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- Multiple teams race around the globe for $1,000,000 to 'amazing' locations.
- A mysterious creature, known as Ink, steals a child's soul in hopes of using it as a bargaining chip to join the Incubi - the group of supernatural beings responsible for creating nightmares.
- South Park (1997) creators Matt Stone and Trey Parker are joined by bands Primus and Ween for a second night celebrating the series' 25 year history.
- Comedian Bill Burr sounds off on cancel culture, feminism, getting bad reviews from his wife and a life-changing epiphany during a fiery stand-up set.
- U2 perform a live concert at Red Rocks.
- A video companion to their 1998 greatest hits audio compilation, The Best of 1980-1990 is a career retrospective of U2's music videos from 1980 to 1990.
- On August 13, 2021, The Wu-Tang Clan, backed by the 60-piece Colorado Symphony Orchestra performed at the famed Red Rocks Amphitheater. Roughly 10,000 fans witnessed one of the most extraordinary concerts in Hip-Hop music history. Welcome to A Wu-Tang Experience. Combining performances, interviews and revealing insights from various group members and associates, classical musicians, and concertgoers, this feature documents the extraordinary concert at the iconic Red Rocks Amphitheatre where The Wu-Tang Clan, backed by the 60-piece Colorado Symphony Orchestra, weaves together songs from their vast discography of the group and solo albums to create a live score to a real-time screening of the seminal martial arts film "The 36th Chamber of Shaolin" - the movie that largely inspired the Clan's aesthetic and the title of their groundbreaking debut album "Enter the Wu-Tang (36 Chambers)." Through exploring the question of whether hip-hop has earned the legitimacy of more prestigious musical genres, "A Wu-Tang Experience" delivers answers that inform, reveal, and inspire. Directed By: The RZA and Gerald Konah Barclay Executive Producers: Mitchell "Divine" Diggs, The RZA and Gano Grills Produced By: Gerald K. Barclay, Demetrius Cheeks, Dan Katz, Veronica Urrea Story Producer: Gina Barboza Production Manager: Acire Newby Starring: RZA, Method Man, Cappadonna, U-God, Inspectah Deck, Raekwon Da Chef, Young Dirty Bastard, Tom Shannon, Dj Skane Camera: Jesse Placky, Brad Bingham, Al Rivera, Ezekiel Dixon, Gerald K. Barclay Editor: Gerald K. Barclay
- Celebrating 50 years since he played at Woodstock, Fathom Events, BMG and Northstar Media bring the legendary artist John Fogerty to the big screen for an exclusive one-night-only concert event.
- Neil Young and band play a huge outdoor concert in the pouring rain.
- Jack Hartley, the foreman of the Triple X Ranch, is engaged to Nellie Monroe, the ranch owner's daughter. A quarrel starts between Jack and "Red" Williams, a cow-puncher, when the latter first makes advances to Nellie, and second, when Williams abuses a faithful Indian ranch hand. On this latter occasion Jack is unable to restrain his temper and the result is a short fist fight in which Williams is defeated. Smarting under the punishment, Williams seeks revenge. For some time the miscreant cow-puncher has been in league with a bunch of cattle rustlers, whose several attempts at a raid on the Triple X cattle, however, have brought them nothing, and due entirely to the alertness of Hartley, the foreman. They have sufficient cause to hate the manly young fellow and when Williams, after having been put out by the foreman, stalks into their camp, begging them to join him in obtaining his revenge, all are willing. That they must be cautious, however, is plain to them when another of the band joins them, bringing in tow Indian Pete, whom he had found spying about the shack. When Williams sees the Indian and recalls that he was the cause of his beating from Hartley he is in favor of killing the Indian, but the others restrain him. Having settled upon a plan of revenge, Williams is dispatched with a slip of paper, bearing a few words scrawled in lead pencil which is to be the undoing of Hartley, providing, of course, the game works right. The others ride off leisurely to the Tripe X horse corral and make away with a dozen or more ponies, while Williams is to work his end of the same with Hartley. He finds Hartley at another part of the ranch and succeeds in establishing a reconciliation, after confessing his wrong and pleading forgiveness. Hartley gives him his hand and brings out his cigarette paper and tobacco when Williams asks for "the makin's." When Hartley is not looking Williams slips the bit of paper in among the rice wrappings, then bids Hartley good-bye and leaves to put the finishing touches to his nefarious scheme. A few minutes later he rides excitedly up to the ranch house and calls loudly for Monroe When the old ranchman appears, Williams tells him of the stealing of the ponies, and adds further, "And I know who's at the back of this dirty trick. It's Hartley. If you don't believe it, I can prove it." The alarm is given and Hartley, unsuspicious of the conspiracy, comes running on the scene. A little crowd has gathered when Williams makes his accusation: "I saw him with a bunch of greasers this morning, and I saw him get a note from them fifteen minutes ago, and that note is in the pocket of his shirt. Search him." The astonished and enraged Hartley is seized and searched. The note is found and reads: "Jack Hartley. Got the horses all O.K. and will divide with you to-night. Meet us at the usual place. The Bunch." Hartley is given no attempt to defend himself, despite Nellie's desperate pleadings. He is ordered to mount his horse and leads the procession on the way to execution. In the meantime, Indian Pete, left with a drunken cowboy, makes his getaway and, with his hands still tied behind him, mounts a horse and rides desperately back to the ranch. There is no one there but the heart-broken girl. He tells her everything as she releases him and the two mount and ride at top speed to the scene of the execution. They are just in time. The Indian proves Hartley innocent and Williams is seized and stood in Hartley's place. The film ends here, with the embrace of the lovers.
- "The Goal" chronicles the lives of two athletes who are on an adrenaline track, one to the Olympics and the other to the world of Pro Soccer. Steve and Jason cross paths while rebuilding their lives following severe accidents. Tragedy affects everyone, not just the injured. Much like an epicenter of an earthquake, it touches many but everyone reacts differently. "Life is a Journey Within" but they have "The Goal, One Dream, One Mission, Bending Steel to Make It Happen"!
- The tour of music band Mumford and Sons as they approach their final show at Red Rocks, told through the band's performances.
- In the distant future, a young girl is sent on a dangerous mission to deliver a young boy to an unknown campground. Through their travels, the two form a touching relationship and she questions if she is making the right decision.
