Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
Only includes names with the selected topics
to
or just enter yyyy, or yyyy-mm below
to
1-50 of 2,958
- Actor
- Director
- Second Unit Director or Assistant Director
Jack Palance quite often exemplified evil incarnate on film, portraying some of the most intensely feral villains witnessed in 1950s westerns and melodrama. Enhanced by his tall, powerful build, icy voice, and piercing eyes, he earned two "Best Supporting Actor" nominations early in his career. It would take a grizzled, eccentric comic performance 40 years later, however, for him to finally grab the coveted statuette.
Of Ukrainian descent, Palance was born Volodymyr Ivanovich Palahniuk (later taking Walter Jack Palance as his legal name) on February 18, 1919 (although some sources, including his death certificate, cite 1920) in Lattimer Mines, Pennsylvania (coal country), one of six children born to Anna (nee Gramiak) and Ivan Palahniuk. His father, an anthracite miner, died of black lung disease. Palance worked in the mines in his early years but averted the same fate as his father. Athletics was his ticket out of the mines when he won a football scholarship to the University of North Carolina. He subsequently dropped out to try his hand at professional boxing. Fighting under the name "Jack Brazzo", he won his first 15 fights, 12 by knockout, before losing a 4th round decision to future heavyweight contender Joe Baksi on December 17, 1940.
With the outbreak of World War II, his boxing career ended and his military career began, serving in the Army Air Force as a bomber pilot. Wounded in combat and suffering severe injuries and burns, he received the Purple Heart, Good Conduct Medal, and the World War II Victory Medal. He resumed college studies as a journalist at Stanford University and became a sportswriter for the San Francisco Chronicle. He also worked for a radio station until he was bit by the acting bug.
Palance made his stage debut in "The Big Two" in 1947 and immediately followed it understudying Marlon Brando as Stanley Kowalski in the groundbreaking Broadway classic "A Streetcar Named Desire", a role he eventually took over. Following stage parts in "Temporary Island" (1948), "The Vigil" (1948), and "The Silver Tassle" (1949), Palance won a choice role in "Darkness of Noon" and a Theatre World Award for "Promising New Personality." This recognition helped him secure a 20th Century-Fox contract. The facial burns and resulting reconstructive surgery following the crash and burn of his WWII bomber plane actually worked to his advantage. Out of contention as a glossy romantic leading man, Palance instead became the archetypal intimidating villain equipped with towering stance, imposing glare, and killer-shark smile.
He stood out among a powerhouse cast that included actors such as Richard Widmark, Zero Mostel and Paul Douglas in his movie debut in Elia Kazan's Panic in the Streets (1950), as a plague-carrying fugitive. He was soon on his way. Briefly billed as Walter Jack Palance before eliminating the first name, the actor made fine use of his former boxing skills and war experience for the film Halls of Montezuma (1951) as a boxing Marine in Richard Widmark's platoon. He followed this with the first of his back-to-back Oscar nods. In Sudden Fear (1952), only his third film, he played rich-and-famous playwright Joan Crawford's struggling actor/husband who plots to murder her and run off with gorgeous Gloria Grahame. Finding just the right degree of intensity and menace to pretty much steal the proceedings without chewing the scenery, he followed this with arguably his finest villain of the decade, that of sadistic gunslinger Jack Wilson who takes on Alan Ladd's titular hero, played by Shane (1953), in a classic showdown.
Throughout the 1950s, Palance doled out strong leads and supports such as those in Man in the Attic (1953) (his first lead), The Big Knife (1955) and the war classic Attack (1956). Mixed in were a few routine to highly mediocre parts in Flight to Tangier (1953), Sign of the Pagan (1954) (as Attila the Hun), and the biblical bomb The Silver Chalice (1954). In between filmmaking were a host of television roles, none better than his down-and-out boxer in Requiem for a Heavyweight (1956), a rare sympathetic role that earned him an Emmy Award.
Back and forth overseas in the 1960s and 1970s, Palance would dominate foreign pictures in a number of different genres -- sandal-and-spear spectacles, biblical epics, war stories and "spaghetti westerns." Such films included The Battle of Austerlitz (1960), The Mongols (1961), Barabbas (1961), Night Train to Milan (1962), Contempt (1963), The Mercenary (1968), Marquis de Sade's Justine (1969), The Desperados (1969), It Can Be Done Amigo (1972), Chato's Land (1972), Blood and Bullets (1976), Welcome to Blood City (1977). Back home, he played Fidel Castro in Che! (1969) while also appearing in Monte Walsh (1970), Oklahoma Crude (1973) and The Four Deuces (1975).
On the made-for-television front, Jack played a number of nefarious nasties to perfection, ranging from Mr. Hyde (The Strange Case of Dr. Jekyll and Mr. Hyde (1968)) to Dracula in Dracula (1974) to Ebenezer Scrooge in a "Wild West" version of the Dickens classic Ebenezer (1998). He also played one of the Hatfields in The Hatfields and the McCoys (1975). Jack switched gears to star as a "nice guy" lieutenant in the single-season TV cop drama Bronk (1975). In later years, the actor mellowed with age, as exemplified by roles in Bagdad Cafe (1987), but could still display his bad side as he did as an evil rancher, crime boss or drug lord in, respectively, Young Guns (1988), Batman (1989) and Tango & Cash (1989). Into his twilight years he showed a penchant for brash, quirky comedy capped by his Oscar-winning role in City Slickers (1991) and its sequel. He ended his film career playing Long John Silver in Treasure Island (1999).
His three children by his first wife, actress Virginia Baker -- Holly Palance, Brooke Palance, and Cody Palance -- all pursued acting careers and appeared with their father at one time or another. A man of few words off the set, he owned his own cattle ranch and displayed other creative sides as a exhibited painter and published poet.
His last years were marred by both failing health and the 1998 death of his son Cody from melanoma. He was later diagnosed with pancreatic cancer and died at the Santa Barbara County home of his daughter, Holly Palance, in 2006.- Actress
- Soundtrack
One of the world's most underrated Academy Award-winning actresses, Jennifer Jones was born Phylis Lee Isley on 2 March 1919 in Tulsa, Oklahoma, to Flora Mae (Suber) and Phillip Ross Isley, who ran a travelling stage show. As a young aspiring actress, she met and fell for young, handsome, aspiring actor Robert Walker. They soon married, and moved to Chicago in order to fulfill their dreams of becoming film stars. Though their plans (initially) fell through, Phyllis began working as a model; sporting mainly hats, gloves and jewelry, and also occasionally found some work on local radio stations, where she provided the voice for various characters in radio programmes, along with her husband.
In a last-ditch attempt to pursue her dream, Phyllis traveled to Selznick studios for a reading which would ultimately change her life. It was that day where she met David O. Selznick, and after that, her career began to take shape. Initially, Phyllis thought the audition went terribly and stormed out of the studios in tears, only to be chased by Selznick, who assured her she had been fine. Although she didn't get that particular part (which was for the iconic character, Scarlett O'Hara, which would ultimately go to Vivien Leigh, in one of the most famous castings in Hollywood's history), Phyllis was given a contract with Selznick studios. In short order, Phyllis was 'renamed' to the alliterative Jennifer Jones, and was cast over thousands of other hopefuls in the role of Bernadette Soubirous in The Song of Bernadette (1943).
For her moving portrayal of the sickly teenager who sees a vision of the Virgin Mary at Lourdes and devotes her life to her by becoming a nun, Jones won the Academy Award for best actress in a leading role on 2 March 1944 (coincidentally her 25th birthday) beating out stiff competition such as Ingrid Bergman (who later became a close friend of hers), Greer Garson, Joan Fontaine and Jean Arthur.
Now, considered a 'true' star, Jones' career was marked out and moulded for her by Selznick, who would become the love of her life. They began an affair and eventually she left her husband and two sons for the producer, which ultimately led Walker to an untimely death, attributed to alcohol and drug abuse instigated due to their separation. As for her career, Jones took on the supporting role of Jane Hilton, a headstrong teenage girl who grows up fast when her fiance is killed in action during WWII, in Since You Went Away (1944). For her performance Jones received a best supporting actress Oscar nomination, but lost out to Ethel Barrymore for None But the Lonely Heart (1944). Jennifer continued to deliver strong performances, receiving further best actress Oscar nominations for Love Letters (1945) (she lost to Joan Crawford for Mildred Pierce (1945)) and Duel in the Sun (1946), (she lost to Olivia de Havilland for To Each His Own (1946)) which saw her cast against type as the seductive biracial beauty Pearl Chavez.
Jones continued to produce memorable performances throughout the 1940s , including Portrait of Jennie (1948). In the 1950s she received her fifth and final Oscar nomination for Love Is a Many-Splendored Thing (1955), losing out to Anna Magnani for The Rose Tattoo (1955).
Despite her success within the film industry, Jones was a very private person and managed to stay out of the spotlight that dominated so many other performers' lives. But a lack of publicity led to a lack of roles, a trend that amplified when Selznick died in 1965. She appeared in fewer and fewer films, and after a moderately successful supporting performance in The Towering Inferno (1974) Jones decided to make that role her swan song, bowing out of the film industry. She did, however, try to revive her film career in later years by campaigning for the role of Aurora Greenway in Terms of Endearment (1983), but Shirley MacLaine was cast instead and as a result, won the Oscar for best actress.
Jennifer Jones died 17 December, 2009, in Malibu, California. In the 21st century, Jones may not be as well known as other actresses of her time such as Ingrid Bergman, Katharine Hepburn, Greer Garson, Bette Davis etc. But for those who know of her and her extraordinary talent, she is alluring to watch and her acting abilities extended far greater than most of her contemporaries.- Actress
- Soundtrack
Eva Gabor was born on February 11, 1919 in Budapest, Hungary, to Jolie Gabor (née Janka Tilleman) and Vilmos Gabor (born Farkas Miklós Grün), a soldier. Her older siblings were Magda Gabor, an actress, and Zsa Zsa Gabor, an actress and socialite. Her parents were both from Jewish families. She went to Hollywood, California, to act in the 1930s. Her mother escaped from Nazi-occupied Budapest in the 1940s, also settling in the U.S.
Eva appeared both in films and on Broadway in the 1950s, as well as in several "A"-movies, including The Last Time I Saw Paris (1954), starring Elizabeth Taylor, and Artists and Models (1955), which featured Dean Martin and Jerry Lewis.
In 1953, she was given her own television talk show, The Eva Gabor Show (1953). Throughout the rest of the 1950s and early 1960s, she appeared on television and in movies. She appeared on one episode of the mystery series Justice (1954), and was on the game show What's My Line? (1950) as the "mystery challenger". Her film appearances during this period include a remake of My Man Godfrey (1957), Gigi (1958) and It Started with a Kiss (1959).
However, she is best remembered as Lisa Douglas, the socialite turned farm wife on Green Acres (1965) with co-star Eddie Albert playing her attorney husband Oliver Wendell Douglas. Eva Gabor died at age 76 from respiratory failure and pneumonia on July 4, 1995 in Los Angeles, California.- Actor
- Writer
- Director
Balding, quietly spoken, of slight build and possessed of piercing blue eyes -- often peering out from behind round, steel-rimmed glasses -- Donald Pleasence had the essential physical attributes which make a great screen villain. In the course of his lengthy career, he relished playing the obsessed, the paranoid and the purely evil. Even the Van Helsing-like psychiatrist Sam Loomis in the Halloween (1978) franchise seems only marginally more balanced than his prey. An actor of great intensity, Pleasence excelled on stage as Shakespearean villains. He was an unrelenting prosecutor in Jean Anouilh's "Poor Bitos" and made his theatrical reputation in the title role of the seedy, scheming tramp in Harold Pinter's "The Caretaker" (1960). On screen, he gave a perfectly plausible interpretation of the head of the SS, Heinrich Himmler, in The Eagle Has Landed (1976). He was a convincingly devious Thomas Cromwell in Henry VIII and His Six Wives (1972), disturbing in his portrayal of the crazed, bloodthirsty preacher Quint in Will Penny (1967); and as sexually depraved, alcohol-sodden 'Doc' Tydon in the brilliant Aussie outback drama Wake in Fright (1971). And, of course, he was Ernst Stavro Blofeld in You Only Live Twice (1967). These are some of the films, for which we may remember Pleasence, but there was a great deal more to this fabulous, multi-faceted actor.
Donald Henry Pleasence was born on October 5, 1919 in Worksop, Nottinghamshire, England, to Alice (Armitage) and Thomas Stanley Pleasence. His family worked on the railway. His grandfather had been a signal man and both his brother and father were station masters. When Donald failed to get a scholarship at RADA, he joined the family occupation working as a clerk at his father's station before becoming station master at Swinton, Yorkshire. While there, he wrote letters to theatre companies, eventually being accepted by one on the island of Jersey in Spring 1939 as an assistant stage manager. On the eve of World War II, he made his theatrical debut in "Wuthering Heights". In 1942, he played Curio in "Twelfth Night", but his career was then interrupted by military service in the RAF. He was shot down over France, incarcerated and tortured in a German POW camp. Once repatriated, Donald returned to the stage in Peter Brook's 1946 London production of "The Brothers Karamazov" with Alec Guinness although he missed the opening due to measles, followed by a stint on Broadway with Laurence Olivier's touring company in "Caesar and Cleopatra" and "Anthony and Cleopatra". Upon his return to England, he won critical plaudits for his performance in "Hobson's Choice". In 1952, Donald began his screen career, rather unobtrusively, in small parts. He was only really noticed once having found his métier as dastardly, sneaky Prince John in The Adventures of Robin Hood (1955). It took several more years, until international recognition came his way: first, through the filmed adaptation of The Guest (1963), and, secondly, with his blind forger in The Great Escape (1963), a role he imbued with added conviction due to his own wartime experience.
