Ethan Hawke is flexing his cinephile status as the latest curator for film club platform Galerie, just in time for the collection to launch on streaming apps Apple TV and Roku.
Galerie was founded in November 2023 by production company Indian Paintbrush. Galerie is led by Andy Shapiro, chief innovation officer, who has been with Indian Paintbrush since 2018. The program has subscriptions for $10 per month, with filmmakers and artists like Wes Anderson, Mike Mills, Taylor Russell, Karyn Kusama, Maggie Gyllenhaal, Elizabeth Chai Vasarhelyi, James Gray, Lukas Dhont, Reinaldo Marcus Green, and Kim Gordon serving as curators and film conversation panelists.
Hawke’s tenure as this month’s curator coincides with Galerie being unveiled on streaming platforms to host a variety of new interactive experiences for film lovers. With the release of its Apple TV and Roku apps (to be followed by Amazon Fire and Android TV), members can watch films and...
Galerie was founded in November 2023 by production company Indian Paintbrush. Galerie is led by Andy Shapiro, chief innovation officer, who has been with Indian Paintbrush since 2018. The program has subscriptions for $10 per month, with filmmakers and artists like Wes Anderson, Mike Mills, Taylor Russell, Karyn Kusama, Maggie Gyllenhaal, Elizabeth Chai Vasarhelyi, James Gray, Lukas Dhont, Reinaldo Marcus Green, and Kim Gordon serving as curators and film conversation panelists.
Hawke’s tenure as this month’s curator coincides with Galerie being unveiled on streaming platforms to host a variety of new interactive experiences for film lovers. With the release of its Apple TV and Roku apps (to be followed by Amazon Fire and Android TV), members can watch films and...
- 4/22/2024
- by Samantha Bergeson
- Indiewire
Updated On April 22, 2024: With the addition of two new films to this year’s competition section, both directed by men, this year’s competition slate now includes 21 films, only four of which are directed by women. That tallies to just 19 percent of this year’s competition titles being helmed by women.
Our original story from April 11, 2024 follows.
Hot off last year’s record-breaking competition lineup — including seven films directed by women, plus an eventual Palme d’Or win for Justine Triet (only the third woman to win the festival’s top prize) — this year’s Cannes Film Festival has returned to old habits. The 77th edition will include (as of today’s announcement) just four films directed by women in the competition section, bringing representation down to 2021 levels (and returning the festival’s female-directed entries to a number that was only hit in 2011).
Among the competition titles announced today:...
Our original story from April 11, 2024 follows.
Hot off last year’s record-breaking competition lineup — including seven films directed by women, plus an eventual Palme d’Or win for Justine Triet (only the third woman to win the festival’s top prize) — this year’s Cannes Film Festival has returned to old habits. The 77th edition will include (as of today’s announcement) just four films directed by women in the competition section, bringing representation down to 2021 levels (and returning the festival’s female-directed entries to a number that was only hit in 2011).
Among the competition titles announced today:...
- 4/22/2024
- by Kate Erbland
- Indiewire
“Civil War,” the new acclaimed drama from director Alex Garland, is dominating theaters everywhere, and the film’s star Kirsten Dunst gives one of her best performances in her long and varied career. In honor of her latest movie, let’s revisit her many awards races, including her first Oscar nomination for “The Power of the Dog.”
Dunst’s first role that brought the actress lots of awards attention arrived in 1994 in Neil Jordan’s “Interview with the Vampire,” starring Tom Cruise and Brad Pitt. Dunst’s performance as the young outspoken vampire Claudia earned her a Golden Globe nomination for Best Supporting Actress, up against Sophia Loren in “Prét-à-Porter,” Robin Wright Penn in “Forrest Gump,” Uma Thurman in “Pulp Fiction” and Dianne Wiest, who won the trophy for “Bullets over Broadway.”
Occasionally the academy will reward a great child performance with an Oscar nomination, the way they did with...
Dunst’s first role that brought the actress lots of awards attention arrived in 1994 in Neil Jordan’s “Interview with the Vampire,” starring Tom Cruise and Brad Pitt. Dunst’s performance as the young outspoken vampire Claudia earned her a Golden Globe nomination for Best Supporting Actress, up against Sophia Loren in “Prét-à-Porter,” Robin Wright Penn in “Forrest Gump,” Uma Thurman in “Pulp Fiction” and Dianne Wiest, who won the trophy for “Bullets over Broadway.”
Occasionally the academy will reward a great child performance with an Oscar nomination, the way they did with...
- 4/20/2024
- by Brian Rowe
- Gold Derby
British director Andrea Arnold (American Honey, Cow) will receive the 2024 Carrosse d’Or, or Golden Coach Award, at the Directors’ Fortnight in Cannes, which runs alongside the Cannes Film Festival.
Organizers on Tuesday lauded the British director as “an avid explorer of the fringes of society.” She will receive the honor on May 15 during the opening ceremony of the Directors’ Fortnight.
The honor, launched in 2002, is bestowed by the Society of French Directors, the governing body of the Cannes sidebar, to filmmakers showcasing “innovative qualities, courage and independent-mindedness.” Its board said in a letter to Arnold: “From Milk to Red Road, from Wuthering Heights to American Honey, you scrutinize society from every angle, traveling through times and environments, and you embark us with powerful female characters.”
The Society of French Directors also described Arnold as “a dynamiter of social film codes” with “a knack of sounding out the power of bodies and souls.
Organizers on Tuesday lauded the British director as “an avid explorer of the fringes of society.” She will receive the honor on May 15 during the opening ceremony of the Directors’ Fortnight.
The honor, launched in 2002, is bestowed by the Society of French Directors, the governing body of the Cannes sidebar, to filmmakers showcasing “innovative qualities, courage and independent-mindedness.” Its board said in a letter to Arnold: “From Milk to Red Road, from Wuthering Heights to American Honey, you scrutinize society from every angle, traveling through times and environments, and you embark us with powerful female characters.”
The Society of French Directors also described Arnold as “a dynamiter of social film codes” with “a knack of sounding out the power of bodies and souls.
- 4/9/2024
- by Georg Szalai
- The Hollywood Reporter - Movie News
The French Directors’ Guild (Srf) will fete UK director Andrea Arnold with its honorary Carrosse d’Or (Golden Carriage) award at the upcoming edition of its Cannes Directors’ Fortnight.
Arnold will receive the prize at the opening ceremony of the parallel section, running alongside the main Cannes Film Festival from May 15 to 25.
She is the first UK director to be honored with the award and follows in the wake of the likes of Kelly Reichardt, John Carpenter, Martin Scorsese, Jia Zhangke, Jane Campion, Agnès Varda, Naomi Kawase and Jim Jarmusch.
Arnold has been a regular in the Cannes Film Festival’s Official Selection since her debut feature Red Road, which won the Jury Prize in 2006.
She went on to win the Jury Prize again for Fish Tank in 2009 and American Honey in 2016. Her last film Cow played in the Cannes Premiere section in 2021.
The announcement of the Directors’ Fortnight honor...
Arnold will receive the prize at the opening ceremony of the parallel section, running alongside the main Cannes Film Festival from May 15 to 25.
She is the first UK director to be honored with the award and follows in the wake of the likes of Kelly Reichardt, John Carpenter, Martin Scorsese, Jia Zhangke, Jane Campion, Agnès Varda, Naomi Kawase and Jim Jarmusch.
Arnold has been a regular in the Cannes Film Festival’s Official Selection since her debut feature Red Road, which won the Jury Prize in 2006.
She went on to win the Jury Prize again for Fish Tank in 2009 and American Honey in 2016. Her last film Cow played in the Cannes Premiere section in 2021.
The announcement of the Directors’ Fortnight honor...
- 4/9/2024
- by Melanie Goodfellow
- Deadline Film + TV
Quentin Dupieux’s Le Deuxième Acte (The Second Act), starring Léa Seydoux and Vincent Lindon, will kick off the 77th Cannes Film Festival.
The French director will world premiere his latest film out of competition on May 14, with the surreal comedy to be released in French cinemas on the same day. Dupieux and his cast will walk the red carpet at the Grand Théâtre Lumière, to help launch the film and the wider Cannes Film Festival.
Cannes organizers praised the prolific French director for having “freed himself from convention through an already extensive body of work (13 feature films in 17 years), establishing the absurd as a genre in its own right and shaking up all the others – of which The Second Act is a perfect case in point!”
The marquee French festival earlier announced Barbie director Greta Gerwig will serve as the Cannes jury president, becoming only the second female director to take over the post,...
