A lot of films tend to look unpolished, and bland, handheld video is often accepted to be good enough it seems. Not so with the films of Lee Sang-il, which look as bright and shiny as if the visuals have been dipped in gloss. Take his remake of Clint Eastwood's Unforgiven, which looked absolutely drop-dead gorgeous throughout. The same can be said about his new thriller drama Rage, which premiered a year ago in Japan and is now traveling film festivals worldwide. Whether the camera visits a very bloody murder site, a sunny beach or the neon-lit gay nightclubs of Tokyo, Rage never fails to impress on a visual level. Rage starts with police investigating a double murder. Some guy entered a house, brutally slaughtered...
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- 10/16/2017
- Screen Anarchy
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