Six years have passed since director Dee Rees’ taut Brooklyn coming-of-age drama “Pariah,” and she’s been long overdue for tackling more ambitious material. As if making up for lost time, Rees returns with a sweeping period epic that operates on a far grander level.
With “Mudbound,” a dynamic post-wwii tale of racial tension and squandered opportunities in the deep south, Rees juggles a complex ensemble and heavy material with the confidence of a veteran storyteller. While not every aspect of this massive tapestry justifies its place in the 132-minute running time, Rees nevertheless delivers a complex look at social boundaries and the fragile efforts to correct the prejudices that define them.
Based on Hillary Jordan’s 2008 novel (which draws from her own troubled family history), “Mudbound” explores its setting with an epic sweep. It’s a somber portrait of two families, one black and the other white, both struggling...
With “Mudbound,” a dynamic post-wwii tale of racial tension and squandered opportunities in the deep south, Rees juggles a complex ensemble and heavy material with the confidence of a veteran storyteller. While not every aspect of this massive tapestry justifies its place in the 132-minute running time, Rees nevertheless delivers a complex look at social boundaries and the fragile efforts to correct the prejudices that define them.
Based on Hillary Jordan’s 2008 novel (which draws from her own troubled family history), “Mudbound” explores its setting with an epic sweep. It’s a somber portrait of two families, one black and the other white, both struggling...
- 1/22/2017
- by Eric Kohn
- Indiewire
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