The French director will world premiere his latest film out of competition on May 14, with the surreal comedy to be released in French cinemas on the same day. Dupieux and his cast will walk the red carpet at the Grand Théâtre Lumière, to help launch the film and the wider Cannes Film Festival.
Cannes organizers praised the prolific French director for having “freed himself from convention through an already extensive body of work (13 feature films in 17 years), establishing the absurd as a genre in its own right and shaking up all the others – of which The Second Act is a perfect case in point!”
The marquee French festival earlier announced Barbie director Greta Gerwig will serve as the Cannes jury president, becoming only the second female director to take over the post,...
- 4/3/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Before I watched “Civil War,” two publicists working on the dystopian thriller assured me that it isn’t a political film.
In the movie, Kirsten Dunst plays a dogged photojournalist muscling her way through a smoldering Washington D.C., trying to document the bitter conflict between two heavily armed factions tearing America apart. I didn’t buy that it didn’t have something to say about this moment. And neither does Dunst.
“So, do you believe that it’s not political? I mean … it’s an anti war film,” Dunst tells me with a shrug. “This movie, after you see it, you want to talk about it for a while with people. And I think any movie that does that is incredible.”
We’re having lunch in Toluca Lake, where Dunst is sipping a bottle of apple juice she’s been carrying in her purse and gearing up for what...
In the movie, Kirsten Dunst plays a dogged photojournalist muscling her way through a smoldering Washington D.C., trying to document the bitter conflict between two heavily armed factions tearing America apart. I didn’t buy that it didn’t have something to say about this moment. And neither does Dunst.
“So, do you believe that it’s not political? I mean … it’s an anti war film,” Dunst tells me with a shrug. “This movie, after you see it, you want to talk about it for a while with people. And I think any movie that does that is incredible.”
We’re having lunch in Toluca Lake, where Dunst is sipping a bottle of apple juice she’s been carrying in her purse and gearing up for what...
- 4/3/2024
- by Tatiana Siegel
- Variety Film + TV
What’s a film without distribution? The Popcorn List sets out to make sure that doesn’t happen to the best indies.
Founded by Lela Meadow-Conner and Barbara Twist, the inaugural annual survey spotlights 20 features that debuted at major or regional film festivals this past year and come highly recommended by festival programmers. Nineteen out of the 20 movies have reviews on Letterboxd, despite not yet having theatrical or digital distribution in the U.S. All 20 have won awards — including Audience Awards and Jury Awards — at festivals like Sundance and SXSW.
Billed as being The Black List for undistributed films, the 2024 Popcorn List highlights independent films that are currently still without domestic U.S. distribution, like the documentary “Chasing Chasing Amy” about the making of Kevin Smith’s comedy.
The other 18 are: “Ajoomma,” “American Pot Story: Oaksterdam,” “Art for Everybody,” “Asog,” “Blood Sweat & Beers,” “Caterpillar,” “Citizen Sleuth,” “City of Wind,” “Crows Are White,...
Founded by Lela Meadow-Conner and Barbara Twist, the inaugural annual survey spotlights 20 features that debuted at major or regional film festivals this past year and come highly recommended by festival programmers. Nineteen out of the 20 movies have reviews on Letterboxd, despite not yet having theatrical or digital distribution in the U.S. All 20 have won awards — including Audience Awards and Jury Awards — at festivals like Sundance and SXSW.
Billed as being The Black List for undistributed films, the 2024 Popcorn List highlights independent films that are currently still without domestic U.S. distribution, like the documentary “Chasing Chasing Amy” about the making of Kevin Smith’s comedy.
The other 18 are: “Ajoomma,” “American Pot Story: Oaksterdam,” “Art for Everybody,” “Asog,” “Blood Sweat & Beers,” “Caterpillar,” “Citizen Sleuth,” “City of Wind,” “Crows Are White,...
- 4/2/2024
- by Samantha Bergeson
- Indiewire
Cate Blanchett and her producing partner Coco Francini told IndieWire the tagline for their new diversity grant program should be “Intensely Practical.” Ok, so it was at least partially a joke based on an off-the-cuff remark by Blanchett, but it’s also not a bad differentiator between their incubator and others.
Blanchett through the Proof of Concept Accelerator is offering eight filmmakers $50,000 to make short films from their unique POVs. The real value however may be in her selection committee: Chloé Zhao, Emma Corrin, Eva Longoria, Greta Gerwig, Jane Campion, Janicza Bravo, Lily Gladstone, and Lilly Wachowski.
The money (and the mentorship) is definitely practical, sure, but “intensely”? No one is more intensely practical than USC’s Dr. Stacy Smith.
Through her Annenberg Inclusion Initiative, Smith has studied diversity in entertainment for more than 20 years. She’d like to say the industry has changed before her very eyes, but it hasn’t.
Blanchett through the Proof of Concept Accelerator is offering eight filmmakers $50,000 to make short films from their unique POVs. The real value however may be in her selection committee: Chloé Zhao, Emma Corrin, Eva Longoria, Greta Gerwig, Jane Campion, Janicza Bravo, Lily Gladstone, and Lilly Wachowski.
The money (and the mentorship) is definitely practical, sure, but “intensely”? No one is more intensely practical than USC’s Dr. Stacy Smith.
Through her Annenberg Inclusion Initiative, Smith has studied diversity in entertainment for more than 20 years. She’d like to say the industry has changed before her very eyes, but it hasn’t.
- 3/25/2024
- by Brian Welk
- Indiewire
Lily Gladstone has always been a huge fan of Cate Blanchett and now, fresh off joining her acting idol in the elite realm of best actress Academy Award nominees, the two women are teaming up.
Not on screen (yet), but for a greater cause.
Gladstone is among the boldfaced names joining the selection committee for Proof of Concept, an accelerator program focused on supporting the perspectives of women, trans and non-binary people by financially backing their short “proof of concept” films.
The program was announced last December, with Blanchett and her Dirty Films partner Coco Francini teaming up with Dr. Stacy Smith, founder of the USC Annenberg Inclusion Initiative and supported by the Netflix Fund for Creative Equity to tackle the ongoing disparities facing these communities in the entertainment business.
Per the latest annual reports from Dr. Smith and the Annenberg Inclusion Initiative, only 6% of the directors of the 1,700 top-grossing...
Not on screen (yet), but for a greater cause.
Gladstone is among the boldfaced names joining the selection committee for Proof of Concept, an accelerator program focused on supporting the perspectives of women, trans and non-binary people by financially backing their short “proof of concept” films.
The program was announced last December, with Blanchett and her Dirty Films partner Coco Francini teaming up with Dr. Stacy Smith, founder of the USC Annenberg Inclusion Initiative and supported by the Netflix Fund for Creative Equity to tackle the ongoing disparities facing these communities in the entertainment business.
Per the latest annual reports from Dr. Smith and the Annenberg Inclusion Initiative, only 6% of the directors of the 1,700 top-grossing...
- 3/25/2024
- by Angelique Jackson
- Variety Film + TV
Eight top female, trans and nonbinary creatives are coming together to support the Proof of Concept Accelerator, which exists to bring to life projects about people from those backgrounds.
Chloé Zhao, Emma Corrin, Eva Longoria, Greta Gerwig, Jane Campion, Janicza Bravo, Lily Gladstone and Lilly Wachowski will form the eight-person selection committee for the fund, which was launched in December by Annenberg Inclusion Initiative’s Stacy L. Smith, and Dirty Films’ Cate Blanchett and Coco Francini. The program is supported by the Netflix Fund for Creative Equity.
“We are profoundly grateful for the partnership of these members of the Proof of Concept selection committee, made up of not only some of the most talented and prolific storytellers working toda,y but those who are also dedicated to creating change in our industry and our world,” Blanchett, Francini and Smith said in a joint statement. “By extending a hand to this next generation,...
Chloé Zhao, Emma Corrin, Eva Longoria, Greta Gerwig, Jane Campion, Janicza Bravo, Lily Gladstone and Lilly Wachowski will form the eight-person selection committee for the fund, which was launched in December by Annenberg Inclusion Initiative’s Stacy L. Smith, and Dirty Films’ Cate Blanchett and Coco Francini. The program is supported by the Netflix Fund for Creative Equity.
“We are profoundly grateful for the partnership of these members of the Proof of Concept selection committee, made up of not only some of the most talented and prolific storytellers working toda,y but those who are also dedicated to creating change in our industry and our world,” Blanchett, Francini and Smith said in a joint statement. “By extending a hand to this next generation,...
