When China took over Hong Kong’s sovereignty from Britain in 1997, the former British colony was promised “50 years unchanged” under the framework of “one country, two systems.”
Twenty years on, a lot has changed, including Hong Kong cinema.
At the turn of the 20th anniversary of the handover, Hong Kong cinema is at a crossroad. Filmmakers are facing questions concerning the future of the city’s film industry, which was once known to the world as “Hollywood East.”
“We must think about how Hong Kong cinema should position itself in order to find our way to the future,” says Wong Chun, the 28-year-old director of Hong Kong drama “Mad World,” which won the new director prize at last year’s Golden Horse Film awards in Taiwan and Hong Kong Film Awards this year. “What is our strength, as compared to films from other Asian countries? It’s time to reflect on this.
Twenty years on, a lot has changed, including Hong Kong cinema.
At the turn of the 20th anniversary of the handover, Hong Kong cinema is at a crossroad. Filmmakers are facing questions concerning the future of the city’s film industry, which was once known to the world as “Hollywood East.”
“We must think about how Hong Kong cinema should position itself in order to find our way to the future,” says Wong Chun, the 28-year-old director of Hong Kong drama “Mad World,” which won the new director prize at last year’s Golden Horse Film awards in Taiwan and Hong Kong Film Awards this year. “What is our strength, as compared to films from other Asian countries? It’s time to reflect on this.
- 5/18/2017
- by Vivienne Chow
- Variety - Film News
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