- Silver Bell, the winsome daughter of old Gray Wolf, is sought by Fleetfoot, a likely young man of the tribe and a good huntsman. Gray Wolf sees no reason why his obstinate daughter should not become the squaw of Fleetfoot and despite her pleadings to be permitted to stay in her father's tepee she is sold to Fleetfoot for the consideration of Tu-tu, the horse, and a red blanket. Silver Bell unwittingly accompanies Fleetfoot on their way through the woods to the tepee of the young brave. On their way they meet a white man, Jack Sherwood, a miner, and to this latter Silver Bell appeals for protection from the angry fists of her new lord and master. Sherwood listens hesitatingly and learns that the girl was sold against her will and that she would rather die than live with Fleetfoot. In the end he forces Fleetfoot to come with him to Gray Wolf's tepee, and with an offer of much wampum persuades Gray Wolf to reconsider his sale, and in the end Sherwood finds himself the owner of the pretty Indian maiden. The buck stumbles away with Tu-tu and his red blanket, murmuring threats against the white man who, much to the wonder of Gray Wolf and his daughter, refuses to take the girl with him. It is plainly evident that Silver Bell has fallen in love with her protector, and the next day she slips through the woods to the miner's tent and presents him with a pair of pretty moccasins. Sherwood is delighted, but when the girl informs him that as she is now his she will be content to stay with him as his servant. This is a pretty situation for Sherwood, but not fully realizing the real depth of the girl's infatuation for him, he sends her back to her father's tepee. On the way she meets Fleetfoot and an angry altercation takes place in which the brave tells her that he will kill the while man. The girl, fearing for the white man's life, hurries back through the woods and arrives at Sherwood's tent just as the buck is preparing to make short work of the miner. Silver Bell's scream awakens the white man and he and the Indian are soon grappling. The former proves the stronger, and wresting the knife from Fleetfoot's hand he hurls it away. Fleetfoot sneaks away, leaving Sherwood and the Indian girl together. Sherwood expresses his gratefulness and Silver Bell confesses her love. It is more difficult this time to drive her away, but when she is gone the rattling of the stage coach down the canyon suggests a return to civilization. Sherwood is packing his camp outfit when the couch lumbers up and stops at the camp. Sherwood runs forward, when his wife steps out and throws her arms about his neck. This is a surprise for Sherwood, but not more for Silver Bell, who has returned to the camp with another present for the white man, a pretty red blanket of her own weaving. She understands what it means, and as the coach rolls away sinks on tier knees and bursts into tears.
- Stone and Echo is a full-length concert film of A Perfect Circle's performance on August 2nd, 2011 at the Red Rocks Amphitheater in Morrison, Colorado.
- Genesee is tired of spending everyday fishing in her neighborhood with her three best friends--Patton, Chris, and Stock Exchange. She wants an adventure! Her wish is granted when the crew stumbles upon an Indian arrowhead that magically levitates, pointing to an unseen target. The gang decides to follow the mysterious 'compass,' unaware that it carries an ancient curse that could spell their doom. As this brave caravan traverses the Rocky Mountains, they must contend with dangerous terrain, face villainous foes and learn to work together as a team if they hope to discover the arrowhead's mysterious origins and purpose. As the secret is revealed, Genesee and her friends realize that the fate of the neighborhood is in their hands.
- Charles Shea, the handsome young foreman of the Bar Z ranch, has won the love of the winsome daughter of his employer, John Graham. Alice and he are engaged to be married when a telegram announcing the death of his father and the request that he immediately return East, is handed Shea. Promising to return immediately the estate is settled. Shea bids Alice good-bye and leaves for the East. A year passes and no word from Charley. The girl is in despair and. though every cowpuncher on the place loves her madly, she refuses each one in turn, declaring that she will wait for Charley, whom she is sure will return soon. Graham, her father, however, is growing old and needs someone to take his place. He therefore desires that Alice marry as soon as possible and urges her to accept the suit of one of his men, all of them being honest, good-hearted fellows. She tells him that that is where the trouble lies. She likes them all and could not marry any one of them without hurting the rest. Finally, resolved to give up Charley entirely, she resolves on a plan to pick the best man. Her husband must be a good horseman. She informs them that at 8 o'clock sharp the next morning every mother's son of them must be in his saddle ready for a swift and important ride. The next morning she lines them up and tells them that they are to race to the county seat, each procure a marriage license and the first man back to the ranch will have the honor of being her husband. There is a crack of her pistol and the race begins! Mile after mile they cover, each trying the utmost speed of his pony, until the courthouse is reached. The marriage licenses are procured and the real race back to the ranch begins. In the meantime, the Limited, stopping at the county seat just for a moment, has dropped a passenger, a big handsome fellow, Charles Shea. Charley walks straight to the courthouse, procures a license to wed the daughter of Bar Z ranch, hires a horse and sets off at full speed in an effort to overtake the other cowpunchers. Known to him only is a short cut to the ranch, and putting the spurs to his horse's flanks, he dashes down through rocky defiles and surging mountain torrents and arrives at the ranch several minutes ahead of the foremost of the racers. A minister is waiting, the license is brought out and the surprised and happy Alice marries him immediately. The chagrin of the other cowboys soon melts to laughter at the joke and congratulations and a rousing cheer are tendered the bride, all heartily agreeing that the best man has won.