- 3/25/2024
- by Rebecca Sun
- The Hollywood Reporter - Movie News
Radiohead bassist Colin Greenwood will reflect on the band’s history with How To Disappear – A Portrait of Radiohead, out Oct. 15.
The announcement arrives two months after Greenwood joined Instagram, where his first few posts featured his dogs and a pencil sharpener. In the announcement of How to Disappear, Greenwood included a portrait of Thom Yorke in his “Lotus Flower” hat — which the frontman auctioned off for charity in 2020 — as well as photos of his brother and bandmate Jonny Greenwood, drummer Phil Selway, and guitarist Ed O’Brien.
“I’ve been...
The announcement arrives two months after Greenwood joined Instagram, where his first few posts featured his dogs and a pencil sharpener. In the announcement of How to Disappear, Greenwood included a portrait of Thom Yorke in his “Lotus Flower” hat — which the frontman auctioned off for charity in 2020 — as well as photos of his brother and bandmate Jonny Greenwood, drummer Phil Selway, and guitarist Ed O’Brien.
“I’ve been...
- 3/21/2024
- by Angie Martoccio
- Rollingstone.com
A new series of films based on The Neverending Story is in the works, which will seek to tackle the fantasy tale in “a fresh way”.
Forty years after Wolfgang Petersen’s 1984 fantasy film The Neverending Story traumatised a generation of young movie-goers with its image of a depressed, sinking horse, a new adaptation of the original book has been announced.
See-Saw Films, the production company behind Jane Campion’s Oscar-winning The Power Of The Dog, is partnering with the estate of late German author Michael Ende to make a potential series of films based on the successful book, first published in 1979.
Both the novel and the film told the tale of a shy young boy, Bastian, who retreats into the fantasy world of the titular Neverending Story book.
“The story is both timely and timeless, and really has an opportunity to be told in a fresh way,” producer Iain Canning told Variety.
Forty years after Wolfgang Petersen’s 1984 fantasy film The Neverending Story traumatised a generation of young movie-goers with its image of a depressed, sinking horse, a new adaptation of the original book has been announced.
See-Saw Films, the production company behind Jane Campion’s Oscar-winning The Power Of The Dog, is partnering with the estate of late German author Michael Ende to make a potential series of films based on the successful book, first published in 1979.
Both the novel and the film told the tale of a shy young boy, Bastian, who retreats into the fantasy world of the titular Neverending Story book.
“The story is both timely and timeless, and really has an opportunity to be told in a fresh way,” producer Iain Canning told Variety.
- 3/20/2024
- by Ryan Lambie
- Film Stories
Netflix has won a total of 23 trophies through the years, a number that keeps growing every awards season. “All Quiet on the Western Front” is the streaming giant’s biggest winner to date with four Oscars, followed by “Roma” at three, and then “Ma Rainey’s Black Bottom” and “Mank” with two apiece. In terms of major categories, Jane Campion (“The Power of the Dog”) and Alfonso Cuarón (“Roma”) both claimed Best Director, while Laura Dern took home Best Supporting Actress for “Marriage Story.” So far the studio has yet to win the Best Picture award, though it’s been nominated there multiple times. Scroll through our photo gallery below to see all of the historical Netflix Oscar movies, beginning with the most recent winners.
- 3/11/2024
- by Marcus James Dixon
- Gold Derby
Oppenheimer director Christopher Nolan won the Academy Award for best director, his first Oscar ever, on Sunday night.
“I have so many people to thank,” Nolan said during his acceptance speech. “The most incredible cast, Matt Damon, Robert, Emily, Florence, just so many others, all at the top of their game, led by the incredible Cillian Murphy… a crew, some of whom have been awarded tonight. I can’t say enough about the incredible crew that we got together on this film. Thank you to Chuck Roven for putting the book in my hands… The incredible Emma Thomas, producer of all our films and all of our children. I love you. To the academy, just to say movies are just a little bit over 100 years old. I mean, imagine being there 100 years into painting or theater. We don’t know where this incredible journey is going from here. But to...
“I have so many people to thank,” Nolan said during his acceptance speech. “The most incredible cast, Matt Damon, Robert, Emily, Florence, just so many others, all at the top of their game, led by the incredible Cillian Murphy… a crew, some of whom have been awarded tonight. I can’t say enough about the incredible crew that we got together on this film. Thank you to Chuck Roven for putting the book in my hands… The incredible Emma Thomas, producer of all our films and all of our children. I love you. To the academy, just to say movies are just a little bit over 100 years old. I mean, imagine being there 100 years into painting or theater. We don’t know where this incredible journey is going from here. But to...
- 3/11/2024
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
Streamers narrowly avoided getting shut out at the 2024 Oscars: Netflix came away with just one trophy and Apple left empty-handed, after they garnered a total of 32 nominations.
Netflix collected its one win for Wes Anderson’s “The Wonderful Story of Henry Sugar,” an adaptation of a Roald Dahl story, in the live action short film category. The 40-minute film, with a cast that includes Benedict Cumberbatch, Dev Patel, Ben Kingsley, and Ralph Fiennes, is the first Oscar for Anderson (who wasn’t in attendance to receive the award).
Read More: See all the 2024 Oscar winners here.
Heading into Sunday’s 96th Academy Awards, Netflix led all studios and platforms with 19 nominations across 11 films, including seven for Bradley Cooper’s “Maestro” — which was shut out. Apple had picked up 13 nods, including 10 for Martin Scorsese’s “Killers of the Flower Moon,” which also drew a goose egg.
Since 2017, Netflix has now won 23 Oscars in all.
Netflix collected its one win for Wes Anderson’s “The Wonderful Story of Henry Sugar,” an adaptation of a Roald Dahl story, in the live action short film category. The 40-minute film, with a cast that includes Benedict Cumberbatch, Dev Patel, Ben Kingsley, and Ralph Fiennes, is the first Oscar for Anderson (who wasn’t in attendance to receive the award).
Read More: See all the 2024 Oscar winners here.
Heading into Sunday’s 96th Academy Awards, Netflix led all studios and platforms with 19 nominations across 11 films, including seven for Bradley Cooper’s “Maestro” — which was shut out. Apple had picked up 13 nods, including 10 for Martin Scorsese’s “Killers of the Flower Moon,” which also drew a goose egg.
Since 2017, Netflix has now won 23 Oscars in all.
- 3/11/2024
- by Todd Spangler
- Variety Film + TV
Crank up that steel drum cover of 50 Cent’s “P.I.M.P”! “Anatomy of a Fall” has scored the Oscar for Best Original Screenplay. Director Justine Triet and her husband and co-writer Arthur Harari took the stage at the Dolby Theater on March 10 to accept the trophy.
In winning the award, Triet and Harari beat out several other Best Picture nominees to claim the top prize. Also nominated in the category were David Hemingson for “The Holdovers,” Bradley Cooper and Josh Singer for “Maestro,” and Celine Song for “Past Lives.” The sole non-Best Picture nominee recognized in the category was “May December,” which received its sole Oscar nomination for Samy Burch’s script.
The Original Screenplay Oscar is the latest award that Triet’s courtroom drama received during the past Awards season. Triet and Harari won in the same category at the British Academy Film Awards, the Golden Globes, and the French César Awards.
In winning the award, Triet and Harari beat out several other Best Picture nominees to claim the top prize. Also nominated in the category were David Hemingson for “The Holdovers,” Bradley Cooper and Josh Singer for “Maestro,” and Celine Song for “Past Lives.” The sole non-Best Picture nominee recognized in the category was “May December,” which received its sole Oscar nomination for Samy Burch’s script.
The Original Screenplay Oscar is the latest award that Triet’s courtroom drama received during the past Awards season. Triet and Harari won in the same category at the British Academy Film Awards, the Golden Globes, and the French César Awards.
- 3/10/2024
- by Wilson Chapman
- Indiewire
On Jan. 12, screenwriter Simon Stephenson sent an email to the Writers Guild of America’s senior director of credits Lesley Mackey asking to set up a call to discuss an important matter. The CAA-repped writer, whose credits include Pixar’s “Luca” and StudioCanal’s “Paddington 2,” wrote, “I’ve encountered a credits-related issue on quite a high profile WGA-covered project.” According to the email exchange reviewed by Variety, a call between the two took place, and, in a follow-up missive, Stephenson wrote, “the evidence the holdovers screenplay has been plagiarised line-by-line from frisco is genuinely overwhelming – anybody who looks at even the briefest sample pretty much invariably uses the word ‘brazen.’”
