million USD
Post-Production Sound Services Provided by: Skywalker Sound
Post Production Services & Color Timing Provided by: Company 3 & Chainsaw
Visual Effects Provided by: Pixomondo & Spin VFX
Attribute: Camera and Lenses by Sim Digital - DirectorAkiva GoldsmanStarsSonequa Martin-GreenDoug JonesShazad LatifBurnham finds herself aboard the U.S.S. Discovery, where she quickly realizes things are not as they seem, including the mysterious Captain Gabriel Lorca.Director/Executive Producer: Akiva Goldsman
Composer/Conductor: Jeff Russo
Composer (Original Star Trek Theme): Alexander Courage
Lead VFX Supervisor: Jason Michael Zimmerman
Film Editor: Jon Dudkowski ACE
Production Designer: Todd Cherniawsky
Cinematographer: Darran Tiernan ISC
Producer: Thom J. Petak
Consulting Producer: Nicholas Meyer
Executive Producer/Story Writer: Bryan Fuller
Executive Producer/Teleplay Writer: Craig Sweeny
Executive Producer: Eugene Roddenberry
Co-Writers: Gretchen J. Berg, Aaron Harberts
Associate Producer: Dana N. Wilson
Production Manager: David Till
1st Assistant Director: Libby Hodgson
2nd Assistant Director: Rita Colucci
Costume Designer: Gersha Phillips
Set Decorator: Peter P. Nicolakakos
Prop Master: Mario Moreira
Supervising Art Director: Mark Steel
Art Directors: Greg Chown, Matt Middleton
1st Ass't Art Director: Natasha Peschlow
Ass't Production Manager: Michael Stoyanov
3rd Assistant Directors: Ross Vivian, Brooke Fifield
A-Camera Operator: Tony Guerin
B-Camera/Steadicam Operator: Sean Sealey
Studio Manager: Robert Jones
Lead Creature Designer: Neville Page
Lighting Designer: Franco Tata
1st Assistant A-Camera: Barrett Axford
1st Assistant B-Camera: Brian White
2nd Assistant A-Camera: Christina Louie
2nd Assistant B-Camera: Craig Jewell
Digital Imaging Technician: Rob Stronghill
Production Coordinator: Janet Gayford
1st Ass't Production Coordinators: Nicole Lane, Allison Lahav
2nd Assistant Production Coordinator: Derrick O'Toole
Storyboard Artist: Rob McCallum
Digital Asset Manager: James Jarvis
Stunt Coordinator: Christopher McGuire
Production SFX Coordinator: Darcy Callaghan
Production VFX Supervisor: Ante Dekovic
Production VFX Producer: Aleksandra Kochoska
VFX Production Manager: Helen Jen
VFX Lead Artist: Charles Collyer
Senior VFX Coordinator: David Takemura
Production VFX Coordinators: Anaya Reid, Julie Rothfarb
VFX Art Director: William Budge
1st Assistant Editor: Matthew Kovach
Production VFX Editor: Glenn Cote
VFX Ass't Editor: Greg Minihan
Post-Production Coordinator: Ruben Michael Molina
Post-Production Assistant: Ryan Miles
Researcher: Anthony Maranville
Klingon Translator: Robyn Stewart
Executive Assistant (Toronto): Emma Sampson
Chainsaw Supervising Producer: Byron Smith
Chainsaw Online Editor: Chad Cole
CO3 Final Colorist/Supervising Finishing Artist: Stefan Sonnenfeld ASC
CO3 Ass't Finishing Colorist: James Cody Baker
Filming Dates: January 24, 2017 - October 11, 2017
Camera: Alexa SXT (3.4K ARRIRAW)
Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms
AR: 2.00:1 (Super 35mm)
Budget: 8 Million USD
Post Production Services & Color Timing Provided by: Company 3 & Chainsaw
Visual Effects Provided by: Crafty Apes & Spin VFX
Attribute: Camera and Lenses by Sim Digital - DirectorHanelle M. CulpepperStarsSonequa Martin-GreenDoug JonesShazad LatifBurnham heads to the ISS Charon with a special "gift" for the Emperor. With the help of an unexpected source, Stamets gains clarity while trapped inside the mycelial network. Saru asks for L'Rell's help.Director: Hannelle M. Culpepper
Composer/Conductor: Jeff Russo
Composer (Original Star Trek Theme): Alexander Courage
Costume Designer: Gersha Phillips
