- Born
- Died
- Birth nameAlfred Joseph Hitchcock
- Nicknames
- Hitch
- The Master of Suspense
- Height5′ 7″ (1.70 m)
- Alfred Joseph Hitchcock was born in Leytonstone, Essex, England. He was the son of Emma Jane (Whelan; 1863 - 1942) and East End greengrocer William Hitchcock (1862 - 1914). His parents were both of half English and half Irish ancestry. He had two older siblings, William Hitchcock (born 1890) and Eileen Hitchcock (born 1892). Raised as a strict Catholic and attending Saint Ignatius College, a school run by Jesuits, Hitch had very much of a regular upbringing. His first job outside of the family business was in 1915 as an estimator for the Henley Telegraph and Cable Company. His interest in movies began at around this time, frequently visiting the cinema and reading US trade journals.
Hitchcock entering the film industry in 1919 as a title card designer. It was there that he met Alma Reville, though they never really spoke to each other. It was only after the director for Always Tell Your Wife (1923) fell ill and Hitchcock was named director to complete the film that he and Reville began to collaborate. Hitchcock had his first real crack at directing a film, start to finish, in 1923 when he was hired to direct the film Number 13 (1922), though the production wasn't completed due to the studio's closure (he later remade it as a sound film). Hitchcock didn't give up then. He directed The Pleasure Garden (1925), a British/German production, which was very popular. Hitchcock made his first trademark film in 1927, The Lodger: A Story of the London Fog (1927) . In the same year, on the 2nd of December, Hitchcock married Alma Reville. They had one child, Patricia Hitchcock who was born on July 7th, 1928. His success followed when he made a number of films in Britain such as The Lady Vanishes (1938) and Jamaica Inn (1939), some of which also gained him fame in the USA.
In 1940, the Hitchcock family moved to Hollywood, where the producer David O. Selznick had hired him to direct an adaptation of 'Daphne du Maurier''s Rebecca (1940). After Saboteur (1942), as his fame as a director grew, film companies began to refer to his films as 'Alfred Hitchcock's', for example Alfred Hitcock's Psycho (1960), Alfred Hitchcock's Family Plot (1976), Alfred Hitchcock's Frenzy (1972).
Hitchcock was a master of pure cinema who almost never failed to reconcile aesthetics with the demands of the box-office.
During the making of Frenzy (1972), Hitchcock's wife Alma suffered a paralyzing stroke which made her unable to walk very well. On March 7, 1979, Hitchcock was awarded the AFI Life Achievement Award, where he said: "I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat, and the fourth is as fine a cook as ever performed miracles in a domestic kitchen and their names are Alma Reville." By this time, he was ill with angina and his kidneys had already started to fail. He had started to write a screenplay with Ernest Lehman called The Short Night but he fired Lehman and hired young writer David Freeman to rewrite the script. Due to Hitchcock's failing health the film was never made, but Freeman published the script after Hitchcock's death. In late 1979, Hitchcock was knighted, making him Sir Alfred Hitchcock. On the 29th April 1980, 9:17AM, he died peacefully in his sleep due to renal failure. His funeral was held in the Church of Good Shepherd in Beverly Hills. Father Thomas Sullivan led the service with over 600 people attended the service, among them were Mel Brooks (director of High Anxiety (1977), a comedy tribute to Hitchcock and his films), Louis Jourdan, Karl Malden, Tippi Hedren, Janet Leigh and François Truffaut.- IMDb Mini Biography By: Col Needham <col@imdb.com> and Samtroy
- SpouseAlma Reville(December 2, 1926 - April 29, 1980) (his death, 1 child)
- Children
- ParentsEmma Jane Hitchcock (Whelan)William Hitchcock
- RelativesWilliam Hitchcock(Sibling)Eileen Hitchcock(Sibling)Mary Stone(Grandchild)Tere Carrubba(Grandchild)Katie Fiala(Grandchild)
- [Cameo] Often has a quick cameo in his films. He eventually began making his appearances near the beginning because he knew viewers were watching for him and he did not want to divert their attention away from the plot. Some of his live cameo appearances include The Lodger: A Story of the London Fog (1927) (in the newspaper office); The Lady Vanishes (1938) (on the station platform); Young and Innocent (1937) (outside of the courthouse); The 39 Steps (1935) (on the street); Murder! (1930) (on the street); Blackmail (1929) (on the subway); and Easy Virtue (1927) (near the tennis court). Some of his non-live appearances include Lifeboat (1944) (in a newspaper ad); Dial M for Murder (1954) (in a class reunion photo); Rope (1948) (his caricature appears on a neon sign); and Family Plot (1976) (a silhouette against a frosted glass door).
- [Hair] Likes to insert shots of a woman's hairstyle, frequently in close-ups.
- [Bathrooms] Often a plot device, a hiding place or a place where lovemaking is prepared for. Hitchcock also frequently used the letters "BM", which stand for "Bowel Movement".
- Often used the "wrong man" or "mistaken identity" theme in his movies (Saboteur (1942), I Confess (1953), The Wrong Man (1956), North by Northwest (1959), Frenzy (1972)).
- [Blondes] The most famous actresses in his filmography (mostly in leading roles) were Anny Ondra, Madeleine Carroll, Joan Fontaine, Ingrid Bergman, Grace Kelly, Eva Marie Saint, Kim Novak, Vera Miles, Janet Leigh and Tippi Hedren.
- When he won his Lifetime Achievement award in 1979, he joked with friends that he must be about to die soon. He died a year later.
- He almost never socialized when not shooting films, and spent most of his evenings quietly at home with his wife Alma Reville and daughter Patricia Hitchcock.
- In addition to his fear of the police, Hitchcock possessed one other phobia: eggs.
- As a child, Hitchcock was sent to the local police station with a letter from his father. The desk sergeant read the letter and immediately locked the boy up for ten minutes. After that, the sergeant let young Alfred go, explaining, "This is what happens to people who do bad things." Hitchcock had a morbid fear of police from that day on. He also cited this phobia as the reason he never learned to drive (as a person who doesn't drive can never be pulled over and given a ticket). It was also cited as the reason for the recurring "wrong man" themes in his films.
- Though he was Oscar-nominated five times as best director, DGA-nominated six times as best director, and received three nominations from Cannes, he never won in any of these competitive categories, a fact that surprises fans and film critics to this day.
- There is a dreadful story that I hate actors. Imagine anyone hating James Stewart... Jack L. Warner. I can't imagine how such a rumor began. Of course it may possibly be because I was once quoted as saying that actors are cattle. My actor friends know I would never be capable of such a thoughtless, rude and unfeeling remark, that I would never call them cattle... What I probably said was that actors should be treated like cattle.
- [on his cameos] One of the earliest of these was in The Lodger: A Story of the London Fog (1927), the story of Jack the Ripper. My appearance called for me to walk up the stairs of the rooming house. Since my walk-ons in subsequent pictures would be equally strenuous - boarding buses, playing chess, etc. - I asked for a stunt man. Casting, with an unusual lack of perception, hired this fat man!
- The length of a film should be directly related to the endurance of the human bladder.
- There is no terror in the bang, only in the anticipation of it.
- To me, Psycho (1960) was a big comedy. Had to be.
- Psycho (1960) - 60% of the net profits (salary deferred)
- North by Northwest (1959) - $250,000 + 10% of the net profits.
- Vertigo (1958) - $150,000 + 10% of the profits +film negative ownership
- The Man Who Knew Too Much (1956) - $150,000 + 10% of the profits +film negative ownership
- Rear Window (1954) - $150,000 + 10% of the profits +film negative ownership
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