- Patricia Watkins and her father are proprietors of the Lariat Saloon and dance hall but because of his small size and his tendency to keep in a state of perpetual drunkenness the old man has little to do with the business. Patricia as a barmaid meets all the riffraff of humanity drifting across the plains to the west and the Lariat Saloon is noted far and wide, not so much for the quality of its poisons as for the pretty maid who always offers a smile with the drink. On the evening our story opens, Patricia receives from the upstage driver a box of bullion with instructions to guard it carefully until the next day, when it will be picked up by the mountain stage. As the coach hauls up at the front of the saloon a man on horseback watches from behind a boulder, and, satisfied the box is left in care of the Watkins', wheels around and rides down the trail. Next we see him join a confederate and after a short consultation both ride to the Lariat and enter. It is perfectly evident that the second man, apparently the master of the two, is greatly impressed by the girl's beauty, and after a few drinks he strikes up an acquaintance with the girl. Sheriff Dixon, who is also in love with Patricia, enters, looks the stranger over, but refuses to shake hands with him when Patricia offers to introduce her new friend. Later, when the girl leaves the saloon for the cabin she turns Dixon down cold and to further arouse his jealousy accepts the stranger's invitation to accompany her home. An hour later Sheriff Dixon receives a note in which it is stated that Dick Martin, a highwayman, is in his vicinity and a description of Martin corresponds with that of Patricia Watkins' new friend. The Sheriff loses no time in his effort to capture his rival. Riding first to the Lariat he learns that Martin is still at the Watkins' cabin, but arrives there too late as Patricia has hidden the bad man and informs the Sheriff and his posse that he left an hour before. The Sheriff shows Patricia a photograph of Martin and tells her that he is wanted and will swing if he is caught. However, the girl does not give him up but when the Sheriff leaves she sends Martin away refusing to shake hands with him in parting. Not long after, Martin, who has tried to make his escape, is shot and wounded by the Sheriff, but succeeds in eluding him while he makes his way on foot to Patricia's cabin. After hearing his story the girl takes pity on him and hides him in a loft just as the Sheriff again enters. Dixon makes love to Patricia and endeavors to take her in his arms. A drop of blood from the wounded man above, splatters on the Sheriff's hand and in a rage he pulls down the ladder and orders Martin to come down.
- Filmed and recorded live at the iconic Red Rocks Amphitheater, Live on Red Rocks captures O.A.R. in their element - performing an inspired and energetic show to a packed house in the middle of summer. The performance, delivered in High Definition, contains 22 songs including hits "Shattered (Turn the Car Around)," "Love and Memories," and "Heaven" as well as fan favorites "Black Rock" and "That Was A Crazy Game of Poker."
- Go behind the scenes with 311 on Enlarged to Show Detail, featuring an all-access look at the band on tour, rare behind-the-scenes footage and interviews, plus videos of "Down," "All Mixed Up," "Homebrew" and more.
- A sheriff saves a Mexican from being hanged for horse theft. In a gesture of thanks, the Mexican writes the word "gratitude" upon a card. After rending the card in two, he gives one half to the sheriff. Many years later the sheriff, still carrying his half of the "gratitude" card, becomes the captive of desperados. One of these greasy varmints grabs a tobacco pouch from the bound sheriff's pocket, noticing the timeworn card...
- Tokeasy takes on today's most pressing issues including the war on drugs, racism, and prostitution.
- Arizona Pete, typical bad man, is the hero of the story. The first scene shows him leaving his shack, after adjusting his pistol. He rides into town, enters a saloon and orders drinks for the crowd. A young chap, just out from the east, refuses to drink with him, but is finally persuaded by the cracking of Arizona's pistol aimed at his heels. Pete, now happily inspired by a liberal quantity of "Old Henry," hearing that there is a dance in town, mounts and rides around to the dance hall, Here are gathered the young men and women of the town, dancing merrily in the tune of old Uncle Eb's squeaky violin. Pete enters and breaks up the dance, but during the melee that follows, Pete is shot in the pistol hand and deprived of his weapon. A young girl, feeling sorry for the misguided fellow, offers to bind his wound and he consents. She is the sister of the young easterner of a few scenes before. The sheriff, who has been apprised of Arizona's latest misconduct, resolves that the bad man has held sway long enough in his county, so, organizing a posse of citizens and armed with a petition and plenty of horse-pistols, he rides off to Arizona's shack to inform the latter that there is one too many bad men in Mariposa County, and that he will find it healthier on the other side of the county line, in short, Arizona is threatened with instant death if he dares get in range of the gun of any citizen residing in the county. Arizona sees he is beaten and consents to leave the country. Accompanied by the sheriff and posse he rides to the boundary line, waves his hand and rides out of view. The boys congratulate themselves on having rid themselves sf each a miscreant and turn to ride back to town. A few days later old Jim Wayman, the uncle of the two young eastern people, asks Bob, the boy, to drive a herd of cattle across the county to the nearest market. Bob disposes of the cattle and is persuaded by a pal, accompanying him, to enter a gambling dive and take a hand at poker. Of course he is fleeced out of the entire roll which he obtained from the sale of the cattle and is about to leave despairingly when Arizona Pete enters. The bad man recognizes the boy and understands the situation, then forces the gambler who had fleeced the hoy to return the money. In the exchange of the money, a locket which the boy had is turned over and Arizona recognizes in the face of the ornament the picture of the girl who had bound his hand when he had been shot at the dance hall. The boy explains that this is his sister. Bob is thoroughly intoxicated and Arizona resolves to take him home. An hour or two later they cross the boundary line, and the bad man, aware that he is on deadly ground, trusts to luck to take him through without being seen. They arrive at the ranch house and Bob is taken into the tender hands of his sister, who comes out later, followed by her uncle, to thank him for rescuing the boy. The girl and her uncle, after shaking hands with the bad man, enter the house, and Arizona turns to leave. Just then the sheriff, stopping in the road outside the yard, sees the trespasser and, raising his revolver, fires. Arizona whirls on his heel and falls in the dust. A moment later the girl runs out and is joined by the sheriff. She explains why the bad man broke his promise. "I'm sorry, Pete, I didn't know," he says, taking the dying man by the hand. "That's all right, sheriff," he answers, "it was comin' to me an' I got it. I was a bad man and you were a better shot." Then he turns to the girl and says he will be happy if he can take just one good thing with him. She bends over and kisses him and he dies with a smile on his lips.
