Netflix has unveiled the highlights of its Original Arabic-language content for the Middle East and North Africa in 2024, with shows coming out of Saudi Arabia, UAE, Egypt, Kuwait and Jordan.
Fresh announcements included the second season of hit female-driven, Kuwaiti finance world drama The Exchange and a third season of unscripted show Dubai Bling, which Netflix promised would “delve deeper” into the lives of the existing characters and expand the “Dubai Bling family”.
Netflix also announced the arrival of Tunisia acting star Dhafer L’Abidine in the cast of the second season of Hend Sabry’s drama Finding Ola.
He joins Sabry in a cast also featuring Sawsan Badr, Hany Adel, Nada Moussa, Mahmoud El Leithy, Acel Ramzy, Omar Sherif, Yasmina El-Abd and Tarek el Ebiary.
In this new season, as the titular Ola’s business teeters on the edge of collapse, she discovers the need to reinvent herself and embarks...
Fresh announcements included the second season of hit female-driven, Kuwaiti finance world drama The Exchange and a third season of unscripted show Dubai Bling, which Netflix promised would “delve deeper” into the lives of the existing characters and expand the “Dubai Bling family”.
Netflix also announced the arrival of Tunisia acting star Dhafer L’Abidine in the cast of the second season of Hend Sabry’s drama Finding Ola.
He joins Sabry in a cast also featuring Sawsan Badr, Hany Adel, Nada Moussa, Mahmoud El Leithy, Acel Ramzy, Omar Sherif, Yasmina El-Abd and Tarek el Ebiary.
In this new season, as the titular Ola’s business teeters on the edge of collapse, she discovers the need to reinvent herself and embarks...
- 2/1/2024
- by Melanie Goodfellow
- Deadline Film + TV
Welcome to International Disruptors, a feature where we shine a spotlight on key executives and companies outside of the U.S. shaking up the offshore marketplace. This week, we talk to Tunisian-Egyptian star Hend Sabry, who walks us through the second season of her hit Netflix show Finding Ola, signing with CAA as well as the future of filmmaking in Egypt.
Tunisian-Egyptian star Hend Sabry is talking to Deadline from the set of Season 2 of her hit Netflix show Finding Ola.
“I can’t disclose where we’re filming, only that we’re in production,” she says over a WhatsApp video call, talking between shots in full costume.
One certainty is that the titular heroine will be leaving her home city of Cairo and Egypt for at least part of the upcoming new season.
The show is a reboot of 2010 Egyptian TV classic Ayza Atgawez, starring Sabry as a middle-class,...
Tunisian-Egyptian star Hend Sabry is talking to Deadline from the set of Season 2 of her hit Netflix show Finding Ola.
“I can’t disclose where we’re filming, only that we’re in production,” she says over a WhatsApp video call, talking between shots in full costume.
One certainty is that the titular heroine will be leaving her home city of Cairo and Egypt for at least part of the upcoming new season.
The show is a reboot of 2010 Egyptian TV classic Ayza Atgawez, starring Sabry as a middle-class,...
- 9/27/2023
- by Melanie Goodfellow
- Deadline Film + TV
It’s easy to get trapped in circuitous arguments surrounding documentary ethics at the best of times, but Kaouther Ben Hania’s metafictional “Four Daughters” — involving young children, abuse, trauma and re-enactments — appears to chart these knotty waters as a barefaced challenge. This Tunisian entry into Cannes’ Official Competition is a bold behemoth of an undertaking, which is veiled, unveiled and then re-veiled with endless angles and perspectives; it’s a veritable snakepit of uneasy decisions that grips you with its novel approach to so-called truth-telling before lapsing into something a little more conventional. Far from a gamble made in the service of naturalism, this heightened and strange piece of fiction re-enactment exposes itself for critique in a way that you almost have to respect. For its sins, it seems to —just about— succeed.
“Four Daughters” orbits the trauma of a Tunisian woman named Olfa and her youngest daughters, Tayssir and Eya.
“Four Daughters” orbits the trauma of a Tunisian woman named Olfa and her youngest daughters, Tayssir and Eya.
- 5/21/2023
- by Steph Green
- Indiewire
Exclusive: Tunisian-Egyptian actress Hend Sabry has signed with CAA for representation.
Sabry is among the most respected contemporary actresses from North Africa, with a career spanning more than 50 projects in film, TV and radio.
