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Laurence Harvey was a British movie star who helped usher in the 1960s with his indelible portrait of a ruthless social climber, and became one of the decade's cultural icons for his appearances in socially themed motion pictures.

Harvey was born Zvi Mosheh Skikne on October 1, 1928 in Joniskis, Lithuania, to Ella (Zotnickaita) and Ber Skikne. His family was Jewish. The youngest of three brothers, he emigrated with his family, to South Africa in 1934, and settled in Johannesburg. The teenager joined the South African army during World War II, and was assigned to the entertainment unit. His unit served in Egypt and Italy, and after the war the future Laurence Harvey returned to South Africa and began a career as an actor. He moved to London after winning a scholarship to the Royal Academy of Dramatic Arts. He then did his apprenticeship in regional theatre, moving to Manchester in the 1940s. The tyro actor reportedly supported himself as a hustler while appearing with the city's Library Theatre. Even at this point in his life he was known to be continually in debt and adopted a firm belief in living beyond his means, a pattern that would continue until his premature death. His lifestyle would often dictate working on less worthy projects for the sake of a paycheck.

His film debut came in House of Darkness (1948), and he was soon signed by Associated British Studios. His early film roles proved underwhelming, and his attempt to become a stage star was disastrous - his debut in the revival of "Hassan" was a notorious flop. After failing in the commercial theater in London's West End, Harvey joined the company of the Shakespeare Memorial Theatre at Stratford-upon-Avon for the 1952 season. Regularly panned by critics during his stint on the boards in the Bard's works, he built up his reputation as a personality by becoming combative, telling the press that he was a great actor despite the bad reviews. Someone was listening, as Romulus Pictures signed him in 1953 and began building him up as a star.

Harvey was cast as Romeo in Romeo and Juliet (1954), a film that exemplified the main problem that kept Harvey from major stardom (but subsequently would serve him quite well in a handful of roles): his screen persona was emotionally aloof if not downright frigid. Despite his icy portrayal of the great romantic hero Romeo, Harvey attracted enough attention in Hollywood to be brought over by Warner Bros. and given a lead role in King Richard and the Crusaders (1954).

In Old Blighty with Romulus after his Hollywood adventure, Harvey met his future wife Margaret Leighton on the set of The Good Die Young (1954). Other film appearances included I Am a Camera (1955) and Three Men in a Boat (1956), the latter becoming his first certified hit, and even greater success was to come. The colorful Harvey, a press favorite, became notorious for his high-spending, high-living ways. He found himself frequently in debt, his travails faithfully reported by entertainment columnists. More fame was to come.

After making three flops in a row, Harvey began a brief reign as the Jack the Lad of British cinema with the great success of Room at the Top (1958). That film and Look Back in Anger (1959), which was also released that year, inaugurated the "kitchen sink" school of British cinema that revolutionized the country's film industry and that of its cousin, Hollywood, in the 1960s.

Harvey was born to play Joe Lampton, if not in kin, then in kind. Lampton was a working-class bloke who dreams of escaping his social strata for something better. It was a perfect match of actor and role, as the icy Harvey persona made Joe's ruthless ambition to climb the greasy pole of success fittingly chilling. In bringing Joe to life on the screen, Harvey was more successful than Richard Burton (a far better actor) had been in limning the theater's Jimmy Porter in the film adaptation of John Osborne's seminal "Look Back in Anger," despite Burton's own working-class background. Burton's volcanic use of his mellifluous voice, a great instrument, is much too hot for the the small universe on the screen, a case of projection that is so intense that it overwhelms the character and the film (it took Burton another half-decade to learn to act on film, and a half-decade more to lose that gift). Whereas Burton had to learn to rein it in, Harvey's already tightly controlled persona made the social-climbing Lampton resonate. Harvey fits the skin of the character much better than does Burton. Despite not being an authentic specimen, the success of his performance as a working-class man-on-the-make proved to be the vanguard of a new generation of screen characters that would be played by the real thing: Albert Finney, Tom Courtenay, Terence Stamp and Michael Caine, among others. "Room at the Top" signaled the appearance of the New Wave of British cinema. For his role as Joe, Harvey received his first (and only) Academy Award nomination.