- Kate Allison, an exceptionally beautiful western girl, is engaged to marry a young easterner, a long-time family friend. In the first scene the fiancé is bidding his sweetheart good-bye and he is to be accompanied to the station by his prospective father-in-law. The girl is left alone with a warning that should she be molested by any of the crowd of drunken cowpunchers who would be returning from a dance at a neighboring ranch, not to hesitate to shoot. We arc next shown three young punchers, all intoxicated, riding up to the door of the cottage. All dismount, and one, peering into the window, sees the girl alone. Reelingly they enter to find the girl covering them with a Winchester, but the foremost of the gang strides forward and before she can pull the trigger jerks the gun from her hands. The punchers resolve to play a game of poker to see who will win the young lady. A greasy pack is brought forth and the game starts. The girl sees the desperateness of the situation and resolves to employ desperate means in protecting herself. A card falls on the floor from the hand of the puncher nearest her, and seizing it she scribbles a line across the face and slips it into the puncher's hands. It reads: "I will be yours in marriage if you will protect me from the others." The puncher reads the note, covertly watching the others, then as he looks at the girl a new sensation sweeps over his soul and he nods his head. He starts an altercation, accusing one of the others of cheating, which ends in all the punchers leaving the room to settle the dispute at twenty paces, in the old-fashioned and gentlemanly way. When the puncher returns to the girl he is alone. He tells her she must now make good her promise and swears faithfully to make himself worthy of her. She nods her head, but it is a look of hatred and scorn which she fastens on him as they leave. They are married and go to the cowpuncher's quarters. He apologizes for his poverty but repeats his promise to make her happy if she will give him a chance. Yet she steadfastly refuses to allow him to make love to her. A few months drag by and the former fiancé of the girl traces her to her new home. He demands an explanation and asks her if she loves her husband. She answers angrily that she does not and then eagerly accepts his invitation to return east with him. Without horses or other conveyances it is almost impossible for them to cross the strip of desert which separates them from her father's home, but they resolve to attempt the journey. On the way they become lost, and the last drop of the canteen, which her fiancé had selfishly drained himself, finds them in desperate straits and facing the most cruel of all deaths. The girl stumbles and begs for his assistance, but the panic-stricken young fellow refuses. They stumble upon the bones of a horse and the shock of this sight is the last straw on the camel's back and the girl totters to the ground in a faint. The young fellow offers no assistance, but staggers desperately on. An hour later, dazed and blindly tottering, he falls into the arms of a young prospector, who, after giving the young man restoratives, learns of the woman lost on the trail. The young prospector hurries back on the path indicated by the young fellow and an hour later staggers back into camp with the young girl in his arms. She has regained her senses and recognizes in the prospector her deserted husband. The cowardly young fiancé then asks the girl to go on with him, but she refuses and clings to her husband, whom she has vowed to love and obey forever after.
- The scene opens in a backwoods hut, the home of Dave Barlow and his stepdaughter Anna. Barlow is one of a party of timber thieves who have been working stealthily and to good profit in the government forest reserves on which property they live. Barlow and his crowd have assembled and are preparing to make another cutting. Anna tries to persuade her father not to commit the crime, describing the penalty, which means imprisonment if he is caught. He is abusive and the crowd goes out. The next scene shows them marking certain trees which are to be cut. We leave them here and show the office of the United States Marshal of the district. A letter has just been received, stating that timber thieves are busy on the government land. After reading the letter the Marshal calls one of his deputies, gives him the assignment to run down the men, and the latter leaves. We next find Charles Wentworth, the deputy, reconnoitering about Barlow's place. Satisfied that this latter is one of the miscreants, he goes to the door and knocks. The door is opened by Anna, who, being questioned if her father is in, opens the door to the stranger and invites him in. Barlow is suspicious but gives an affirmative answer and some time later ushers the guest into a spare bedroom. During the night Barlow, convinced that Wentworth is a spy, resolving that "dead men tell no tales" and that a dead forest ranger is much preferable to a living one, steals quietly to Wentworth's door, tries several keys and forces an entrance. But Wentworth, who has heard the rattling of the key, is prepared for him and when the latter opens the door he finds Wentworth's gun covering him threateningly. Barlow makes the excuse that he had left a hat in the room and wanted to get it without awakening the guest. Wentworth sees the scheme, tells him to take the hat and get out, emphasizing his desire for solitude by again pointing the pistol at his head. An hour lager Barlow returns with the rest of the crowd of timber thieves, explaining to them that he has the spy at bay. Anna now awakens, hears the men crunching about below and slips quietly downstairs. She suspects the plot and resolves to save Wentworth, who had shown his kindness to her during the evening. Stealing out of another door, she mounts her father's horse and rides like mad for the office of the United States Marshal. There she communicates the news and her fears for Wentworth's life and begs them to come with her immediately and with all haste to save the man's life. Returning to Barlow's place, the men have quietly entered, then with a rush they attack Wentworth's door and before he can lay hands on his revolver, seize him, bind his hands and drag him out of the room. Drunk and unsuspecting that Wentworth's rescuers are now close upon them, Barlow and his crowd torment the captive and finally draw straws to see who will have to do the job. Barlow gets the fatal straw, and, ordering Wentworth to strike a position on the opposite side of the room, raises the pistol and is about to fire, when the outer door bursts open and the Marshal and his assistants, followed by Anna, enter the room. The entrance is timely and effective. Wentworth is saved and the timber thieves, securely handcuffed, are dragged from the room. Wentworth's heart stirs with love for the girl who has saved his life and there and then he proposes and is accepted.
- Jim Sweeney, alias Tom Nolan, and his confederate Ralph Harding are much wanted by the sheriffs of several Arizona counties and particularly by the one in which the two are carrying on their latest depredations. A third of $1,000 has been posted for the capture of Sweeney and so persistent has the sheriff been of later that Sweeney finally concludes the neighborhood is becoming alarmingly unhealthy and resolves to move. He and Harding ride to the secluded shack of the Sweeneys where they find the latter's wife. Unbeknownst to Jim, an affair has started between Martha, his wife, and his confederate, Harding, as is made evident in the first scene of the picture. The next scene shows the sheriff and his posse, just recently apprised of a cattle stealing campaign by Sweeney and his pal, leaving to search for the culprits. The trail is discovered, a hot chase follows, but the two elude their pursuers, each going separate ways. Jim, to his shack and Harding to the wilderness of the desert. The latter, left alone with his own thoughts, finally resolves to give up the game and if possible to give Him over to the sheriff, thus making it easy for him to win Martha. The sheriff is, of course, surprised when Harding walks into his office, with the butt end of the revolver he carries offered to him. Then he explains. He desires to turn state's evidence and save himself. He wants to reform. Then he tells the sheriff he will deliver to him the body of Jim Sweeney, dead or alive, for the consideration of $2,000 and his own release. The sheriff agrees and allows him to go with the threat that if he does not make good he will have to suffer the consequences. That afternoon Harding rides cautiously up to the shack, whistles softly and waits for Martha. She appears and he explains his treacherous scheme. She agrees to do as he tells her, and Harding lays out instructions. She must find out from Jim, when the latter is to cross the boundary line and leave a note under a certain tree stump in the grove. That evening Jim rides up, dismounts and enters the house. He tells Martha that he must skip and that he will leave the house at 8 o'clock that evening. Martha loses no time in writing the note of warning, steals out of the house, unaware that Jim, who has been suspicious of her actions, is following stealthily behind her. She secretes the note and hurries back to the shack, while Jim, watching his opportunity, takes the note from under the stump and reads it. Then, he understands. It reads: "Jim will cross the boundary line at eight. Martha." The bandit looks up with a blanched face and trembling hands. Suddenly a mode of revenge presents itself to him and taking a pencil from his pocket he hastily scribbles a postscript: "He will be dressed in my clothes." At five minutes to eight Jim, who has prepared to leave, takes his wife in his arms, then hesitates, asking her, guardedly, if she will go out and make sure the coast is clear. She, unsuspecting the impending tragedy, agrees, throws a shawl over her head and slips out. A moment later, Jim who is waiting expectantly, hears a shot fired, a scream, and with a smile of triumph, turns and walks slowly out of the house. Martha is stretched out on the ground, dead, while Harding with still smoking gun, is bending over her horror-stricken. Sweeney touches him on the shoulder and pulls him to his feet, tears the gun from his hands, and with a smile of evil triumph turns and stalks away. Harding falls over the body of Martha, cursing madly his fate as the picture finishes.
