Although the Coen Brothers jump to a new genre with each new film, their approach to filmmaking and story is so distinct it’s nearly become a genre in itself. And what’s most remarkable about Noah Hawley’s limited series ‘Fargo’ on FX isn’t that it’s a clever homage to the filmmaking duo (which it is), or that the show has become its own story universe (it’s that, too).
However, its biggest achievement may be that the show’s visual presentation and cinematic style remains at such a high level of quality and consistency, despite having different directors. Even showrunner Hawley – the show’s principal writer and a creator of FX’s “Legion” – isn’t a consistent presence on set.
Read More: ‘Documentary Now!’: The Secrets to Recreating Film History the Right Way
“For ‘Fargo’ we have these visual rules that keep it in the Coen world,...
However, its biggest achievement may be that the show’s visual presentation and cinematic style remains at such a high level of quality and consistency, despite having different directors. Even showrunner Hawley – the show’s principal writer and a creator of FX’s “Legion” – isn’t a consistent presence on set.
Read More: ‘Documentary Now!’: The Secrets to Recreating Film History the Right Way
“For ‘Fargo’ we have these visual rules that keep it in the Coen world,...
- 6/15/2017
- by Chris O'Falt
- Indiewire
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