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Quick Answer: Watch every episode of the Syfy channel’s New Year’s The Twilight Zone marathon with a live streaming service like DirecTV Stream or fuboTV, which come with free trials.
Get DirecTV Stream Free Trial
You’re traveling through another dimension — a dimension not only of sight and sound but of mind. That’s a signpost up ahead: Your next stop, streaming Syfy’s super-sized Twilight Zone marathon!
Quick Answer: Watch every episode of the Syfy channel’s New Year’s The Twilight Zone marathon with a live streaming service like DirecTV Stream or fuboTV, which come with free trials.
Get DirecTV Stream Free Trial
You’re traveling through another dimension — a dimension not only of sight and sound but of mind. That’s a signpost up ahead: Your next stop, streaming Syfy’s super-sized Twilight Zone marathon!
- 12/28/2023
- by Sage Anderson
- Rollingstone.com
In the fifth season episode of "The Twilight Zone," called "The Masks", an elderly millionaire named Jason Foster (Robert Keith) has gathered his daughter, her husband, and their two adult children for a Mardi Gras gathering. Jason, attended by his doctor (Willis Bouchey), is dying. He expects he'll be dead by morning. Jason also hates his daughter and her family. He sees Emily (Virginia Gregg) as spineless, her husband Wilfred (Milton Seltzer) as greedy, her son Wilfred, Jr. (Alan Sues) as dumb and oafish, and her daughter Paula (Brooke Hayward) as vain and shallow.
At dinner, the family members all feign politeness, but the audience trusts Jason when he says they are all terrible people who are only interested in inheriting his fortune. After dinner, Jason calls the quartet into the drawing room for a Mardi Gras game. The patriarch has commissioned five expressive, full-face masks that he and his family are to wear.
At dinner, the family members all feign politeness, but the audience trusts Jason when he says they are all terrible people who are only interested in inheriting his fortune. After dinner, Jason calls the quartet into the drawing room for a Mardi Gras game. The patriarch has commissioned five expressive, full-face masks that he and his family are to wear.
- 8/1/2023
- by Witney Seibold
- Slash Film
Monica Rich Kosann
Usher has been spotted wearing the 18-karat yellow-gold Shield locket, which is embellished with diamonds and features the word “fearless” engraved on the back, all on a black steel chain; 6,495, monicarichkosann.com or more options at neimanmarcus.com
Monica Rich Kosann at Neiman Marcus
Buy now
Hoorsenbuhs
L.A.-based designer Robert Keith created this Bonded ring as a gift for his wife, then added it to the house’s collection — the pair of rings are joined by an open link chain of 18-karat gold and embellished with diamonds; 16,000, at Hoorsenbuhs, Santa Monica and neimanmarcus.com
Hoorsenbuhs 3mm Bonded Ring16,000
Buy now
Zenith
A deep red gradient-effect dial is set in a 37mm stainless steel case on the Defy Revival A3691, a tribute to an original piece from the 1970s; 6,900, at Westime Rodeo, Beverly Hills, hodinkee.com or watchesofswitzerland.com
Zenith Defy Revival 37mm Watch6,900
Buy now...
Usher has been spotted wearing the 18-karat yellow-gold Shield locket, which is embellished with diamonds and features the word “fearless” engraved on the back, all on a black steel chain; 6,495, monicarichkosann.com or more options at neimanmarcus.com
Monica Rich Kosann at Neiman Marcus
Buy now
Hoorsenbuhs
L.A.-based designer Robert Keith created this Bonded ring as a gift for his wife, then added it to the house’s collection — the pair of rings are joined by an open link chain of 18-karat gold and embellished with diamonds; 16,000, at Hoorsenbuhs, Santa Monica and neimanmarcus.com
Hoorsenbuhs 3mm Bonded Ring16,000
Buy now
Zenith
A deep red gradient-effect dial is set in a 37mm stainless steel case on the Defy Revival A3691, a tribute to an original piece from the 1970s; 6,900, at Westime Rodeo, Beverly Hills, hodinkee.com or watchesofswitzerland.com
Zenith Defy Revival 37mm Watch6,900
Buy now...