While historically significant, "Room at the Top" is no longer ranked at the summit of other, more contemporary kitchen-sink dramas, such as Karel Reisz's Saturday Night and Sunday Morning (1960), Tony Richardson's A Taste of Honey (1961) and Lindsay Anderson's This Sporting Life (1963), or even John Schlesinger's provincial comedy Billy Liar (1963), films that made stars out of the authentic working-class/provincial actors Finney, Alan Bates, Richard Harris and Courtenay, respectively. The virtue of the film is its emotional honesty about the manipulation of personal relationships for social gain in postwar Britain, a system that after a decade under the Conservatives had become self-satisfied and complacent. In its portrayal of class warfare, the film offers the most intense critique of the British class system offered by any film from the British New Wave, including "Saturday Night and Sunday Morning," which never leaves the confines of the working-class strata its main character, Arthur Seaton, is stuck in and ultimately reconciled to.

That Joe chooses a woman other than the one he really loves in order to gain social mobility, engaging in emotional manipulation of other human beings, is a brutal indictment of the class structure of postwar Britain. Joe, on his way to his wedding and his great chance, has lost his humanity. His failure is symbolic of Britain's failure as well. It is the haughtiness and narcissism of the actor Harvey (qualities his screen persona engenders in film after film) that elucidates Lampton's weakness. A further irony of Harvey's effective, if ersatz, portrayal of working-class Joe is that it made him such a success - he soon went off to Hollywood to play opposite box-office titan Elizabeth Taylor in BUtterfield 8 (1960), thus losing out on further opportunities to appear in the British New Wave he helped introduce. As well as supporting Taylor in her Oscar-winning turn in "Butterfield 8" (the two became close friends), a badly miscast Harvey also co-starred as Texas hero Col. James Travis in John Wayne's bloated budget-buster The Alamo (1960).

With the exception of the lead in the British Jungle Fighters (1961)- a war picture that was decidedly NOT New Wave - Harvey did not appear again in a major British film until 1965, when he returned to the other side of the pond to reprise Joe in the "Room" sequel Life at the Top (1965). However, if he had never gone Hollywood, he might never have been cast in his other signature role: Raymond Shaw, the eponymous The Manchurian Candidate (1962). Once again, the match of actor and character was ideal, as Harvey's coldness and affect-free acting perfectly embodied the persona of the programmed assassin. The film, and Harvey's performance in it, are classic.

In this Hollywood interlude, Harvey also appeared in the screen adaptations of Tennessee Williams' Summer and Smoke (1961) opposite the great Geraldine Page, Oscar-nominated for her role, and the artistically less successful Walk on the Wild Side (1962), supported by the legendary Barbara Stanwyck, French beauty Capucine and a young Jane Fonda. The critics were less kind to his acting in these outings, and, indeed, the rather elegant Harvey does seem miscast as Dove Linkhorn, the wandering Texan created by hardboiled Nelson Algren, reduced to working in an automotive garage by the exigencies of the Great Depression. Critics were even less kind when Harvey tried to follow in Leslie Howard's footsteps in the remake of Of Human Bondage (1964).

Although he could not know it then, Harvey had reached the zenith of his career. In 1962 he won the Best Actor prize at the Munich film festival in 1962 for his role in The Wonderful World of the Brothers Grimm (1962). Honors for Harvey were few after this point. He co-starred with Paul Newman and Claire Bloom in Martin Ritt's film version of the Broadway re-envisioning of Akira Kurosawa's cinematic masterpiece Rashomon (1950). The result, The Outrage (1964), in which Newman played a murderous Mexican bandit and Harvey his victim, was an unqualified flop that still boggles the mind of viewers unfortunate enough to stumble upon it, so outrageous is the idea of casting Newman as a Mexican killer (a role originated by Rod Steiger on the Broadway stage). Harvey, very often a wooden presence in his less inspired performances, was appropriately upstaged by the tree he remained tied to throughout most of the film.

Along with "Life at the Top," Harvey appeared in support of Oscar-winner Julie Christie in John Schlesinger's Darling (1965), an allegedly "mod" look at the jaded and superficial existence of what was then termed the "jet set." Despite its "New Wave"-like cutting and visual sense, "Darling" - which was embraced wholeheartedly by Hollywood and originally had been envisioned as a vehicle for Shirley MacLaine - was, at its heart, an old-fashioned Hollywood-style morality play, a warning that the wages of sin lead to emotional emptiness, hardy a revolutionary idea in 1965. Christie was excellent - particularly as she metamorphosed from Dolly-bird to a more mature sort of hustler - and first-male lead Dirk Bogarde always proved an interesting actor, but it was Harvey who most clearly embodied the zeitgeist of the picture. Once again, his coldness did him well as he limned the executive who manipulates and is manipulated by Christie's Diana character.