Lead VFX Supervisor: Jason Michael Zimmerman
Film Editors: Steve Haugen, Andreas Karrer
Production Designer: Tamara Deverell
Cinematographer: Colin Hoult CSC
Producer: Ted Miller
Consulting Producer: Nicholas Meyer
Executive Producer: Eugene Roddenberry
Writer: Jordan Nardino
Associate Producer: Dana N. Wilson
Production Managers: David Vaughan, David Till
1st Assistant Director: Libby Hodgson
2nd Assistant Director: Rita Colucci
Set Decorator: Peter P. Nicolakakos
Prop Master: Mario Moreira
Art Directors: Matt Middleton, Jody Lynn Clement
Ass't Production Manager: Michael Stoyanov
3rd Assistant Directors: Brooke Fifield, Jessica Kirec
A-Camera Operator: Tony Guerin
B-Camera Operator: Gilles Corbiel
Location Manager: Melissa Warry-Smith
Studio Manager: Robert Jones
Lead Creature Designer: Neville Page
Lighting Designer: Franco Tata
1st Assistant A-Camera: Andrew Strech
1st Assistant B-Camera: Brian White
2nd Assistant A-Camera: Stephen Gould
2nd Assistant B-Camera: Craig Jewell
Digital Imaging Technician: Rob Stronghill
Production Coordinator: Alison Waxman
1st Ass't Production Coordinators: Allison Lahav, Taylor Danton
2nd Assistant Production Coordinator: Laura Miles
Storyboard Artist: Rob McCallum
Digital Asset Manager: James Jarvis
Stunt Coordinator: Neil Davison
Fight Coordinator: Hubert Boorder
Production SFX Coordinator: Darcy Callaghan
Production VFX Supervisor: Ante Dekovic
Production VFX Producer: Aleksandra Kochoska
VFX Production Manager: Helen Jen
VFX Lead Artist: Charles Collyer
Senior VFX Coordinator: David Takemura
Production VFX Coordinators: Anaya Reid, Julie Rothfarb, Lauren Kramer
On-Set VFX Coordinator/VFX Plate Supervisor: Alexander Wood
Associate VFX Supervisor: Mahmoud Rahnama
VFX Previz Supervisor: Stephen J. Pavelski
VFX Art Director: William Budge
Production VFX Editor: Glenn Cote
VFX 1st Ass't Editor: Greg Minihan
VFX 2nd Ass't Editor: Jason Sikora
Post-Production Supervisor: Bradley Ramirez
Post-Production Coord: Ruben Michael Molina
Post-Production Assistant: Ryan Miles
Researcher: Anthony Maranville
Klingon Translator: Robyn Stewart
Executive Assistant (Toronto): Emma Sampson
SIM Supervising Producer: Bryon Smith
SIM Online Editor: Chad Cole
Final Colorist: Todd Bochner
Crafty Apes VFX Supervisor: Leslie Chung
Filming Dates: January 24, 2017 - October 11, 2017
Camera: Alexa SXT (3.4K ARRIRAW)
Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms
AR: 2.00:1 (Super 35mm)
Budget: 8 Million USD
Visual Effects Provided by: Pixomondo, Crafty Apes, Spin VFX, FX3X, Ghost & Redlab
Attribute: Camera, Lenses & Post-Production Services by Sim Digital - DirectorOlatunde OsunsanmiStarsSonequa Martin-GreenDoug JonesShazad LatifLorca plans to move forward with a coup against the Emperor, propelling Burnham to make a quick decision to save not only herself, but the U.S.S. Discovery.Director/Co-Executive Producer: Olatunde Osunsamnmi
Composer/Conductor: Jeff Russo
Composer (Original Star Trek Theme): Alexander Courage
Costume Designer: Gersha Phillips
Lead VFX Supervisor: Jason Michael Zimmerman
Film Editor: Andrew Coutts CCE
Production Designer: Tamara Deverell
Cinematographer: Glen Keenan CSC
Producer: Ted Miller
Consulting Producer: Nicholas Meyer
Co-Executive Producer/Writer: Ted Sullivan
Executive Producer: Eugene Roddenberry
Associate Producer: Dana N. Wilson
Production Managers: David Vaughan, David Till
1st Assistant Director: Woody Sidarous
2nd Assistant Director: Ben Marrello
Set Decorator: Peter P. Nicolakakos
Prop Master: Mario Moreira
Art Directors: Matt Middleton, Jody Lynn Clement
Ass't Production Manager: Michael Stoyanov
