25 days ago | Indiewire
The Netflix-produced “1922” has jolts of violence and sweeping period details, but in a year overrun with Stephen King adaptations, it’s also the simplest of them: “It” features a ludicrous shapeshifting clown, “The Dark Tower” is an inter-dimensional sci-fi western fantasy, and “Gerald’s Game” has kinky sex gone wrong and a giant goal. In “1922,” a guy kills his wife and feels guilty about it. That’s the gist of its premise, and while nothing groundbreaking, the story mines a degree of profundity out of the traditional supernatural thriller tropes at its core.
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As directed by Zak Hilditch (whose 2013 debut “These Final Hours” was an expressionistic apocalyptic tale), “1922” (originally a King short story) has the merits of a solid “Tales From the Crypt” or “Masters of Horror” episode, with a