David Bowie and the Indestructible Metaphors of Mirror Scenes

189 days ago | FilmSchoolRejects

A video essay examines our most private moments.

Strap on your thinking caps for this one, film fans, because it’s a doozy.

According to director Nicolas Roeg (The Man Who Fell to Earth, Don’t Look Now, The Witches), mirrors are cinema in all its glory and in fact the essence of the medium. See, mirrors are the only time we truly look at ourselves; photographs of us are from other perspectives, for other people or posterity, and as such we don’t show our real faces in them, we show projections of who we think we should be or how we think we should feel in a certain situation. But the mirror isn’t public, it’s private, it is us alone with ourselves and thus the way we look into mirrors, into ourselves, is different from every other face we show the world.

The mirror is an eye, Roeg

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Movies & TV

The Man Who Fell to Earth (1976)
The Witches (1990)
Blackstar (2015)
The Lady From Shanghai (1947)
Eureka (1983)
The Cabin In The Woods (2012)
Track 29 (1988)
Bad Timing (1980)
Walkabout (1971)
Duck Soup (1933)
American Psycho (2000)
The Lord Of The Rings: The Fellowship Of The Ring (2001)
Pulp Fiction (1994)
The 25th Hour (1967)
Raging Bull (1980)
Under The Skin (2013)
Op Afbetaling (1992)
An American Werewolf In London (1981)
Shaun of the Dead (2004)
Snow White and the Seven Dwarfs (1937)
Alice Through The Looking Glass (2016)
Dead of Night (1945)
Sucker Punch (2011)
Black Swan (2010)
Lazarus (2016)
Look Back in Anger (1959)
The Hunger (1983)


Nicolas Roeg
David Bowie
Twin Peaks
Eyes Wide Shut