- 2/8/2023
- by Laurie Brookins
- The Hollywood Reporter - Movie News
The European filmmaker directed a series of deceptively complex melodramas in the 1950s.“This is the dialectic — there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art” — Douglas Sirk
Douglas Sirk was born in Germany in 1900, and began his career in the early 1920s working in theater. In 1922, he directed his first production — an adaptation of Hermann Bossdorf’s Stationmaster Death, and from then on he became one of the most respected theater directors in Weimar Germany. Then, in 1934, he took a job as a film director at Ufa, the biggest studio in Germany at the time.
In 1941, Sirk left Germany and began working as a director in Hollywood. His early films, such as the WWII drama Hitler’s Madman (1942) have largely been forgotten. These early films varied in genre — he directed war films (Mystery Submarine), historical dramas (A Scandal in Paris), film...
Douglas Sirk was born in Germany in 1900, and began his career in the early 1920s working in theater. In 1922, he directed his first production — an adaptation of Hermann Bossdorf’s Stationmaster Death, and from then on he became one of the most respected theater directors in Weimar Germany. Then, in 1934, he took a job as a film director at Ufa, the biggest studio in Germany at the time.
In 1941, Sirk left Germany and began working as a director in Hollywood. His early films, such as the WWII drama Hitler’s Madman (1942) have largely been forgotten. These early films varied in genre — he directed war films (Mystery Submarine), historical dramas (A Scandal in Paris), film...
- 4/5/2017
- by Angela Morrison
- FilmSchoolRejects.com
Dana Andrews movies: Film noir actor excelled in both major and minor crime dramas. Dana Andrews movies: First-rate film noir actor excelled in both classics & minor fare One of the best-looking and most underrated actors of the studio era, Dana Andrews was a first-rate film noir/crime thriller star. Oftentimes dismissed as no more than a “dependable” or “reliable” leading man, in truth Andrews brought to life complex characters that never quite fit into the mold of Hollywood's standardized heroes – or rather, antiheroes. Unlike the cynical, tough-talking, and (albeit at times self-delusionally) self-confident characters played by the likes of Alan Ladd, Edward G. Robinson, James Cagney, Humphrey Bogart, and, however lazily, Robert Mitchum, Andrews created portrayals of tortured men at odds with their social standing, their sense of ethics, and even their romantic yearnings. Not infrequently, there was only a very fine line separating his (anti)heroes from most movie villains.
- 1/22/2017
- by Andre Soares
- Alt Film Guide
Elia Kazan's third picture is a hard-hitting noir, a true story that honors the efforts of a noble States' Attorney when confronted with a murder case that was a little too open-and-shut. But a close read of the movie uncovers a miasma of social criticism, hiding behind the self-congratulating official narration. A great show. Boomerang! Blu-ray Kl Studio Classics 1947 / B&W / 1:37 flat full frame / 88 min. / Street Date November 15, 2016 / available through Kino Lorber / 29.95 Starring Dana Andrews, Jane Wyatt, Lee J. Cobb, Sam Levene, Arthur Kennedy, Cara Williams, Ed Begley, Taylor Holmes, Robert Keith. Cinematography Norbert Brodine Art Direction Richard Day, Chester Gore Film Editor Harmon Jones Original Music David Buttolph Written by Richard Murphy from an article in The Reader's Digest by Anthony Abbot (Fulton Oursier) Produced by Louis De Rochemont, Darryl F. Zanuck Directed by Elia Kazan
Reviewed by Glenn Erickson
In just his second movie, director...
Reviewed by Glenn Erickson
In just his second movie, director...
