Throughout the history of film, dance on screen has helped foster some of cinema’s most interesting works. In the earliest days of film you have works like Annabelle Serpentine Dance, which is still some of the most erotically alluring film making the medium has ever known, and up through today film has given us Gene Kelly musicals, their modern off-shoots like Step Up 3D (maybe the greatest 3D film ever produced), and even art films like those from Nathan Kroll or Carlos Saura.
However, they’re becoming more and more rare as its counterpart, the musical, goes by the wayside. So when a new film focusing on the art of the human body through the medium of dance crops up, it’s worthy of one’s intrigue. And thankfully, Polina is worthy of one’s hard earned money.
From director Valerie Muller and world renowned choreographer Angelin Preljocaj (who...
However, they’re becoming more and more rare as its counterpart, the musical, goes by the wayside. So when a new film focusing on the art of the human body through the medium of dance crops up, it’s worthy of one’s intrigue. And thankfully, Polina is worthy of one’s hard earned money.
From director Valerie Muller and world renowned choreographer Angelin Preljocaj (who...
- 8/24/2017
- by Joshua Brunsting
- CriterionCast
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