Stephenson was referring to his own screenplay “Frisco,” a drama centered on a world-weary middle-aged children’s doctor and the 15-year-old patient he gets stuck looking after, and David Hemingson’s “The Holdovers” — a drama revolving around a...
Stephenson was referring to his own screenplay “Frisco,” a drama centered on a world-weary middle-aged children’s doctor and the 15-year-old patient he gets stuck looking after, and David Hemingson’s “The Holdovers” — a drama revolving around a...
- 3/9/2024
- by Tatiana Siegel
- Variety Film + TV
The 2024 Oscar nominees for Best Director are Jonathan Glazer (“The Zone of Interest”), Yorgos Lanthimos (“Poor Things”), Christopher Nolan (“Oppenheimer”), Martin Scorsese (“Killers of the Flower Moon”), and Justine Triet (“Anatomy of a Fall”). Our odds currently show that Nolan (3/1) is most likely to win, followed in order by Lanthimos (4/1), Glazer (9/2), Triet (9/2), and Scorsese (9/2).
Three of these five filmmakers have been nominated at least once before, with Scorsese standing out as the only previous victor in the group. Now on his 10th bid (only two behind category record holder William Wyler), he initially triumphed on his sixth for “The Departed” (2007), which is also the only Best Picture winner in his filmography. He earned his remaining notices for “Raging Bull” (1981), “The Last Temptation of Christ” (1989), “Goodfellas” (1991), “Gangs of New York” (2003), “The Aviator” (2005), “Hugo” (2012), “The Wolf of Wall Street” (2014), and “The Irishman” (2020).
Having previously ranked as the third oldest directing nominee ever...
Three of these five filmmakers have been nominated at least once before, with Scorsese standing out as the only previous victor in the group. Now on his 10th bid (only two behind category record holder William Wyler), he initially triumphed on his sixth for “The Departed” (2007), which is also the only Best Picture winner in his filmography. He earned his remaining notices for “Raging Bull” (1981), “The Last Temptation of Christ” (1989), “Goodfellas” (1991), “Gangs of New York” (2003), “The Aviator” (2005), “Hugo” (2012), “The Wolf of Wall Street” (2014), and “The Irishman” (2020).
Having previously ranked as the third oldest directing nominee ever...
- 3/7/2024
- by Matthew Stewart
- Gold Derby
Kirsten Dunst is looking back at her time on the Spider-Man set, wishing she would’ve stood up for herself.
The actress that starred as Mary Jane Watson in the Sam Raimi Spider-Man trilogy starting in 2002, had a nickname on the set that she was not fond of. Dunst was referred to as “girly-girl,” and that’s how she was referred to throughout the filming of the trilogy.
“It was a joke, but on Spider-Man, they would call me ‘girly-girl’ sometimes on the walkie-talkie,” Dunst said in an interview with Marie Claire. “But I never said anything … Like, don’t call me that.”
Before the #MeToo movement in 2017, one of the unspoken rules in Hollywood was that young women kept quiet, with Dunst saying, “You didn’t say anything. You just took it.”
Dunst also talked about the roles being offered to her after starring in Jane Campion’s The Power of the Dog,...
The actress that starred as Mary Jane Watson in the Sam Raimi Spider-Man trilogy starting in 2002, had a nickname on the set that she was not fond of. Dunst was referred to as “girly-girl,” and that’s how she was referred to throughout the filming of the trilogy.
“It was a joke, but on Spider-Man, they would call me ‘girly-girl’ sometimes on the walkie-talkie,” Dunst said in an interview with Marie Claire. “But I never said anything … Like, don’t call me that.”
Before the #MeToo movement in 2017, one of the unspoken rules in Hollywood was that young women kept quiet, with Dunst saying, “You didn’t say anything. You just took it.”
Dunst also talked about the roles being offered to her after starring in Jane Campion’s The Power of the Dog,...
- 3/6/2024
- by Armando Tinoco
- Deadline Film + TV
Kirsten Dunst Struggled with ‘Ptsd’ After ‘Civil War’ Production: The Violence ‘Shook Me to My Core’
After “The Power of the Dog,” Kirsten Dunst feels typecast; fortunately, she is no “sad mom” in Alex Garland’s A24 film “Civil War.”
Dunst plays a photojournalist documenting a post-apocalyptic American secession in the upcoming movie. How real is its combat scenes? Well, Dunst said in a Marie Claire cover story that she “had Ptsd for a good two weeks after” production wrapped.
“I remember coming home and eating lunch and I felt really empty,” Dunst said, adding that the combat scenes “shook me to my core.”
“I remember hearing them practice an explosion,” she continued. “We were in the hair and makeup trailer, which was very far away from set, and the whole trailer shook. There’s so much gunfire, and then you look at the news and it’s a school shooting again.”
The “Marie Antoinette” actress described “Civil War” as a “cautionary tale, a fable of...
Dunst plays a photojournalist documenting a post-apocalyptic American secession in the upcoming movie. How real is its combat scenes? Well, Dunst said in a Marie Claire cover story that she “had Ptsd for a good two weeks after” production wrapped.
“I remember coming home and eating lunch and I felt really empty,” Dunst said, adding that the combat scenes “shook me to my core.”
“I remember hearing them practice an explosion,” she continued. “We were in the hair and makeup trailer, which was very far away from set, and the whole trailer shook. There’s so much gunfire, and then you look at the news and it’s a school shooting again.”
The “Marie Antoinette” actress described “Civil War” as a “cautionary tale, a fable of...
- 3/5/2024
- by Samantha Bergeson
- Indiewire
If you're making a list of the greatest film acting debuts of all time, Kate Winslet's unnervingly ecstatic portrayal of Juliet Hulme in Peter Jackson's "Heavenly Creatures" better be at or near the top of the list -- and you should absolutely tether it to co-star Melanie Lynskey's startling debut as Pauline Parker in the same fantastic movie. You can't set the bar any higher than this, and all the two actors have done over the last 30 years is meet or surpass our expectations.
While Lynskey ultimately found her groove as a versatile and rousingly effective character actor, Winslet's career skyrocketed to superstardom in 1997 when she landed the role of Rose in James Cameron's disaster epic "Titanic." Her red-hot romance with Leonardo Di Caprio's dashing Jack granted her cinematic immortality, at which point she was faced with the daunting challenge of living up to mainstream moviegoers' expectations.
While Lynskey ultimately found her groove as a versatile and rousingly effective character actor, Winslet's career skyrocketed to superstardom in 1997 when she landed the role of Rose in James Cameron's disaster epic "Titanic." Her red-hot romance with Leonardo Di Caprio's dashing Jack granted her cinematic immortality, at which point she was faced with the daunting challenge of living up to mainstream moviegoers' expectations.
- 3/5/2024
- by Jeremy Smith
- Slash Film
Netflix has named Dan Lin, the producer of “The Lego Movie” and Netflix’s “Avatar: The Last Airbender” live-action adaptation, as the new Chairman of Film to replace Scott Stuber, the company announced Wednesday.
The film industry veteran will begin on April 1 and report to Bela Bajaria, Netflix’s Chief Content Officer. Stuber, who announced his exit last month and that he would step down in March, was with the streamer seven years.
“Dan’s experience as both an executive and a producer is marked by a consistent ability to draw in exceptional filmmakers,” content chief Bela Bajaria said in a statement. “But what really got my attention was his creation of Rideback, a dynamic community for filmmakers, fostering collaborative and creative environments. His visionary approach has led to the establishment of incubators and residencies, propelling the careers of extraordinary talent, as well as a steady slate of blockbuster films.
The film industry veteran will begin on April 1 and report to Bela Bajaria, Netflix’s Chief Content Officer. Stuber, who announced his exit last month and that he would step down in March, was with the streamer seven years.
“Dan’s experience as both an executive and a producer is marked by a consistent ability to draw in exceptional filmmakers,” content chief Bela Bajaria said in a statement. “But what really got my attention was his creation of Rideback, a dynamic community for filmmakers, fostering collaborative and creative environments. His visionary approach has led to the establishment of incubators and residencies, propelling the careers of extraordinary talent, as well as a steady slate of blockbuster films.
- 2/28/2024
- by Brian Welk
- Indiewire
Jane Campion is championing Matteo Garrone’s “Io Capitano,” which is Italy’s Oscar-nominated contender for best international feature film.