Some of his best acting Donald reserved for the small screen. In 1962, the producer of The Twilight Zone (1959), Buck Houghton, brought Donald to the United States ("damn the expense"!) to guest star in the third-season episode "The Changing of the Guard". He was given a mere five days to immerse himself in the part of a gentle school teacher, Professor Ellis Fowler, who, on the eve of Christmas is forcibly retired after fifty-one years of teaching. Devastated, and believing himself a failure who has made no mark on the world, he is about to commit suicide when the school's bell summons him to his classroom. There, he is confronted by the spirits of deceased students who beg him to consider that his lessons have indeed had fundamental effects on their lives, even leading to acts of great heroism. Upon hearing this, Fowler is now content to graciously accept his retirement. Managing to avoid maudlin sentimentality, Donald's performance was intuitive and, arguably, one of the most poignant ever accomplished in a thirty-minute television episode. Once again, against type, he was equally delightful as the mild-mannered Reverend Septimus Harding in Anthony Trollope's The Barchester Chronicles (1982).
Whether eccentric, sinister or given to pathos, Donald Pleasence was always great value for money and his performances have rarely failed to engage.- Actress
- Soundtrack
A curvaceous, dark-haired WWII pin-up beauty (aka "The Woo Woo Girl" and "The Girl with the Million Dollar Figure"), "B" film star Lynn Bari had the requisite looks and talent but few of the lucky breaks needed to penetrate the "A" rankings during her extensive Hollywood career. Nevertheless, some worthy performances of hers stand out in late-night viewings.
She was born with the elite-sounding name of Marjorie Schuyler Fisher on December 18, 1919 (various sources also list 1913, 1915 and 1917), in Roanoke, Virginia. She and her elder brother, John, moved with their mother to Boston following the death of their father in 1927. Her mother remarried, this time to a minister, and the family relocated once again when her stepfather was assigned a ministry in California (the Institute of Religious Science in Los Angeles).
Paying her dues for years as a snappy bit-part chorine, secretary, party girl and/or glorified extra while being groomed as a starlet under contract to MGM and Fox, her first released film was the MGM comedy Meet the Baron (1933), in which she provided typical window dressing as a collegian. For the next few years there was little growth at either studio, as she was usually standing amidst others in crowd scenes and looking excited. Finally in Lancer Spy (1937), she received her first billing on screen for a minor part as "Miss Fenwick". Though more bit parts were to dribble in, the year 1938 proved to be her breakthrough year. She finally gained some ground playing the "other woman" role in glossy soaps and musicals, first giving Barbara Stanwyck some trouble in Always Goodbye (1938).
Fox Studios finally handed her some smart co-leads and top supports in such second-tier films as The Return of the Cisco Kid (1939), Pack Up Your Troubles (1939), Hotel for Women (1939), and Hollywood Cavalcade (1939). Anxiously waiting for "the big one", she made do with her strong looks, tending toward unsympathetic parts. She enjoyed the attention she received playing disparaging society ladies, divas, villainesses, and even a strong-willed prairie flower in such films as Pier 13 (1940), Earthbound (1940), Kit Carson (1940), and Sun Valley Serenade (1941), but they did little to advance her in the ranks.
The very best role of her frisky career came with the grade "A" comedy The Magnificent Dope (1942), in which she shared top billing with Henry Fonda and Don Ameche. But good roles were hard to find in Lynn's case, and she good-naturedly took whatever was given her. Other above-average movies (she appeared in well over 150) of this period came with China Girl (1942), Hello Frisco, Hello (1943), The Bridge of San Luis Rey (1944), and Nocturne (1946).
With diminishing offers for film parts by the 1950s, she started leaning heavily towards stage and TV work. She continued her career until the late '60s and then retired. Her last work included the film The Young Runaways (1968) and TV episodes of "The Girl from U.N.C.L.E." and "The F.B.I." Divorced three times in all, husband #2 was volatile manager/producer Sidney Luft, better known as Judy Garland's hubby years later, who was the father of her only child. Her third husband was a doctor/psychiatrist, and she worked as his nurse for quite some time. They divorced in 1972. Plagued by arthritis in later years, Bari passed away from heart problems on November 20, 1989. Although she may have been labeled a "B" leading lady, she definitely was in the "A" ranks when it came to class and beauty.- Actress
- Soundtrack
Marie Windsor (born Emily Marie Bertelsen) was born in Marysvale, Utah, and attended Brigham Young University. She trained for the stage under Maria Ouspenskaya before she began playing leading roles in B pictures in the late 1940s. So many B films in fact, that she garnered the title of 'Queen of the Bs'.
She was a talent - to paraphrase a cliché - of the right type and the right time. If film noir could have manufactured an archetype, it would most definitely have been Marie.
With Ms Windsor's bedroom eyes ('they didn't fit for a 'goody-goody wife, or a nice little girlfriend' ) she smouldered on screens, in scenes with John Garfield, and many others, in some of her best work. Marie's femme fatale (Ms Windsor was later quoted as saying a femme fatale is '...usually the woman who gets the man into bed... then into trouble') was on screen, most notably her role as the manipulative, double-crossing wife of Elisha Cook Jr. in The Killing (1956) (which earned her "Look" magazine's Best Supporting Actress award).
Marie later said she loved playing them because they're '... the type of character audience's never forget'.
Some of her favourites amongst her own films, in addition to The Killing (1956), are The Narrow Margin (1952) and Hellfire (1949).
Marie married was married twice before she met Jack Hupp, a realtor with whom she had a son. After retiring from films, Marie took up sculpting and painting.
Marie passed away one day before her 81st birthday. She's interred with her husband in her hometown.
Marie said audience's 'loved to hate her', and this is only partially true; audience's love Ms Windsor for the dynamism she portrayed, and as film noir gains new fans every day - more than 3/4 of a century since their heyday, it's a love affair which shows no signs of abating.- Actor
- Soundtrack
Forrest Tucker, best known to the Baby Boom generation as Sergeant O'Rourke on the classic TV sitcom F Troop (1965), was born on February 12, 1919, in Plainfield, Indiana. He began his performing career at age 14 at the 1933 Chicago "Century of Progress" World's Fair, pushing big wicker tourists' chairs by day and singing at night. His family moved to Arlington, Virginia, where he attended Washington-Lee High School in 1938.
Big for his age, as a youth Tucker was hired by the Old Gayety Burlesque Theater in Washington, DC, to serve as a Master of Ceremonies for the burly-cue after consecutively winning Saturday night amateur contests. He was fired when it was found out that he was underage. When he turned 18, he was rehired by the Old Gayety.
After graduating from high school in 1938, the 6'4", 200-lb. Tucker played semi-pro football in the Washington, DC, area. He also enlisted in the National Guard and was assigned to a cavalry unit in Ft. Myers, Virginia. He started at the top when he entered the movies, in a supporting role in William Wyler's The Westerner (1940) opposite Gary Cooper and Walter Brennan, who won his third Oscar for portraying Judge Roy Bean in the picture. He got the role during his 1939 vacation from the Old Gayety, which shut down due to the District of Columbia's horrible summers in the days before air conditioning was common.He was signed to the part in the Wyler picture, which required a big fellow with enough presence for a fight scene with the 6'3" superstar Cooper.
Tucker moved to California and began auditioning for parts in films. After "The Westerner", it was off to Poverty Row, where he appeared in William Beaudine's Emergency Landing (1941) at rock-bottom PRC (Producers Releasing Corp.). He was soon signed by Columbia and assigned to the B-pictures unit, though he was lent to MGM for the Spencer Tracy-Katharine Hepburn vehicle Keeper of the Flame (1942), his last film before going off to World War II.
Tucker served as an enlisted man in the Army during the war, being discharged as a second lieutenant in 1945. He returned to Columbia and resumed his acting career with an appearance in the classic film The Yearling (1946). He signed with Republic Pictures in 1948, which brought him one of his greatest roles, that of the Marine corporal bearing a grudge against gung-ho sergeant John Wayne in Sands of Iwo Jima (1949). At Republic Tucker was top-billed in many of the "B' pictures in the action and western genres the studio was famous for, such as Rock Island Trail (1950), California Passage (1950) and Ride the Man Down (1952), among many others. In 1958 he broke out of action / western pictures and played Beauregard Burnside to Rosalind Russell's Auntie Mame (1958), the highest grossing US film of the year. It showed that Tucker was capable of performing in light comedy.
Morton DaCosta, his director on "Auntie Mame", cast Tucker as "Professor" Harold Hill in the national touring production of The Music Man (1962), and he was a more than credible substitute for the great Broadway star Robert Preston, who originated the role. Tucker made 2,008 appearances in The Music Man over the next five years, then starred in "Fair Game for Lovers" on Broadway in 1964.
However, it was television that provided Tucker with his most famous role: scheming cavalry sergeant Morgan O'Rourke in "F Troop", which ran from 1965 to 1967 on ABC. Ably supported by Larry Storch, Ken Berry and James Hampton, Tucker showed a flair for comedy and he and Storch had great chemistry, but the series was canceled after only two seasons. It has, however, remained in syndication ever since.
Following "F Troop", Tucker returned to films in supporting parts (having a good turn as the villain in the John Wayne western Chisum (1970)) and character leads (The Wild McCullochs (1975)). On television he was a regular on three series: Dusty's Trail (1973) with Bob Denver; The Ghost Busters (1975), which reunited him with Larry Storch; and Filthy Rich (1982). Tucker was also a frequent guest star on TV, with many appearances on Gunsmoke (1955) and in the recurring role of Jarvis Castleberry, Flo's estranged father, on Alice (1976) and its spin-off, Flo (1980). He continued to be active on stage as well, starring in the national productions of Plaza Suite (1971), Show Boat (1936), and That Championship Season (1982). He also toured with Roy Radin's Vaudeville Revue, a variety show in which, as a headliner, he told Irish stories and jokes and sang Irish songs.
Tucker returned to the big screen after an absence of several years in 1986, playing hero trucker Charlie Morrison in the action film Thunder Run (1985). His comeback to features was short-lived, however, as he died on October 25, 1986, in the Los Angeles suburb of Woodland Hills, of complications from lung cancer and emphysema. He was 67 years old. Tucker was buried in Forest Lawn-Hollywood Hills Cemetery in Los Angeles.- Cute, tiny, and prolific little old lady character actress Frances Bay worked constantly in both films and TV shows alike after making her debut at the age of 59 in life with a small part in the comedy Foul Play (1978) in 1978.
She frequently portrayed eccentric elderly women and good-hearted grandmothers in all kinds of pictures and television programs. Frances acted several times for David Lynch: she's Kyle MacLachlan's sweet doddery aunt in Blue Velvet (1986), a gruff, profane whorehouse madam in Wild at Heart (1990), and the spooky Mrs. Tremond in the cult TV series Twin Peaks (1990) and its spin-off feature Twin Peaks: Fire Walk with Me (1992). Frances popped up in two movies for director Stuart Gordon: she's a kind witch in The Pit and the Pendulum (1991) and a fortune teller in Edmond (2005).
Other notable film roles include a snippy librarian in The Attic (1980), a mysterious blind nun in the offbeat Nomads (1986), another librarian in In the Mouth of Madness (1994), and Adam Sandler's loving grandmother in the hit comedy Happy Gilmore (1996). Frances had the unique distinction of guesting on the final episodes of the TV shows Happy Days (1974), Who's the Boss? (1984), and Seinfeld (1989).
Among the many TV series Bay had guest spots on are Charmed (1998), ER (1994), Matlock (1986), The X-Files (1993), Murder, She Wrote (1984), The Commish (1991), L.A. Law (1986), Hill Street Blues (1981), Touched by an Angel (1994), The Golden Girls (1985), and Amazing Stories (1985).
She won a Gemini Award for her performance in the Disney TV program Avonlea (1990). Frances was also in the music video for Jimmy Fallon's "Idiot Boyfriend." In addition to her substantial movie and TV credits, Bay also acted in both Off-Broadway stage productions and regional theater; these plays include "Finnegan's Wake," "Grease," "Genuis," "The Caucasion Chalk Circle," "Number Our Days," "Uncommon Women," "Sarcophagus," and "The Pleasure of His Company." Frances won two DramaLogue Awards and was nominated for a Los Angeles Dramatic Critics' Award.
In 2002 Bay was the unfortunate victim of an automobile accident which resulted in having part of her right leg amputated. Her husband Charles sadly died in 2002 as well.
In real life Frances Bay was a very practical and unassuming woman with an avid love for jazz music. - Actor
- Soundtrack
American character actor who achieved considerable fame in the last decade of his life. A native of Kokomo, Indiana, Strother Martin Jr. was the youngest of three children of Strother Douglas Martin, a machinist, and Ethel Dunlap Martin. His family moved soon after his birth to San Antonio, Texas, but quickly returned to Indiana. Strother Jr. grew up in Indianapolis and in Cloverdale, Indiana. He excelled at swimming and diving, and at 17 won the National Junior Springboard Diving Championship. He attended the University of Michigan as diving team member. He served in the U.S. Navy as a swimming instructor in World War II. Nicknamed "T-Bone" Martin for his diving style, his 3rd place finish in the adult National Springboard Diving Championships cost him a place on the 1948 Olympic team. He moved to California to become an actor, but worked in odd jobs and as a swimming instructor to Marion Davies and the children of Charles Chaplin. He found work as a swimming extra in several films and as a leprechaun on a local children's TV show, "Mabel's Fables." Bit parts came his way, leading to television work with Sam Peckinpah, which led to a lifelong relationship. He also found memorable roles for John Ford and by the 1960s was a familiar face in American movies. With Cool Hand Luke (1967) in 1967 came new acclaim and a place among the busiest character actors in Hollywood. He worked steadily and in substantial roles throughout the 1970s and seemed at the peak of his career when he died suddenly of a heart attack in 1980.- Slim Pickens spent the early part of his career as a real cowboy and the latter part playing cowboys, and he is best remembered for a single "cowboy" image: that of bomber pilot Maj. "King" Kong waving his cowboy hat rodeo-style as he rides a nuclear bomb onto its target in the great black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). Born in Kingsburg, near Fresno in California's Central Valley, he spent much of his boyhood in nearby Hanford, where he began rodeoing at the age of 12. Over the next two decades he toured the country on the rodeo circuit, becoming a highly-paid and well-respected rodeo clown, a job that entailed enormous danger. In 1950, at the age of 31, Slim married Margaret Elizabeth Harmon and that same year he was given a role in a western, Rocky Mountain (1950). He quickly found a niche in both comic and villainous roles in that genre. With his hoarse voice and pronounced western twang, he was not always easy to cast outside the genre, but when he was, as in "Dr. Strangelove", the results were often memorable. He died in 1983 after a long and courageous battle against a brain tumor. He was survived by his wife Margaret and children.