3rd Assistant Directors: Brooke Fifield, Kieffer Moxness, David Lester, Jordan Roy
A-Camera Operator: Tony Guerin
B-Camera/Steadicam Operator: Yoann Malnati
Location Manager: Melissa Warry-Smith
Studio Manager: Robert Jones
Lead Creature Designer: Neville Page
Lighting Designer: Franco Tata
1st Assistant A-Camera: Andrew Strech
1st Assistant B-Camera: Brian White
1st Assistant C-Camera: Craig Jewell
2nd Assistant A-Camera: Stephen Gould
Digital Imaging Technician: Rob Stronghill
Production Coordinator: Alison Waxman
1st Ass't Production Coordinators: Allison Lahav, Taylor Danton
2nd Assistant Production Coordinator: Laura Miles
Storyboard Artist: Rob McCallum
Digital Asset Manager: James Jarvis
Stunt Coordinator: Christopher McGuire
Fight Coordinator: Hubert Boorder
Production SFX Coordinator: Darcy Callaghan
Production VFX Supervisor: Ante Dekovic
Production VFX Producer: Aleksandra Kochoska
VFX Production Manager: Helen Jen
VFX Lead Artist: Charles Collyer
Senior VFX Coordinator: David Takemura
Production VFX Coordinators: Anaya Reid, Julie Rothfarb, Lauren Kramer
On-Set VFX Coordinator/VFX Plate Supervisor: Alexander Wood
Associate VFX Supervisor: Mahmoud Rahnama
VFX Previz Supervisor: Stephen J. Pavelski
VFX Art Director: William Budge
1st Assistant Editor: Dennis Alaniz
2nd Assistant Editor: Tim Brinker
Production VFX Editor: Glenn Cote
VFX 1st Ass't Editor: Greg Minihan
VFX 2nd Ass't Editor: Jason Sikora
Post-Production Supervisor: Bradley Ramirez
Post-Production Coord: Ruben Michael Molina
Post-Production Assistant: Ryan Miles
Researcher: Anthony Maranville
Klingon Translator: Robyn Stewart
Executive Assistant (Toronto): Emma Sampson
SIM Supervising Producer: Bryon Smith
SIM Online Editor: Chad Cole
Final Colorist: Todd Bochner
Filming Dates: January 24, 2017 - October 11, 2017
Camera: Alexa SXT (3.4K ARRIRAW)
Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms
AR: 2.00:1 (Super 35mm)
Budget: 8 Million USD
Visual Effects Provided by: Pixomondo, Crafty Apes, Spin VFX, FX3X & Red Lab
Attribute: Camera, Lenses & Post-Production Services by Sim Digital - DirectorAlex KurtzmanStarsSonequa Martin-GreenDoug JonesAnthony RappThe crew of the U.S.S. Discovery joins forces with Captain Pike to unravel the mystery of seven mysterious red signals that have appeared across the universe.Director/Executive Producer: Alex Kurtzman
Composer/Conductor: Jeff Russo
Composer (Original Star Trek Theme): Alexander Courage
Costume Designer: Gersha Phillips
Lead VFX Supervisor: Jason Michael Zimmerman
Film Editor: Jon Dudkowski ACE
Production Designer: Tamara Deverell
Cinematographer: Glen Keenan CSC
Co-Producers: Bo Yeon Kim, Erika Lippoldt
Producer: Thom J. Petak
Consulting Producer: Akiva Goldsman
Co-Executive Producer: Jenny Lumet
Co-Executive Producer/Writer: Ted Sullivan
Executive Producers: Eugene Roddenberry
Executive Producers/Writers: Gretchen J. Berg, Aaron Harberts
Supervising Associate Producer: Dana N. Wilson
Associate Producer: Emma Sampson
Production Managers: David Till, BE Sharp
1st Assistant Director: Woody Sidarous
2nd Assistant Director: Ben Marrello
2nd Unit Director: Larry A. McLean
Executive Consultant: Bryan Fuller
Set Decorator: Peter Nicolakkakos
Prop Master: Mario Moreira
Art Directors: Matt Middleton, Jody Lynn Clement
3rd Assistant Directors: Ross Vivian, Brooke Fifield
A-Camera Operator: Francois Daignault
B-Camera Operator: JP Locherer
B-Camera/Steadicam Operator: Sarah Warland
C-Camera/Steadicam Operator: Michael Carr
Location Manager: Tim Owen
Studio Manager: Tom Nicholls
Lead Creature Designer: Neville Page
Lighting Designer: Franco Tata
1st Assistant A-Camera: Andrew Stretch
