Indian director Pawan Kumar is one of the most interesting and uncomprimising talents in South Asia today. His last film, Lucia, was the first crowd funded feature to appear from India and its trippy story about the effects of a hallucinogenic drug on an insomniac projectionist was the kind of story that India has been grasping at for years but failing to reach. So much of Indian cinema, both mainstream and independent, seems locked into very well defined categories, but Kumar is willing to forgo big bucks in order to make the films he wants to make. His latest project, U-Turn, is exactly that, a film that constantly challenges and defies categorization in the service of telling its own story. U-Turn is the story of...
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- 5/23/2016
- Screen Anarchy
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