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Josef Von Sternberg’S Anatahan (1953)

One of the most unusual, and unusually moving swansongs in cinema history, Josef Von Sternberg’s Anatahan (a.k.a. The Saga of Anatahan) returns to American screens this spring in a new restoration which seems destined not to only buff up the movie’s obvious visual splendor but also its standing as an essential and fully engaged work of a master Hollywood stylist rather than simply a curious end post to a remarkable career.

In the early ‘50s Sternberg was coming off two movies made for Howard Hughes—the gorgeously sublimated cold-war adventure Jet Pilot (finished in 1950 but cut extensively by Hughes and held up for release until 1957) and Macao (1952), on which Sternberg and Hughes clashed again, resulting in the director’s replacement by Nicholas Ray. Disillusioned by Hollywood, Sternberg, a long-time devotee of Japanese culture, capitalized on his separation from Hughes and began investigating the possibility, one he

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