1st Assistant B-Camera: Rob Mountjoy
1st Assistant C-Camera: Andrew Macklin
2nd Assistant A-Camera: Stephen Gould
Digital Imaging Technician: Ron Schlueter
Production Coordinator: Alison Waxman
1st Ass't Production Coordinators: Allison Lahav, Taylor Danton
2nd Assistant Production Coordinator: Laura Miles
Storyboard Artist: Rob McCallum
1st Ass't Art Director (Graphics): Lucas Wareing
Digital Asset Manager: James Jarvis
Stunt Coordinator: Christopher McGuire
Fight Coordinator: Hubert Boorder
Production SFX Coordinator: Darcy Callaghan
Production VFX Supervisor: Ante Dekovic
Production VFX Producer: Aleksandra Kochoska
VFX Lead Artist: Charles Collyer
Lead VFX Coordinator: Julie Rothfarb
Production VFX Coordinators: Shawn Ewashko, Chelsea Wynne, Valerie Rocha
On-Set VFX Coordinator/VFX Plate Supervisor: Alexander Wood
Associate VFX Supervisor: Mahmoud Rahnama
VFX Previz Supervisor: Stephen J. Pavelski
VFX Art Director: William Budge
1st Assistant Editor: Matthew Kovach
Production VFX Editor: Jason Sikora
VFX 1st Ass't Editor: Kevin Laneave
VFX 2nd Ass't Editor: Greg Minihan
Post-Production Coord: Ruben Michael Molina
Post-production Assistant: Ryan Miles
Researcher: Anthony Maranville
Translator: Robyn Stewart
Executive Assistant (Toronto): Cornelia Audrey
SIM Supervising Producer: Bryon Smith
SIM Online Editor: Chad Cole
Final Colorist: Todd Bochner
Crafty Apes Supervising VFX Producer: Leslie Chung
Filming Dates: April 16, 2018 - December 21, 2018
Camera: Alexa SXT (3.4K ARRIRAW)
Lenses: Cooke Anamorphic/I SF Primes
AR: 2.39:1 (Anamorphic)
Budget: 8 Million USD
Visual Effects Provided by: Pixomondo, Crafty Apes, Ghost VFX & FX3X
Attribute: Camera, Lenses & Post-Production Services by Sim Digital - DirectorT.J. ScottStarsSonequa Martin-GreenDoug JonesAnthony RappSpock and Burnham head to Talos IV, where the process of healing Spock forces the siblings to confront their troubled past. Stamets desperately tries to reconnect with an increasingly disconnected Hugh, while Tyler struggles to shed the crew's suspicions of him due to his past as Voq.Director: TJ Scott
Composer/Conductor: Jeff Russo
Composer (Original Star Trek Theme): Alexander Courage
Costume Designer: Gersha Phillips
Lead VFX Supervisor: Jason Michael Zimmerman
Film Editor: Scott Gamzon ACE
Production Designer: Tamara Deverell
Cinematographer: Tiko Poulakakis CSC
Co-Producers: Bo Yeon Kim, Erika Lippoldt
Producer: Thom J. Petak
Consulting Producer: Akiva Goldsman
Co-Executive Producer: Jenny Lumet
Executive Producers: Eugene Roddenberry
Writers: Dan Dworkin, Jay Beattie
Supervising Associate Producer: Dana N. Wilson
Associate Producers: Emma Sampson, Robyn Johnson
Production Managers: David Till, BE Sharp
1st Assistant Director: Woody Sidarous
2nd Assistant Director: Sarah MacDonald
2nd Unit Director: Larry A. McLean
Executive Consultant: Bryan Fuller
Set Decorator: Peter Nicolakkakos
Prop Master: Mario Moreira
Supervising Art Director: Joshua de Cartier
Art Directors: Matt Middleton, Jody Lynn Clement
1st Ass't Art Director (Graphics): Andy Tsang
1st Ass't Art Director (Illustration): Chris Penna
3rd Assistant Directors: Ross Vivian, Brooke Fifield
A-Camera Operator: Francois Daignault
B-Camera Operators: JP Locherer, Sarah Warland
C-Camera/Steadicam Operator: Michael Carr
Location Manager: Melissa Warry-Smith
Ass't Location Manager: Justin Cossette
Studio Manager: Robert Jones
Ass't Studio Manager: Tom Nicholls
Lead Creature Designer: Neville Page
Lighting Designer: Franco Tata
1st Assistant A-Camera: Andrew Stretch
1st Assistant B-Camera: Rob Mountjoy
1st Assistant C-Camera: Andrew Macklin
2nd Assistant A-Camera: Stephen Gould
