MaryAnn’s quick take… A bleakly funny, genteelly twisted gloss on the clichés of temperamental creative genius, via the relationship between an artist and his subject, one that questions the sometimes high personal price of great art. I’m “biast” (pro): nothing
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto) women’s participation in this film
(learn more about this)
In Paris in 1964, Swiss artist Alberto Giacometti (Geoffrey Rush: Pirates of the Caribbean: Salazar’s Revenge, Gods of Egypt) invites a friend, American journalist James Lord (Armie Hammer: Call Me by Your Name, Cars 3), to sit for a portrait. Lord is about to fly home to New York in a few days, but Giacometti promises that this favor to him will require “two to three hours, an afternoon at the most.”
Spoiler (not really): it takes quite a bit longer than that.
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto) women’s participation in this film
(learn more about this)
In Paris in 1964, Swiss artist Alberto Giacometti (Geoffrey Rush: Pirates of the Caribbean: Salazar’s Revenge, Gods of Egypt) invites a friend, American journalist James Lord (Armie Hammer: Call Me by Your Name, Cars 3), to sit for a portrait. Lord is about to fly home to New York in a few days, but Giacometti promises that this favor to him will require “two to three hours, an afternoon at the most.”
Spoiler (not really): it takes quite a bit longer than that.
- 1/10/2018
- by MaryAnn Johanson
- www.flickfilosopher.com
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