- The first scene opens on the property of a well-known Western ranchman. A bunch of cow punchers are assembled wasting their time and their employer's money by playing cards. The ranchman catches them at the game, quickly breaks it up, and sends them to work. One cow puncher, a greaser, who dislikes being ordered about, even by his employer, tells the ranchman so. A fight ensues in which the ranchman gets the better of the greaser, and kicks him off the place. After this, the greaser swears revenge. He hits upon a plan, and with the assistance of another greaser they secure the ranchman's little girl, taking with them a shepherd dog, a playmate of the little girl, the dog being utilized later on by the greasers, as the story will show. Eventually the two greasers, the little girl and the dog arrive at the greasers' hut, and a note is written to the little girl's father, stating that she has been taken out of revenge for the treatment the greaser received at the hands of the ranchman and that they will not return her until they feel inclined to do so. The note is tied to the dog, the greaser well knowing that once the dog is released he will make his way back home and that the note will eventually fall into the hands of the little girl's father. The dog is turned loose and hurriedly makes his way home. Immediately upon the finding of the note by the rancher he gathers about him his cow punchers and they start on the trail of the greasers. In order to make sure of locating the girl, the father secures an Indian, who is noted for his ability as a "trailer." The Indian is not long in finding the tracks of the fugitives, and he eventually leads the father to the house where his child and her captors are in hiding. A thrilling chase now ensues, and after many startling occurrences the child is returned to her father and the greaser meets a just punishment at the hands of the Indian trailer.
- A 5 song special featuring the debut of the unreleased song "Sweet Annie" performed live at the Red Rock Amphitheater.
- Jim Watson, cow puncher, big, brusque man of the plains, falls in love with Annie Morgan, the daughter of a fairly prosperous Western ranchman. After a short courtship Annie is won and plans for the marriage are made. Annie and Jim quarrel and at this most opportune time, Walter Milton, a wealthy young Easterner, honks into town in his big four-cylinder touring car, becomes enamored of the pretty Annie and lays plans for the frustration of the happy romance. Milton contrives to obtain an introduction and invites Annie for an auto ride. He laughs at her efforts to resist the temptation and she finally yields. It is the old story of the lure of the gold that glitters. Annie is persuaded by Milton to return Jim's ring and to wed him. Jim is sent away broken-hearted, but resigned in the belief that Milton can make her happier. Milton's intentions are the lowest and most despicable. He arranges with a Mexican "greaser" to pose as a "preacher" and perform the fake ceremony. A clergyman's suit and hat is furnished the Mexican to lend dignity to his lank form, and Milton then drives back to fetch Annie. In the meantime Jim has decided to leave the ranch and, bidding good-bye to his old-time pals, bundles up his few belongings, throws his saddle over his shoulder and starts on the long hike to the railway station. A smartly dressed young woman, a rarity in Jonesville, is pacing up and down the railway station when Jim arrives. As he passes her she looks up and, a little embarrassed, questions him, "I beg pardon, sir, but do you know Walter Milton, my husband?" The big Westerner looks at her kindly, "Walter Milton," then as the truth dawns on him, "your husband!" Explanations follow. Milton left El Paso in the auto for an extensive tour and was to meet her at Jonesville two weeks later. She has arrived somewhat ahead of the time set. Jim tells her to wait, then borrowing a horse, rides at breakneck speed back to the ranch. He traces the auto to the Mexican's shanty, arriving just in time to prevent the wedding. Without any explanation Watson forces Milton and Annie into the auto and orders the chauffeur to drive back to Jonesville. When they arrive at the station Milton is forced to confess to Annie and the rightful Mrs. Milton his nefarious scheme. Jim leaves the trio and saunters over to the post office and general store. A short time later, repentant and ashamed, Annie comes to him and begs forgiveness. Jim's big heart melts and he takes her in his arms and restores the ring to her finger.