Harvey had become at this point a kind of good-luck charm for actresses with whom he appeared. Simone Signoret, Elizabeth Taylor and Christie won Best Actress Oscars after appearing in films with him, and Geraldine Page and "Room at the Top" co-star Hermione Baddeley were both Oscar-nominated in the period after appearing opposite Harvey. Alas, no one else collected kudos in a Harvey picture: he reached the high-water mark of his career in 1962, and his star was already in in decline to a murkier, less-lustrous part of the Hollywood/international cinema firmament.

Another irony of Harvey's career is that, despite ushering in the British New Wave and a cinema more independent of the meat-grinder ethos of the Hollywood and British studios catering to popular taste, he would have been better served in the 1930s and 1940s as a contract player at a major studio. Like Michael Wilding (who also became the third husband of Harvey's first wife, Margaret Leighton), another handsome man of limited gifts who nonetheless could be quite affecting in the right role, Harvey's career likely would have thrived under the studio system, with an interested boss to guide him. Like Minniver Cheever, however, he was unfortunate to have been born after his time.

As it was, the next (and last) decade of Harvey's screen life was a disappointment, with the actor relegated to less and less prestigious pictures and international co-productions that needed a "star" name. In the 1970s, Harvey became largely irrelevant as a player in the motion picture industry. His luck had run out. Good friend Liz Taylor, whose string of motion picture successes had also run its course, had him cast in Night Watch (1973), and he directed the last picture in which he appeared, Welcome to Arrow Beach (1973). If he had lived, he might have made the transition to director (he had earlier directed The Ceremony (1963) and finished directing A Dandy in Aspic (1968) after the death of original director Anthony Mann).

Laurence Harvey died on November 25, 1973, from stomach cancer. He publicly revealed that he was dismayed by being afflicted with the fatal disease, as he had always been careful with the way he ate. Sadly, his personal luck, just as capricious as his professional career, had also gone into eclipse. One of the more colorful characters to grace the screen was dead at the age of 45, exiting the stage far too soon for the legions of fans that still admired him despite the downturn in his fortunes.

Best remembered as 'M' in the James Bond films, Bernard Lee was a popular character player in British films throughout the 1950s and 1960s. Born into a theatrical family, he made his stage debut at age six and later attended the Royal Academy of Dramatic Art. He first appeared on the West End stage in London in 1928, and continued to work in the theatre during the 1930s, taking only occasional film roles.

It was only after World War II that he concentrated his efforts on the cinema, and was much in demand in British films of the 1950s as friendly authority figures, including army sergeants, police detectives or navy officers. Detectives became a particular specialty, and he played this role in more than a dozen films, including The Blue Lamp (1950), Beat the Devil (1953) and The Detective (1954). In the early 1960s, he also made regular appearances as police detectives in the The Edgar Wallace Mystery Theatre (1959) second feature series, usually as "Inspector Meredith". He also made memorable appearances in The Third Man (1949), Operation Disaster (1950), Glory at Sea (1952), Pursuit of the Graf Spee (1956), Dunkirk (1958) and Whistle Down the Wind (1961).

He was effectively cast against type in only two films, as the union agitator in The Angry Silence (1960), and as a disgruntled civil servant who becomes a spy for the Russians in Ring of Treason (1964).

In 1962, he made his first appearance as the head of the British secret service in the first James Bond film, Dr. No (1962). He went on to be featured in the next ten films in the series, appearing with Sean Connery, George Lazenby and, later, Roger Moore as Bond, and will probably be considered the definitive "M" by more than one generation of Bond fans.

Matthew Garber was a British child actor. Both of his parents were theatrical actors, but neither was particularly famous.

In 1963, Garber came to the attention of actor Roy Dotrice (father of Karen Dotrice) who was seeking potential child actors. Roy recommended Garber to the casting department of the Disney company, where young Garber's "artful dodges, like squinting, screwing up his nose, and brushing his hair back with one hand" were thought likely to make him stand out. He was cast in the film "The Three Lives of Thomasina" (1963), as the character Geordie McNab, a playmate to the Scottish girl Mary MacDhui (played by Karen Dotrice).

Garber next received a bigger role as the character Michael Banks in "Mary Poppins" (1964), one of the two charges of the protagonist nanny. Jane Banks, Michael's sister, was played by Karen Dotrice. The film was the greatest hit of Garber's career and is the role for which he is most remembered.

