Spend a quarter-century talking about a 90-minute movie and you’ll start running out of new things to say. This was evident at last night’s 25th-anniversary screening of Reservoir Dogs, which the Tribeca Film Festival managed to make far more than the standard classic-that-people-will-pay-to-see-gets-brief-theatrical-engagement deal. More, even, than the extended post-screening discussion with Quentin Tarantino, Tim Roth, Michael Madsen, Steve Buscemi, and Harvey Keitel — more unique, and more of a selling point for completists such as yours truly — were its setting (NYC’s gorgeous Beacon Theater, which offered one of the biggest screens on which you could ever hope to see a scrappy crime movie) and specifications (Tarantino’s own, more-or-less-flawless 35mm print).
Though there’s this writer’s particular perspective: grow up obsessed with cinematic production methods in the era of IMDb “Did You Know?” sections, well-detailed Wikipedia articles, and ten-year-anniversary-dvd special features, and you’ll suddenly be able to communicate information,...
Though there’s this writer’s particular perspective: grow up obsessed with cinematic production methods in the era of IMDb “Did You Know?” sections, well-detailed Wikipedia articles, and ten-year-anniversary-dvd special features, and you’ll suddenly be able to communicate information,...
- 4/29/2017
- by Nick Newman
- The Film Stage
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