- The scene takes place on a Western ranch in Wyoming. Jim Flanders, a wealthy ranchman, has a beautiful daughter, Alice, who is loved by Tom Ripley, the foreman of the ranch. The match is objected to by Flanders, who desires his daughter to wed a more cultured and refined man. Ripley is so persistent, however, that Flanders discharges him from his services and orders him to leave the ranch. Robert Gray, an Easterner, and the type of a man, presumably, that Flanders prefers for a son-in-law, is sojourning at the ranch and appears to be desperately in love with Alice. Alice, however, sees through the veneer and Eastern polish of his makeup, and will have nothing to do with him. A climax comes one day shortly after when Ripley again visits the girl and is ordered away by Flanders. A bitter quarrel ensues in which Ripley draws his gun, but he is saved from shooting the ranchman by the timely interference of the other cowboys. Ripley leaves quietly but makes threats which Flanders and a number of cowboys overhear. In a quarrel with one of his employees, Pete, a half-breed, Flanders is shot in the back and Gray, arriving on the scene threatens to expose the Mexican, unless he complies to a certain plan, by which he thinks he can dispose of Ripley and win Alice. The revolver which the half-breed used in shooting his employer is slipped into Ripley's holster and his own removed therefrom. Then an alarm is turned in and a few minutes later Ripley is dragged from his shack and accused of the murder. Evidence is only too strong and speedy Western justice is soon served. Ripley is lynched and Gray finds an open road to the girl's hand. There is a stronger law sometimes than that which is meted out by human hands. "Remorse," that haunting, phantom thing that drives the criminal inevitably to his death, no matter how innocent he may appear in the eyes of the world. Gray wins Alice's consent to marry him, but as he slips on the engagement ring the girl's form melts and in his deluded mind he imagines Ripley is standing in front of him, an accusing finger pointed at him. Gray, uttering a shriek, staggers back, and flees, leaving the astonished girl staring after him. He seeks the solitude of the wilds of a rocky canyon, but the form of Ripley continues to haunt him. A circling eagle high up on the cliff, screams mockingly at him, while the roaring mountain torrent hurls accusations at him. He wends his way with difficulty up the face of the cliff and drops in a heap on the top. Pete, the half-breed, finds him there an hour later. Gray rises and grapples with him. The astonished half-breed struggles, but the superhuman strength of the deluded man crushes all resistance, and a moment later the two totter over the brink to their death on the rocks a thousand feet below. The picture ends here. Judgment, swift and sure, meted out by the hand of unrelenting fate, has balanced the debt.
- Touring documentary starting in Boston Massachusetts and Live Concert at Red Rocks Amphitheatre in Morrison, Colorado
- The opening scene of the story is in a Nevada mining town, the hub of the gold center. Herbert Mills, a young chap from the east, with his partner, Walter Daniels, an experienced miner, are about to set out on a prospecting trip through the mountains. There is the usual hustle and bustle in loading the pack mules with their paraphernalia and the next scene finds them well on the trail, a scarcely discernible thread winding up through the mountains. Later in the day they draw up at a miner's hut and are attracted by the voice of an aged miner. They enter and find the old prospector very close to death. Daniels shows his surliness and hard-heartedness in advising his pal to let the old chap die, but Mills waves him aside and administers to the enfeebled old man. The latter is revived, but knowing that his life is fast drawing to a close, brings out a chart describing a mine, stating that it is very rich. The chart is delivered to young Mills, who eases the old man in his last battle with life, then withdraws to show the partner that kindness is sometimes very richly rewarded. The next evening finds the two prospectors in the middle of the desert but still a day's journey to the mine as described in the old miner's chart. After tethering their burros and making camp for the night they turn in for much-needed sleep. Young Daniels awakens in the night and is seized with an evil desire to rob his partner of the latter's share in the mine. While Mills is soundly sleeping, Daniels steals the chart from the sleeping man's pocket, packs up the mules with such tools and other material as he may need, and slips quietly away, after emptying Mills' water canteen. In the early morning Mills awakens and discovers his partner's treachery, that he has been left to die in the desert. He realizes the horror of the situation, but summoning his courage he strikes off through the desert, following the faint trail taken by his partner. Suddenly all trace of the trail vanishes and he awakens to the fact that he is hopelessly lost. The blazing sun on his back and the hot ankle-deep dust of alkali and sand underfoot soon exhaust him and he drops in a crumpled heap, desperately tired and thirsty. In the meantime Daniels has arrived at the mine and is gloating over the prospects of his gobbling the entire riches. He enters the dim cave and disappears in the darkness. Next is shown a scene, taken within the mine, of the figure of Daniels silhouetted against the narrow shaft of light making his way into the mine. The following scene is one of the cleverest bits of camera work ever seen in moving picture; the interior of the mine. Here Daniels discovers the rich pay-streak and makes a hasty calculation of the immense wealth the mine contains. But he has no sooner touched the gold than a blinding light flashes above him and he sees in a vision his comrade Mills, lying unconscious under the blazing sun on the desert sand. There follows a fight in the man's soul between conscience and avaricious greed. But in the end the former conquers and Daniels, sorry and repentant, hurries out of the mine, saddles a horse and hurries to the rescue of his comrade. He finds him unconscious, just as the vision had pictured, but not beyond his aid. Water and food soon revive him and Daniels, hoisting him into the saddle, drives hurriedly back to the mine and reveals the vast wealth it contains. Then, to make up for his blackguardly action of the night before, he offers Mills the whole mine and declares he will withdraw, but Mills forgives him and insists on his staying. The affair ends with the two shaking hands and avowing eternal comradeship, not to again be severed by selfish greed.
- Promotional tourism film showing the sights of the Lariat Loop Trail through Jefferson County, Colorado. Film starts at the Golden Tourist Park and proceeds with views from Golden of Golden High School, Washington Avenue, the Colorado School of Mines and panoramic shots taken from high points around the city. Then the movie proceeds up Lariat Loop road to Lookout Mountain, and through the Denver Mountain Parks to Evergreen. The film then travels down Bear Creek Canyon to Morrison, and completes the Lariat Loop to Golden.
- Tom Carlton, leader of a band of Western bandits, tires of his life of crime and resolves to reform. Calling his band together, he tells them of his desire to be an honest man and advises them to follow in his steps. Although a recognized "road-agent," Carlton had never been convicted and went his way among the people without fear of arrest. Carlton finds that a resolution to be good is the first and easiest step in the reformation of a sinner. He applies for work on a ranch, but is refused because of his shady character. He wanders about the country and finally applies for a job at a mine. He works there until he is recognized as the former bandit and is again driven away. Disgusted and in despair, he wanders away, resolving to return to the old life. Making his way along the stage road, he stops to watch the coach go by. It carries many passengers, all of whom appear to be exceedingly prosperous. He resolves to hold up the coach and, stealing a horse from a cowboy, he gallops off after the coach. By a short cut he heads off the stage coach and at a lonely spot on the trail, leaps from behind a rock and commands the driver to throw up his hands. All the passengers, panic-stricken, file down from the coach and line up in a row, ready to deliver their valuables to him. He does not see the old lady on the end, so busily is he kept watching the others, and with gun ready for instant discharge he exacts tribute from the travelers. The old lady at the end holds out her purse, when the outlaw drops his gun and staggers back. "Mother!" Tom Carlton, outlaw, drops on his knees, tears off his mask and hides his face in his mother's skirts. The poor old lady recognizes her son, drags him to his feet and puts her arms about him. The surprised tourists are stunned at the sudden turn of events, but move discreetly away while the poor old mother and her wayward son go to each other's arms.