She will next be seen in Kaouther Ben Hania’s new film Four Daughters, which has been selected to premiere as an official selection at this year’s Cannes Film Festival.
Sabry began her acting career aged 14 in the 1994 Tunisian movie Samt Al Qosour (Silences Of The Palace), and won her first Best Actress Award from the Carthage Film Festival at the age of 15.
Since then, she has won more than 30 awards, including prizes for her performance in the 2019 Tunisian film Noura’s Dream which played at Cannes, Carthage, and El Gouna.
Among Sabry’s films to have achieved commercial success are Blue Elephant 2 and Kira And El Gin, both of which broke Egyptian box office records on release.
Sabry is among the most respected contemporary actresses from North Africa, with a career spanning more than 50 projects in film, TV and radio.
She will next be seen in Kaouther Ben Hania’s new film Four Daughters, which has been selected to premiere as an official selection at this year’s Cannes Film Festival.
Sabry began her acting career aged 14 in the 1994 Tunisian movie Samt Al Qosour (Silences Of The Palace), and won her first Best Actress Award from the Carthage Film Festival at the age of 15.
Since then, she has won more than 30 awards, including prizes for her performance in the 2019 Tunisian film Noura’s Dream which played at Cannes, Carthage, and El Gouna.
Among Sabry’s films to have achieved commercial success are Blue Elephant 2 and Kira And El Gin, both of which broke Egyptian box office records on release.
- 5/2/2023
- by Andreas Wiseman
- Deadline Film + TV
Click here to read the full article.
The global television scene offered up an embarrassment of riches this year, with a seemingly endless supply of phenomenal dramas, comedies and crime procedurals as good as, or often better, than the best on offer Stateside.
The international expansion of Netflix, Amazon, AppleTV+ and others has meant many global talents now have the financial means to make their dream originals, while series from more traditional local broadcasters have access to global platforms, and a worldwide audience, on a scale never seen before.
Ahead of the winter break, The Hollywood Reporter continues its holiday tradition in picking out the best international series to binge-watch over the holiday season. Our favorite 2022 series stocking stuffers include a feminist spy thriller from Germany, a Korean take on a British romantic classic and a deep dive into the French hip-hop scene of the 1980s. (Check out our list...
The global television scene offered up an embarrassment of riches this year, with a seemingly endless supply of phenomenal dramas, comedies and crime procedurals as good as, or often better, than the best on offer Stateside.
The international expansion of Netflix, Amazon, AppleTV+ and others has meant many global talents now have the financial means to make their dream originals, while series from more traditional local broadcasters have access to global platforms, and a worldwide audience, on a scale never seen before.
Ahead of the winter break, The Hollywood Reporter continues its holiday tradition in picking out the best international series to binge-watch over the holiday season. Our favorite 2022 series stocking stuffers include a feminist spy thriller from Germany, a Korean take on a British romantic classic and a deep dive into the French hip-hop scene of the 1980s. (Check out our list...
- 12/23/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
In what is being hailed as a milestone, Egyptian director Mohamed Diab recently became the first Arab helmer to direct a Marvel project when he took the reins of the limited series “Moon Knight,” while Netflix launched its latest Arab original show, “Finding Ola,” toplining Cairo-based Tunisian star Hend Sabry. Sabry plays a happy divorcee who embarks on a journey of self-discovery, reflecting changing female roles in the region and the streamer’s thematically groundbreaking Middle East strategy.
Meanwhile, Egyptian producer Mohammed Hefzy, whose production company Film Clinic was behind Netflix’s first Egyptian original skein, “Paranormal,” became a member of the 2022 Intl. Emmy Awards jury.
Hefzy points out that “Moon Knight” “opens doors for other Arab directors in the international TV arena” and notes that Marvel has also hired other behind-the-camera Egyptian talents such as editor Ahmed Hafez and composer Hesham Nazih. But still, it’s a Hollywood show.
Meanwhile, Egyptian producer Mohammed Hefzy, whose production company Film Clinic was behind Netflix’s first Egyptian original skein, “Paranormal,” became a member of the 2022 Intl. Emmy Awards jury.
Hefzy points out that “Moon Knight” “opens doors for other Arab directors in the international TV arena” and notes that Marvel has also hired other behind-the-camera Egyptian talents such as editor Ahmed Hafez and composer Hesham Nazih. But still, it’s a Hollywood show.
- 10/15/2022
- by Nick Vivarelli
- Variety Film + TV
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