Digital Imaging Technician: Ron Schlueter
Production Coordinator: Alison Waxman
1st Ass't Production Coordinators: Allison Lahav, Taylor Danton
2nd Assistant Production Coordinator: Laura Miles
Storyboard Artist: Rob McCallum
Digital Asset Manager: James Jarvis
Stunt Coordinator: Christopher McGuire
Fight Coordinator: Hubert Boorder
Production SFX Coordinator: Darcy Callaghan
Production VFX Supervisor: Ante Dekovic
Production VFX Producer: Aleksandra Kochoska
VFX Lead Artist: Charles Collyer
Lead VFX Coordinator: Julie Rothfarb
Production VFX Coordinators: Shawn Ewashko, Chelsea Wynne, Valerie Rocha
On-Set VFX Coordinator/VFX Plate Supervisor: Alexander Wood
Associate VFX Supervisor: Mahmoud Rahnama
VFX Previz Supervisor: Stephen J. Pavelski
VFX Art Director: William Budge
1st Assistant Editor: John Mullin
Production VFX Editor: Jason Sikora
VFX Ass't Editor: Greg Minihan
Post-Production Coord: Ruben Michael Molina
Researcher: Anthony Maranville
Translator: Robyn Stewart
Executive Assistant (Toronto): Cornelia Audrey
SIM Supervising Producer: Bryon Smith
SIM Online Editor: Chad Cole
Final Colorist: Todd Bochner
Crafty Apes Supervising VFX Producer: Leslie Chung
Filming Dates: April 16, 2018 - December 21, 2018
Camera: Alexa SXT (3.4K ARRIRAW)
Lenses: Cooke Anamorphic/I SF Primes
AR: 2.39:1 (Anamorphic)
Budget: 8 Million USD
Visual Effects Provided by: Pixomondo, Crafty Apes, Ghost VFX, Spin VFX & FX3X
Attribute: Camera, Lenses & Post-Production Services by Sim Digital - DirectorOlatunde OsunsanmiStarsSonequa Martin-GreenDoug JonesAnthony RappWhen the U.S.S. Discovery's crucial mission does not go according to plan, Burnham realizes what must ultimately be done. The crew prepares for the battle of a lifetime as Leland's Control ships get closer.Director/Executive Producer: Olatunde Osunsamnmi
Composer/Conductor: Jeff Russo
Composer (Original Star Trek Theme): Alexander Courage
Costume Designer: Gersha Phillips
Lead VFX Supervisor: Jason Michael Zimmerman
Film Editor: Jon Dudkowski ACE
Production Designer: Tamara Deverell
Cinematographer: Glen Keenan CSC
Co-Producers: Bo Yeon Kim, Erika Lippoldt
Producer: Thom J. Petak
Consulting Producer: Akiva Goldsman
Co-Executive Producers/Writers: Jenny Lumet, Michelle Paradise
Executive Producer: Eugene Roddenberry
Executive Producer/Writer: Alex Kurtzman
Supervising Associate Producer: Dana N. Wilson
Associate Producers: Emma Sampson, Robyn Johnson
Production Managers: David Till, BE Sharp
1st Assistant Director: Patrick Tidy
2nd Assistant Director: Jeff Muhsoldt
2nd Unit Director: Larry A. McLean
Executive Consultant: Bryan Fuller
Set Decorator: Peter Nicolakkakos
Prop Master: Mario Moreira
Supervising Art Director: Joshua de Cartier
Art Directors: Matt Middleton, Jody Lynn Clement
1st Ass't Art Directors (Graphics): Andy Tsang, Kristin Herbst
1st Ass't Art Directors (Illustration): Chris Penna, Joel Craven
3rd Assistant Directors: Ross Vivian, Brooke Fifield
A-Camera Operator: Francois Daignault
B-Camera Operators: JP Locherer, Sarah Warland
Insert Unit Camera Operator: Alan G. Kelly
Location Manager: Tim Owen
Ass't Location Manager: Justin Cossette
Studio Manager: Robert Jones
Ass't Studio Manager: Tom Nicholls
Lead Creature Designer: Neville Page
Lighting Designer: Franco Tata
1st Assistant A-Camera: Andrew Stretch
1st Assistant B-Camera: Rob Mountjoy
1st Assistant C-Camera: Andrew Macklin
2nd Assistant A-Camera: Stephen Gould
Digital Imaging Technician: Ron Schlueter
Production Coordinator: Alison Waxman
1st Ass't Production Coordinators: Allison Lahav, Taylor Danton
2nd Assistant Production Coordinator: Laura Miles