- 11/15/2016
- by Glenn Erickson
- Trailers from Hell
MGM's show is a surprising powerhouse musical bio about the personality clash between an ambitious singer and the powerful enabler who wants her in his bed. Doris Day and James Cagney are at their best in an only slightly compromised telling of the real-life showbiz relationship of 'twenties star Ruth Etting and the domineering mobster Martin Snyder. Love Me or Leave Me Blu-ray Warner Archive Collection 1955 / Color / 2:55 widescreen / 122 min. / Street Date September 13, 2016 / available through the WBshop / 21.99 Starring Doris Day, James Cagney, Cameron Mitchell, Robert Keith, Tom Tully, Harry Bellaver, Richard Gaines, Peter Leeds, Claude Stroud, Audrey Wilder, John Harding. Cinematography Arthur E. Arling Art Direction Urie McCleary, Cedric Gibbons Film Editor Ralph Winters Original Music Nicholas Brodszky, Percy Faith, George E. Stoll Written by Daniel Fuchs and Isobel Lennart Produced by Joe Pasternak Directed by Charles Vidor
Reviewed by Glenn Erickson
MGM's early CinemaScope musical bio holds up extremely well,...
Reviewed by Glenn Erickson
MGM's early CinemaScope musical bio holds up extremely well,...
- 8/20/2016
- by Glenn Erickson
- Trailers from Hell
What in the world -- an A + top-rank film noir gem hiding under the radar, and rescued (most literally) by the Film Noir Foundation. Ann Sheridan and Dennis O'Keefe trade dialogue as good as any in a film from 1950 -- it's a thriller with a cynical worldview yet a sentimental personal outlook. Woman on the Run Blu-ray + DVD Flicker Alley / FIlm Noir Foundation 1950 / B&W / 1:37 Academy / 79 min. / Street Date May 17, 2016 / 39.95 Starring Ann Sheridan, Dennis O'Keefe, Robert Keith, John Qualen, Frank Jenks, Ross Elliott, Jane Liddell, Joan Fulton, J. Farrell MacDonald, Steven Geray, Victor Sen Yung, Reiko Sato. Cinematography Hal Mohr Art Direction Boris Leven Film Editor Otto Ludwig Original Music Arthur Lange, Emil Newman Written by Alan Campbell, Norman Foster, Sylvia Tate Produced by Howard Welsch, Ann Sheridan Directed by Norman Foster
Reviewed by Glenn Erickson
Amazing! Just when one thinks one won't see another top-rank film noir, the...
Reviewed by Glenn Erickson
Amazing! Just when one thinks one won't see another top-rank film noir, the...
- 5/24/2016
- by Glenn Erickson
- Trailers from Hell
Remember Charlie Chaplin's 'The Killer with a Heart?' You too will be frustrated by this well-produced story of a slum kid who commits an unpardonable crime... except that a do-gooder priest wants to pardon him. Dana Andrews and Farley Granger star but the good work is in the smaller roles of this urban tragedy. Edge of Doom DVD-r The Warner Archive Collection 1950 / B&W / 1:37 flat Academy / 97 min. / Street Date February 9, 2016 / available through the WBshop / 18.59 Starring Dana Andrews, Farley Granger, Joan Evans, Robert Keith, Paul Stewart, Mala Powers, Adele Jergens, Harold Vermilyea, John Ridgely, Douglas Fowley, Mabel Paige, Howland Chamberlain, Houseley Stevenson Sr., Jean Inness, Ellen Corby, Ray Teal. Cinematography Harry Stradling Film Editor Daniel Mandell Original Music Hugo Friedhofer Written by Philip Yordan Produced by Samuel Goldwyn Directed by Mark Robson
Reviewed by Glenn Erickson
What's the most hopeless, depressing, feel-bad film noir on the charts? How about Detour,...
Reviewed by Glenn Erickson
What's the most hopeless, depressing, feel-bad film noir on the charts? How about Detour,...
- 5/16/2016
- by Glenn Erickson
- Trailers from Hell
Exclusive: Arthur Sarkissian and writer-director Tony Kaye are teaming to bring the story of Peg Entwistle to light as a movie. She is the blond-haired, blue-eyed actress who committed suicide by jumping off the ‘H’ of the Hollywood sign in 1932 after she was cut out of the David O. Selznick film Thirteen Women. She was only 24.
Sarkissian (Rush Hour) will produce the picture, and Kaye will write and plans to direct.
