In Fox blockbuster “Logan,” the title character says, “I’m not whatever you think I am.” The same is true of the movie, an “X-Men” sequel that’s more classic Hollywood film noir/Western than superhero movie. Director and co-writer James Mangold talks about the contributions of his team of artisans in giving the film a different vibe from that of its predecessors.
Cinematographer John Mathieson
The idea was to produce a more natural film, on location, which avoided the fetishizing of superhero gear and vehicles that had become a trope of these movies. There’s a general look of what’s been successful in the last decade with superhero movies, and I definitely didn’t want that. I brought up Westerns like “Shane” and “Unforgiven,” but also “The Wrestler” or Clint Eastwood’s “The Gauntlet,” which felt very naturalistic, where lighting was natural or practical, not glammed up. The whole take of the script was that...
Cinematographer John Mathieson
The idea was to produce a more natural film, on location, which avoided the fetishizing of superhero gear and vehicles that had become a trope of these movies. There’s a general look of what’s been successful in the last decade with superhero movies, and I definitely didn’t want that. I brought up Westerns like “Shane” and “Unforgiven,” but also “The Wrestler” or Clint Eastwood’s “The Gauntlet,” which felt very naturalistic, where lighting was natural or practical, not glammed up. The whole take of the script was that...
- 11/22/2017
- by Tim Gray
- Variety - Film News
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