In 1967, Garber had his third and last film role, as the character Rodney Winthrop in "The Gnome-Mobile". In the film, Rodney and his sister Elizabeth Winthrop (played by Karen Dotrice) are trying to prolong the life of a 943-year-old gnome, who has lost the will to survive.

Following his brief film career, Garber returned to his school studies. He attended first St Paul's Primary School in Winchmore Hill, and then Highgate School in Highgate, North London. He graduated in 1972.

In 1976-1977, Garber was in India and contracted hepatitis. He returned to London in June 1977, seeking better medical treatment. It was too late as the disease had infected his pancreas. He died soon after, the official cause being hemorrhagic necrotizing pancreatitis. He was only 21-years-old. He was single and had no known children.

Garber's remains were cremated at St. Marylebone Crematorium, in East Finchley, London. Both of his parents died within a decade following his death. Fergus Garber, a surviving younger brother of Matthew, was never informed whether there was any memorial erected for his brother. Garber was posthumously named a Disney Legend in 2004.

Katrin Cartlidge began her career as a doing backstage & front of house work at London's Royal Court Theatre, having appeared with their Young People's Theatre group. She progressed to appearing in play readings and workshops before winning a regular role in Brookside (1982).

She went on to forge an award-winning career in theatre and film.

In the wake of her death, the Katrin Cartlidge Foundation was established to recognize a "new creative voice in cinema" at the Sarjevo Film Festival.

One of four stars of the London and New York revues Beyond the Fringe and Beyond the Fringe (with Jonathan Miller, Alan Bennett, and Dudley Moore). Later created scatological comedy routine "Derek & Clive" with Moore.

Michael Williams was born on 9 July 1935 in Liverpool, England, UK. He was an actor and writer, known for Henry V (1989), Eagle in a Cage (1972) and A Fine Romance (1981). He was married to Judi Dench. He died on 11 January 2001 in Hampstead, London, England, UK.

Keith Michell was an Emmy Award-winning Australian stage, television, and film actor. Born 1 December 1926 in Adelaide, South Australia, he was brought up some 150 miles away, in Warnertown, on the Augusta Highway between Crystal Brook and Port Pirie. He taught art until he made his debut on the Adelaide stage in 1947, following that up with his first appearance in London in 1951.

Michell was a member of the Shakespeare Memorial Theatre Company. From 1974-77, he was the artistic director of the Chichester Festival Theatre. He has starred in several musicals, including the first London production of Man of La Mancha (1972). In addition to his stage work, he appeared extensively in film and television in Australia and the UK, most notably as King Henry VIII in the six-part 1970 BBC series The Six Wives of Henry VIII (1970), for which he won an Emmy Award. A movie version was made in 1972. On US television, he appeared in various episodes of Murder, She Wrote (1984). In addition to acting, he wrote a musical adaptation of Henrik Ibsen's 'Peer Gynt', called "Pete McGynty and the Dreamtime". He also paints and illustrates books, as well as written and illustrated cookbooks.

Michell married the Anglo-Czech actress Jeanette Sterke in 1957; they had two children: actor Paul Michell and actress Helena Michell. He died on 20 November 2015, aged 88, in Hampstead, London, England. A theater in Port Pirie, the Keith Mitchell Theatre-Northern Festival Centre, was founded in his honor.

Burt Kwouk was a British actor, who was best known for his role as Cato in the Pink Panther films, and for playing Mr Ling in the third James Bond film, Goldfinger.

Kwouk was born in Warrington, but was brought up in Shanghai. He made his film debut in the 1957 film Windom's Way. In Goldfinger (1964) he played Mr. Ling, a Chinese expert in nuclear fission; in the non-Eon spoof Casino Royale (1967) he played a general and in You Only Live Twice (1967) Kwouk played the part of a Japanese operative of Blofeld.

He also made appearances in many television programmes, including a portrayal of Imperial Japanese Army Major Yamauchi in the British drama series Tenko and as Entwistle in Last of the Summer Wine.

Kwouk died on 24 May 2016, at the age of 85.

Alan Howard was born on 5 August 1937 in London, England, UK. He was an actor, known for The Lord of the Rings: The Fellowship of the Ring (2001), The Cook, the Thief, His Wife & Her Lover (1989) and The Lord of the Rings: The Return of the King (2003). He was married to Sally Beauman and Stephanie Hinchcliffe Davies. He died on 14 February 2015 in Hampstead, London, England, UK.

