In an opening shot that may as well be a direct quotation from John Carpenter’s “The Thing,” a meteor originating from deep space streaks past the camera, striking a lighthouse along the United States coastline. That is perhaps the one conclusion of which we can be sure in “Annihilation,” a beguiling, female-driven sci-fi/horror head-scratcher in which “Ex Machina” director Alex Garland finds still more ways to convince us that homo sapiens are at risk of losing their spot atop the evolutionary chain — although this time, he’s working on a far bigger canvas and courting an audience that may not be entirely ready to flex their imaginations to quite the degree this ambitious brain-teaser demands.
For those willing to put in the effort, “Annihilation” achieves that rare feat of great genre cinema, where audiences are not merely thrilled (the film is both intensely scary and unexpectedly beautiful in parts) but also feel as if their...
For those willing to put in the effort, “Annihilation” achieves that rare feat of great genre cinema, where audiences are not merely thrilled (the film is both intensely scary and unexpectedly beautiful in parts) but also feel as if their...
- 2/21/2018
- by Peter Debruge
- Variety - Film News
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