- Hiram Matthews, a western ranchman, owns an apple orchard which borders on the property of Jesse Forsyth. The former and his wife are picking apples in the orchard from a tree, the branches of which droop over the fence of the Forsyth property. Forsyth and Matthews have never been on good terms and when the former, who has brooded long over supposed ills done him by Matthews, finds this latter and his wife trespassing on his property, he orders them off at the point of a shotgun. Matthews argues that as the tree is planted upon his ground he is the owner of the fruit on the branches which overlap the two properties. The other man disagrees and threatens to shoot Matthews if he dares trespass. Matthews summons the sheriff, who advises him to go to law. Matthews' son now returns from an eastern college and, unaware of the enmity between his father and Forsyth, meets the latter's daughter. It is a case of love at first sight, but Forsyth coming on the scene of the tete-a-tete, orders his enemy's son from the premises and drags the girl into the house. Young Jack Matthews goes home and persuades his father to call on Forsyth, and endeavors to patch up the old misunderstanding. Matthews agrees and goes to the Forsyth homestead and offers to forget old misunderstandings and to be friends, but Forsyth is obstinate and refuses to shake hands. The next day young Jack dispatches a boy with a note for Nellie, Forsyth's daughter. The note is delivered, but the girl's father, slipping quietly upon her, suspects that the note is from Jack and as she walks away toward the trysting place he follows stealthily after. Jack meets the girl and they are again at their love-making when Forsyth, enraged at young Matthews' persistency, breaks up the scene and again orders Jack away. The latter argues with the old man and follows him away as he drags Nellie towards the house. There is another argument and Forsyth draws his revolver and shoots the young lover. Jack makes his way home and is carried into the house by his father's sympathetic cowboys. The elder Matthews then organizes a little party of his own and rides away to get the sheriff, after which they ride to the Forsyth's. The old man is expecting them and when they slip quietly upon the house they find the grim looking muzzle of the old man's Winchester thrust out at the open window and pointed threateningly at them. Nellie comes on the scene and offers to talk with her father. In the end he is pacified and offers to accompany the sheriff to the Matthews' home. He is taken before Jack, who, realizing that Nellie will suffer if he incriminates the old man, refuses to identify Forsyth as his assailant. Forsyth, much to the regret of the boys and the elder Mathews is allowed to go. The next day Jack suffers a relapse and is taken with a violent fever, raging in his delirium and calling for his sweetheart, Nellie. The doctor thinks that the only hope for the boy is to see Forsyth's daughter and upon his advice Mrs. Matthews, accompanied by a cowboy, calls on Forsyth. She pleads for him to let Nellie accompany her that her boy's life may be saved, which, after some argument, he agrees to do. Nellie even persuades him to join them. In the end Jack is apparently well on the road to recovery when Nellie slips tenderly into his arms, and the two old men are brought together by the girl, who makes them promise that in the future they will be nothing but the best of pals and pardners.
- Two handsome young Americans, cowboys of the "Bar O" ranch, fall in love with Kitty Blair, the pretty daughter of a neighboring ranchman. The two young fellows have been pals up to the time they meet Kitty, when a bitter rivalry rises between them. Kitty presents Stephen Bronson, one of her admirers, with her latest photograph, but shows her impartiality when she gives Stephen Howard, the other suitor, a similar photograph. The two young fellows finally resolve to see the girl together and ask her to choose between them. When they state their case to Kitty, she hesitates but a moment and gives her hand to Bronson. Howard manfully withdraws, after shaking hands with Bronson and wishing the two a happy life together. It is not long, however, before Bronson shows the other side of his nature. Bronson loses money gambling and plans to reimburse himself by appropriating another ranchman's cattle. Bronson takes into his confidence one Will Parsons, another cowpuncher, and when night falls they visit the corral and make away with a half-dozen of the ranchman's choicest steers. Parsons is sent on to sell the cattle while Bronson rides off to visit his sweetheart. In the meantime discovery of the theft is made, and a photograph of Kitty, bearing the legend, "To my friend Steve," is found close to the spot where the cattle were rounded up. A visit to Steve Howard's adobe follows, but Howard's entire ignorance of the entire affair seems to point out his innocence. There can be but one other Steve who could be guilty, and Bronson is hunted up. He is apprised at his sweetheart's home, accused of the theft, and is about to be led away to the lynching tree, when Howard, who has come upon the scene, steps in front of Bronson and shoulders the guilt himself. Bronson is thunderstruck but does not offer to interfere when Howard is led away. He is not quite capable in his black soul of appreciating the nobleness of Howard's sacrifice. On the other hand Howard is firmly convinced that Bronson is innocent and it is to make happy the girl he loves in taking Bronson's place. Bronson, after the party has left, turns to the girl and begs her to go East with him. She consents and goes into the house to pack her suitcase. While she is in the house Parsons, having sold the cattle and returned with the money, calls Bronson aside and tells him he is ready to divide. They are in the midst of this transaction when Kitty comes out of the house and hears them talking about the theft. Immediately she realizes Howard's great sacrifice, for the cowardly knave she has agreed to marry, and in a moment desperately resolves to turn them over to justice and to save Howard's life. They are surprised when they look up into Kitty's revolver, but she forces Bronson to write a confession, clearing Howard, and jumping astride Bronson's horse, gallops off after the sheriff and his posse. She arrives just in the nick of time. The rope has been thrown over Howard's neck and is ready to draw him to his death. The girl's timely arrival prevents this and her screams for them not to hang the man check them. Kitty brings forth the confession from Bronson, Howard is liberated and Kitty goes to his arms. The sheriff and his posse jump on their horses again and ride off in pursuit of Parsons and Bronson. They overtake them finally and the two meet their just deserts.
- Watson awakes to a beautiful, harmonious reality, seemingly existing solely for him. But, he can't help but wonder, did the world really change or did his mind wake up on the other side of the life he knew?
- A concert featuring performances by Psychopathic Records artists Axe Murder Boyz, Blaze Ya Dead Homie, Boondox, Twiztid and Insane Clown Posse.