Frances Cuka was born in 1936 in London, to Joseph and Letitia Cuka. The family eventually moved to Hove, where Frances was educated at Brighton and Hove High School. She trained at the Guildhall School of Music and Drama, then made her stage debut in 1955 in 'Meet Mr. Callaghan' in Warrington. Following work with several repertory companies, she joined the Theatre Workshop and appeared with them at the Zurich Festival and the Moscow Art Theatre in 1957. She then played the part of Jo in 'A Taste of Honey' in 1958 at the Theatre Royal, Stratford, East London, transferring with it to the West End then Broadway, followed by an American tour. Her further West End appearances included 'Vanity Fair', 'Sweet Bird of Youth', 'Waters of the Moon', 'The Wild Duck' and a number with the R.S.C. in 'Days in Trees', 'Travesties,' and 'Nicholas Nickelby.' She made her television debut in 1964 in Twelve Good Men (1964) of The Hidden Truth (1964) series, which was followed by episodes of Adam Adamant Lives! (1966), The Informer (1966), The Champions (1968), Within These Walls (1974), Crown Court (1972), Ruth Rendell Mysteries (1987), The Bill (1984), Doctors (2000), and Casualty (1986) amongst others. She made her film debut in the little-known comedy Over the Odds (1961) in 1961 and didn't appear on screen again until 1970, when she played Bob Cratchit's wife in the musical version of Scrooge (1970). The best known of her films is Henry VIII and His Six Wives (1972), in which she played Catherine of Aragon.

Warren Mitchell was born on 14 January 1926 in Stamford Hill, London, England, UK. He was an actor, known for The Crawling Eye (1958), Jabberwocky (1977) and In Sickness and in Health (1985). He was married to Constance Wake. He died on 14 November 2015 in Royal Free Hospital, Hampstead, London, England, UK.

Character actor Thomas Patrick McKenna was born in Mullagh, County Cavan, Ireland, in 1929. A prolific theatre actor throughout his career, he made his stage debut in "Summer and Smoke" by Tennessee Williams at the Pike Theatre in Dublin in 1954.

He made his film debut in the IRA-Nazi drama The Night Fighters (1960) and from this uncredited beginning he moved up to tenth billing in The Siege of Sidney Street (1960). His next major movie was in 1964's Girl with Green Eyes (1964), by which time he had started a successful television career.

He made his TV debut in Espionage (1963) and over the next few years appeared in several more TV shows. His versatility enabled him to play three characters in The Avengers (1961). He was also featured in such well-regarded shows as Adam Adamant Lives! (1966), Dixon of Dock Green (1955) and The Saint (1962).

Meanwhile, his film career was developing along literary lines, and he was featured in Brendan Behan's The Quare Fellow (1962), the Sean O'Casey biopic Young Cassidy (1965) and James Joyce's Ulysses (1967). He took smaller parts in such epics as The Charge of the Light Brigade (1968) and Anne of the Thousand Days (1969).

British films such as Perfect Friday (1970) and Villain (1971) allowed him to showcase his suave, urbane persona before trying something different in the controversial Straw Dogs (1971). He appeared alongside a young Anthony Hopkins in All Creatures Great and Small (1975) before starring with John Gielgud for the second time, this time in A Portrait of the Artist as a Young Man (1977). Over the next few years his co-stars were as diverse as Leonard Rossiter (Britannia Hospital (1982)), Timothy Dalton (The Doctor and the Devils (1985)), Ben Kingsley (Pascali's Island (1988)) and Dolph Lundgren (Red Scorpion (1988)). Not all of these films were successes, but McKenna always gave good value for the money and developed themes of his, such as an interest in Irish issues, in The Outsider (1979). His last released film was Valmont (1989), which was unfortunately completely overshadowed by Dangerous Liaisons (1988), which was based on the same novel.

Over the years he made numerous guest appearances in TV series such as Minder (1979), Casualty (1986), Lovejoy (1986), Inspector Morse (1987), Heartbeat (1992) and Ballykissangel (1996). McKenna has also been prominent in TV movies and series, featuring in Charles Dickens' Masterpiece Theatre: Bleak House (1985), Stendhal's Scarlet and Black (1993) and most recently an adaptation of Henry James' The American (1998).

McKenna is up there with the greats of character acting such as Lionel Jeffries, Dennis Price, Richard Wattis, Wilfrid Hyde-White and John Le Mesurier.

