Michael Mann has been clear that 1995's "Heat" is a drama and not a crime movie. But even when the audience is in on the mystery from the very start, and knows what the criminals are planning, Mann is able to make the story compelling through the characters' cat-and-mouse investigation of each other.
As was one of Mann's goals for the film, "Heat" paints a full picture of the private lives of Al Pacino's Vicent Hanna and Robert De Niro's Neil McAuley. Consistent with the film's title, Hanna's escalating efforts to subdue McAuley drive the plot, with each constantly trying to outsmart the other. Only at great cost does Hanna finally catch McCauley. In Mann's other films, like "Thief" (1981), "Collateral" (2004), and "Miami Vice" (2006) — though he rotates between spending time with cops, criminals, or civilians — characters are similarly in regular search for insight into how their enemy operates.
Mann is...
As was one of Mann's goals for the film, "Heat" paints a full picture of the private lives of Al Pacino's Vicent Hanna and Robert De Niro's Neil McAuley. Consistent with the film's title, Hanna's escalating efforts to subdue McAuley drive the plot, with each constantly trying to outsmart the other. Only at great cost does Hanna finally catch McCauley. In Mann's other films, like "Thief" (1981), "Collateral" (2004), and "Miami Vice" (2006) — though he rotates between spending time with cops, criminals, or civilians — characters are similarly in regular search for insight into how their enemy operates.
Mann is...
- 11/6/2022
- by Walter Roberts
- Slash Film
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