This week’s Shot by Shot podcast tackles one of the greatest films of all-time.
We’re going all in for the latest episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, in which myself and co-host Geoff Todd are talking about a film most consider to be one of the best ever made, and some consider the best ever made: Alfred Hitchcock’s 1958 masterpiece Vertigo, which was shot by Hitch’s most frequent collaborator, Oscar-winning cinematographer Robert Burks.
Vertigo is hands down Hitchcock’s most experimental film, and as a result it boasts the most innovative and nuanced cinematography of the director’s career, including the dolly zoom, a shot so synonymous with the film it was once primarily known as “the Vertigo shot.”
If this is your first listen to our show, the format’s simple: each week Geoff and I each pick a few shots from...
We’re going all in for the latest episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, in which myself and co-host Geoff Todd are talking about a film most consider to be one of the best ever made, and some consider the best ever made: Alfred Hitchcock’s 1958 masterpiece Vertigo, which was shot by Hitch’s most frequent collaborator, Oscar-winning cinematographer Robert Burks.
Vertigo is hands down Hitchcock’s most experimental film, and as a result it boasts the most innovative and nuanced cinematography of the director’s career, including the dolly zoom, a shot so synonymous with the film it was once primarily known as “the Vertigo shot.”
If this is your first listen to our show, the format’s simple: each week Geoff and I each pick a few shots from...
- 4/26/2017
- by H. Perry Horton
- FilmSchoolRejects.com
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