- Actor
- Soundtrack
Legendary Hollywood "tough guy", on screen and off. Remembered as the title character in Dillinger (1945) and as the consummately brutal lover of Claire Trevor in Born to Kill (1947). Notorious for his frequent, well-publicized barroom brawls and the like, including being stabbed in 1973. In his later years, he continued as a screen actor projecting the hard-as-nails mien that has been ingrained since his younger days, as evidenced in Quentin Tarantino's Reservoir Dogs (1992).- Martin Henry Balsam was born on November 4, 1919 in the Bronx, New York City, to Lillian (Weinstein) and Albert Balsam, a manufacturer of women's sportswear. He was the first-born child. His father was a Russian Jewish immigrant, and his mother was born in New York, to Russian Jewish parents. Martin caught the acting bug in high school where he participated in the drama club. After high school, he continued his interest in acting by attending Manhattan's progressive New School. When World War II broke out, Martin was called to service in his early twenties. After the war, he was lucky to secure a position as an usher at Radio City Music Hall in New York City. By 1947, he was honing his craft at the Actors Studio, run at that time by Elia Kazan and Lee Strasberg. His time at the Actors Studio in New York City allowed him training in the famous Stanislavsky method. Despite his excellent training, he had to prove himself, just like any up and coming young actor. He began on Broadway in the late 1940s. But, it was not until 1951 that he experienced real success. That play was Tennessee Williams' "The Rose Tattoo". After his Broadway success, he had a few minor television roles before his big break arrived when he joined the cast of On the Waterfront (1954). In the 1950s, Martin had many television roles. He had recurring roles on some of the most popular television series of that time, including The United States Steel Hour (1953), The Philco Television Playhouse (1948), Goodyear Playhouse (1951) and Studio One (1948). In 1957, he was able to prove himself on the big-screen once again, with a prominent role in 12 Angry Men (1957), directed by Sidney Lumet and starring Henry Fonda. All of Martin's television work in the 1950s did not go to waste. While starring on an episode of Alfred Hitchcock Presents (1955), Hitchcock was so impressed by his work, that he offered him a key supporting role of Detective Milton Arbogast in Psycho (1960). His work with Hitchcock opened him up to a world of other acting opportunities. Many strong movie roles came his way in the 1960s, including parts in Breakfast at Tiffany's (1961), Cape Fear (1962) and The Carpetbaggers (1964). One of the proudest moments in his life was when he received an Academy Award for Best Supporting Actor for A Thousand Clowns (1965). It was soon after that he began accepting roles in European movies. He soon developed a love for Italy, and lived there most of his remaining years. He acted in over a dozen Italian movies and spent his later life traveling between Hollywood and Europe for his many roles. After a career that spanned more than fifty years, Martin Balsam died of natural causes in his beloved Italy at age 76. He passed away of a stroke at a hotel in Rome called Residenza di Repetta. He was survived by his third wife Irene Miller and three children, Adam, Zoe and Talia.
- Actor
- Soundtrack
Howard Keel was the Errol Flynn and Clark Gable of "golden age" movie musicals back in the 1950s. With a barrel-chested swagger and cocky, confident air, the 6'4" brawny baritone Keel had MGM's loveliest songbirds swooning helplessly for over a decade in what were some of the finest musical films ever produced.
Born Harry (or Harold) Clifford Keel in Gillespie, Illinois, in 1919 to Homer Charles Keel and Grace (Osterkamp) Keel, and the brother of Frederick William Keel, his childhood was unhappy, his father being a hard-drinking coal miner and his mother a stern, repressed Methodist homemaker. When Keel was 11 his father died, and the family moved to California. He later earned his living as a car mechanic, then found work during WWII at Douglas Aircraft in Los Angeles. His naturally untrained voice was discovered by the staff of his aircraft company and soon he was performing at various entertainments for the company's clients. He was inspired to sing professionally one day while attending a Hollywood Bowl concert, and quickly advanced through the musical ranks from singing waiter to music festival contest winner to guest recitalist.
Oscar Hammerstein II discovered Keel in 1946 during John Raitt's understudy auditions for the role of Billy Bigelow in Broadway's popular musical "Carousel." He was cast on sight and the die was cast. Keel managed to understudy Alfred Drake as Curly in "Oklahoma!" as well, and in 1947 took over the rustic lead in the London production, earning great success. British audiences took to the charismatic singer and he remained there as a concert singer while making a non-singing film debut in the British crime drama The Hideout (1948) (aka "The Small Voice"). MGM was looking for an answer to Warner Bros.' Gordon MacRae when they came upon Keel in England. They made a great pitch for him and he returned to the US, changing his stage moniker to Howard Keel. He became a star with his very first musical, playing sharpshooter Frank Butler opposite brassy Betty Hutton's Annie Oakley in the film version of the Broadway musical Annie Get Your Gun (1950). From then on Keel was showcased in several of MGM's biggest extravaganzas, with Show Boat (1951), Calamity Jane (1953), Kiss Me Kate (1953) and (reportedly his favorite) Seven Brides for Seven Brothers (1954) at the top of the list. Kismet (1955) opposite Ann Blyth would be his last, as the passion for movie musicals ran its course.
Keel managed to move into rugged (if routine) action fare, appearing in such 1960s films as Armored Command (1961), Waco (1966), Red Tomahawk (1967) and The War Wagon (1967), the last one starring John Wayne and featuring Keel as a wisecracking Indian, of all things. In the 1970s Keel kept his singing voice alive by returning full force to his musical roots. Some of his summer stock and touring productions, which included "Camelot," "South Pacific", "Seven Brides for Seven Brothers", "Man of La Mancha", and "Show Boat", often reunited him with his former MGM leading ladies, including Kathryn Grayson and Jane Powell. He also worked up a Las Vegas nightclub act with Grayson in the 1970s.
Keel became an unexpected TV household name when he replaced Jim Davis as the upstanding family patriarch of the nighttime soap drama Dallas (1978) after Davis' untimely death. As Clayton Farlow, Miss Ellie's second husband, he enjoyed a decade of steady work. In later years he continued to appear in concerts. As a result of this renewed fame on TV, Keel landed his first solo recording contract with "And I Love You So" in 1983. Married three times, he died in 2004 of colon cancer, survived immediately by his third wife, three daughters and one son.- Actor
- Additional Crew
- Director
Comedic actor Howard ("Howie") Jerome Morris, of Jewish heritage, was born in The Bronx, New York, on September 4, 1919. This short, quicksilver comic of TV's "Golden Age" also went on to possess one of the finest vocal instruments for animation. Classically trained on the Shakespearean stage, he forged his own destiny in an entirely different direction after a chance meeting with Carl Reiner in a radio workshop. Following military service in World War II, in which the two entertained troops together (they appeared in Army productions of "Hamlet" and "Macbeth" directed by none other than Maurice Evans, they returned to the professional entertainment fold and appeared together in a 1946 road company of the stage musical "Call Me Mister." Howie also went on to be featured on Broadway as Rosencrantz in "Hamlet" and in the original production of "Gentlemen Prefer Blondes." He and Reiner would reconnect when asked to come aboard as part of the acting repertory team on Your Show of Shows (1950) and its successor Caesar's Hour (1954), the classic sketch TV show of the 1950s that starred Sid Caesar and Imogene Coca. After years of "second banana" TV success, Howie wished for "top banana" stardom and sought work as such with varying degrees of success.
On the New York stage he co-starred as the leprechaun Og in a 1960 revival of "Finian's Rainbow" and, from the early 1960s on, his mastery of dialects and vocal versatility made him an important staple at the Hanna-Barbera animation studio, offering hundreds upon hundreds of voices for The Flintstones (1960), The Jetsons (1962), Sabrina the Teenage Witch (1971), and other such classic Saturday morning cartoon shows as well as the popular voices of Adam Ant, Gerald McBoing-Boing, Beetle Bailey and Jughead Jones. He would intersperse this work with some catchy offbeat characterizations in front of the camera, usually comedic but occasionally dramatic, on both the big and small screens. He added zest to a host of standard comedy films including Boys' Night Out (1962) with Kim Novak, The Nutty Professor (1963) and Way... Way Out (1966), both with Jerry Lewis, and Mel Brooks' spoofs High Anxiety (1977) and History of the World: Part I (1981). As for television, Howie directed Danny Thomas and Andy Griffith in their respective sitcoms, and made a wonderfully eccentric impression on-camera as the grizzled, bucolic, rock-tossing Ernest T. Bass on Griffith's 60's show. The role became such a popular character that Howie was invited to play it sporadically for three seasons.
Morris also turned to film directing and helmed such fluff as Who's Minding the Mint? (1967), With Six You Get Eggroll (1968) and Don't Drink the Water (1969), the last-mentioned written by Woody Allen. Seen more than heard during his twilight career, he continued on with directing commercials and popped up here and there well into the 1990s in comic cameos and as a vocal artist. Married five times (twice to one woman) with four children in all, Howie suffered from poor health in later years and died of congestive heart failure at age 84, on May 21, 2005. He was buried at Hillside Memorial Park in Los Angeles.- Actor
- Art Department
Daniel Peter "Dan" O'Herlihy was born on 1 May 1919 at Odessa Cottage, Wexford Town, County Wexford (Ireland) to John Robert O'Herlihy, a civil servant from Cork who later worked in the Department of Industry and Commerce, and Ellen (née Hanton). Dan had at least two siblings, a sister and a younger brother (Michael O'Herlihy, who became a television director). The family moved to Dublin when Dan was one year old. Educated at CBS Eblana (Dún Laoghaire Christian Brothers School), as a teenager he developed literary ambitions. Upon entering UCD, he applied to study law but rapidly switched to architecture which allowed him to use his drawing skills. While a student he published political cartoons in Irish newspapers under the initials "TOC".
O'Herlihy decided not to follow in his father's footsteps, forsaking the life of an architect in favour of the acting profession. The tall, distinguished-looking university graduate boasted a rich, resonant voice which enabled him to easily find work in radio plays, as well on the stage. He first came to note as a small part actor with the Gate and Abbey Theatre Players, on occasion putting his architectural qualifications to use as a set designer. His first leading role was in Sean O'Casey's play 'Red Roses for Me' in 1944. During one of his performances in Dublin, he was spotted by the director Carol Reed and cast as an IRA terrorist in Odd Man Out (1947). This, and another London-produced film, Hungry Hill (1947), resulted in good critical notices , prompting another genial filmmaker, Orson Welles, to cast O'Herlihy in the role of Macduff for his Mercury/Republic production of Macbeth (1948). While this enterprise was far from successful, the actor's rugged, bearded appearance sufficiently impressed Luis Buñuel to cast him in the titular role of Robinson Crusoe (1954).
Until the arrival of "Friday", the only other featured character, this definitive version of Daniel Defoe's shipwrecked 17th century mariner was a tour-de-force one man show, a compelling, wordless portrayal of agonised solitude. However, as the Mexican production was considered merely a B-movie in Hollywood, O'Herlihy was forced to invest some of his own money to have the film exhibited in Los Angeles. While he was rewarded with an Oscar nomination, few worthy job offers came his way. For the remainder of the decade, he worked under short-term contracts as a character actor (often billed as "Daniel O'Herlihy") for Universal and 20th Century Fox, typically cast in costume dramas like The Black Shield of Falworth (1954), The Purple Mask (1955) and The Virgin Queen (1955). When movie roles became scarce, he branched out into anthology television, eventually becoming a much sought-after guest star on popular prime time shows like The Untouchables (1959), Bonanza (1959) and The Man from U.N.C.L.E. (1964). Work on radio shows, like 'Johnny Dollar', 'Suspense' and 'Lux Radio Theatre', also continued to provide him with a steady source of income.
From the mid-1960s, he was afforded several better film opportunities: first, in a memorable dual role as the sinister, voyeuristic Dr.Caligari AND the handsome psychiatrist treating repressed mental patient Jane Lindstrom (Glynis Johns), in Robert Bloch's off-beat psycho-thriller, The Cabinet of Caligari (1962). Second, he played an anguished U.S. Air Force general contemplating orders to drop a hydrogen bomb over New York, in Sidney Lumet's gripping anti-war drama Fail Safe (1964). He was also, among later big screen appearances, one of many name actors in the star-studded military epic Waterloo (1970) (as Napoleon's "Marshal Ney"); unrecognisable in make-up as a reptilian alien in the 'Star Wars' clone The Last Starfighter (1984); as irredeemable villains in Halloween III: Season of the Witch (1982) and RoboCop (1987); and as the inscrutable Andrew Packard in Twin Peaks (1990) on television. He continued to alternate film work with acting on stage in Los Angeles and at the Abbey Theater. Dan O'Herlihy died on 17 February 2005, aged 85. He left his papers to the care of University College Dublin (UCD) where he had graduated with a degree in architecture in 1945.- Actor
- Soundtrack
Born in 1919 in Jerusalem, Nehemiah Persoff emigrated with his family to America in 1929.
Following schooling at the Hebrew Technical Institute of New York, he found a job as a subway electrician doing signal maintenance until an interest in the theater altered the direction of his life.
He joined amateur groups and subsequently won a scholarship to the Dramatic Workshop in New York. This led to what would have been his Broadway debut in a production of "Eve of St. Mark", but he was fired before the show opened. He made his official New York debut in a production of "The Emperor's New Clothes" in 1940.
WWII interrupted his young career in 1942, when he was inducted into the United Sates Army, returning to the stage after his hitch was over in 1945, three years later. He sought work in stock plays and became an intern of Stella Adler and, as a result, a strong exponent of the Actor's Studio. Discovered by Charles Laughton and cast in his production of "Galileo" in 1947, Persoff made his film debut a year later with an uncredited bit in The Naked City (1948).
Short, dark, chunky-framed and with a distinct talent for dialects, Persoff became known primarily for his ethnic villainy, usually playing authoritative Eastern Europeans.