Academy Award-winning, legendary English actress - who maintained her status in the British acting elite for decades. Made a Dame of the British Empire by Queen Elizabeth II in 1956. Almost always on stage, she appeared rarely in film, her first being The Wandering Jew (1933). On stage she was cast in many a Shakespearean role, but in film she usually played sympathetic characters. She won an Oscar for A Passage to India (1984), and her last TV film was She's Been Away (1989).  She died from a stroke.

Peter Barkworth was born on 14 January 1929 in Margate, Kent, England, UK. He was an actor and writer, known for Where Eagles Dare (1968), Patton (1970) and The Price (1985). He died on 21 October 2006 in Hampstead, London, England, UK.

Ed Devereaux was born in August 1925 in Sydney, New South Wales, Australia as Edward Sidney Devereaux. He was an actor and writer, known for Skippy (1967), True Believers (1988) and The Wrong Arm of the Law (1963). He was married to Irene Champion and Julie Devereaux (nee ?). He died on December 17, 2003 in Hampstead, London, England.

Rona Anderson was born on 3 August 1926 in Edinburgh, Scotland, UK. She was an actress, known for A Christmas Carol (1951), Circumstantial Evidence (1952) and The Labours of Erica (1989). She was married to Gordon Jackson. She died on 23 July 2013 in Hampstead, London, England, UK.

Gambian Louis Felix Danner Mahoney was born on Septenber 8, 1938 and came to England ostensibly to train as a doctor. However, he abandoned medicine for the stage, probably his original intention. He enrolled at acting school in the 1970s. He was a tireless campaigner for racial equality in his profession, as a member of the Equity Afro-Asian Committee and as co-creator, with Mike Phillips, of the Black Theatre Workshop. He helped establish the Equity Performers Against Racism group, developed to circumvent Equity rules preventing political campaigning, in which he was helped by a number of white actors. He was Vice President of Equity between 1994 and 1996. In addition to appearing with most of the major theatre companies he notched up numerous television performances. One of his most famous roles was as the dying werewolf Roy in Being Human (2008).

Jack Haig was born on 5 January 1913 in Streatham, Lambeth, London, England, UK. He was an actor, known for 'Allo 'Allo! (1982), The Gnomes of Dulwich (1969) and Hugh and I (1962). He was married to Sybil E Dunn. He died on 4 July 1989 in Hampstead, Camden, London, England, UK.

Chinese-born character actor Robert Ya Fu Lee first came to the United Kingdom as an international student attending Trinity College, Cambridge. He started acting at the behest of his friends, and quickly became a regular fixture of British TV and motion pictures. His appearances include You Only Live Twice (1967) and Half Moon Street (1986), and his television appearances include The Avengers, The Chinese Detective and The Bill, but his best known role is as Taro Nagazumi, the Japanese business executive and English language student, in the ITV sitcom Mind Your Language from 1977 to 1979.

Dudley Foster was born on 7 August 1924 in Brighouse, Yorkshire, England, UK. He was an actor, known for Danger Man (1960), Doctor Who (1963) and Where's Jack? (1969). He was married to Eileen Kennally. He died on 8 January 1973 in Hampstead, London, England, UK.

Michael Pertwee was born on 24 April 1916 in Kensington, London, England, UK. He was a writer and actor, known for Adventures in Paradise (1959), The Interrupted Journey (1949) and The Saint (1962). He was married to Maya Guha, Valerie French and Elizabeth Gilbert. He died on 17 April 1991 in Hampstead, London, England, UK.

Philip Saville was born on 28 October 1930 in London, England, UK. He was a director and actor, known for Boys from the Blackstuff (1982), The Life and Loves of a She-Devil (1986) and The Buccaneers (1995). He was married to Nina Zuckerman and Jane Arden. He died on 22 December 2016 in Hampstead, Camden, London, England, UK.

Paul Hardtmuth was born on 2 July 1888 in Berlin, Germany. He was an actor and writer, known for The Curse of Frankenstein (1957), Doctor Blood's Coffin (1961) and Television World Theatre (1957). He died on 5 February 1962 in Hampstead, London, England, UK.

George Merritt was born on 10 December 1890 in Clapton, London, England, UK. He was an actor, known for Clouds Over Europe (1939), The Persuaders! (1971) and A Canterbury Tale (1944). He died on 27 August 1977 in Parliament Hill, Hampstead, London, England, UK.

John Stratton was born on 7 November 1925 in Clitheroe, Lancashire, England, UK. He was an actor, known for The Third Key (1956), The Secret Kingdom (1960) and Quatermass and the Pit (1958). He died on 25 October 1991 in Hampstead, London, England, UK.