The movie narrates the Homeric journey of two two Senegalese teenagers, Seydou and Moussa, who decide to leave Dakar to reach Europe in pursuit of a better life. It realistically depicts their plight through the pitfalls of the desert, the horrors of detention centers in Libya and the dangers of the sea.
In Variety‘s review, critic Guy Lodge called “Io Capitano” the director’s “most robust, purely satisfying filmmaking since [his] international breakthrough with ‘Gomorrah’ 15 years ago.” The drama, which at the Venice Film Festival won best director and best emerging actor for its co-star Seydou Sarr is the strongest Italian Oscar contender in recent memory. The film, which also won best European film at San Sebastian, will be released in the U.S. on Feb. 23 by Cohen Media Group.
The movie narrates the Homeric journey of two two Senegalese teenagers, Seydou and Moussa, who decide to leave Dakar to reach Europe in pursuit of a better life. It realistically depicts their plight through the pitfalls of the desert, the horrors of detention centers in Libya and the dangers of the sea.
In Variety‘s review, critic Guy Lodge called “Io Capitano” the director’s “most robust, purely satisfying filmmaking since [his] international breakthrough with ‘Gomorrah’ 15 years ago.” The drama, which at the Venice Film Festival won best director and best emerging actor for its co-star Seydou Sarr is the strongest Italian Oscar contender in recent memory. The film, which also won best European film at San Sebastian, will be released in the U.S. on Feb. 23 by Cohen Media Group.
- 2/22/2024
- by Nick Vivarelli
- Variety Film + TV
True Detective has to be one of the most brilliant anthology mystery thriller shows ever made. Originally created by Nic Pizzolatto, the HBO series told a dark and haunting tale through the brilliant performances by Matthew McConaughey and Woody Harrelson in its first season. The quality of the series took a nosedive in its second season and the third season while better from Season 2 didn’t really match the expectation that the inaugural season of True Detective set. Now, we are in Season 4 titled Night Country and with a new creative force behind the series, the fans are getting exactly what they want. So, if you have already finished the much awaited Season 4 of True Detective and are hoping for a renewal, here are some similar shows you could watch while waiting for the new season.
Mare of Easttown (Max & Prime Video Add-On) Credit – HBO
Mare of Easttown is a...
Mare of Easttown (Max & Prime Video Add-On) Credit – HBO
Mare of Easttown is a...
- 2/20/2024
- by Kulwant Singh
- Cinema Blind
“Oppenheimer” is the juggernaut Oscar contender that is predicted to take home not just Best Picture but a whole bunch of other Academy Awards, too, including Best Director for Christopher Nolan and Best Supporting Actor for Robert Downey Jr. However, we thought that “La La Land” had Best Picture all wrapped up in 2017 but come Oscars night, “Moonlight” swept in to claim the evening’s biggest prize in a shock win. So, is “Oppenheimer” as safe as everyone thinks?
“The Holdovers” is well-poised to pull off an upset. The movie follows Paul Giamatti as a curmudgeonly professor who is forced to look after students staying behind during the Christmas holidays. The film has been a hit with critics, audiences, and awards groups, too.
As such, it could be a major dark horse to win the Oscar for Best Picture. In the last 10 years, four movies have claimed the top prize...
“The Holdovers” is well-poised to pull off an upset. The movie follows Paul Giamatti as a curmudgeonly professor who is forced to look after students staying behind during the Christmas holidays. The film has been a hit with critics, audiences, and awards groups, too.
As such, it could be a major dark horse to win the Oscar for Best Picture. In the last 10 years, four movies have claimed the top prize...
- 2/16/2024
- by Jacob Sarkisian
- Gold Derby
Oppenheimer director Christopher Nolan won the Directors Guild of America (DGA) award for Outstanding Directorial Achievement in Theatrical Feature Film on Saturday (February 10), confirming his status as strong favourite to win the directing prize at next month’s Oscars.
British filmmaker Nolan, also winner of the directing Golden Globe for Universal Pictures’ Oppenheimer and nominated for the best director Bafta, took the award from a field that included two other best director Oscar nominees in Poor Things’ Yorgos Lanthimos and Killers Of The Flower Moon’s Martin Scorsese.
Winners of the DGA feature directing award have gone on to win...
British filmmaker Nolan, also winner of the directing Golden Globe for Universal Pictures’ Oppenheimer and nominated for the best director Bafta, took the award from a field that included two other best director Oscar nominees in Poor Things’ Yorgos Lanthimos and Killers Of The Flower Moon’s Martin Scorsese.
Winners of the DGA feature directing award have gone on to win...
- 2/11/2024
- ScreenDaily
Just as Gold Derby predicted, Christopher Nolan (“Oppenheimer”) scored a big win at the 2024 DGA Awards on Saturday, February 10. (See the complete list of winners.) He claimed the Best Feature Film Director category at the 76th Directors Guild of America Awards over two of his Oscar rivals, Yorgos Lanthimos (“Poor Things”) and Martin Scorsese (“Killers of the Flower Moon”), as well as Greta Gerwig (“Barbie”) and Alexander Payne (“The Holdovers”). For the record, the other two Oscar nominees are Jonathan Glazer (“The Zone of Interest”) and Justine Triet (“Anatomy of a Fall”).
Nolan was already the Oscar front-runner for Best Director heading into tonight’s DGA Awards, but this victory just cements his status as the one to beat. After all, the guild and the academy have only disagreed eight times over the past seven decades, with the last three years lining up perfectly for Daniel Kwan & Daniel Scheinert (2022’s...
Nolan was already the Oscar front-runner for Best Director heading into tonight’s DGA Awards, but this victory just cements his status as the one to beat. After all, the guild and the academy have only disagreed eight times over the past seven decades, with the last three years lining up perfectly for Daniel Kwan & Daniel Scheinert (2022’s...
- 2/11/2024
- by Marcus James Dixon
- Gold Derby
The 76th Directors Guild of America Awards took place on Saturday, February 10 at 7:30 p.m. Pt with Judd Apatow hosting the in-person, non-televised ceremony. These kudos honored the best helmers of the year in movies and television, as voted on by more than 18,000 members of the directing guild. Scroll down for the 2024 DGA Awards winners list in three film and eight TV categories.
As always, the all-important feature film category is one of the most telling bellwethers for the eventual Best Director Oscar. The guild and the academy have only disagreed for Best Director eight times over the past seven decades, with the last three years lining up perfectly for Daniel Kwan & Daniel Scheinert (2022’s “Everything Everywhere All at Once”), Jane Campion (2021’s “The Power of the Dog”) and Chloé Zhao (2020’s “Nomadland”).
This year, just three of the DGA’s nominees also reaped directing Oscar bids: Yorgos Lanthimos...
As always, the all-important feature film category is one of the most telling bellwethers for the eventual Best Director Oscar. The guild and the academy have only disagreed for Best Director eight times over the past seven decades, with the last three years lining up perfectly for Daniel Kwan & Daniel Scheinert (2022’s “Everything Everywhere All at Once”), Jane Campion (2021’s “The Power of the Dog”) and Chloé Zhao (2020’s “Nomadland”).
This year, just three of the DGA’s nominees also reaped directing Oscar bids: Yorgos Lanthimos...
- 2/11/2024
- by Marcus James Dixon
- Gold Derby
Although he has personally competed for the Best Picture Oscar as a qualifying producer of just four films, Martin Scorsese is responsible for directing 10 of the top Academy Award category’s nominees, including 2024 contender “Killers of the Flower Moon.” This recent improvement upon his total makes him only the third filmmaker in Oscars history to helm a double-digit amount of Best Picture nominees. Including him, six people who were already credited with directing at least one nominee rose higher in the ranks this year.
The previous Scorsese films that vied for Best Picture are 2007 winner “The Departed” (for which he earned his sole directing trophy) and nominees “Taxi Driver” (1977), “Raging Bull” (1981), “Goodfellas” (1991), “Gangs of New York” (2003), “The Aviator” (2005), “Hugo” (2012), “The Wolf of Wall Street” (2014), and “The Irishman” (2020). Of the 10, he received producing notices for the most recent four and directing bids for all but “Taxi Driver.” The only ones who...
The previous Scorsese films that vied for Best Picture are 2007 winner “The Departed” (for which he earned his sole directing trophy) and nominees “Taxi Driver” (1977), “Raging Bull” (1981), “Goodfellas” (1991), “Gangs of New York” (2003), “The Aviator” (2005), “Hugo” (2012), “The Wolf of Wall Street” (2014), and “The Irishman” (2020). Of the 10, he received producing notices for the most recent four and directing bids for all but “Taxi Driver.” The only ones who...