In a formidable career which had him portraying everything from cab drivers to Joseph Stalin, standout film roles would include Leo in The Harder They Fall (1956) with Humphrey Bogart, Gene Conforti in Alfred Hitchcock's The Wrong Man (1956), Albert in This Angry Age (1958) and gangster Johnny Torrio in Al Capone (1959). That same year he played another gangster, the small role of Little Bonaparte, in Some Like It Hot (1959).
He was a durable performer during TV's "Golden Age" (Gunsmoke (1955), The Twilight Zone (1959)) and well beyond (Chicago Hope (1994), Law & Order (1990)), playing hundreds of intense, volatile and dominating characters.
In later years, his characters grew a bit softer as Barbra Streisand's Jewish father in Yentl (1983) and the voice of Papa Mousekewitz in the An American Tail (1986) will attest. Later stage work included well-received productions of "I'm Not Rappaport" and his biographical one-man show "Sholem Aleichem".
After declining health and high blood pressure forced him to slow down, Persoff took up painting in 1985, studying sketching in Los Angeles. Specializing in watercolor, he created more than 100 works of art, many of which have been exhibited up and down the coast of California. He celebrated his 100th birthday in 2019.- Actor
- Producer
- Soundtrack
"Straight Shooting" -- whether skeet shooting, or portraying Eliot Ness -- Robert Stack always told it like it was, and shot straight. Born in Los Angeles, California, the younger son of James Langford Stack (1860-1928), the owner of an advertising agency, and Mary Elizabeth Modini Wood (1891-1975), he was originally named Charles Langford Modini Stack at birth by his mother but his father soon changed the name to Robert Langford Stack. (The name Robert reportedly referred to no one in particular.) His elder brother and only sibling was James Langford Stack (1916-2006).
His parents had divorced when he was one-year-old, and his mother took him to Europe when he was three. He did not learn to speak English until he was six years old. His brother, James Langford Stack Jr., stayed in the United States with their father. Young Robert spoke fluent Italian and French, but had to learn English when they returned to Los Angeles. His mother and father remarried in 1928. Robert took drama courses at USC. He was not interested in team sports, so he took up skeet shooting. In 1935, he came in second in the National Skeet Shooting Championship (held in Cleveland) and, in 1936, his 5-man team broke the standing record at the National Skeet Championships (held in St. Louis).
Stack arrived at Universal City Studios in 1939, when the movie studio (once riding high on the successes of movies such as Dracula (1931) and Frankenstein (1931)) was in financial trouble, and looking for a superstar. That superstar was Deanna Durbin (acquired from MGM), and Stack made his screen debut as her lover in First Love (1939). At first, he did not want to listen to the makeup man who had told him, "no blond has ever made it as a leading man", and insisted on dyeing his hair black and uncurling it. That makeup man was genius and Oscar winner, Jack P. Pierce (who had done all the monsters for Universal), and Stack became a matinee idol, overnight. After two more movies, he was teamed with Durbin again, in Nice Girl? (1941). he was now a bona-fide star, but Universal was still only paying him $150 a week. For the next 10 years, Stack did Westerns, war movies and romantic comedies.
Stack had fond memories for Bullfighter and the Lady (1951), a movie produced by his friend, John Wayne, which meant 12 weeks filming in sunny Mexico. The movie had a great script; unfortunately, two bullfighters were gored while filming. There were several weeks of delays, they could not get a crew or a sound stage, until they realized that, in Mexico, it is necessary to bribe the local union; some money was passed and filming started, immediately. There were wild times, and lots of tequila. Robert became a local legend; when some Mexicans asked him what he did in the War, Robert said: "I taught machine gun." The rumor spread: "Roberto teaches chingas!" (that's Spanish for "hookers"). In 1952, he made movie history (much like Al Jolson had done in 1927, being in the first "talkie") -- he starred in Bwana Devil (1952), the first 3-D movie. This gave startling effects to the story, which was based on real-life lion attacks in Africa.
Stack attended the premiere, and recalled people's reactions to the 3-D lion scenes: "People in the audience jumped out of their seats, some even fainted." The movie broke box office records, and immediately started the demand to film more movies in 3-D (such as House of Wax (1953)). Around 1955, Robert (Hollywood's most eligible bachelor) was introduced to Rosemarie Bowe, by mutual agent Bill Shiffrin. Rosemarie had been under contract to MGM and Columbia, making such movies as Million Dollar Mermaid (1952) and The Golden Mistress (1954). The couple wed two years later and had two children: Elizabeth Stack and Charles Stack. The former perennial bachelor found out he liked being married and being a father. His onscreen fame had grown and, for Written on the Wind (1956), he received an Academy Award nomination. Unfortunately, this did not sit well with 20th-Century Fox, which had him under contract, and had lent him to Universal for this picture. His contract with Fox came to an end. Stack made the transition to the new medium that was sweeping the country: television. He delivered breakout performances in his signature role as T-man (Treasury agent) Eliot Ness on The Untouchables (1959) which, after the pilot, ran for four seasons (118 episodes). And there was also the television movie, The Scarface Mob (1959).
There were some funny behind-the-scenes anecdotes, such as this one: there is no scene which stood out more as the most potentially evil, and risky in terms of audience acceptance, as the "bacio di morte" ("kiss of death"), the Sicilian gesture whenever a Capo (Neville Brand) kissed a Mafia soldier (Frank DeKova) to send him out as an executioner. The two actors were nervous enough about this scene (two guys had never kissed on television before), but then some crewman decided to be a prankster and told each star, in private, just before filming, "look out -- your co-star likes kissing guys" (a complete deception, of course). There were some unfortunate anecdotes: Joseph Wiseman was a fine actor, but trained to work on the New York stage with props; he was not accustomed to real Hollywood sets. In a 1960 episode of "The Untouchables", Stack was supposed to take an axe and smash up a brewery. He hit a real pipe, the axe ricocheted off the metal, and cut through his Achilles tendon. "I never felt so sorry for anyone in my life", Stack commented. They wrote a role for Wiseman as a crippled, renegade chemist a few weeks later in "The Antidote", which Stack noted, "was one of our half-dozen top shows". Stack went on to do television series, such as The Name of the Game (1968) alternating lead with Gene Barry and Anthony Franciosa, then later Most Wanted (1976), and he pleasantly surprised everyone with his flair for comedies in movies like 1941 (1979) and Airplane! (1980).
Stack hosted Unsolved Mysteries (1987) and did more zany humor in Caddyshack II (1988), Beavis and Butt-Head Do America (1996) and BASEketball (1998). He also provided the voice of the character Ultra Magnus in The Transformers: The Movie (1986). He portrayed the no-nonsense G-man Ness again in The Return of Eliot Ness (1991). Stack was being treated for prostate cancer when he died at age 84 on May 14, 2003 at his home in Bel Air, Los Angeles, after suffering a heart attack.- Alexander Crichlow Barker Jr. was a direct descendant of the founder of Rhode Island, Roger Williams, and of Sir William Henry Crichlow, historical Governor-General of Barbados. Barker attended the Fessenden School and Phillips-Exeter Academy, where he excelled in football and track. He went to Princeton, but left to become an actor. A year later he was spotted while working in summer stock theatre, and received a contract offer from 20th Century Fox. World War II intervened; he enlisted as an infantry private, and rose to the rank of major.
Although later signed by Fox and then Warner Bros, he was too tall for supporting parts and too unknown for leads. Tarzan's Magic Fountain (1949) (RKO) provided his first starring role. After five Tarzan films, he went into other adventure films. After 16 non-Tarzan films, mostly westerns, he went to Europe in 1957 (he spoke French, Spanish, Italian, and German). He went on to make more than 50 more films worldwide: Brazil, Germany, Spain, Yugoslavia, Italy, Lebanon, France, as well as the USA. He became very popular in Germany owing to his roles as "Old Shatterhand", "Kara Ben Nemsi", and "Dr. Karl Sternau", in films based on books written by Karl May, a popular German writer of adventure literature. Barker won Germany's Bambi Award as Best Foreign Actor of 1966. - Actor
- Writer
- Additional Crew
Although Red Buttons is best known as a stand-up comic, he is also a successful songwriter, an Academy Award-winning actor (and has been nominated for two Golden Globe awards) and an accomplished singer. Born Aaron Chwatt in New York City's Lower East Side, Buttons (who got his name from a uniform he wore while working as a singing bellhop) started his show-business career singing on street corners as a child. At 16 he got a job as part of a comedy act playing the famed Catskills resort area in upstate New York (his partner was future actor Robert Alda). Buttons worked the burlesque circuit as a comic and even landed a role in a Broadway play, "Vicki", in 1942. He soon joined the U.S. Marine Corps, and in 1943 was picked for a role in Moss Hart's service play "Winged Victory" on Broadway, and soon afterwards journeyed to Hollywood to make the film version. After his discharge from the service he returned to Broadway, both in plays and as a comic with several big-band orchestras. He was successful enough that he got his own TV series, The Red Buttons Show (1952), on CBS. It lasted three years and won Buttons an Emmy for Best Comedian. He worked steadily for the next several years, and in 1957 got his big film break in the drama Sayonara (1957) with Marlon Brando, in which he played an American soldier stationed in Japan who struggled against the societal and racist pressures of both American and Japanese cultures because of his love for a Japanese woman. His performance garnered him an Academy Award, and more film roles followed. He played a paratrooper in The Longest Day (1962), was nominated for a Golden Globe for Harlow (1965) and again for They Shoot Horses, Don't They? (1969). He had a part in the TV series The Double Life of Henry Phyfe (1966) and has done pretty much every kind of TV show there is, from variety to comedy to soap operas. He gained further renown in the 1970s for his appearances on the "Dean Martin Celebrity Roast" where he performed his "Never Got a Dinner" act to great acclaim. He has played Las Vegas for years, has a star on Hollywood Boulevard (corner of Hollywood and Vine) and has appeared in numerous telethons and charitable events, for which he has been honored by such organizations as the Friars Club and the City of Hope Hospital.- Actor
- Writer
- Producer
With effortless class and elegant charm Gene Barry took '50s and '60s TV by storm, after a rather lackluster start on the musical stage and in films. Born Eugene Klass in New York City on June 14, 1919, to Martin (an amateur violinist), and Eva (an amateur singer), he showed a gift at an early age as a violin virtuoso, obviously inherited from his father. After attending various public schools, he graduated Valedictorian from New Utrecht High School in Brooklyn, New York.
Possessing an impressive baritone voice, he concentrated on singing after breaking his arm playing football in school ended any thoughts of a symphonic career. At age 17 he earned a singing scholarship awarded by David Sarnoff (the head of RCA at the time), to the Chatham Square School of Music, and studied there for two years. In the meantime Gene found work in nightclubs, choirs, fairs and emceeing variety shows, and briefly appeared on the vaudeville stage and on radio, winning a prize on Arthur Godfrey's "Talent Scouts" program.
The young actor made it to Broadway in 1942 with the musical "New Moon", and went on to appear in the 1944 Mae West vehicle "Catherine Was Great", where he met and subsequently married chorus girl Betty Barry, whose stage name was Julie Carson at the time. For the rest of the decade, Gene appeared in a random selection of plays and musicals, which did little to elevate his Broadway standing. Hollywood finally beckoned in the 1950's, after gaining some notice on the program "Hollywood Screen Test", and Paramount signed him to a contract.
Gene had stoic co-starring roles in such dramatic "B" films as The Atomic City (1952) (his debut movie), Those Redheads from Seattle (1953), and Alaska Seas (1954), none of which capitalized on his singing ability. The one movie in which he did sing, Red Garters (1954), did not fare well with the public. His most recognizable role during this period was as Dr. Clayton Forrester, a scientist who finds himself in the midst of a Martian invasion in the cult science-fiction classic The War of the Worlds (1953).
Television became his preferred medium after being offered the title role in Bat Masterson (1958), and he quickly established a very successful niche as a suave, dapper gentleman in this and other TV productions. Despite the elegant, globe-trotting typecast that befell him, his other TV characters proved just as well-received: jet-setting detective Amos Burke in Burke's Law (1963), for which he won a Golden Globe, and the impeccably dressed publishing tycoon Glenn Howard in The Name of the Game (1968). Gene revisited the stage and cabaret venues in the 1970's when his on-camera career hit a lull, appearing frequently with his wife as his leading lady.
The singer/actor made a triumphant return to Broadway in 1983, starring as a wealthy gay socialite in the musical version of the popular French film La Cage aux Folles (1978), earning him a Tony nomination - but he lost the award to his more flamboyant co-star George Hearn. After a year on Broadway, he joined the road company in San Francisco, and played Los Angeles for a lengthy run. Other musicals included "On a Clear Day You Can See Forever", "Watergate: The Musical" (as Nixon), "Fiddler on the Roof" (with his wife) and "No, No, Nanette". Gene also appeared in his one-man cabaret show entitled "Gene Barry in One" from time to time.
In later years he made only occasional TV and stage appearances (bringing back his famous characters Bat Masterson and Amos Burke, much to the enjoyment of his fans), preferring to indulge in his favorite hobby - painting. He made a very brief return to feature films, sharing a cameo scene with one-time co-star Ann Robinson in Steven Spielberg's epic remake of The War of the Worlds (2005), with both of them playing the Tom Cruise character's mother and father in-law.
Gene was a political activist, a passion he shared with his wife Betty, who died in 2003 after an almost 60 year marriage. The couple had two sons of their own, and later in life they adopted a daughter. Gene passed away on December 9, 2009 at the age of 90.- Warren Stevens was born in Pennsylvania and joined the Navy at age 17. His interest in acting was piqued while he was attending Annapolis, and this resulted in 12 weeks of summer stock in Virginia. His friends, Gregory Peck and Kenneth Tobey, later arranged interviews for Stevens at the renowned Neighborhood Playhouse in New York City. Following service as an Army Air Corps pilot in Europe during World War II, Stevens began concentrating on his acting career, working in radio and summer stock and joining New York's Actors Studio.. His break came via a key role in Broadway's "Detective Story", which in turn led to offers from Hollywood studios and a contract with 20th Century-Fox. In the half-century since his movie debut, he has acted in dozens of features and hundreds of TV episodes.