Storyboard Artist: Rob McCallum
Digital Asset Manager: James Jarvis
Stunt Coordinator: Christopher McGuire
Fight Coordinator: Hubert Boorder
Production SFX Coordinator: Darcy Callaghan
Production VFX Supervisor: Ante Dekovic
Production VFX Producer: Aleksandra Kochoska
VFX Lead Artist: Charles Collyer
Lead VFX Coordinator: Julie Rothfarb
Production VFX Coordinators: Shawn Ewashko, Chelsea Wynne, Valerie Rocha
On-Set VFX Plate Supervisor: Alexander Wood
Associate VFX Supervisor: Mahmoud Rahnama
VFX Previz Supervisor: Stephen J. Pavelski
VFX Art Director: William Budge
1st Assistant Editor: Matthew Kovach
Production VFX Editors: Greg Minihan, Jason Sikora
Post-Production Coord: Ruben Michael Molina
Researcher: Anthony Maranville
Translator: Robyn Stewart
Executive Assistant (Toronto): Cornelia Audrey
SIM Supervising Producer: Bryon Smith
SIM Online Editor: Chad Cole
Final Colorist: Todd Bochner
Crafty Apes VFX Producer: Leslie Chung
Filming Dates: April 16, 2018 - December 21, 2018
Camera: Alexa SXT (3.4K ARRIRAW)
Lenses: Cooke Anamorphic/I SF Primes
AR: 2.39:1 (Anamorphic)
Budget: 8 Million USD
Visual Effects Provided by: Pixomondo, Crafty Apes, Spin VFX & FX3X
Attribute: Camera, Lenses & Post-Production Services by Sim Digital - 2017–20241h 5mTV-PG8.2 (5.1K)TV EpisodeDirectorOlatunde OsunsanmiStarsSonequa Martin-GreenDoug JonesAnthony RappThe U.S.S. Discovery battles against Control in a fight not only for their lives but for the future, with a little help from some unexpected friends. Spock and Burnham discern vital new connections between the red signals while Burnham faces one of life's harshest truths: the right decisions are often the hardest to make.Director/Exec Producer: Olatunde Osunsamnmi
Composer/Conductor: Jeff Russo
Composer (Original Star Trek Theme): Alexander Courage
Costume Designer: Gersha Phillips
Lead VFX Supervisor: Jason Michael Zimmerman
Film Editor: Andrew Coutts CCE
Production Designer: Tamara Deverell
Cinematographer: Glen Keenan CSC
Co-Producers: Bo Yeon Kim, Erika Lippoldt
Producer: Thom J. Petak
Consulting Producer: Akiva Goldsman
Co-Executive Producers/Writers: Jenny Lumet, Michelle Paradise
Executive Producer: Eugene Roddenberry
Executive Producer/Writer: Alex Kurtzman
Supervising Associate Producer: Dana N. Wilson
Associate Producers: Emma Sampson, Robyn Johnson
Production Managers: David Till, BE Sharp
1st Assistant Director: Patrick Tidy
2nd Assistant Director: Jeff Muhsoldt
Executive Consultant: Bryan Fuller
Set Decorator: Peter Nicolakkakos
Prop Master: Mario Moreira
Supervising Art Director: Joshua de Cartier
Art Directors: Matt Middleton, Jody Lynn Clement
1st Ass't Art Directors (Graphics): Andy Tsang, Kristin Herbst
1st Ass't Art Directors (Illustration): Chris Penna, Joel Craven
3rd Assistant Directors: Ross Vivian, Brooke Fifield
A-Camera Operator: Francois Daignault
B-Camera Operators: JP Locherer, Sarah Warland
Insert Unit Camera Operator: Alan G. Kelly
Location Manager: Tim Owen
Ass't Location Manager: Justin Cossette
Studio Manager: Robert Jones
Ass't Studio Manager: Tom Nicholls
Lead Creature Designer: Neville Page
Lighting Designer: Franco Tata
1st Assistant A-Camera: Andrew Stretch
1st Assistant B-Camera: Rob Mountjoy
1st Assistant C-Camera: Andrew Macklin
2nd Assistant A-Camera: Stephen Gould
Digital Imaging Technician: Ron Schlueter
Production Coordinator: Alison Waxman
1st Ass't Production Coordinators: Allison Lahav, Taylor Danton
2nd Assistant Production Coordinator: Laura Miles
Storyboard Artist: Rob McCallum
Digital Asset Manager: James Jarvis
Stunt Coordinator: Christopher McGuire
Fight Coordinator: Hubert Boorder
Production SFX Coordinator: Darcy Callaghan