- 2/9/2024
- by Matthew Stewart
- Gold Derby
Christopher Nolan is one of Britain’s best filmmaking exports, having made many movies adored by fans and critics alike. “Memento,” “The Prestige,” “The Dark Knight,” “Inception,” “Interstellar,” and “Dunkirk” all wowed cinema fans and he continued his hot streak with another epic — this time in the form of Universal’s historical biopic “Oppenheimer.”
The film follows Cillian Murphy as J. Robert Oppenheimer in his quest to create the atomic bomb while he gets caught up in the political machinations of Robert Downey Jr.’s Lewis Strauss. “Oppenheimer” is currently predicted to do well at the Oscars but how about on Nolan’s home soil?
Nolan has never won a BAFTA. His first three nominations all came in 2011 for “Inception,” for Best Picture (shared with Emma Thomas), Best Director, and Best Original Screenplay. Nolan and Thomas lost Best Picture to “The King’s Speech,” while Nolan lost his writing bid to...
The film follows Cillian Murphy as J. Robert Oppenheimer in his quest to create the atomic bomb while he gets caught up in the political machinations of Robert Downey Jr.’s Lewis Strauss. “Oppenheimer” is currently predicted to do well at the Oscars but how about on Nolan’s home soil?
Nolan has never won a BAFTA. His first three nominations all came in 2011 for “Inception,” for Best Picture (shared with Emma Thomas), Best Director, and Best Original Screenplay. Nolan and Thomas lost Best Picture to “The King’s Speech,” while Nolan lost his writing bid to...
- 2/9/2024
- by Jacob Sarkisian
- Gold Derby
The Allure of The Power of the Dog As Oscar season approaches, there’s a palpable buzz around The Power of the Dog. This film, directed by Jane Campion, has garnered a leading 12 Oscar nominations. The nominees for this year’s Oscars were announced Tuesday morning with “The Power of the Dog” receiving 12 nominations, the most of any film this year. It’s a testament to its cinematic prowess, with nods across major categories including Best Picture and Best Actor for Benedict Cumberbatch’s compelling performance. The Western set in 1920s Montana was nominated for best picture, directing (Jane Campion), best actor...
- 2/7/2024
- by Steve Delikson
- TVovermind.com
Is it time to officially anoint Nicole Kidman as the queen of prestige television officially? Because she’s exactly that, and kudos to her and her agents for reading the tea leaves on the shifting industry ages ago. After helping usher in the new era of prestige peak TV with “Big Little Lies,” and following that up with a lot of acclaimed TV work— “Top Of The Lake” for Jane Campion, HBO’s “The Undoing,” “Nine Perfect Strangers” for Hulu, Apple TV+’s “Roar,” “Special Ops: Lioness” for Paramount+, and currently on Prime Video, the series, “Expats” from director Lulu Wang— Kidman has yet another hot TV package in the works that sounds like it’ll be at the top of the most anticipated TV series of 2025.
Continue reading ‘Margo’s Got Money Troubles’: Elle Fanning & Nicole Kidman’s New David E. Kelley Series Lands At Apple at The Playlist.
Continue reading ‘Margo’s Got Money Troubles’: Elle Fanning & Nicole Kidman’s New David E. Kelley Series Lands At Apple at The Playlist.
- 2/2/2024
- by Edward Davis
- The Playlist
One of Scandinavia most interesting new voices, propelled onto the world festival stage with her short film “The Manila Lover,” a Norwegian Amanda best short film and Cannes Critics’ Week nominee, Oslo-based Johanna Pyykkö is competing at the Göteborg Film Festival with her feature debut “My Wonderful Stranger,” which she helmed and co-wrote with Jørgen Færøy Flasnes (“Nudes”).
Shepherding her debut are Dyveke Bjørkly Graver (“Sick of Myself”) and Renée Hansen Mlodyszewski, an associate producer on “The Worst Person in the World,” who produced the pic for Oslo Pictures, in co-production with France’s Bathysphere, MB17 Films, Arte France and Sweden’s Garagefilm. Pyramide International handles sales.
“My Wonderful Stranger” will bow in French cinemas June 5, via Pyramide Distribution. Scandinavian Film Distribution handles Scandinavian rights.
The story turns on the lonely Ebba, 18, who works as a cleaner at Oslo’s harbour. One night, she finds a beautiful man with a...
Shepherding her debut are Dyveke Bjørkly Graver (“Sick of Myself”) and Renée Hansen Mlodyszewski, an associate producer on “The Worst Person in the World,” who produced the pic for Oslo Pictures, in co-production with France’s Bathysphere, MB17 Films, Arte France and Sweden’s Garagefilm. Pyramide International handles sales.
“My Wonderful Stranger” will bow in French cinemas June 5, via Pyramide Distribution. Scandinavian Film Distribution handles Scandinavian rights.
The story turns on the lonely Ebba, 18, who works as a cleaner at Oslo’s harbour. One night, she finds a beautiful man with a...
- 1/30/2024
- by Annika Pham
- Variety Film + TV
Nicole Kidman called Martin Scorsese after she was told she was getting the American Film Institute Life Achievement Award. ‘The Killing of a Sacred Deer’ actress, 56, will receive the honour in April, which has previously been bestowed on movie icons including Elizabeth Taylor, Jane Fonda and Martin. Nicole is the first Australian to be recognised by the awards, and told Vogue Australia about being stunned by the news she was going to be its latest recipient: “It’s made me look back and go, wow, I have worked with the greatest directors in the world! How did that happen?” She added about ‘Goodfellas’ director Martin: “I’d still love to work with Marty. “I called him, and I was like, ‘Marty!’ “And he’s still going strong at 81!” Despite her desire to work with the ‘Taxi Driver’ filmmaker, Nicole has recently focused on collaborating with women directors. The string of...
- 1/26/2024
- by BANG Showbiz Reporter
- Bang Showbiz
Earlier this week, news came out that Scott Stuber, who has been the head of Netflix's original film division since 2017, is leaving his coveted position at the streamer to start a new media company. Executives leave their jobs all the time in Hollywood for a whole host of reasons, but this move feels especially notable given the outsized power Netflix has in the industry.
Stuber has greenlit and overseen a majority of Netflix's original movies, ranging in quality from transcendent to terrible. Much has been made of the bloated, excessively expensive action films that have so far failed to start franchises, but Stuber, buoyed by his relatable experience as a working producer, also managed to lure some of the world's best filmmakers to the platform. Martin Scorsese, Alfonso Cuaron, Spike Lee, the Coen Brothers, Noah Baumbach, Jane Campion, and many more made movies there, and audiences are better off because of it.
Stuber has greenlit and overseen a majority of Netflix's original movies, ranging in quality from transcendent to terrible. Much has been made of the bloated, excessively expensive action films that have so far failed to start franchises, but Stuber, buoyed by his relatable experience as a working producer, also managed to lure some of the world's best filmmakers to the platform. Martin Scorsese, Alfonso Cuaron, Spike Lee, the Coen Brothers, Noah Baumbach, Jane Campion, and many more made movies there, and audiences are better off because of it.
- 1/24/2024
- by Ben Pearson
- Slash Film
Film directing has long been dominated by men, and they continue to earn a vast majority of the Best Director nominations at the Oscars. Yet, there have been several trailblazing women that have broken through and earned bids at the Academy Awards. Specifically, eight of them have been nominated a total of nine times. Scroll through our photo gallery above (or click here for direct access) for a look back at all of the female directors nominated for Oscars in the Best Director category. To date, three females — Kathryn Bigelow, Chloe Zhao and Jane Campion — have taken home the statuette. At the upcoming 2024 Oscars, several women were in the running for the directing trophy, but only Justine Triet (“Anatomy of a Fall”) reaped a bid.
Triet became the eighth female director nominee in Oscar history for the French film starring Sandra Hüller as a woman who is accused of murdering her husband.
Triet became the eighth female director nominee in Oscar history for the French film starring Sandra Hüller as a woman who is accused of murdering her husband.
- 1/24/2024
- by Marcus James Dixon
- Gold Derby
A lot of people were plenty upset by one Academy Awards nomination snub in particular: that of “Barbie” director Greta Gerwig. One friend on my Facebook page – actor, author and filmmaker Cathryn Michon – put her thoughts succinctly: “Warmest congratulations to the patriarchy of the Oscars. The triumph of an overwhelmingly male director’s branch continues. Greta’s craft, vision and innovation saved your business, you morons.” She continued, “For me, the Oscars have become a ‘Zone of No Interest.’ If Greta isn’t in the running, then the award is meaningless.”