- Actor
- Soundtrack
John Newman Mitchum was the September child of a Norwegian mother and an Irish/Blackfoot father whom he never knew, as he was killed in a tragic train yard accident in 1919. His two-years-older brother Robert filled the role as best as he could, while their older sister Annette studied the lively arts and eventually joined a traveling vaudeville team. Born in Bridgeport, Connecticut, the young family moved to Rising Sun, Delaware, where farm life didn't agree with the young boys. Scarce opportunities took them to New York City, where the streets of Hell's kitchen taught the brothers to fight, a skill they developed so well they earned the moniker 'them ornery Mitchum boys'. Eventually, when the Great Depression deepened, the family was forced to separate with the intention of meeting up with sister Annette, who had married a sailor and moved to California, changing her name to Julie. The teenage boys set out with little more than clean handkerchiefs to find their way across the country by the only means they could: hitchhiking and riding the rails. Their somewhat aimless journey took them to places they had never been; where their Eastern accents were not welcome, so they quickly learned that accurately mimicking the local dialect would keep them out of trouble--some of the time! While brother Robert fairly quickly discovered his place in Hollywood legend, John sought his destiny on the high seas, professionally boxing, or conducting a choir. When the opportunity for acting came along John found his perfect niche as a character actor, mostly playing heavies since he was an imposing figure of a man. John's roles had him playing alongside a wide range of celebrities, from Humphrey Bogart in "Knock On Any Door" (1949) to Gladys Knight in "Pipe Dreams" (1976), Clint Eastwood of "Dirty Harry" (1971) to John Wayne in "Chisum" (1970), appearing in 58 films overall. It was during production of "Chisum" that John Wayne offered his voice for an anthology of John's poetry that seeks to uplift US culture, "America, Why I Love Her", a recording for which Mitchum was nominated for a Grammy in 1973. John was a consummate storyteller (as was his brother Robert), and with his fascination with US history in particular he was ever-ready to regale anyone with a thoughtful, interesting, and insightful anecdote, especially if a guitar was available. It was the wedding of music and history that brought him to create the recording "Our Land, Our Heritage" with Dan Blocker; big "Hoss" from "Bonanza", in 1964. Mitchum had some recurring roles throughout his television career; such as "Pickalong" from "Riverboat", or "Hoffenmueller" from "F-Troop", over 150 appearances in all during the span of a half-century career. The brothers Mitchum legacy has been well-preserved in his often hilarious autobiography, "Them Ornery Mitchum Boys", published in 1989. The subjects range from brother Robert escaping a Georgia chain-gang to his "poontang" interview; from John surviving an attacking whale on a three-masted schooner to his adventures riding the rails, developing a great love and respect for the people of the United States.- Radiant to a tee, well-coiffed and well-dressed Barbara Britton looked like she stepped out of a magazine when she entered into our homes daily as the 'Revlon Girl' on 50s and 60s TV. She sparkled with the best of them and managed to capture that "perfect wife/perfect mother" image with, well, perfect poise and perfect grace. Co-starring opposite some of Hollywood's most durable leading men, including Randolph Scott (multiple times), Joel McCrea, Gene Autry, Jeff Chandler and John Hodiak, it's rather a shame Barbara was rather obtusely used in Hollywood films, but thankfully her beauty and glamour, if not her obvious talent, would save the day and put the finishing touches on a well-rounded career.
It all began for sunny, hazel-eyed blonde Barbara Maureen Brantingham in equally sunny Long Beach, California on September 26, 1920 (1919 is incorrect, according to her son and several other sources). Attending Polytechnic High School, Barbara eventually taught Sunday school and majored in speech at Long Beach City College with designs of becoming a speech and drama teacher. Her interest in acting, however, quickly took hold and she decided, against the wishes of her ultra-conservative parents, to pursue the local stage. Barbara's own personal 'Hollywood' story unfolded when, as a Pasadena Tournament of Roses parade representative of Long Beach, she was seen on the front pages of the newspaper, scouted out and signed by Paramount movie agents.
The surname Britton was a cherished family name and Barbara picked it as her stage moniker when Paramount complained that Brantingham was "too long to fit on a marquee." She made her film debut with Secret of the Wastelands (1941), a Hopalong Cassidy western, and continued in bit parts for a time before finding modest but showier roles in such fare as Louisiana Purchase (1941), So Proudly We Hail! (1943) and Till We Meet Again (1944). She eventually earned higher visibility as a lead and second femme lead but was underserved for most of her film career, confined as a pretty, altruistic, genteel young thing in such durable but male-oriented films as The Great John L. (1945), The Virginian (1946), The Return of Monte Cristo (1946), Albuquerque (1948), and Champagne for Caesar (1950).
Barbara wisely turned to the stage and TV in the 1950s, making her TV debut on an episode of "Robert Montgomery Presents" in 1950 and her Broadway debut co-starring in the short-lived Peggy Wood comedy "Getting Married" the following year.
After co-starring a couple of seasons with Richard Denning on the TV program Mr. & Mrs. North (1952), Barbara earned major attention as Revlon's lovely pitchwoman and remained on view in that capacity for 12 years. She appeared in Revlon commercials live for a number of programs, including "The $64,000 Question," "The $64,000 Challenge," "Revlon's Big Party" and "The Ed Sullivan Show." In between Barbara graced several of the top dramatic shows of the day, and co-starred intermittently in such "B" films as Bandit Queen (1950), The Raiders (1952), Bwana Devil (1952), Dragonfly Squadron (1953) and Night Freight (1955) before ending her movie run with The Spoilers (1955) opposite Jeff Chandler and Rory Calhoun.
Various Broadway shows included "Wake Up, Darling (1956), "How to Make a Man" (1961), and "Me and Thee" (1965). Other stage credits on the dinner theatre and summer stock circuits include "Last of the Red Hot Lovers", "Mary, Mary," "Barefoot in the Park" and "No, No, Nanette." As time passed, more and more would be devoted to raising her family. Only occasionally seen in the 1970, Barbara sometimes appeared with her two children in such regional shows as "Best of Friends," "Forty Carats" and "A Roomful of Roses".
Married in 1945 to Eugene Czukor, a naturopathic physician at the time, he later became a psychiatrist when the family moved to New York City (Manhattan) in 1957. The couple raised two children -- son Theodore (Ted or Theo) who appeared on the Canadian Shakespearean stage and later became a yoga instructor, and daughter Christina who grew up to become a model, actress, opera singer, music therapist and romance novelist. Both used the surname Britton in their respective performance careers. Sadly, two other children born to Barbara and husband Eugene, a girl and a boy, died at the hospital shortly after birth.
One of Barbara's last roles was as a regular on the daytime soap One Life to Live (1968) in 1979. Her enjoyment on this show was short-lived as the vivacious actress was diagnosed with pancreatic cancer not long after. She died in January of 1980 at age 60. - Actor
- Director
- Additional Crew
Actor and director Sam Wanamaker was born in Chicago, Illinois, to Ukrainian Jewish immigrants, Molly (Babell) and Maurice Wattenmaker, a tailor. He studied at Drake University, IA, then trained at Goodman Theatre, Chicago, worked with summer stock companies in Chicago as an actor and director, and made his London debut in 1952. In 1957, he was appointed director of the New Shakespeare Theatre, Liverpool, and in 1959 joined the Shakespeare Memorial Theatre company at Stratford-upon-Avon. He produced or directed several works at Covent Garden and elsewhere in the 1960s and 1970s, including the Shakespeare Birthday Celebrations in 1974. He worked both as director and actor in films and television, his appearances included The Spiral Staircase (1975), Private Benjamin (1980), Superman IV: The Quest for Peace (1987), and Baby Boom (1987).
Married to Charlotte Holland, his daughter is actress Zoë Wanamaker.- Actress
- Writer
- Soundtrack
Carole Landis was born on New Year's Day in 1919 in Fairchild, Wisconsin, as Frances Lillian Mary Ridste. Her father, a railroad mechanic, was of Norwegian descent and her mother was Polish. Her father walked out, leaving Carole, her mother and an older brother and sister to fend for themselves.
After graduating from high school, she married Jack Robbins (Irving Wheeler), but the union lasted a month (the marriage was annulled because Carole was only 15 at the time). The couple remarried in August 1934, and the two headed to California to start a new life. For a while she worked as a dancer and singer, but before long the glitter of show business drew her to Los Angeles.
She won a studio contract with Warner Brothers but was a bit player for the most part in such films as A Star Is Born (1937), A Day at the Races (1937), and The Emperor's Candlesticks (1937). The following year started out much the same way, with more bit roles. By 1939, she was getting a few speaking roles, although mostly one-liners, and that year ended much as had the previous two years, with more bit roles; also, she and Wheeler were divorced.
In 1940 she was cast as Loana in the Hal Roach production of One Million B.C. (1940); she finally got noticed (the skimpy outfit helped), and her career began moving. She began getting parts in B pictures but didn't star in big productions -- although she had talent, the really good roles were given to the established stars of the day.
Her busiest year was 1942, with roles in Manila Calling (1942), The Powers Girl (1943), A Gentleman at Heart (1942), and three other movies. Unfortunately, critics took little notice of her films, and when they did, reviewers tended to focus on her breathtaking beauty. By the middle 1940s, Carole's career was beginning to short-circuit. Her contract with 20th Century-Fox had been canceled, her marriages to Willis Hunt Jr. and Thomas Wallace had failed, and her current marriage to Horace Schmidlapp was on the skids; all of that plus health problems spelled disaster for her professionally and personally.
Her final two films, Brass Monkey (1948) and The Silk Noose (1948) were released in 1948. On July 5, 1948, Carole committed suicide by taking an overdose of Seconal in her Brentwood Heights, California, home. She was only 29 and had made 49 pictures, most of which were, unfortunately, forgettable. If Hollywood moguls had given Carole a chance, she could have been one of the brightest stars in its history.- Marjorie Woodworth was a pretty, perky blonde 1940s starlet, of German/Norwegian parentage. She was educated at the University of Southern California, where she was spotted and signed by a talent scout for Hal Roach. Immediately propelled into leading roles, her shortcomings as an actress (in the absence of proper training) were quickly revealed, although she acquitted herself well in the farce Broadway Limited (1941). She remained with Roach until 1943, but strictly in supporting roles. She retired in 1947.
- Actress
- Soundtrack
A sunny singer, dancer and comic actress, Betty Garrett starred in several Hollywood musicals and stage roles. She was at the top of her game when the Communist scare in the 1950s brought her career to a screeching, ugly halt. She and her husband Larry Parks, an Oscar-nominated actor, were summoned by the House UnAmerican Activities Committee and questioned about their involvement.
As the drama played out, a very pregnant Garrett was never called to testify, but her husband was. With his admission of Communist Party membership from 1941-1945 and refusal to name names, he made it to the Hollywood Blacklist. After the incident, Garrett and Parks worked up nightclub singing/comedy acts along with appearing in legit plays. Although Parks never quite shook off the blacklist incident, he did win a role in John Huston's film, Freud (1962). Garrett went on to appear in roles in many television series.- Actress
- Soundtrack
This warm and winning, very non-theatrical brunette was born Phyllis St. Felix Thaxter in Portland, Maine, on November 20, 1919. The daughter of Maine Supreme Court Justice Sidney Thaxter, her acting talent came from her mother's side, who was a one-time Shakespearean actress. Phyllis was educated for a time at St. Genevieve School in Montreal and back at Portland's Deering High School.
She apprenticed in summer stock and had joined the Montreal Reperatory Theatre company by the time she made her Broadway debut at age 17 in "What a Life!" in 1939, the "Henry Aldrich" play. She went on to play a maid and to understudy the leading ingénue in "There Shall Be No Night" (1940), which starred America's premiere theatrical couple, Alfred Lunt and Lynn Fontanne, then understudied Dorothy McGuire in the hit dramatic play, "Claudia", later that year. She eventually played the title role both on Broadway and on the road, but lost out on the film role to McGuire.
Hollywood films reached her sights a few years later with the MGM war film, Thirty Seconds Over Tokyo (1944), proving quite convincing as Van Johnson's noble wife. Similar to Margaret Sullavan, June Allyson, Dorothy McGuire and Teresa Wright, Phyllis was depended on as a stabilizing factor in melodramas and war pictures, often the dewy-eyed, altruistic wife, girlfriend or daughter waiting on the home-front.
Other important films included the girl with a split personality in Bewitched (1945), and as a angst-ridden, teary-eyed bride-to-be in Week-End at the Waldorf (1945). She was dutifully wholesome as the daughter who reunites Spencer Tracy and Katharine Hepburn in the movie The Sea of Grass (1947) and evoked tears, yet again, as little Margaret O'Brien's mother in Tenth Avenue Angel (1948). So natural and non-glamorous was she that she tended to blend into the woodwork while the flashier actresses often stole the thunder and the notices.
Audiences did not always fully appreciate Phyllis's understated work. She finished out her MGM contract with Act of Violence (1948), ever-faithful to even the bad guy, this time psychotic gangster Robert Ryan. Phyllis moved to Warner Brothers in the 1950s and played more of the same. The ever-patient wife to a slew of top actors including shady boat skipper John Garfield in The Breaking Point (1950), an alcoholic Gig Young in Come Fill the Cup (1951) and law-abiding Gary Cooper in Springfield Rifle (1952), her nascent career at Warners was suddenly curtailed by illness.
While visiting her family in Portland, she contracted a form of infantile paralysis. Fortunately, she recovered quickly but the ailment triggered the termination of her contract. Film roles were few and far between after this. Still displaying her built-in compassion and concern, her best-known part came with the touching but relatively minor role of farm wife "Martha Kent" in the highly popular Superman (1978) film series with the late Christopher Reeve as her adopted superhero son and Glenn Ford as her husband. She was also a steady guest star on TV with numerous dramatic appearances including The Twilight Zone (1959), The F.B.I. (1965), Cannon (1971), Medical Center (1969), Barnaby Jones (1973) and several TV movies.
Married for nearly two decades to James T. Aubrey (1918-1994), who became president of CBS-TV before taking over MGM, they had three children--including Schuyler, who would become the actress Skye Aubrey. Following the couple's divorce in 1962, Phyllis married Gilbert Lea, who owned Tower Publishing Company in Portland. They eventually retired to Cumberland, Maine, where she involved herself in civic/community activities and dedicated herself to hospital volunteer work.
