In casting Daniela Vega in “A Fantastic Woman,” helmer Sebastian Lelio knew he was taking a risk. “I knew I could pay a price for making Daniela the focal point of the film, but if it succeeded, then we would gain something precious,” he says. “Her physical presence carries the story in a way no other person’s can.”
Their collaboration began when he was referred to her while seeking some insight into the lives of transgender people in Chile.
Since he was based in Berlin, they used Skype and emailed for at least a year until he realized that no other person could play the character he had created with co-scribe Gonzalo Maza.
The film “flirts with multiple genres: It’s a romance, a ghost story, a fantasy film, a document of reality and a character study,” he notes. “This stylistic expansion is what attracted me because it meant I could expand my own identity as a filmmaker...
Their collaboration began when he was referred to her while seeking some insight into the lives of transgender people in Chile.
Since he was based in Berlin, they used Skype and emailed for at least a year until he realized that no other person could play the character he had created with co-scribe Gonzalo Maza.
The film “flirts with multiple genres: It’s a romance, a ghost story, a fantasy film, a document of reality and a character study,” he notes. “This stylistic expansion is what attracted me because it meant I could expand my own identity as a filmmaker...
- 2/22/2018
- by Anna Marie de la Fuente
- Variety - Film News
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