Natalie Portman started out playing the 12-year-old accomplice to a grouchy French hitman in “The Professional,” and for a long time after that she was the ingénue — most memorably in “Garden State,” where she did a great spin on that cloying ’60s/’70s archetype, the Kooky Girl. But it wasn’t until six years ago, at the 2010 Venice International Film Festival, that Portman finally changed her image, her trajectory, her aspect. As the possessed ballerina of “Black Swan,” she played an innocent — the traumatized victim of a quintessential stage mother — who was so fixated on becoming the dancer she thought she had to be that she colluded, with hellbent fervor, in her own destruction. She was going to rule over “Swan Lake” if it killed her.
Portman’s Academy Award for Best Actress was sealed from almost the moment “Black Swan” premiered at Venice. But it wasn’t just joining...
Portman’s Academy Award for Best Actress was sealed from almost the moment “Black Swan” premiered at Venice. But it wasn’t just joining...
- 9/7/2016
- by Owen Gleiberman
- Variety - Film News
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