Production VFX Supervisor: Ante Dekovic
Production VFX Producer: Aleksandra Kochoska
VFX Lead Artist: Charles Collyer
Lead VFX Coordinator: Julie Rothfarb
Production VFX Coordinators: Shawn Ewashko, Chelsea Wynne, Valerie Rocha, Julian Boyce
On-Set VFX Plate Supervisor: Alexander Wood
Associate VFX Supervisor: Mahmoud Rahnama
VFX Art Director: William Budge
1st Assistant Editor: Preston Rapp
Production VFX Editors: Greg Minihan, Jason Sikora
Post-Production Coord: Ruben Michael Molina
Researcher: Anthony Maranville
Translator: Robyn Stewart
Executive Assistant (Toronto): Cornelia Audrey
SIM Supervising Producer: Bryon Smith
SIM Online Editor: Chad Cole
Final Colorist: Todd Bochner
Crafty Apes VFX Producer: Leslie Chung
Filming Dates: April 16, 2018 - December 21, 2018
Camera: Alexa SXT (3.4K ARRIRAW)
Lenses: Cooke Anamorphic/I SF Primes
AR: 2.39:1 (Anamorphic)
Budget: 8 Million USD
Visual Effects Provided by: Pixomondo, Crafty Apes, Ghost VFX & FX3X
Attribute: Camera, Lenses & Post-Production Services by Sim Digital - DirectorMark PellingtonStarsJoy CastroAndrea DavisJason Deline12-year-old classmates Kima and Lil find themselves at odds with each other on a day that will change their lives forever.Director: Mark Pellington
Composer/Conductor: Jeff Russo
Cinematographer: Glen Keenan CSC
Film Editor: Chad Rubel
Production Designer: Tamara Deverell
Costume Designer: Gersha Phillips
Data Wrangler/Senior VFX Coordinator: Craig Wood
VFX Colorist: Kali Bateman
DNEG VFX Coordinator: Jessica Ton
Final Colorist/Supervising Finishing Artist: Stefan Sonnenfeld ASC - DirectorHanelle M. CulpepperStarsPatrick StewartAlison PillIsa BrionesFourteen years after retiring from Starfleet, Jean-Luc Picard, still haunted by the death of Data, is living a quiet life on his family vineyard when a woman comes to him for help.Director/Co-Executive Producer: Hannelle M. Culpepper
Executive Producers: Patrick Stewart, Eugene Roddenberry
Composer/Conductor: Jeff Russo
Composer (Original Star Trek Theme): Alexander Courage
Composer (Star Trek: TMP Theme): Jerry Goldsmith
Costume Designer: Christine Clark
Film Editor: Andrew Coutts CCE
Production Designer: Todd Cherniawsky
Cinematographer: Philip Lanyon
Consulting Producer: Jenny Lumet
Supervising Producer: Ralph Gifford
Supervising Producer/Story Writer: Kristen Beyer
Supervising Producer/Lead VFX Supervisor: Jason Michael Zimmerman
Co-Executive Producer/2nd Unit Director: Doug Aarniokoski
Executive Producers/Story Writers: Michael Chabon, Alex Kurtzman
Executive Producer/Co-Writer: Akiva Goldsman
Co-Writer: James Duff
Key Unit Prod Manager: Dylan K. Massin
Unit Production Manager: Francesco Tignini
1st Assistant Director: Maria Mantia
2nd Assistant Director: Alison Troy
Associate Producer: Robyn Johnson
Set Decorator: Lisa Alkofer
Prop Master: Jeff Lombardi
Supervising Art Director: Iain McFayden
Art Director: Joe Comeau
Ass't Art Director: Dylan Bocanegra
A-Camera Operator: Eric Catelan
B-Camera/Steadicam Operator: Tim Dolan
Supervising Location Manager: Scott Trimble
Location Manager: Peter Martorano
Ass't Location Manager: Nathan Polatin
Lead Creature Designer: Neville Page
Chief Lighting Technician: Ross Dunkerley
1st Company Grip: Walter Bud Scott
1st Assistant A-Camera: Jamie Felz
2nd Assistant A-Camera: Casey Muldoon
1st Assistant B-Camera: James Barela
2nd Assistant B-Camera: Luis Gomez
Stunt Coordinator/Drone Unit Director: Scott Rogers
Digital Imaging Technician: Marc Clancy
Production VFX Supervisor: Ante Dekovic
Production VFX Producer: Aleksandra Kochoska
VFX Project Manager: Sunny Ye
VFX Lead Artist: Charles Collyer