Phyllis died in Florida on August 14, 2012, at age 92.- Jocelyn Brando, the older sister of Marlon Brando, was born Nov. 18, 1919, in San Francisco, California, to Marlon Brando Sr. and his wife, the former Dorothy Pennebaker. Jocelyn and Marlon and their sister Frances grew up mostly on a farm near Evanston, Illinois, though the family moved around during their childhoods. The bane of the children's existence was the alcoholism of both parents, which was particularly acute with their mother. Her brother's friend Karl Malden believed that Jocelyn's promising career was derailed by alcohol. Despite not living up to her promise, she managed a career that spanned five decades in the theater, film and television.
Jocelyn Brando came to the stage naturally, first appearing in a theatrical production under the direction of her mother, who was a principal in an Omaha community theater group that included Henry Fonda. She made her Broadway debut soon after her 22rd birthday, appearing in "The First Crocus" at the Longacre Theatre on January 2, 1942. The play was a resounding flop and closed after five performances. Her next appearance on Broadway came two months after her kid brother Marlon made theatrical history as Stanley Kowalski in Tennessee Williams' "A Streetcar Named Desire." On February 18, 1948, Jocelyn opened as Navy nurse Lt. Ann Girard in support of family friend Henry Fonda as the eponymous "Mister Roberts." The play was a smash hit, running just shy of three years for a total of 1,157 performances. Jocelyn did not complete the run of the play, appearing in the comedy "The Golden State" in the 1950-51 season, a flop that lasted but 25 performances. She rebounded in a succès d'estime in Eugene O'Neill's "Desire Under the Elms" in 1952, though the play only lasted 46 performances. One of her co-stars was Colleen Dewhurst, who would go on to rank as the greatest interpreter of O'Neill's female characters. Jocelyn would later appear in support of Dewhurst in a Broadway revival of O'Neil's "Mourning Becomes Electra", Back in uniform as a military officer, Jocelyn made her film debut in Don Siegel's war drama China Venture (1953). When she first arrived in Hollywood, she gave an interview with "The New York Times" in which she commented on her brother's advice--or lack of it--to the tyro film actress: "Marlon is a sweet fellow, and he works very hard. I asked him for a tip about pictures, and he answered, 'Oh, I just say the words. That's all I know about picture acting'. He probably was smart at that to let me find my own way." It was her second film that was her best-known movie role: detective Glenn Ford's doomed wife in Fritz Lang's classic gangster movie The Big Heat (1953). Jocelyn's character was blown to cinematic kingdom come in an off-camera explosion when she starts the family automobile and detonates a bomb intended for screen hubby Ford. It remains one of the most famous moments in cinema. She eventually appeared in supporting roles in two of her brother's films, The Ugly American (1963) and The Chase (1966).
While her career in films never flourished, she had a healthy career in television from the 1940s through the 1980s, appearing in guest roles on scores of television shows, including Alfred Hitchcock Presents (1955), Wagon Train (1957) and Little House on the Prairie (1974). In the early 1970s she appeared as Mrs. Krakauer on the daytime TV soap opera Love of Life (1951). She also had a recurring role as Mrs. Reeves on the prime-time potboiler Dallas (1978) for several years. Her last major film was "Mommie Dearest" (1981) , the Joan Crawford roman a clef.
Jocelyn vociferously defended her superstar brother in the press throughout his half-century of celebrity, stressing his strong family ties. She was with the great actor when he died at age 80 of lung failure at his Los Angeles home on July 1, 2004 (the same disease had earlier claimed their sister Frances, who was a painter).
Karl Malden, in his 1997 autobiography "When Do I Start?", recounts how circa 1979 he cautioned his friend Marlon about his own intake of alcohol. Malden reminded his younger friend, whom he had known at that point for 35 years, that alcohol had destroyed his mother's life, had compromised that of his father and likely was the reason that Jocelyn never became a major actress. Jocelyn Brando, who was twice married and had two sons, died of natural causes at her Santa Monica, California, home on November 20, 2005, two days after her 86th birthday. If we take Karl Malden's word for it--who knew her and her work and her promise--but for the fatal flaw that ran through the Brando-Pennebaker family, she might have had a career that would have taken her out of the shadows and elevated her to more than just a footnote in her brother's career. - Patricia Paz Maria Medina was born on July 19, 1919 in Liverpool, England to a Spanish father and an English mother. She began acting as a teenager in the late 1930s and worked her way up to leading roles in the mid-1940s, then left for Hollywood. Medina teamed up with British actor Louis Hayward and they appeared together in Fortunes of Captain Blood (1950), The Lady and the Bandit (1951), Lady in the Iron Mask (1952) and Captain Pirate (1952). Voluptuous and exotic-looking, Medina was often typecast in period melodramas such as The Black Knight (1954). Two of her more notable films were William Witney's Stranger at My Door (1956) and Orson Welles's Confidential Report (1955), a follow-up of The Third Man (1949), based on the radio series "The Lives of Harry Lime". Although prolific during the early 1950s, her film career faded away by the end of the decade, leading to stage and television roles.
Medina appeared as Margarita Cortazar in four episodes of Walt Disney's Zorro (1957), and as Diana Coulter in two episodes of Richard Boone's Have Gun - Will Travel (1957). She returned to the screen in Robert Aldrich's adaptation of the lesbian-themed drama The Killing of Sister George (1968). She and her husband, American actor Joseph Cotten, toured together in several plays and on Broadway in the murder mystery, "Calculated Risk". Her appearances on television include episodes of Bonanza (1959) titled "The Spanish Grant" and The Alfred Hitchcock Hour (1962) titled "See the Monkey Dance". She played Harriet Balfour in an episode of Perry Mason (1957) titled "The Case of the Lucky Loser", and as Lucia Belmont in an episode of The Man from U.N.C.L.E. (1964) titled "The Foxes and Hounds Affair".
Patricia Medina retired from acting in 1978 after 40 years in the motion picture industry. She died at age 92 of natural causes on April 28, 2012 in Los Angeles, California. She was interred at Blandford Cemetery in Petersburg, Virginia, alongside Cotten. - Versatile, award-winning character actress Eileen Heckart, with the lean, horsey face and assured, fervent gait, was born Anna Eileen Herbert on March 29, 1919, in Columbus, Ohio. An only child, she lived with her mother after her parents separated when she was 2 years old, and was eventually adopted by her grandfather, whose surname (Heckart) she took. Her childhood was an acutely unhappy one. Her mother, an alcoholic, was married five times, and her stern grandmother, with whom Eileen was often shuttled off to stay, was physically abusive. To survive, Eileen escaped into the joy of movies as an adolescent.
She graduated from Ohio State University in 1942 with a degree in English. That same year she married John Harrison Yankee Jr., an insurance broker. They had three sons in a union that lasted 54 years, unusual for a feisty, independent lady of show business. While her husband was off to the war (he joined the Navy), she moved to New York and toiled in a number of day jobs while trying to jump start a career in acting. Beginning in summer stock, she took classes at the American Theatre Wing and apprenticed in a number of obscure plays/revues such as "Tinker's Dam" (1943) and "Musical Moment" (1943).
Following extensive work on the NY stage, which included her Broadway debut as an understudy and eventual replacement in "The Voice of the Turtle" (1945), she established herself as a major force on the Great White Way. Her first big break under the Broadway lights was her portrayal of the arch, lonely schoolteacher in William Inge's "Picnic", which earned her both the Outer Critics Circle and Theatre World awards in 1953. (Rosalind Russell played the role in the film version.)
Heckart was in demand by then as flinty, overwrought, down-to-earth types or wise-to-the-bone old gals. Later award-worthy Broadway hits would include "The Bad Seed" (which earned her the Donaldson award), "The Dark at the Top of the Stairs" (Tony-nom), "Invitation to a March" (Tony-nom), and "Butterflies Are Free" (Tony-nom). Intermixed were live performances on TV for such prestigious programs as "Goodyear Television Playhouse", "Kraft Television Theatre", "Studio One", "Suspense", "The Alcoa Hour", and "Playhouse 90".
Heckart was a dominant yet only intermittent force in films, making her debut in the so-so Miracle in the Rain (1956) featured as Jane Wyman's confidante. Although greatly disappointed at losing the bid to recreate her Broadway role in the film version of Picnic (1955) (Rosalind Russell won the honors), she did receive the satisfaction of transferring her scene-chewing stage role as the despairing, drunken mom whose son falls victim to young Patty McCormack's malevolent mischief in The Bad Seed (1956). For this Eileen copped both Oscar and Golden Globe nominations. During this period she fell into a number of dowdy matrons, dour moms and matter-of-fact gal friends with flashy roles in Somebody Up There Likes Me (1956), Bus Stop (1956), Hot Spell (1958) and Heller in Pink Tights (1960).
Earning another Tony nomination and the New York Drama Critics Award for her brittle role in the 1957 production of Inge's "The Dark at the Top of the Stairs", she was pregnant with her third child when the film version of The Dark at the Top of the Stairs (1960) started rolling and Angela Lansbury stepped in to replace her.
For most of the 1960s, she traded off TV guest parts ("Ben Casey", "Dr. Kildare", "The F.B.I.", "The Defenders") with theater roles ("Pal Joey", "Barefoot in the Park", "You Know I Can't Hear You When the Water's Running"). She was finally rewarded on film as blind Edward Albert's busybody mom in Butterflies Are Free (1972), netting the Academy Award for "Best Supporting Actress". It was a role she had played on Broadway, receiving her fourth Tony nomination.
The Oscar did not bring her the choice roles which other winners had enjoyed but she continued on in all three mediums quite enviably. While not fond of sitcom work, she gave Emmy-style for her guest work on such shows as "The Mary Tyler Moore Show", "Love & War", "Ellen", "Cybill", and was part of a short-lived ensemble series as one of The 5 Mrs. Buchanans (1994). She also put together a one-woman stage tribute to Eleanor Roosevelt and gave assertive theater performances in "The Ladies of the Alamo", "The Cemetery Club", and "Northeast Local".
The Tony Award eluded the four-time nominee during her long, eventful career. The Tony committee finally made up for this oversight in 2000 by awarding her a "special" Tony for "excellence in theater, triggered by her final, multiple award-winning success (Obie, Drama Desk) as an Alzheimer's patient in "The Waverly Gallery" in 2000. In retrospect, it was none too soon as Heckart, who worked nearly until the end, had been diagnosed with lung cancer, which was kept secret until after her death, on December 31, 2001, aged 82. - Actor
- Soundtrack
Joseph Patrick Cranshaw was an American character actor from Oklahoma. He is well-known for playing fraternity brother Blue from the Todd Phillips comedy film Old School. He had minor roles in many other shows and films including Seinfeld, Air Bud, Herbie: Fully Loaded and The Dukes of Hazzard. He passed away in December 28, 2005 due to natural causes.- Actor
- Producer
British leading man who achieved some success in American films, as well. Born in Ireland as the son of a British officer, Todd grew up in Devon and (for a brief time) in India and attended Shrewsbury Public School. His interest in theatre led him to small roles in stock in England and Scotland and three tiny film roles, following which he helped found the Dundee Repertory Theatre in 1939. He served with distinction as a paratrooper in the Second World War and returned to considerably more prominent theatre roles, culminating in the role of "Lachie" in John Patrick's "The Hasty Heart", in which he played in London and then followed Richard Basehart in the Broadway production. He made his first major film appearance in 1948, and the next year was again cast as "Lachie", this time in the film version of The Hasty Heart (1949). His performance, a truly star-making and moving piece of work, earned him an Oscar nomination as Best Actor. He followed it with a role in Alfred Hitchcock's Stage Fright (1950), but although he continued to play leading roles, often in quite good films, he never again achieved the prominence and acclaim he had had with The Hasty Heart (1949). He was quite effective in such roles as "Robin Hood" and "Rob Roy", and very touching as "Peter Marshall" in A Man Called Peter (1955). In The Longest Day (1962), he portrayed his own superior officer at the Pegasus Bridge fight, with another actor portraying Todd himself in a recreation of his own experiences. Ultimately, Todd's starring roles dwindled, but he continued as a stalwart character actor, primarily in British films.- Actor
- Writer
- Director
Alan Young was born in Northern England in 1919, but his Scots father moved the family to Edinburgh, Scotland, when Young was a toddler and then to Canada when Young was about 6 years old. As a boy, he suffered from severe asthma, which kept him bedridden for long periods of time but encouraged his love of radio. By age 13, Young had become a radio performer, and by age 17, he was writing and performing in his own radio show for the Canadian Broadcasting Corporation. The show was broadcast in the U.S. and led to an invitation to New York, initiating Young's career as an "All-American boy," despite his non-American origins and a vestigial Scots accent. He became popular on American radio from 1944 to 1949 with his "Alan Young Radio Show," but when radio began to lose its popularity and his show was canceled, Young decided to put together a comedy act and tour the U.S. theater circuit. After this experience, he wrote a television pilot for CBS in 1950, which resulted in The Alan Young Show (1950). The show was a well-received live revue that ran for 3 years, earned a couple of Emmy Awards, and garnered Young a star on the "Walk of Fame." However, the strain of writing and performing a weekly show got to Young, and the quality of the show declined, leading to his departure from the show and its cancellation. In the meantime, based on his popularity on radio and television, Young had established a film career, starting with his debut in Margie (1946) followed by Chicken Every Sunday (1949), Mr. Belvedere Goes to College (1949), Aaron Slick from Punkin Crick (1952), Androcles and the Lion (1952), Gentlemen Marry Brunettes (1955), Tom Thumb (1958), and The Time Machine (1960).