The Wales-born Entwistle started her career on Broadway in several plays from 1925-32 including The Wild Duck and The Uninvited Guest and in J.M. Barrie’s Alice Sit By The Fire before marrying Robert Keith. They divorced after she discovered that Keith had been married before and had a 6-year-old son she was not told about. Oddly enough, that son was Brian Keith, who later became an actor best known for the popular TV series Family Affair.
The beautiful...
Sarkissian (Rush Hour) will produce the picture, and Kaye will write and plans to direct.
The Wales-born Entwistle started her career on Broadway in several plays from 1925-32 including The Wild Duck and The Uninvited Guest and in J.M. Barrie’s Alice Sit By The Fire before marrying Robert Keith. They divorced after she discovered that Keith had been married before and had a 6-year-old son she was not told about. Oddly enough, that son was Brian Keith, who later became an actor best known for the popular TV series Family Affair.
The beautiful...
- 9/19/2014
- by Anita Busch
- Deadline
By Lee Pfeiffer
The Warner Archive has released the classic 1956 film noir Ransom! as a burn-to-order title. The film is a textbook example of minimalist production values being overshadowed by a strong, intelligent script (co-written by future 007 scribe Richard Maibaum) and excellent direction, courtesy of Alex Segal. Glenn Ford plays Dave Stannard, a highly successful owner of a major vacuum cleaner company. He lives an idyllic home life with his devoted wife Edith (Donna Reed) and their 8 year-old son Andy (Bobby Clark). Suddenly their peaceful, quiet life is sent into a tragic spin when Andy is kidnapped by persons unknown. Stannard alerts the local police chief and soon his house is swarming with cops while outside a circus-like atmosphere develops as ghoulish neighbors gather to sniff out any updates in the case. For long agonizing hours Stannard doesn't receive any word until the inevitable phone call comes in demanding that he get a $500,000 ransom together.
The Warner Archive has released the classic 1956 film noir Ransom! as a burn-to-order title. The film is a textbook example of minimalist production values being overshadowed by a strong, intelligent script (co-written by future 007 scribe Richard Maibaum) and excellent direction, courtesy of Alex Segal. Glenn Ford plays Dave Stannard, a highly successful owner of a major vacuum cleaner company. He lives an idyllic home life with his devoted wife Edith (Donna Reed) and their 8 year-old son Andy (Bobby Clark). Suddenly their peaceful, quiet life is sent into a tragic spin when Andy is kidnapped by persons unknown. Stannard alerts the local police chief and soon his house is swarming with cops while outside a circus-like atmosphere develops as ghoulish neighbors gather to sniff out any updates in the case. For long agonizing hours Stannard doesn't receive any word until the inevitable phone call comes in demanding that he get a $500,000 ransom together.
- 8/16/2014
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Today on Trailers from Hell, Josh Olson takes a look at Don Siegel's savage 1958 thriller "The Lineup," the big screen adaptation of the 1950s TV series starring Warner Anderson. Warner Anderson, star of the long-running early fifties TV show "The Lineup," repeated his role in 1958's big screen version but the real stars of director Don Siegel's brutal thriller were Eli Wallach and Robert Keith as a pair of sociopathic crooks and, of course, Siegel himself who masterminded several lethal set pieces including the hair-raising climax (involving a chase on an unfinished freeway). Seasoned TV writer Stirling Silliphant ("Route 66," "Naked City") was responsible for the screenplay and cinematographer Hal Mohr ("The Wild One," "Destry Rides Again") lensed the appropriately gritty black and white San Francisco landscapes.
- 5/23/2014
- by Trailers From Hell
- Thompson on Hollywood
Warner Anderson, star of the long-running early fifties TV show The Lineup, repeated his role in 1958's big screen version but the real stars of director Don Siegel's brutal thriller were Eli Wallach and Robert Keith as a pair of sociopathic crooks and, of course, Siegel himself who masterminded several lethal set pieces including the hair-raising climax (involving a chase on an unfinished freeway). Seasoned TV writer Stirling Silliphant (Route 66, Naked City) was responsible for the screenplay and cinematographer Hal Mohr (The Wild One, Destry Rides Again) lensed the appropriately gritty black and white San Francisco landscapes.
The post The Lineup appeared first on Trailers From Hell.
The post The Lineup appeared first on Trailers From Hell.