Senior VFX Coordinator: Marina Abramyan
Production SFX Coordinators: Jeff Ogg, Andy Weder, Jeff Khachadoorian
Post-Production Supervisor: Ruben Michael Molina
Researcher Consultant: Anthony Maranville
Music Supervisor: Liza Richardson
CO3 Finishing Producer: Giovanni Di Giorgio
Senior Online Editor/Finishing Artist: Heydar Adel
Final Finishing Colorist: Stefan Sonnenfeld ASC
Add'l Finishing Colorist: James Cody Baker
DNEG VFX Supervisor: Michael Enriquez
DNEG VFX Colorist: Kali Bateman
Filming Dates: April 22, 2019 - September 1, 2019
Camera: Alexa Mini (CFast 2.0 3.4K ARRIRAW)
Lenses: Cooke Anamorphic/I SF Primes
AR: 2.39:1 (Anamorphic)
Budget: 8-9 Million USD
Post Services Provided by: Company 3
Visual Effects Provided by: Crafty Apes, Double Negative, Pixomondo & Filmworks/FX
Attribute: Camera Equipment Provided by Keslow Camera - DirectorDouglas AarniokoskiStarsPatrick StewartAlison PillIsa BrionesPicard and Soji, who's struggling to make sense of her recently unlocked memories, travel to a planet that happens to be the home of Picard's old friends Will Riker and Deanna Troi; Elnor and Hugh are left on the Borg cube to face Narissa.Director/Co-Executive Producer: Douglas Aarniokoski
Executive Producers: Patrick Stewart, Eugene Roddenberry
Composer/Conductor: Jeff Russo
Composer (Star Trek: TMP Theme): Jerry Goldsmith
Costume Designer: Christine Clark
Film Editor: Andrew Coutts CCE
Production Designer: Todd Cherniawsky
Cinematographer: Darran Tiernan ISC
Supervising Producer: Ralph Gifford
Supervising Producer/Lead VFX Supervisor: Jason Michael Zimmerman
Co-Executive Producer/Writer: Samantha Humphrey
Co-Executive Producer/Unit Production Manager: Dylan K. Massin
Executive Producer/Writer: Michael Chabon
1st Assistant Director: Matt Sheats
2nd Assistant Director: Alex Russ
Associate Producer: Robyn Johnson
Set Decorator: Lisa Alkofer
Prop Master: Jeff Lombardi
Supervising Art Director: Iain McFayden
Art Director: Joe Comeau IV
Ass't Art Directors: Shannon Walsh, Dylan Bocanegra
A-Camera/Steadicam Operator: Kenny Brown
B-Camera Operator: Jessica Lakoff Cannon
Supervising Location Manager: Peter Martorano
Location Manager: Scott Trimble
Ass't Location Manager: Jonny Ramos
Lead Creature Designer: Neville Page
Chief Lighting Technician: Ross Dunkerley
1st Company Grip: Walter Bud Scott
1st Assistant A-Camera: Jamie Felz
2nd Assistant A-Camera: Casey Muldoon
1st Assistant B-Camera: James Barela
2nd Assistant B-Camera: Luis Gomez
2nd Company Grip: Maxwell Thorpe
Ass't Chief Lighting Tech: Buzzy Burwell
Digital Imaging Technician: Marc Clancy
2nd Unit A-Camera/Steadicam Operator: Leonidas Jaramillo
Production VFX Supervisor: Ante Dekovic
Production VFX Producer: Aleksandra Kochoska
VFX Project Manager: Sunny Ye
VFX Lead Artist: Charles Collyer
Senior VFX Coordinator: Marina Abramyan
Stunt Coordinator: Scott Rogers
Production SFX Coordinators: Andy Weder, Jeff Khachadoorian
Post-Production Supervisor: Ruben Michael Molina
Researcher Consultant: Anthony Maranville
Music Supervisor: Liza Richardson
CO3 Finishing Producer: Giovanni Di Giorgio
Senior Online Editor/Finishing Artist: Heydar Adel
Final Finishing Colorist: Stefan Sonnenfeld ASC
Add'l Finishing Colorist: James Cody Baker
DNEG VFX Supervisor: Michael Enriquez
DNEG VFX Colorist: Kali Bateman
Filming Dates: April 22, 2019 - September 1, 2019
Camera: Alexa Mini (CFast 2.0 3.4K ARRIRAW)
Lenses: Cooke Anamorphic/I SF Primes
AR: 2.39:1 (Anamorphic)
Budget: 8-9 Million USD
Post Services Provided by: Company 3
Visual Effects Provided by: Crafty Apes, Technicolor VFX, Double Negative, Ghost VFX & FX3X
Attribute: Camera Equipment Provided by Keslow Camera