In the early 1960s, Young landed his best-known role, Wilbur Post, in the popular television series Mister Ed (1961), which ran for 5 years. Since then, Young has made a number of television and film appearances but is known primarily for his voice characterizations in cartoons, especially as Scrooge McDuck in DuckTales (1987).- Actor
- Stunts
- Soundtrack
Mahoney is of French and Irish extraction, with some Cherokee. At the University of Iowa, he was outstanding in swimming, basketball and football. When World War II broke out, he enlisted as a Marine fighter pilot and instructor. In Hollywood, he was a noted stunt man, doubling for Errol Flynn, John Wayne, and Gregory Peck. Gene Autry signed him for the lead in his 78-episode The Range Rider (1951) TV series. He tested to replace Johnny Weissmuller, as Tarzan but lost out to Lex Barker. In 1960, he played the heavy in Gordon Scott's Tarzan the Magnificent (1960), and his part there led Sy Weintraub to hire him as Scott's replacement. In his two Tarzan movies, he did all his own stunts. In Tarzan's Three Challenges (1963), he continued working in spite of dysentery, dengue fever and pneumonia. By this time, Weintraub was looking for a younger Tarzan, envisioning a future TV series. By mutual agreement, his contract with Mahoney was dissolved. After a couple of years regaining his strength and weight, Jock returned to making action films.- A statuesque and striking actress with vaguely reptilian aspects, at once sinister and alluring; a smile never more than a whisker away from a sneer and a commanding, imperious presence suggesting innate superiority. Difficult to cast, Patricia Laffan seemed destined to portray the villainous or the eccentric. The daughter of Irish rubber planter Arthur Charles Laffan (1870-1948) and London-born Elvira Alice née Vitali (1896-1979), Patricia was schooled at the Institut français du Royaume-Uni in London and trained in dramatic arts at the prestigious Douglas-Webber School. She emerged on stage in 1937 and made her screen debut by 1945. In between a cluster of nondescript or uncredited roles, we remember her for two indelible cinematic performances: first, as that sumptuously decadent, scheming, malicious Empress Poppaea in MGM's epic blockbuster Quo Vadis (1951) -- sardonic and disdainful in her delivery, at times running close to overshadowing even the great Peter Ustinov in his most famous role as Nero. One of her lavish outfits included a 14 carat gold dress designed by Herschel McCoy. A contemporary BBC interview with Laffan also recounts an incident during the making of Quo Vadis. In this, the actress, while reclining on a divan next to a couple of cheetahs at the end of a love scene with Robert Taylor, was set upon by one of the not so tame cats but managed to escape with a torn dress (the gold one ?) -- "on the other hand, the lions in the arena scene were so bored that they went to sleep in the shade instead of looking hungrily at the Christians".
Laffan's other fondly remembered showing on screen was in the campy Devil Girl from Mars (1954), a typically low-budget Danziger Brothers attempt at emulating the success of The Day the Earth Stood Still (1951). Justifiably derided at the time (for such valid reasons as inane writing, lacklustre direction and props acutely reminiscent of kitchen appliances), it has become a surprising cult touchstone for sci-fi aficionados. Why? Certainly because of the picture's sole meritorious component: Patricia Laffan as the Martian invader Nyah, exotically made up, outfitted in PVC jumpsuit, miniskirt, Darth Vader-style cape and skullcap and making the most of her scenes, delivering her lines with practised cold, languid authority.
Sadly underused, there were to be few other roles of note for this commanding actress in the wake of 'Devil Girl', except, perhaps, for an integral bit in the enjoyable psychological thriller 23 Paces to Baker Street (1956). Subsequent TV appearances saw her mostly confined to conventional aristocratic ladies in period or crime dramas. Patricia Laffan retired from the screen in 1965, apparently to a quiet life in Chelsea, London, where she may have pursued her passions for fast cars, story-writing and breeding bull terriers. - Actor
- Writer
- Music Department
Jon Pertwee is best known for his portrayal of the Third Doctor on the BBC's science-fiction television series Doctor Who (1963) from 1970 to 1974. He was also the first to play the role following the transition of BBC One from black and white to colour. His 60-year entertainment career included work in radio, films and cabaret. This was despite the inauspicious beginning of having been thrown out of drama school as a young man and told he had no future as an actor.
Jon Pertwee was born John (after the apostle and disciple) Devon (after the county) Roland (after his father) Pertwee (an Anglicised version of the true family name, Perthuis de Laillevault) on 7 July 1919 in the Chelsea area of London. He was the second son of famous playwright, painter and actor Roland Pertwee, and his actress wife Avice - his writer brother Michael Pertwee being three years his senior. The Pertwee family had a long connection with show business and the performing arts, and it was at Wellington House preparatory school in Westgate-On-Sea in Kent that Jon, as a small and rebellious child, was encouraged in that direction. Later, at Frensham Heights co-educational school, Jon had his first taste of "real" theatre with real women in the school stage productions of "Twelfth Night" and "Lady Princess Stream". In 1936 he auditioned for, and was accepted by, the Royal Academy of Dramatic Art (RADA). He was later kicked out for refusing to play the part of the wind in a play.
Jon Pertwee died on 20 May 1996 of a heart attack. The BBC announced his death. He was survived by his wife Ingeborg Rhoesa, his son Sean Pertwee, a popular and talented actor, and his daughter Dariel Pertwee, an accomplished stage actress.- Doris Singleton was born on 29 September 1919 in Brooklyn, New York, USA. She was an actress, known for Angel (1960), I Love Lucy (1951) and The Red Skelton Hour (1951). She was married to Charles Isaacs. She died on 26 June 2012 in Los Angeles, California, USA.
- Mort Mills was born on 11 January 1919 in New York City, New York, USA. He was an actor, known for Touch of Evil (1958), Psycho (1960) and Torn Curtain (1966). He was married to Elizabeth (Betty) Dell Pentland and Mary Loretta Grady. He died on 6 June 1993 in Ventura, California, USA.
- Actor
- Additional Crew
- Soundtrack
Mason Adams was well known for playing Pepper Young on the popular radio soap opera series Pepper Young's Family throughout the 1940 and 1950s. He was also heard on most of the successful radio programs during radio's "Golden Age." In the 1970s, Adams was frequently heard on Himan Brown's CBS Mystery Theater radio series. He had a regular running role on the Lou Grant TV series for several seasons and appeared in hundreds of other television series throughout the 1950s, '60s, '70s and '80s and '90s and can still can be seen playing featured roles in films and on TV.- Actress
- Writer
- Soundtrack
One of four children (two older brothers, one younger sister) born to American missionaries, Jayne Meadows (née Jane Cotter) was born September 27, 1919, in China. The family returned to the US in the early 1930s wherein Jayne was forced to learn the English language, speaking Chinese and other foreign languages at the time before learning English. She settled in Sharon, Connecticut with her parents, Rev. Francis James Meadows Cotter (who was appointed rector of the town's Christ Church), and Ida Miller (Taylor) Cotter.
She developed an early interest in acting and studied at the Stella Adler Studio of Acting. She made her Broadway debut with the comedy "Spring Again" (1941), followed by "Another Love Story" (1943), "The Odds on Mrs. Oakley" (1944), "Many Happy Returns" and "Kiss Them for Me" (1945). This led to a post-WWII, MGM contract in which her icy glare and imposing stance frequently made her the perfect manipulating "other woman" in such "B" heavy drama as Undercurrent (1946), Lady in the Lake (1946), Dark Delusion (1947), Enchantment (1948), The Fat Man (1951) and as Michal in the biblical film David and Bathsheba (1951). She occasionally was featured in lighter feature film fare as well, including Song of the Thin Man (1947) and The Luck of the Irish (1948).
Not satisfactorily moving up the credits ladder in films as she hoped, she sought work elsewhere in the early 1950's, especially in the new medium of TV. She became one of Hollywood's more glittery personalities on TV and variety programs, and a sparkling guest panelist on such popular TV game shows as "The Name's the Same, "Masquerade Party, "What's My Line," "To Tell the Truth" and "Password." At one point, she was a regular member of the celebrity panel on I've Got a Secret (1952).
Divorced from film and TV writer Milton Krims after six years, Jayne met her witty match when she married actor/comedian Steve Allen in 1954. They formed an extremely strong personal and professional relationship which would encompass stage ("Love Letters", in which they co-starred on and off for 11 years), film (College Confidential (1960), and especially TV (Meeting of Minds (1977)). Jayne supported Steve as a regular/guest on many of his comedy series ventures, including The Steve Allen Plymouth Show (1956), The New Steve Allen Show (1961), The Steve Allen Playhouse (1962) and The Steve Allen Comedy Hour (1967). They appeared as themselves in the film The Player (1992) they did not appear as themselves in the amusing TV movie Now You See It, Now You Don't (1968) and the all-star TV version of Alice in Wonderland (1985).
Jayne's solo work took a deliberate back seat. Usually playing elegant sophisticates, she cameoed in such films as the ribald comedy Norman... Is That You? (1976); the crime thriller Murder by Numbers (1989); as Billy Crystal's mother in the comedies City Slickers (1991) and City Slickers II: The Legend of Curly's Gold (1994); and made an appearance in what would become her last feature film The Story of Us (1999).
Over a three-decade period, Jayne appeared in a number of TV movies, including James Dean (1976), Sex and the Married Woman (1977), Miss All-American Beauty (1982), A Masterpiece of Murder (1986) and Parent Trap: Hawaiian Honeymoon (1989). She also guested on numerous established programs as well -- "Here Comes the Bride," "Here's Lucy," "Adam-12," "Switch," "Hawaii 5-O," "Matt Houston," "Fantasy Island," "Murder, She Wrote," "The Love Boat," "St. Elsewhere," "The Bold and the Beautiful," "The Nanny" and "Diagnosis Murder." Steady roles on prime-time TV series would include a recurring part as Nurse Chambers on the medical program Medical Center (1969), as well as regular roles on the sitcoms It's Not Easy (1982) and High Society (1995), the latter for which she earned an Emmy nomination for "Best Supporting Actress in a Comedy."
Known for her infectious laugh and joie de vivre, Jayne's confidence grew to include writing stage plays, teleplays, books, and columns. For the most part, however, she was Allen's creative and dedicated business partner for 46 years until his death in 2000. Younger sister Audrey Meadows, of The Honeymooners (1955) TV fame, died in 1996.
Jayne Meadows Allen lived the rest of her life quietly, occasionally granting interviews, until her death on April 26, 2015 in Los Angeles, aged 95.- Actor
- Soundtrack
As they say, like father, like son. Cowboy hero Tim Holt avidly followed in the boots of his famous character-actor dad, the granite-jawed Jack Holt (b. Charles John Holt), who appeared in hundreds of silents and talkies (many of them westerns) over the years. The two actually appeared together as father and son in the western The Arizona Ranger (1948), and Jack was glimpsed (as a hobo in the Mexican flophouse that Humphrey Bogart, Walter Huston, and Tim were staying in) in the classic The Treasure of the Sierra Madre (1948). Also a part of the acting Holt clan was the beautiful "prairie flower" Jennifer Holt (nee Elizabeth Marshall Holt), Tim's younger sister, who appeared in scores of 1940s oaters. The three, however, never performed together in a single film.
Tim was born Charles John Holt, Jr. in Beverly Hills on February 5, 1918, to Jack and his wife, Margaret Woods, at a time when Jack was just making a dent in silent films. Nicknamed "Tim", he was raised on his father's ranch in Fresno, where he performed outside chores and learned to ride a horse. Tim, in fact, made his debut at age 10 in one of his father's westerns, The Vanishing Pioneer (1928), based on a Zane Grey story. He played Jack's character as a young boy.
The boyishly rugged, athletically inclined Tim attended military school in his teens, excelling in polo. While studying at college, he married his college sweetheart, Virginia Ashcroft, in 1938. At this point he decided to try to put together an acting career. Virginia herself made a very brief foray into acting.
Tim apprenticed at various stock companies before he eased his way back into films with an unbilled part in History Is Made at Night (1937). He then earned strong notices in the classic Barbara Stanwyck tearjerker Stella Dallas (1937) and as Olivia de Havilland's brother in Gold Is Where You Find It (1938). His horseback riding capabilities and fast-drawing technique quickly kicked in with The Law West of Tombstone (1938), and he joined a superb cast in John Ford's classic western Stagecoach (1939) as a by-the-book cavalry lieutenant.
Hardly confined to westerns at this early stage, Tim showed impressive acting abilities in comedy (Fifth Avenue Girl (1939)), adventures (Swiss Family Robinson (1940)), and high drama (Back Street (1941)), all for RKO Pictures. He reached an early peak when Orson Welles cast him against type as the cruel, malicious son George in The Magnificent Ambersons (1942), a role Welles initially contemplated playing himself. By the mid '40s, however, Tim had settled into the western genre. He starred in a series of dusty RKO features partnered with comic Cliff Edwards by his side and also appeared solo elsewhere.
World War II interrupted his thriving career. He was a decorated hero (Distinguished Flying Cross, Victory Medal, and Presidential Unit Citation among his awards) while serving in the Air Corps and was discharged with the rank of second lieutenant. Wounded over Tokyo on the last day of the war, he was also given the Purple Heart. He made an auspicious return to films in the role of Virgil Earp in Ford's My Darling Clementine (1946) and then continued in a somewhat lesser vein with "B"-level oaters. He came to the forefront one more time, co-starring with gold prospecting rivals Humphrey Bogart and Walter Huston in John Huston's masterpiece The Treasure of the Sierra Madre (1948), arguably the high point of Tim's entire film career, which rightfully earned him the best notices he ever received.
Richard Martin became his second sidekick in another popular string of RKO westerns, with Tim repeatedly making the "top ten" ranks of money-making cowboy stars. Appearing almost exclusively for RKO from 1939 on, Tim eventually became disillusioned with the quality of his pictures and decided to abandon films after appearing in RKO's Desert Passage (1952) while still a popular draw. Divorced from his second wife, Alice Harrison, he retired for the most part to his Oklahoma ranch with his third wife, Berdee Stephens, and their three children. He later became a manager for a radio station in Oklahoma City. In 1957 he came out of retirement to head up the cast in the subpar sci-fi horror film The Monster That Challenged the World (1957) and then quickly returned to obscurity.
