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Owen Gleiberman’s 10 Best Films of 2017

Owen Gleiberman’s 10 Best Films of 2017

Earlier this year, as winter was doing its slow fade, something happened in the world of movies you don’t see too often: A film arrived out of nowhere to become a fast-break phenomenon, lionized by critics and flocked to by audiences. I’m talking about Jordan Peele’s “Get Out” (#2 on my 10 Best list), which was made on a tiny budget ($4.5 million!) but became, virtually overnight, a seismic pop-cultural event.

For a moment or two, a movie owned not just the multiplexes but the conversation. It was thrilled to, talked about, granted the hot-potato status of a sociological wake-up call. For a moment, the concept of “niche culture” felt like it was being left in the dust. Something similar happened six months later, in the middle of the summer, when Christopher Nolan’s “Dunkirk” (which didn’t make my list — to me, it was an awesome spectacle but too remote) rode a veritable tidal wave of

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