Michon was hardly alone in her ire at Gerwig’s having been passed over. The din built throughout the day on Tuesday until it was deafening, with simple sexism thought to be at the heart of it. Of course, there are also these facts: Gerwig on Tuesday became the first filmmaker in history to have her first three solo features – “Lady Bird,...
Michon was hardly alone in her ire at Gerwig’s having been passed over. The din built throughout the day on Tuesday until it was deafening, with simple sexism thought to be at the heart of it. Of course, there are also these facts: Gerwig on Tuesday became the first filmmaker in history to have her first three solo features – “Lady Bird,...
- 1/24/2024
- by Ray Richmond
- Gold Derby
In Billy Crystal’s musical medley that opened the 1992 Oscars, he sang a tribute to Barbra Streisand’s romantic drama The Prince of Tides to the tune of “Don’t Rain on My Parade,” the song made famous, of course, by Barbra Streisand. He crooned: “Seven nominations on the shelf, did this film direct itself?” The audience burst into loud applause and the camera panned to Streisand who gave a nod of approval that seemed tinged with a note of disappointment.
Streisand’s film, which she directed and starred in,...
Streisand’s film, which she directed and starred in,...
- 1/23/2024
- by Esther Zuckerman
- Rollingstone.com
When Scott Stuber arrived at Netflix in 2017, some of its biggest films to date were the Idris Elba drama “Beasts of No Nation,” the Adam Sandler comedy “Sandy Wexler,” or the Will Smith fantasy action film “Bright.” Some were hits or got some awards buzz, and sure they had new films by Noah Baumbach and Angelina Jolie, but Netflix at that time was still getting booed at the Cannes Film Festival for releasing Bong Joon-Ho’s “Okja.”
Under Stuber’s watch, that all changed. Netflix would be the place where Martin Scorsese, Bradley Cooper, Alfonso Cuarón, Jane Campion, and more would want to make their passion projects. It was the place The Rock, the Russo Brothers, Zack Snyder, and Shawn Levy took their tentpoles to make some of the streamer’s biggest hits to date. He spent a fortune to get the rights to two “Knives Out” sequels. And it...
Under Stuber’s watch, that all changed. Netflix would be the place where Martin Scorsese, Bradley Cooper, Alfonso Cuarón, Jane Campion, and more would want to make their passion projects. It was the place The Rock, the Russo Brothers, Zack Snyder, and Shawn Levy took their tentpoles to make some of the streamer’s biggest hits to date. He spent a fortune to get the rights to two “Knives Out” sequels. And it...
- 1/23/2024
- by Brian Welk
- Indiewire
Film directing has long been dominated by men, and they continue to earn a vast majority of the Best Director nominations at the Oscars. Yet, there have been several trailblazing women that have broken through and earned bids at the Academy Awards. Specifically, eight of them have been nominated a total of nine times. Scroll through our photo gallery below for a look back at all of the female directors nominated for Oscars in the Best Director category. To date, three females — Kathryn Bigelow, Chloe Zhao and Jane Campion — have taken home the statuette. At the upcoming 2024 Oscars, several women were in the running for the directing trophy, but only Justine Triet (“Anatomy of a Fall”) reaped a bid.
- 1/23/2024
- by Marcus James Dixon and Kevin Jacobsen
- Gold Derby
Anatomy of a Fall director Justine Triet was nominated as the sole female filmmaker in the best director category during the Oscar nominations on Tuesday morning, which, the director tells The Hollywood Reporter, is something she could have never imagined.
“I cried… the first one [nomination] was for script and I was so happy. But it was after when I watched the name of my editor, I cried, because it was so surprising. I didn’t imagine that Laurent Sénéchal could be involved in this game,” says Triet. “And of course for best director. I was surprised because there are no more women beside me. So of course, I’m so, so lucky and very proud of all these things.”
To be nominated by her peers in the directing category was “really moving” for the French filmmaker. “Most of these people since I was a child I’ve admired so much,...
“I cried… the first one [nomination] was for script and I was so happy. But it was after when I watched the name of my editor, I cried, because it was so surprising. I didn’t imagine that Laurent Sénéchal could be involved in this game,” says Triet. “And of course for best director. I was surprised because there are no more women beside me. So of course, I’m so, so lucky and very proud of all these things.”
To be nominated by her peers in the directing category was “really moving” for the French filmmaker. “Most of these people since I was a child I’ve admired so much,...
- 1/23/2024
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
For the first time in the 96 years of the Academy Awards, three of the 10 films that received Best Picture nominations were directed by women. Greta Gerwig's "Barbie" (the blockbuster sensation of 2023), Celine Song's "Past Lives" (my personal choice for the best film of the entire year), and Justine Triet's "Anatomy of a Fall" (the most complex movie of the year) all received Best Picture nominations, and all three are incredibly well-deserved.
As Variety points out, 591 movies had been nominated for Oscars before this year's nominees were announced. In that 95-year span, it's been exceptionally rare for women to have directed two movies nominated for Best Picture:
Only four years have included two films directed by women among the best picture nominees: Lone Scherfig's ["An Education"] and Kathryn Bigelow's "The Hurt Locker" (2009), Lisa Cholodenko's "The Kids Are All Right" and Debra Granik's "Winter's Bone" (2010), Chloé Zhao...
As Variety points out, 591 movies had been nominated for Oscars before this year's nominees were announced. In that 95-year span, it's been exceptionally rare for women to have directed two movies nominated for Best Picture:
Only four years have included two films directed by women among the best picture nominees: Lone Scherfig's ["An Education"] and Kathryn Bigelow's "The Hurt Locker" (2009), Lisa Cholodenko's "The Kids Are All Right" and Debra Granik's "Winter's Bone" (2010), Chloé Zhao...
- 1/23/2024
- by Ben Pearson
- Slash Film
Three female directors saw their movies nab Best Picture nominations Tuesday morning, the first time that’s occurred in Oscar’s 96-year history: Celine Song with Past Lives, Great Gerwig with Barbie and Justine Triet with Anatomy of a Fall.
For a fifth consecutive year, at least one of the Best Picture nominees was directed by a woman.
In the directing category, Triet becomes the ninth woman to be nominated in the category. She is the only female filmmaker this year, joined by Martin Scorsese (Killers of the Flower Moon), Christopher Nolan (Oppenheimer), Yorgos Lanthimos (Poor Things) and Jonathan Glazer (The Zone of Interest).
Previously, only four years counted two Best Picture noms from female filmmakers: 2009 for Lone Scherfig’s An Education and Kathryn Bigelow’s The Hurt Locker, 2010 for Lisa Cholodenko’s The Kids Are All Right and Debra Granik’s Winter’s Bone, 2020 with Chloé Zhao’s Nomadland and...
For a fifth consecutive year, at least one of the Best Picture nominees was directed by a woman.
In the directing category, Triet becomes the ninth woman to be nominated in the category. She is the only female filmmaker this year, joined by Martin Scorsese (Killers of the Flower Moon), Christopher Nolan (Oppenheimer), Yorgos Lanthimos (Poor Things) and Jonathan Glazer (The Zone of Interest).
Previously, only four years counted two Best Picture noms from female filmmakers: 2009 for Lone Scherfig’s An Education and Kathryn Bigelow’s The Hurt Locker, 2010 for Lisa Cholodenko’s The Kids Are All Right and Debra Granik’s Winter’s Bone, 2020 with Chloé Zhao’s Nomadland and...
- 1/23/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Barbie director Greta Gerwig was notably snubbed in the best director category during the Oscar nominations on Tuesday. But following last year’s omission of any female filmmaker in the category, Anatomy of a Fall’s Justine Triet received a nomination.
Triet, Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Jonathan Glazer (The Zone of Interest) and Martin Scorsese (Killers of the Flower Moon) were nominated in the coveted category Tuesday morning.
Gerwig is a notable snub, as the Barbie director, throughout the awards season, received various best director nominations (the Directors Guild of America, the Golden Globes, Critics Choice) and wins (Palm Springs International Film Fest). She was also on various pundits’ prediction lists for best director, including from The Hollywood Reporter. Frontrunner Alexander Payne (The Holdovers) was also omitted.
Last year, no woman was nominated for best director. The nominees were Martin McDonagh (The Banshees of Inisherin), Todd Field...