- "Black Bart," a western bad man, is much wanted by the county sheriff and a proclamation to this effect, offering a reward of $5,000 for the bad man's capture, has been posted. At the opening of the film we see the wily criminal laughing good-naturedly at the ominous warning, which he proceeds to riddle with bullets from his revolver before riding away. We are next shown the sheriff's office. This dignitary is assembling a posse to make a raid on Black Bart in his desert lair and to bring him back, dead or alive. We see them ride away and some time later draw up in a rocky ravine to make explorations in the neighborhood. Their horses are corralled and left to take care of themselves while the search party climb over the stones up the hillside to a rocky eminence which offers a view of the surrounding country. While they are thus engaged Black Bart rides up the ravine and spots the posse's horses. Struck with the humor of the situation, as he sees it, he resolves to make away with the mounts, which he does successfully, hiding them in another part of the ravine. Then he steals out carefully to reconnoiter. The sheriff and his gang return and find their horses gone. This is evidently Black Bart's work and they resolve that if he is in the neighborhood to make the capture. To insure a quick search the sheriff divides his party into one and two to each division and sends them out by various and separate paths. Black Bart is on the lookout and when his worst enemy, the sheriff himself, comes into view behind a rocky jetty, he covers him with his gun and before the astonished sheriff can regain his senses has deprived him of his gun and ordered him to "beat it." Black Bart hurries off in the opposite direction, examining the sheriff's gun and witching warily for others of the party. A moment later two of the posse come in sight and are confronted by the bad man's gun so quickly that they make little resistance when he also takes their pistols. There are but two others of the party yet to be corralled and Bart waits for them. A moment or two later they come into view and the performance is repeated When Bart has sent them hurriedly on their way the bad man laughs and examines the weapons of his disarmed foes. With a sudden inspiration he hurries back to the corral where the horses of the sheriff's party are confined, ties the bunch to one string and gallops easily off toward town. By this time the Sheriff and his gang have met and are commenting vitriolically on what blundering fools they have been. One man, single-handed, has robbed them of their horses, guns and honor. It is ten miles to town and the sun is shooting little red darts of fire on the long snaky road toward town. Black Bart canters into town by the alleyway and leaves the horses and the sheriff's weapons back of the latter's office with a curt note to the sheriff and his boys. Later the boys, footsore and limp, drag themselves into town, whereupon the sheriff immediately tenders his resignation to the county board. Two days later, in answer to the ad from the county board, a strapping big cowboy enters the office of the board and applies for the job of sheriff. He is asked if he would be afraid to tackle Black Bart. He answers that he will capture the bad man if they promise to give him a permanent job. This is agreed to and the cowboy rides back home to show his wife and baby his star. Then he explains to his wife just how he will affect the capture of Black Bart. She makes bandage for his uninjured hand in which he slips a short-barreled revolver. Then he kisses his wife and baby good-bye and promises to bring the bad man back with him. Next we see him seated in a stage coach on his way over the hills to the vicinity of the bad man's latest depredations. Bart is waiting for the coach and the usual hold-up occurs. But when he examines the supposed wounded cowboy a bolt of lightning flashes from the victim's bandaged hand and the bad man falls wounded. A few hours later the experimental sheriff and his captive enter the office of the county board. The cowboy sheriff is congratulated and receives his permanent appointment as sheriff of the county.
- Allan Ardmore and his sister, Edith, two young eastern people, pay a visit to their uncle's ranch in Arizona. Young Ardmore has suffered a physical breakdown and is seeking to regain his health. Albert Weston, his uncle, believes in the doctrine of "back to nature" and sees plainly that what the boy needs is fresh air and plenty of rough, hard work. Summoning his foreman, Dan Wells, he turns the boy over to him and tells him to make a cowboy out of him. Edith Ardmore attracts Dan's eye and he soon finds he is in love with her and is partially neglecting his real charge, her brother. He is brought to realize the seriousness of this, when he finds the youth in a gambling house, squandering the little money he has. Dan sees also, that Louisa, a young Mexican girl, and habitué of the place, is directly responsible for his evil ways, and calling him aside remonstrates with him kindly and tells him to avoid Tonia. Ardmore explains that he realizes he is on the path to ruin and promises to mend his ways, but he finds it almost impossible to rid himself of his intuition for the Mexican girl and again seeks her out. In the meantime young Wells has given evidence of his affections toward Edith in his careful attention to her wants and by presenting her with numberless little gifts, including a small hand purse. Later he confesses his love and is accepted by Edith. Ardmore, after numerous secret visits to the gambling house, loses all his money and Tonia turns him down, not wishing to have anything more to do with so poor a gambler. The misguided young fellow does not understand, he must not lose Tonia, and returning to the ranch house, slips into his sister's room and steals her purse, reflecting that with the money he can again re-establish himself in the good graces of his senorita. This money goes with the rest, and Ardmore hunting out Dan, tells him of his losing certain money which he must replace. Dan goes to the gambling house and wins back a portion of the money, but refuses to give any to the boy until he has broken off with Tonia. Tonia, he says, does not love him, and as proof of this, he offers to show the youth that Tonia would allow any man to make love to her, providing he had money. Young Ardmore demands proof and Dan promises to show him. Some time later, Ardmore finds Tonia and Dan together, and it is perfectly evident that what Dan has said is true. Suddenly a thought strikes Allan. He will call his sister and show her Dan's apparent perfidy and in that way have revenge upon his meddlesome guardian. He calls Edith and offers her a view of her lover's unfaithfulness. Edith, of course, entirely misunderstands the situation and turns away, fully resolved to break with such a trifler as Dan apparently is. Dan, in the meantime, has found that Tonia is carrying the purse which he gave Edith. He then realizes what young Ardmore meant, when he said he must replace certain money. Procuring the purse and denouncing the sinful Mexican girl, he places a number of bills in the purse and hurries to the ranch house. Slipping quietly into Edith's room he is about to replace the purse, when Edith enters. She accuses him of theft and unfaithfulness. Dan does not understand the last charge and pleads innocent to both. She tells him to go and hurls the purse and money into his face. He is about to stagger out, when Allan enters and makes a clean breast of his dishonesties. Explanations follow and a reconciliation is established between Dan and Edith, while young Ardmore promises to mend his ways.