- 5/23/2014
- by TFH Team
- Trailers from Hell
Men in War
Written by Philip Yordan
Directed by Anthony Mann
USA, 1957
Director Anthony Mann was a specialist at genre filmmaking. From early crime dramas like T-Men and Raw Deal, to historical epics like El Cid and The Fall of the Roman Empire, he seemed to have a knack for working within — and working with — the conventions of a given generic formula. His Westerns, especially, are among the best that that particular type of movie has to offer. And when he set his sights on the war film, his natural aptitude for genre would be as prominent as it was anywhere. Men in War, from 1957, his second war film of the decade (released two years after Strategic Air Command), contains much of what makes Mann a distinct filmmaker, and reveals much of what makes the war film its own unique form of motion picture.
Set in Korea, 1950, Men in War...
Written by Philip Yordan
Directed by Anthony Mann
USA, 1957
Director Anthony Mann was a specialist at genre filmmaking. From early crime dramas like T-Men and Raw Deal, to historical epics like El Cid and The Fall of the Roman Empire, he seemed to have a knack for working within — and working with — the conventions of a given generic formula. His Westerns, especially, are among the best that that particular type of movie has to offer. And when he set his sights on the war film, his natural aptitude for genre would be as prominent as it was anywhere. Men in War, from 1957, his second war film of the decade (released two years after Strategic Air Command), contains much of what makes Mann a distinct filmmaker, and reveals much of what makes the war film its own unique form of motion picture.
Set in Korea, 1950, Men in War...
- 5/2/2014
- by Jeremy Carr
- SoundOnSight
Woman on the Run
Written by Alan Campbell and Norman Foster
Directed by Norman Foster
U.S.A., 1950
It is a quaint evening as Frank Johnson (Ross Elliot) walks his dog in a San Francisco park. None too far away arrives a car with two occupants, one whose face seen and another the driver’s whose face is concealed from the viewer. The driver suddenly shoots and murders his companion and, upon noticing Frank’s presence, takes fire at the passerby before leaving the premise. Having taken refuge from the bullets, Frank security is short lived, as the police explain later on that the departed was none other but a key witness in a ongoing trial against a major local gangster. Frank is now an eyewitness to a murder and the new target of those who wish to see the infamous mobster walk away free. Perturbed by his predicament, the man flees the police,...
Written by Alan Campbell and Norman Foster
Directed by Norman Foster
U.S.A., 1950
It is a quaint evening as Frank Johnson (Ross Elliot) walks his dog in a San Francisco park. None too far away arrives a car with two occupants, one whose face seen and another the driver’s whose face is concealed from the viewer. The driver suddenly shoots and murders his companion and, upon noticing Frank’s presence, takes fire at the passerby before leaving the premise. Having taken refuge from the bullets, Frank security is short lived, as the police explain later on that the departed was none other but a key witness in a ongoing trial against a major local gangster. Frank is now an eyewitness to a murder and the new target of those who wish to see the infamous mobster walk away free. Perturbed by his predicament, the man flees the police,...
- 4/11/2014
- by Edgar Chaput
- SoundOnSight
Douglas Sirk movies: ‘Imitation of Life,’ ‘Written on the Wind’ (photo: Lana Turner, Juanita Moore, Karin Dicker in ‘Imitation of Life’) Douglas Sirk is Turner Classic Movies’ Director of the Evening. The German-born (April 26, 1897, in Hamburg) filmmaker has developed a cult following in recent decades after his "women’s pictures" were reappraised by some critics as works of profound social criticism filled with auteuristic touches. Why it would take years (or decades) for people to realize the obvious is a little mind-boggling, until you remember that movies about women and their issues have been, for the most part, relegated to the sidelines. A stupid prejudice that continues to this very day. My statement, by the way, has nothing to do with yikesy political correctness; if you don’t believe me, just check out the Best Picture Academy Award winners or Palme d’Or winners or Golden Lion winners or Golden...