Triet, Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Jonathan Glazer (The Zone of Interest) and Martin Scorsese (Killers of the Flower Moon) were nominated in the coveted category Tuesday morning.
Gerwig is a notable snub, as the Barbie director, throughout the awards season, received various best director nominations (the Directors Guild of America, the Golden Globes, Critics Choice) and wins (Palm Springs International Film Fest). She was also on various pundits’ prediction lists for best director, including from The Hollywood Reporter. Frontrunner Alexander Payne (The Holdovers) was also omitted.
Last year, no woman was nominated for best director. The nominees were Martin McDonagh (The Banshees of Inisherin), Todd Field...
- 1/23/2024
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
After failing to nominate any female directors last year — and on the heels of Jane Campion’s record-breaking win for her “The Power of the Dog” in 2022, which marked her as only the third woman to ever win the Oscar for Best Director, following Kathryn Bigelow (“The Hurt Locker”) and Chloé Zhao (“Nomadland”) — this year’s Oscar nominations have again returned to the land of just one female nominee.
That might not surprise anyone familiar with the org’s history of nominations in this particular category (read: slim), but this morning’s nomination pool did pack at least one surprise: “Barbie” filmmaker (and previous nominee in the category) Greta Gerwig failed to notch a nom, while “Anatomy of a Fall” filmmaker Justine Triet was nominated for the first time in the category.
While both films have proven to be awards juggernauts over the past few months, recent chatter seemed to favor Triet in the category,...
That might not surprise anyone familiar with the org’s history of nominations in this particular category (read: slim), but this morning’s nomination pool did pack at least one surprise: “Barbie” filmmaker (and previous nominee in the category) Greta Gerwig failed to notch a nom, while “Anatomy of a Fall” filmmaker Justine Triet was nominated for the first time in the category.
While both films have proven to be awards juggernauts over the past few months, recent chatter seemed to favor Triet in the category,...
- 1/23/2024
- by Kate Erbland
- Indiewire
Women filmmakers hit a milestone with this year’s 2024 Oscar nominations.
For the first time in history, three of the 10 movies nominated for best picture — Justine Triet’s “Anatomy of a Fall,” Greta Gerwig’s “Barbie” and Celine Song’s “Past Lives” — were directed by a female auteur, the most recognized in the Academy Awards’ 96-year history.
The other best picture nominees are: “American Fiction,” “Killers of the Flower Moon,” “Maestro,” “Oppehneimer,” “The Holdovers,” “Poor Things,” and “The Zone of Interest.”
Before this year’s best picture nominees, 591 movies were nominated by the Academy. Only four years have included two films directed by women among the best picture nominees: Lone Scherfig’s “An Education” and Kathryn Bigelow’s “The Hurt Locker” (2009), Lisa Cholodenko’s “The Kids Are All Right” and Debra Granik’s “Winter’s Bone” (2010), Chloé Zhao’s “Nomadland” and Emerald Fennell’s “Promising Young Woman” (2020) and Siân Heder’s...
For the first time in history, three of the 10 movies nominated for best picture — Justine Triet’s “Anatomy of a Fall,” Greta Gerwig’s “Barbie” and Celine Song’s “Past Lives” — were directed by a female auteur, the most recognized in the Academy Awards’ 96-year history.
The other best picture nominees are: “American Fiction,” “Killers of the Flower Moon,” “Maestro,” “Oppehneimer,” “The Holdovers,” “Poor Things,” and “The Zone of Interest.”
Before this year’s best picture nominees, 591 movies were nominated by the Academy. Only four years have included two films directed by women among the best picture nominees: Lone Scherfig’s “An Education” and Kathryn Bigelow’s “The Hurt Locker” (2009), Lisa Cholodenko’s “The Kids Are All Right” and Debra Granik’s “Winter’s Bone” (2010), Chloé Zhao’s “Nomadland” and Emerald Fennell’s “Promising Young Woman” (2020) and Siân Heder’s...
- 1/23/2024
- by Clayton Davis
- Variety Film + TV
If Hollywood executive shuffles were an Oscar category, Scott Stuber would take home the trophy for scene-stealing announcement.
The company’s long-time (at least by entertainment industry standards) film chief revealed on the eve of the Academy Award nominations that he’s departing the streamer to start a new media company. The news wasn’t a total shock; his exit has been rumored for some time and the well-liked executive had been talking to potential financiers about a solo venture, according to a knowledgeable source.
Still, his goodbye leaves one of the most influential jobs in movies open for the taking. This will likely spark a flurry of people who are burnishing their resumes, including former Warner Bros. chairman Toby Emmerich, Paramount’s prior motion picture group president Emma Watts and executive-turned-producer Dan Lin. It’s possible, but less likely, that Paramount’s prior CEO Jim Gianopulos and the recently...
The company’s long-time (at least by entertainment industry standards) film chief revealed on the eve of the Academy Award nominations that he’s departing the streamer to start a new media company. The news wasn’t a total shock; his exit has been rumored for some time and the well-liked executive had been talking to potential financiers about a solo venture, according to a knowledgeable source.
Still, his goodbye leaves one of the most influential jobs in movies open for the taking. This will likely spark a flurry of people who are burnishing their resumes, including former Warner Bros. chairman Toby Emmerich, Paramount’s prior motion picture group president Emma Watts and executive-turned-producer Dan Lin. It’s possible, but less likely, that Paramount’s prior CEO Jim Gianopulos and the recently...
- 1/23/2024
- by Rebecca Rubin and Matt Donnelly
- Variety Film + TV
Scott Stuber is leaving Netflix. The chairman of Netflix film since 2017, he will be leaving in March to start his own media company.
This has been in the works for some time, as rumors were rampant he had a different philosophy than Netflix toppers, whose prime focus has always been to make premium movies to be consumed by streaming. Other streamers have evolved into a theatrical first window for many of their big budget films, as Apple did in securing traditional distributors to globally release films like Killers of the Flower Moon and Napoleon. While Netflix has acquired some posh theaters in qualifying cities like New York and Los Angeles, its business plan is mainly global streaming without the giant P&a spend needed for films to do big movie house grosses.
Stuber will stay to help the transition, and then Chief Content Officer Bela Bajaria will oversee things until a permanent replacement is secured.
This has been in the works for some time, as rumors were rampant he had a different philosophy than Netflix toppers, whose prime focus has always been to make premium movies to be consumed by streaming. Other streamers have evolved into a theatrical first window for many of their big budget films, as Apple did in securing traditional distributors to globally release films like Killers of the Flower Moon and Napoleon. While Netflix has acquired some posh theaters in qualifying cities like New York and Los Angeles, its business plan is mainly global streaming without the giant P&a spend needed for films to do big movie house grosses.
Stuber will stay to help the transition, and then Chief Content Officer Bela Bajaria will oversee things until a permanent replacement is secured.
- 1/22/2024
- by Mike Fleming Jr
- Deadline Film + TV
Scott Stuber, who pushed Netflix to expand into blockbuster movie territory, is stepping down from the streaming service’s top film job to form his own media company.
Stuber will remain with the streamer until March, at which point Netflix Cco Bela Bajaria will temporarily assume his role while she searches for a replacement. Bloomberg first reported the news.
Under Stuber’s direction, Netflix’s feature business aggressively entered the blockbuster space, courting filmmakers such as Zack Snyder, the Russo brothers, Michael Bay and Rawson Marshall Thurber. The era began with the Will Smith starrer Bright, the 2017 film that had a reported budget of $90 million, a hefty number that turned heads at the time but would soon look quaint compared to what was to come.
Red Notice, starring Dwayne Johnson, Ryan Reynolds and Gal Gadot, cost somewhere in the $250 million to $300 million range, while the Russo’ Gray Man cost in the $200 million range.
Stuber will remain with the streamer until March, at which point Netflix Cco Bela Bajaria will temporarily assume his role while she searches for a replacement. Bloomberg first reported the news.
Under Stuber’s direction, Netflix’s feature business aggressively entered the blockbuster space, courting filmmakers such as Zack Snyder, the Russo brothers, Michael Bay and Rawson Marshall Thurber. The era began with the Will Smith starrer Bright, the 2017 film that had a reported budget of $90 million, a hefty number that turned heads at the time but would soon look quaint compared to what was to come.
Red Notice, starring Dwayne Johnson, Ryan Reynolds and Gal Gadot, cost somewhere in the $250 million to $300 million range, while the Russo’ Gray Man cost in the $200 million range.
- 1/22/2024
- by Mia Galuppo and Aaron Couch
- The Hollywood Reporter - Movie News
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