Girl Talk is a weekly look at women in film — past, present, and future.
Long-time actress, writer, and producer Zoe Lister-Jones had a big idea when she decided to move behind the camera to direct her first film: she wanted an all-female crew to assist her. On her directorial debut, “Band Aid,” Lister-Jones was joined on set by producer Natalia Anderson, director of photography Hilary Spera, and a team that included female art directors, camera operators, electricians, sound editors, and many more. It was a revolutionary idea that the filmmaker found essential to execute, if only to prove that such a move was indeed possible.
While the lack of female filmmakers working in the industry has become a firebrand topic over the past couple of years, diversity is also severely lacking in other areas of the crew. The Center for the Study of Women in Television and Film at San...
Long-time actress, writer, and producer Zoe Lister-Jones had a big idea when she decided to move behind the camera to direct her first film: she wanted an all-female crew to assist her. On her directorial debut, “Band Aid,” Lister-Jones was joined on set by producer Natalia Anderson, director of photography Hilary Spera, and a team that included female art directors, camera operators, electricians, sound editors, and many more. It was a revolutionary idea that the filmmaker found essential to execute, if only to prove that such a move was indeed possible.
While the lack of female filmmakers working in the industry has become a firebrand topic over the past couple of years, diversity is also severely lacking in other areas of the crew. The Center for the Study of Women in Television and Film at San...
- 6/2/2017
- by Kate Erbland
- Indiewire
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