Lee Majors Poster

Quotes (25)

  • I was never into my looks. What's important to me is my health and family.
  • [on the death of his ex-wife, Farrah Fawcett] She fought a tremendous battle against a terrible disease. She was an angel on earth and now an angel forever.
  • [on playing second-fiddle to other iconic actors such as Ernest Borgnine, Danny Thomas, Eddie Albert, Michael Landon, Robert Reed, Bill Bixby, James Garner, Robert Fuller, James Brolin and Buddy Ebsen, who each have had their own successful careers: I have done a series in the '60s, '70s and '80s.
  • I'm from Middlesboro, Kentucky, a little town on the Tennessee and Virginia border.
  • [on his days as a football player] Even when I was young, playing college football, and I injured my knee, I bounced right back.
  • [on Clint Eastwood] Clint Eastwood's a good friend, too--he and I used to play in softball games together.
  • [on his on- and off-relationship with Farrah Fawcett] We were together actually for 12 years. And after being in the business for awhile and so long, in one year, I think we saw each other two weeks. Two weeks in one year, that's very tough. When you're separated, you hear . . . things are printed in the press, this, this and this. So you think, can that be true? No, that's not true . . . yes it is, this and this. But just the fact of not being together. Absence does not make the heart grow fonder . . . it makes you forget.
  • I don't want to try and still be Warren Beatty or whoever. A lot of guys think they can be leading men forever. And believe me, we all can't be.
  • [on Farrah Fawcett] All the stories that I was jealous of her career are just a lot of crap, I was always 110% behind her and proud of her. There are times when I think that perhaps I created a monster. But then, deep down, I know that's just not true.
  • [on his most favorite television series to date] The Big Valley (1965) was the most fun at the time because it was my first and I love Westerns. All the action, horseback riding, I really loved it. The Six Million Dollar Man (1974) was so hard and so boring for me. Ironically that was the most popular. It was total work. You're there [at the set] 16 to 17 hours a day.
  • [on his on- and off-screen chemistry with Barbara Stanwyck, who played Victoria Barkley] Barbara gave me my discipline. I'm always on the set before they need me, and I never leave the set, but I'm also the first to leave when they say, "That's a wrap". Barbara also taught me to learn your lines and everybody else's. I learn the whole script before I show up. It pays, because once you've got the lines in your head, you can concentrate on movement or doing things with your props. I've tried to pass that on to other actors--make sure you know your words way ahead of time. The words are 90% of it. The other 10% is just the way you dress it up.
  • [Of Barbara Stanwyck]: She was 60, when she started that show [when we did the pilot]; and that little lady [of course], she wasn't very tall. I could touch my fingers around her waist, you know? She was one fiery little actress, one sweet lady, but she rode those buggies, she drove them, by herself. She did some shows where she was underground with Charles Bronson-- trapped as a hostage, came out of there all muddied and everything, and she did some fights. She was a tough little girl.
  • [on first wife Kathy] We were married June 17, 1961, in Lexington, Kentucky. I was a senior, a physical education and history major. I was going to coach football. I guess the big mistake was that we weren't looking at it realistically. We were young and we loved each other and that seemed to make everything all right. We didn't think about marriage involving anything more than loving each other.
  • [on his divorce from Farrah Fawcett] It seemed to happen all of a sudden. The time just went by. We probably had a good two weeks together or maybe a weekend here or there--but that just isn't enough.
  • [on meeting Rock Hudson in 1958] We talked then about possibilities of my giving it a try in Hollywood, but even if he was serious I wanted to finish college and get my degree. If something developed, then I would have an insurance policy to fall back on.
  • Even as a kid, I looked up to football coaches. All during junior high school, high school and college, they had the greatest influence on my life. And I never wanted to be anything but a coach. I never was a great All-American grid star at Eastern Kentucky Stage College, but I probably would have been a lot better if I didn't get hurt during my junior year.
  • In westerns, I'm right at home. When they tell me to ride that horse through that scene one more time, I say "Sure, glad to," because I remember when I was the one doing all that running [as television's The Six Million Dollar Man (1974)].
  • [on Owen Marshall, Counselor at Law (1971)] I like action, staying in shape, and all the exercise I ever got was walking from the counsel table to the judge's bench in the courtroom on Sound Stage 27. It was basically Arthur Hill's show. I had so little to do and so much time off that the series made a great golfer out of me.
  • [on his role as Heath Barkley in The Big Valley (1965)] That character was really very close to me. You know it isn't all acting.
  • [on The Big Valley (1965)] I remember when I first moved to Hollywood, how I used to sit on my front porch and watch everyone going to work. We lived right across the street from Four Star Studios. If anyone would have told me that one day I'd be starring along with Barbara Stanwyck in a television series . . . well, I still find it incredible.
  • [on learning to ride and calf rope for The Big Valley (1965)] I hustled up about a hundred dollars and went out and bought a horse. I became friends with a great calf roper, just a little bitty guy. He was the world champion trick roper. I used to go out to his place all the time, and he taught me how to trick-rope calves.
  • [on Elizabeth Taylor (1967)] My greatest thrill in the three years I've been in Hollywood was the night I went to the screening of King Rat (1965) and the party after, that Elizabeth and Richard Burton gave for George Segal. Everybody was there, Julie Andrews, Sean Connery, Lana Turner; I was like a fan. There were three big booths in the restaurant, and I was sitting in the one next to where the Burtons were sitting. Later in the evening she was standing next to me. I asked her if I could kiss her on the cheek and she said he wouldn't like it. But then she changed her mind, and gave me one.
  • [in 1967] Actually my accent isn't really Southern. It's more mountaineer or hillbilly.
  • [on learning from Barbara Stanwyck] She was okay with me, took me under her wing, and taught me discipline. She was always supportive of me. The lessons I learned from Stanwyck were be on time and know your words. She made me a disciplined actor all my life. The discipline made me ten minutes early for everything.
  • [About his recollections he had with Barbara Stanwyck]: Well, she was very tough - very tough. Off screen, she would call me Heath, and Linda Evans was Audra [our characters' names]. I remember when we finished the show, I knew to be on time. When we finished the show, we were meeting her for lunch or dinner at the Beverly Wilshire Hotel. I'm sitting there by myself, 12:30. She comes in at 12:31. Barbara sits down. I'm there. Five minutes later, here comes Linda. She looks up and says, 'Audra, you're late.' Five minutes: 'Audra, you're late.' It's like, Didn't I teach you better?" I've learned that, and I've never forgotten it. I have been on time for everything, all my life.