IMDb RATING
5.9/10
1.6K
YOUR RATING
Three men in a rowboat are leaving the harbor.Three men in a rowboat are leaving the harbor.Three men in a rowboat are leaving the harbor.
Photos
Mrs. Auguste Lumiere
- Self (on the pier)
- (uncredited)
Jeanne-Joséphine Lumière
- Self (on the pier)
- (uncredited)
Storyline
Did you know
- ConnectionsEdited into The Lumière Brothers' First Films (1996)
Featured review
This is a pleasing little feature from the earliest years of cinema, with a nicely planned camera field that catches action both in and out of the water. The motion of the waves, and to a lesser extent the strokes of the oarsmen, result in action that is lyrical, almost rhythmic.
As with so many of the pioneering Lumière features, it displays a very nice choice of material, whether by careful design, by a good intuitive feel. or by a combination of both. The motion of the boat on the water is balanced very nicely by the movements of the small group of women and children at the water's edge. As, again, with a good number of these very early features, it bears watching a couple of times. The boat is what grabs all of the attention at first, but the other half of the scene is also worth noticing.
The artistic-looking setting would have made a worthwhile subject for one of the great French Impressionist painters of the era. It is also the kind of nicely photographed little scene that would not have seemed out of place if it were used as footage in the middle of a feature made in a much later era, since it holds up very well. The very brief footage also leaves you with a little curiosity, since it has shown you a small, simple, but far from dull piece of the lives of these persons. It accomplishes its aim, and is pleasing to watch.
As with so many of the pioneering Lumière features, it displays a very nice choice of material, whether by careful design, by a good intuitive feel. or by a combination of both. The motion of the boat on the water is balanced very nicely by the movements of the small group of women and children at the water's edge. As, again, with a good number of these very early features, it bears watching a couple of times. The boat is what grabs all of the attention at first, but the other half of the scene is also worth noticing.
The artistic-looking setting would have made a worthwhile subject for one of the great French Impressionist painters of the era. It is also the kind of nicely photographed little scene that would not have seemed out of place if it were used as footage in the middle of a feature made in a much later era, since it holds up very well. The very brief footage also leaves you with a little curiosity, since it has shown you a small, simple, but far from dull piece of the lives of these persons. It accomplishes its aim, and is pleasing to watch.
- Snow Leopard
- Mar 14, 2005
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Човен виходить із порту
- Production company
- See more company credits at IMDbPro
- Runtime1 minute
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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Top Gap
By what name was Boat Leaving the Port (1895) officially released in Canada in English?
Answer