There were so many incredibly shot films this year that narrowing it down to 10 wasn’t easy. What follows is not an attempt the highlight the best-looking movies of the year, but the ones that used cinematography most effectively in building expressive, cinematic worlds. This list embraces exploration of form, creative use of limitations, and overcoming challenges with craft and innovation. Often, the awards-season narrative for below-the-line talent is scale and the most obvious use of craft; here, the focus is how form can be used to elicit emotion and tell a story. These are 10 films that do that exceeding well.
10. “A Ghost Story”
A movie made with a small group of friends, shot in small house over a small number of days, is not supposed to be this visually big. But just like David Lowery’s film itself, cinematographer Andrew Droz Palermo finds incredible depth and beauty in the simplicity of “A Ghost Story.
10. “A Ghost Story”
A movie made with a small group of friends, shot in small house over a small number of days, is not supposed to be this visually big. But just like David Lowery’s film itself, cinematographer Andrew Droz Palermo finds incredible depth and beauty in the simplicity of “A Ghost Story.
- 12/15/2017
- by Chris O'Falt
- Indiewire
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