- 8/1/2013
- by Andre Soares
- Alt Film Guide
20th Century Fox has secured the rights to remake Guys and Dolls and has set Channing Tatum and Joseph Gordon-Levitt to star in roles previously played by Frank Sinatra and Marlon Brando, report sources. There's no director on board as yet. The original 1955 film was helmed by Joseph . Mankiewicz who also adapted the screenplay from the story by Damon Runyon, and the book for the musical play by Jo Swerling and Abe Burrows. That cast also had Jean Simmons, Vivian Blaine, Robert Keith, Stubby Kate and B.S. Pully on board.
- 4/24/2013
- Upcoming-Movies.com
Vivien Leigh, Marlon Brando, A Streetcar Named Desire Marlon Brando Movies on TCM: The Wild One, Julius Caesar, The Chase Schedule (Et) and synopses from the TCM website: 6:00 Am The Fugitive Kind (1960) A drifter ignites passions among the women of a Mississippi town. Dir: Sidney Lumet. Cast: Marlon Brando, Anna Magnani, Joanne Woodward. Bw-121 mins, Letterbox Format 8:15 Am Julius Caesar (1953) An all-star adaptation of Shakespeare's classic about Julius Caesar's assassination and its aftermath. Dir: Joseph L. Mankiewicz. Cast: John Doucette, George Macready, Michael Pate. Bw-121 mins. 10:30 Am The Chase (1966) A convict's escape ignites passions in his hometown. Dir: Arthur Penn. Cast: Marlon Brando, Jane Fonda, Robert Redford. C-133 mins, Letterbox Format 1:00 Pm Reflections In A Golden Eye (1967) A military officer becomes obsessed with an enlisted man. Dir: John Huston. Cast: Elizabeth Taylor, Marlon Brando, Brian Keith. C-109 mins, Letterbox Format 3:00 Pm Teahouse Of The...
- 8/1/2011
- by Andre Soares
- Alt Film Guide
Robert Ryan on TCM: The Set-up, Crossfire, Billy Budd Schedule and synopses from the TCM website: 3:00 Am Trail Street (1947) Bat Masterson fights to make Kansas safe for wheat farmers. Cast: Randolph Scott, Robert Ryan, Anne Jeffreys. Dir: Ray Enright. Bw-84 mins. 4:30 Am Return of the Badmen (1948) A farmer falls for the female leader of a band of notorious outlaws. Cast: Randolph Scott, Robert Ryan, Anne Jeffreys. Dir: Ray Enright. Bw-90 mins. 6:15 Am Flying Leathernecks (1951) A World War II Marine officer drives his men mercilessly during the battle for Guadalcanal. Cast: John Wayne, Robert Ryan, Jay C. Flippen. Dir: Nicholas Ray. C-102 mins. 8:00 Am Men In War (1957) Two enemies join forces to save their men during a retreat from the North Koreans. Cast: Robert Ryan, Aldo Ray, Robert Keith. Dir: Anthony Mann. Bw-98 mins. 10:00 Am Crossfire (1947) A crusading district attorney investigates the [...]...
- 8/13/2010
- by Andre Soares
- Alt Film Guide
Director Anthony Mann helmed this somewhat forgotten Korean War film which pits a small platoon of American soldiers against unseen North Korean snipers and combatants as U.N. forces are pushed further back across the 38th Parallel in September, 1950. The Korean War began on June 25, 1950 as communist insurgents attempted to overthrow the democratic government of the south. The Korean peninsula became divided by the victors after the end of World War II.
The North embraced Chinese communism, while the south became democratic. The U.S. was the first major power to send in an expeditionary force to help its South Korean allies stem the communist invasion. Within a few short months, the U.N. forces were fighting with their backs against the sea and it looked like the war was about to be lost.
‘Men in War‘ (1957) was originally conceived as a World War II story set during the D-Day invasion.
The North embraced Chinese communism, while the south became democratic. The U.S. was the first major power to send in an expeditionary force to help its South Korean allies stem the communist invasion. Within a few short months, the U.N. forces were fighting with their backs against the sea and it looked like the war was about to be lost.
‘Men in War‘ (1957) was originally conceived as a World War II story set during the D-Day invasion.
- 3/29/2010
- by Douglas Barnett
- The Flickcast
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