Little was heard from Tim over the years save a co-starring role in a low-budget hillbilly moonshine extravaganza for exploitation king Herschell Gordon Lewis called This Stuff'll Kill Ya! (1971). He was diagnosed with bone cancer in August of 1972 and passed away rather quickly on February 15, 1973, shortly after his 54th birthday. Buried in Oklahoma, he was posthumously inducted into the Western Performers Hall of Fame in 1991 and was a recipient of the "Golden Boot" award in 1992.- Actress
- Soundtrack
Amzie Strickland was born on 10 January 1919 in Oklahoma City, Oklahoma, USA. She was an actress, known for Doc Hollywood (1991), Pretty Woman (1990) and Matinee Theatre (1955). She was married to Frank Behrens. She died on 5 July 2006 in Spokane, Washington, USA.- Actress
- Soundtrack
A veteran scene stealer in the cynical tradition of Thelma Ritter and known for her own inimitably dry, poker-faced delivery, Kay Medford was born Margaret Kathleen Regan in the Bronx, New York City on September 14, 1919, the daughter of Irish folk James and Mary Regan. Her mother was, at one time, a Shakespearean actress on the road. Kay attended both public and Catholic schools growing up, her parents both dying while she was in her teens.
Kay quickly gravitated towards humor and show business as a respite from those sad times. She began as a nightclub waitress and worked herself up a comedy routine eventually. She officially began her career entertaining at summer resorts on the Borscht circuit in the Catskill Mountains. Moving to Hollywood in an effort to break into war-era films (1942-1945), Kay only managed atmospheric, unbilled bits (secretaries, waitresses, phone operators), for the most part in such MGM fare as Maisie Gets Her Man (1942), Random Harvest (1942), Three Hearts for Julia (1943), Whistling in Brooklyn (1943) Broadway Rhythm (1944), The Picture of Dorian Gray (1945) and Adventure (1945). The only minor speaking role of any significance or substance was in the film Swing Shift Maisie (1943).
In 1949, Kay toured with a nightclub routine in which she did impersonations of Hollywood celebrities. She returned to films in the post-war with featured roles in The Undercover Man (1949), the film noir Guilty Bystander (1950) and Mr. Walkie Talkie (1952). But it was as one of New York and London's most enjoyable cabaret performers that the comedienne earned a huge following. This built-in reputation eventually led her to the Broadway musical stage in 1951, where, at the age of 37, she played Cherry in "Paint Your Wagon." More popular shows made use of her reliable name, including "John Murray Anderson's Almanac" (1953), "Lullaby" (winning a Theatre World Award) (1954), "Mr. Wonderful" (1956), "A Hole in the Head" (1957), and "Carousel" (1957) (as Mrs. Mullin). TV anthologies also earned her some attention ("Philco Television Playhouse," "United States Steel Hour," "Studio One in Hollywood") as well as a couple films, especially her role as the first wife of grasping, increasingly ruthless guitar player-turned-politician Andy Griffith in the acclaimed drama A Face in the Crowd (1957) directed by Elia Kazan and her comedy relief role as the landlady in the NYC tenement drama The Rat Race (1960).
Often playing older than she was, Kay won the New York Drama Critic's Award for her hilarious turn as Dick Van Dyke's emasculating mother in the classic 1960 musical "Bye, Bye Birdie". However, she lost out on the Mama role to Maureen Stapleton when it transferred to film. By this time, she had pretty much patented her meddling, overbearing Brooklynesque characters and it all culminated in the role of a lifetime as the sermonizing Jewish mom in both the Broadway stage (1964) and film versions of the hit musical Funny Girl (1968), the highly fictionalized bio of entertainer Fanny Brice. Kay was the only one in the cast who managed to keep up with Barbra Streisand and her star-making brilliance. Her spot-on, stone-faced comic timing grabbed its share of laughs and earned her well-deserved Tony and Oscar nominations. Her last appearance on Broadway was in the Woody Allen comedy "Don't Drink the Water."
Later sporadic films, both comedic and dramatic, included supports in BUtterfield 8 (1960), Ensign Pulver (1964), A Fine Madness (1966), The Busy Body (1967), Angel in My Pocket (1969), Fire Sale (1977) and Windows (1980). Surprisingly, she was not utilized and was sorely missed in the "Funny Girl" sequel Funny Lady (1975). Appearing frequently on TV with both comedic and dramatic roles, Kay continued in her busybody mama vein with Dean Martin on his long-running variety show. And in recurring mode, she also enjoyed playing nosy relative characters in the light TV series That's Life (1968) and To Rome with Love (1969).
While comedy was Kay's forte, appearing in such established sitcoms ("The Partridge Family, "Love American Style"), she often provided comedy relief in heavy TV dramas and at times played dead serious as well -- "Ben Casey," "Medical Center," "Marcus Welby," "Kojak".
Falling ill in her final years, Kay, who remained unmarried, made her last on-camera appearance in a 1980 episode of "Barney Miller." She died of cervical cancer on April 10, 1980, age only 60, in her Manhattan apartment.- Actor
- Soundtrack
One of France's most beloved character stars from the 1950s through and including the 1980s was the Italian-born Lino Ventura. Born Angiolino Joseph Pascal Ventura to Giovanni Ventura and Luisa Borrini, on July 14, 1919, in Parma (northern) Italy, young Lino moved with his family at a young age to Paris, where he grew up. A school dropout at age eight, Lino drifted from job to job (mechanic's apprentice, etc.), unable to decide on what to do for a living. Marrying in 1942 at age 23, he and wife Odette Ventura had four children.
Lino finally found a career calling as a Greek/Roman-styled wrestler and went on to become a professional European champion in 1950. He was forced to abandon this sporting life, however, after incurring a serious injury in the ring. Looking for gangster types for his next film, director Jacques Becker gave the inexperienced 34-year-old his first acting job as bad guy support to star Jean Gabin in the crime thriller Touchez pas au grisbi (1954) [Grisbi]. Gabin was impressed and did more than just encourage Lino to pursue acting as a living. Lino went on to appear with Gabin in several of the star's subsequent movies, often playing a gangster, including Razzia (1955) [Razzia], Crime and Punishment (1956), Speaking of Murder (1957) [Crime and Punishment] and Inspector Maigret (1958) [Inspector Maigret].
A tough, brutish, burly-framed presence, Lino came into his own as a tough-nut character star in the 1960s playing both sides of the moral fence. Adept in both light comedy and dark-edged drama, he appeared in scores of films now considered classic French cinema. His homely, craggy-looking mug took the form of various criminals types as in Second Wind (1966) [Second Breath] and Happy New Year (1973) [Happy New Year], as well as dogged, good-guy inspectors in The French Detective (1975) [The French Detective], Illustrious Corpses (1976) [Illustrious Corpses'], and The Grilling (1981). Lino bore a patented weight-of-the-world-on-his-shoulders countenance that audiences sympathized with, even when playing the arch-villain. Over the course of three decades he built up an impressive gallery of blue-collar protagonists. Not to be missed are his embittered, vengeful husband in Witness in the City (1959) [Witness in the City]; corrupt police chief Tiger Brown in Three Penny Opera (1963) [The Threepenny Opera]; a WWII French Resistance fighter in Army of Shadows (1969) [Army in the Shadows]; and Mafia boss Vito Genovese in Charles Bronson's The Valachi Papers (1972), among many, many others. Toward the end of his career he played Jean Valjean in a French production of Les Misérables (1982) for which he received a Cesar award nomination (i.e, the French "Oscar"). He performed practically until the time of his fatal heart attack in 1987 at age 68 in his beloved France. Survivors included his wife of 45 years and children. Daughter Mylene died in a plane crash in 1998 and wife Odette died in 2013.- Actor
- Music Department
- Soundtrack
Most remembered for his extravagant costumes and trademark candelabra placed on the lids of his flashy pianos, Liberace was loved by his audiences for his music talent and unique showmanship. He was born as Wladziu Valentino Liberace on May 16, 1919, into a musical family, in Wisconsin. His mother, Frances Liberace (née Zuchowski), whose parents were Polish, played the piano. His father, Salvatore Liberace, an immigrant from Formia, Italy, played the French horn for the Milwaukee Symphony. His siblings, George Liberace, Angie Liberace and Rudy Liberace, also had musical ability. Liberace's own extraordinary natural talent became evident when he learned to play the piano, by ear, at the age of four. Although Salvatore tried to discourage his son's interest in the piano, praises from Ignacy Jan Paderewski, a famous Polish pianist, helped the young musician follow his musical career.
As a teenager, Liberace earned wages playing popular tunes at movie theaters and speakeasies. Despite being proud of his son's accomplishments, Salvatore strictly opposed Liberace's preference for popular music over the classics. Pianist Florence Bettray Kelly took control of Liberace's classical training when he was 14.
He debuted as a soloist with the Chicago Symphony, under the direction of Dr. Frederick Stock. At age 17, Liberace joined the Works Progress Administration Symphony Orchestra. He received a scholarship to attend the Wisconsin College of Music. In 1939, after a classical recital, Liberace's audience requested the popular tune, "Three Little Fishes". Liberace seized the opportunity and performed the tune with a semi-classical style which the audience loved. Soon, this unique style of playing the piano got Liberace bookings in large nightclubs.
By 1940, Liberace was traveling with his custom-made piano, on top of which he would place his candelabrum. He then took Paderewski's advice and dropped Wladziu and Valentino to become simply Liberace. South Sea Sinner (1950), a movie with Shelley Winters, was Liberace's film debut. He played a honky tonk pianist in the movie, which opened in 1950.
In 1952, The Liberace Show (1952), a syndicated television program, turned Liberace into a musical symbol. It began as a summertime replacement for The Dinah Shore Show (1951), but after two years, the show was one of the most popular on TV. It was carried by 217 American stations and could be seen in 20 foreign countries. Sold-out live appearances at Madison Square Garden enhanced the pianist's popularity even more. Soon, Liberace added flamboyant costumes and expensive ornaments to his already unique performances. His second movie, Sincerely Yours (1955), opened in 1955, and Liberace wrote his best-selling autobiography, "Liberace", in 1972. His first book, "Liberace Cooks", went into seven printings.
In 1977, Liberace founded the non-profit "Liberace Foundation for the Performing and Creative Arts". The year 1978 brought the opening of "The Liberace Museum" in Las Vegas, Nevada, which serves as key funding for the Liberace Foundation. The profits from the museum provide scholarship money for financially needy college musicians. He continued performing until the fall of 1986, despite suffering from heart disease and emphysema during most of the 1980s. A closeted homosexual his entire life, Liberace was secretly diagnosed with AIDS sometime in August 1985, which he also kept secret from the public until the day he died. His last concert performance was at Radio City Music Hall on November 2, 1986. He passed away in his Palm Springs home on February 4, 1987 at age 67.
Liberace was bestowed with many awards during his lifetime including: Instrumentalist of the Year, Best Dressed Entertainer, Entertainer of the Year, two Emmy Awards, six gold albums, and two stars on the Hollywood Walk of Fame. In The Guinness Book of World Records, he has been listed as the world's highest paid musician and pianist. Liberace was an extremely talented and versatile man. He not only played the piano, but sang, danced and joked during his performances. In fact, one of Liberace's biggest accomplishments was his ability to turn a recital into a show full of music, glitter and personality.- Actor
- Director
During the '50s and '60s it seemed like every time you turned around, there was Bert Freed as a detective, gangster, sheriff or greedy small-town businessman, and sci-fi fans will remember him as the police chief taken over by the Martians in the classic Invaders from Mars (1953). He played a lot of tough cops--sometimes crooked ones, sometimes racist ones, sometimes violent ones, sometimes a combination of all three--and a lot of tough soldiers, but he could also play a jovial family patriarch when called upon. Born and raised in New York, Freed began acting while attending Penn State University, and made his Broadway debut in 1942. His film debut occurred, oddly enough, in a musical--Carnegie Hall (1947)--and he went on to play everything from a gangster in a Ma and Pa Kettle movie (Ma and Pa Kettle Go to Town (1950)) to a French army sergeant--a first-rate job, too--in the classic Paths of Glory (1957). It seems as if he appeared in just about every cop and detective series on TV at one time or another. He retired from acting in 1981, and died of a heart attack in Canada in 1994 while on a fishing trip with his son.- Producer
- Additional Crew
- Production Manager
Dino De Laurentiis left home at age 17 to enrol in film school, supporting himself as an actor, extra, propman, or any other job he could get in the film industry. His persistence paid off, and by the time he reached his 20th birthday he already had one produced film under his belt. After serving in the Italian army during World War II, De Laurentiis went back into film production, and in 1946 scored a critical and commercial international hit with Bitter Rice (1949) ("Bitter Rice"). He later married its star, Silvana Mangano. De Laurentiis eventually formed a partnership with producer Carlo Ponti, and the team had a string of hits, including several by director Federico Fellini. After the partnership dissolved, De Laurentiis embarked on a plan to build his own studio facilities, which would enable him to make the kind of massive spectacles he wanted to make. The studio complex, called Dinocitta', eventually was forced to close down due to a combination of hard times in the Italian film industry and a string of flops by De Laurentiis himself. De Laurentiis eventually sold the property to the Italian government and moved his base of production to the United States. He again opened up a film production complex in Wilmington, North Carolina, called DEG Studios, but was eventually forced by economic conditions to sell that, too. De Laurentiis has had some critical successes since his move to the U.S. (Ragtime (1981)), but most of his U.S. productions have been critically lambasted, although several have been commercial successes.- A prolific radio and TV actress, Ms. Mitchell was a regular on such classic radio series as "Fibber McGee and Molly" and "The Great Gildersleeve," and on television, "Pete & Gladys" (Janet Colton), "Please Don't Eat the Daisies" (Marge Thornton), and "Bachelor Father" (Kitty Deveraux). She also made frequent appearances on other TV shows, including "The Dick Van Dyke Show" and "Perry Mason." Ms. Mitchell's feature film credits include "Desk Set," "Big Business," and "The War of the Roses." Best Known for playing Lucy Ricardo's girlfriend, Marion Strong on I Love Lucy, in "Lucy and Ethel Buy the Same Dress" (Episode #69). She made two more appearances as Marion, on "Lucy's Club Dance", and on "Lucy Tells the Truth". She was the wife of composer Jay Livingston (1915-2001).
- Producer
- Additional Crew
- Actress
Anne Douglas was born on 23 April 1919 in Hanover, Germany. She was a producer and actress, known for Peg Leg, Musket & Sabre (1973), Deep River (2009) and Kirk Douglas: Before I Forget (2009). She was married to Kirk Douglas and Albert Buydens. She died on 29 April 2021 in Beverly Hills, California, USA.