Adam Wingard has promised a definitive victor when the giant beasties go at it in 2020. But the history of ‘versus’ movies suggest that, irrespective of who triumphs, audiences will feel short-changed
The last 18 months have seen something of a renaissance for the high-octane big-budget B-movie. From the hyper-real monster mashup of Kong: Skull Island to the one-gal-against-the-ocean thrills of Jaume Collet-Serra’s The Shallows, to trashy superhero epics such as Batman v Superman: Dawn of Justice and Suicide Squad, the multiplexes have been invaded with low-concept, semi-infantilised cinema. It is no surprise to discover that Hollywood executives are currently greenlighting movies based on the whims of four-year-olds, because most of the above films could have been dreamt up – at least in terms of their basic concept – by small children.
Not that this is necessarily a bad thing for those of us who love genre fare. The entire blockbuster era was...
The last 18 months have seen something of a renaissance for the high-octane big-budget B-movie. From the hyper-real monster mashup of Kong: Skull Island to the one-gal-against-the-ocean thrills of Jaume Collet-Serra’s The Shallows, to trashy superhero epics such as Batman v Superman: Dawn of Justice and Suicide Squad, the multiplexes have been invaded with low-concept, semi-infantilised cinema. It is no surprise to discover that Hollywood executives are currently greenlighting movies based on the whims of four-year-olds, because most of the above films could have been dreamt up – at least in terms of their basic concept – by small children.
Not that this is necessarily a bad thing for those of us who love genre fare. The entire blockbuster era was...
- 8/22/2017
- by Ben Child
- The Guardian - Film News
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