Any mention of the K-word in relation to Nolan has long prompted sneers, but his 10th film is dizzying, dazzling and diamond-hard. It could be his Paths of Glory
For quite a while now – at least since the release of Inception in 2010, Christopher Nolan has been regularly touted as the modern counterpart to the late, great Stanley Kubrick, whose dazzling accomplishments across multiple genres are generally held as the benchmark of American cinema. Back in 2010 those comparisons seemed absurd: how could the writer-director of classy-but-overthought superhero movies, as well as middling oddities such as The Prestige, be seriously thought of in the same bracket as the lambent mind behind Dr Strangelove, 2001: A Space Odyssey, A Clockwork Orange and Barry Lyndon?
Well, it probably helps that Nolan and Kubrick share a studio – Warner Bros – whose marketing department have been probably the most active in seeding the whispers of equivalency. Nolan...
For quite a while now – at least since the release of Inception in 2010, Christopher Nolan has been regularly touted as the modern counterpart to the late, great Stanley Kubrick, whose dazzling accomplishments across multiple genres are generally held as the benchmark of American cinema. Back in 2010 those comparisons seemed absurd: how could the writer-director of classy-but-overthought superhero movies, as well as middling oddities such as The Prestige, be seriously thought of in the same bracket as the lambent mind behind Dr Strangelove, 2001: A Space Odyssey, A Clockwork Orange and Barry Lyndon?
Well, it probably helps that Nolan and Kubrick share a studio – Warner Bros – whose marketing department have been probably the most active in seeding the whispers of equivalency. Nolan...
- 7/19/2017
- by Andrew Pulver
- The Guardian - Film News
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