For me, the most interesting thing about horror maestro Tobe Hooper’s storied career is he takes chances. He always swings big; from his landmark second feature The Texas Chainsaw Massacre (1974), to Lifeforce (1985), to even The Mangler (1995), he pushes the genre into the absurd through concept and execution, audiences be damned. It’s an admirable trait in a filmmaker, and one that’s on full display with Eaten Alive (1976), probably his most bizarre film to date. (Which is saying a lot.)
After a limited stateside release in October of ’76, EA was given a wide release in May of ’77 by Virgo International Pictures to theatres and drive-ins across the land. The start of the ever undulating arc of Hooper’s career, it was met with a resounding “Whaaaat?” by the public and critics alike. This was not the follow up to the cultural explosion that was Chainsaw people were expecting. And to be honest,...
After a limited stateside release in October of ’76, EA was given a wide release in May of ’77 by Virgo International Pictures to theatres and drive-ins across the land. The start of the ever undulating arc of Hooper’s career, it was met with a resounding “Whaaaat?” by the public and critics alike. This was not the follow up to the cultural explosion that was Chainsaw people were expecting. And to be honest,...
- 4/29/2017
- by Scott Drebit
- DailyDead
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