Sundance hit “Ingrid Goes West” (Neon) and Cannes breakout “Good Time” (A24) both opened well in New York/Los Angeles dates. “A Trip to Spain” (IFC), the third installment of Michael Winterbottom’s comedy franchise, also had a decent showing.
And yet another indie director returning from studio franchise to specialty fare, Marc Webb, met scathing reviews for Amazon Studios’ “The Only Living Boy in New York” (Roadside Attractions), which opened wider to modest numbers.
Opening
Ingrid Goes West (Neon) – Metacritic: 70; Festivals include: Sundance, Los Angeles 2017
$141,216 in 3 theaters; PTA (per theater average): $47,072
A younger audience responded well to this specialized platform release about the risks of obsessive social media story involvement, which evoked a positive reaction when it premiered at the Sundance U.S. Dramatic Feature competition. Elizabeth Olsen and Aubrey Plaza added some name value to director Matt Spicer’s feature debut, which scored the third-best limited opening...
And yet another indie director returning from studio franchise to specialty fare, Marc Webb, met scathing reviews for Amazon Studios’ “The Only Living Boy in New York” (Roadside Attractions), which opened wider to modest numbers.
Opening
Ingrid Goes West (Neon) – Metacritic: 70; Festivals include: Sundance, Los Angeles 2017
$141,216 in 3 theaters; PTA (per theater average): $47,072
A younger audience responded well to this specialized platform release about the risks of obsessive social media story involvement, which evoked a positive reaction when it premiered at the Sundance U.S. Dramatic Feature competition. Elizabeth Olsen and Aubrey Plaza added some name value to director Matt Spicer’s feature debut, which scored the third-best limited opening...
- 8/13/2017
- by Tom Brueggemann
- Indiewire
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