Originally published in the Summer 2011 issue. Another Earth is nominated for Breakthrough Director.
“It has a gentle sensibility,” says director Mike Cahill about his debut feature, the Sundance hit Another Earth. Indeed, this tale of grief, love and “Life Out There” does have a delicate touch, a sensitivity that sets it apart from the summer’s other science fiction. While in other films giant robots destroy entire cities — in 3D, no less — and romance is punctuated every 10 minutes by a train-destroying fireball, Another Earth, starring and co-written by newcomer Brit Marling, harkens back to the speculative parables of Ray Bradbury, Rod Serling and Harlan Ellison. In fact, describing the film’s human drama makes it sound like a small-scale indie picture and not modern science fiction at all. Another Earth begins with a horrible car accident in which a promising young high school student, Rhoda, plows into the vehicle of a prominent composer,...
“It has a gentle sensibility,” says director Mike Cahill about his debut feature, the Sundance hit Another Earth. Indeed, this tale of grief, love and “Life Out There” does have a delicate touch, a sensitivity that sets it apart from the summer’s other science fiction. While in other films giant robots destroy entire cities — in 3D, no less — and romance is punctuated every 10 minutes by a train-destroying fireball, Another Earth, starring and co-written by newcomer Brit Marling, harkens back to the speculative parables of Ray Bradbury, Rod Serling and Harlan Ellison. In fact, describing the film’s human drama makes it sound like a small-scale indie picture and not modern science fiction at all. Another Earth begins with a horrible car accident in which a promising young high school student, Rhoda, plows into the vehicle of a prominent composer,...
- 11/16/2011
- by Scott Macaulay
- Filmmaker Magazine - Blog
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