User reviews

Clark Gable and Rosalind Russell team up in "They Met in Bombay," a 1941 film also starring Peter Lorre. The two are both thieves, both with their eye on a valuable necklace, when they meet - she posing as aristocracy, he posing as a detective. They end up on the lam and in love.

The fun part of this film takes place later on when Gable, trying to come up with an escape plan for the two of them, gets a uniform and poses as a soldier. Unfortunately, a situation arises and a superior officer grabs him off the street for special duty. He's then in a very difficult position indeed.

It's fun to watch the two stars together. MGM didn't always know what to do with Russell's strong beauty - in "Trouble for Two" she is extremely Garboesque - here, her hairstyle and makeup are pure Hedy Lamar. Either way, she looks great and gives a nice performance as a woman in love in spite of herself. Gable is charming and plays it dead serious, which makes his war duties even more bizarre, as he's totally believable. Peter Lorre is on hand for a touch of the sinister.

The script could have been stronger to support these two stars and a good story. Nevertheless, it's good, breezy entertainment.

This film is rather formulaic. Clark plays an international con man thief who falls in love with a female version of himself (Ms. Russell). While this certainly doesn't break any new ground and is a very predictable by-the-numbers MGM production, you are still left with a movie that is great fun but won't change your life. I, for one, love films like this. That's because I like the formula--as did the rest of America at the time. That's because despite its short-comings the film was dripping with quality. Both actors are at the top of their game, the writing and dialog is snappy fun and the direction is on target. All-in-all, a lot of fun and sure to please fans of this genre.

Clark Gable and Rosalind Russell had worked twice together before. Russell was a supporting player in two of Gable's previous films, China Seas and Forsaking All Others. But in They Met in Bombay they make a bright pair of competing and then cooperating thieves.

Bombay is in fact where they do meet, both of them working individually on a caper to steal a really big diamond belonging to inebriated Dutchess, Jessie Ralph. When they discover who each really is, there's some antagonism, but the police chasing them forces some cooperation which becomes more and more willing as the film progresses.

The pair eventually arrive in Hong Kong and I dare not say more, but some of Gable's con games involve him something far bigger than he can handle as the plot takes some unbelievable turns.

Gable and Russell worked well together, it's a pity that this was their only teaming on the big screen. Look also for good performances by Peter Lorre as the sly Chinese freighter captain and Reginald Owen as the British General and Matthew Boulton as the frustrated British police inspector. Also if you look fast you'll see Alan Ladd in a minute part as a British soldier in a scene with Gable while the leads are in Hong Kong.

They Met in Bombay is fast paced and very funny and still holds up remarkably well today.

It was great to see another little remembered Gable film made before he went off to war. When he was paired with Rosalind Russell in "China Seas", they met in Hong Hong and traveled by ship to Singapore. Here, they meet in Bombay and travel by ship to Hong Kong, under quite different circumstances, as fugitive jewel thieves. In general form, this film reminds me of the later "The Big Steal", a chase thriller-screwball romantic comedy combo in an exotic locale, involving a man and woman, unknown to each other, looking for the same thing. Toward the end, it turns into a forerunner of "The Great Imposter", with Gable successfully fooling the British Hong Kong garrison into believing he is a British officer, who happens to be passing through. This gets him into more hot water than he bargained for, as the Japanese invade Hong Kong(as they actually did less than a year later!). Peter Lorre doesn't fool anyone as the supposedly Chinese captain of the ship taking the thieves to Hong Kong. This is mostly Gable's film. Sometimes, I wondered if I was looking at a deglamourized Heddy Lamarr instead of Rosalind Russell. All in all, an entertaining, if silly, romp, with Gable still looking in peak form and seeming to enjoy himself.

I don't think I have ever seen Clark Gable in a bad movie, or with a sub par performance and this 1941 black and white film is no exception. Gable maintains his swagger throughout as Gerald Meldrick, a con man with a quick wit and an endless supply of phony names and costumes, but he is eventually positively influenced by his new romantic partner in crime Anya Von Duren (Rosalind Russell) and he finds himself outmatched when it comes down to the crunch to continue living a life of crime always on the move at a moments notice to avoid the authorities, or to do the right thing and fight for his country.

The film has a bit of romance, a bit of comedy, a bit of a con job and a lot of charm.

I give it a highly respectable 8 out of 10 IMDB rating. It is the type of film that is over before you want it to be finished. It is quite entertaining even some eight (80) years later. I must be an old soul because I just love these TCM movies.

This picture is likely to make the viewer yearn to know what went on behind the scenes during its making. The impression one gets is that about halfway through the filming (or writing of the scenario, or both) someone decided that what they had so far wasn't working, but that there was already too much invested to discard it. So from a conventional international jewel thieves romance/suspense/comedy (better than some of its type, not as good as others), the film shifts gears abruptly and becomes a wartime adventure, with our hero and heroine trapped by the battles raging around them. Having once put in some time in the military (before being asked to leave), the Gable character needs do nothing more than don a tailor-made uniform to pass as an authentic member of the corps, his presence unquestioned by any of his colleagues, his authority unchallenged by anyone to whom he issues orders. Needless to say, he becomes a war hero, awarded the highest honors despite there presumably being no record of his existence.

Wait a minute.....weren't we talking about jewel thieves? Yes, and so was the picture, no more than fifteen minutes earlier.

Don't despair - before the final credits, the two stories are reconciled about as clumsily as the rest of the picture is put together.

Could it be that this 1941 product was deemed too lightweight and frivolous for an audience whose nation was being drawn into a world war, and that the studio bosses decided to make it more contemporary? If so, they should have taken their losses on what was already written and/or filmed, because the incongruous story they released is an embarrassment.

'They Met in Bombay' had a lot going for it. Having Clark Gable, Rosalind Russell and Peter Lorre in the same film, a really conceptually interesting story and a talented director being the primary ones, plus MGM were responsible for many classics of all genres (especially musicals) that are too numerous to list.

On the most part, 'They Met in Bombay' doesn't disappoint. Not quite one of those completely living up to high expectations and exceeding them, but it nearly does and in no way a waste of potential. 'They Met in Bombay' is not necessarily great. It is uneven and disjointed for reasons that will be explained later and actually have been covered already in previous reviews. 'They Met in Bombay' having said that is also very entertaining, would classify it as a good film that is hard to dislike and with nothing to be offended by.

Good things are a great many. Clark Gable and Rosalind Russell are terrific in the lead roles, particularly Gable. Lots of charm and with great comic timing, their chemistry sparkles. Peter Lorre, Reginald Owen, Matthew Boulton and Jessie Ralph give nice support, Lorre and Boulton coming off most memorably.

Production values are lovely to look at, particularly the crisp photography. The score is suitably peppy and the direction sees someone with a lot of talent doing a more than solid job. 'They Met in Bombay' goes at a snappy pace, the script is funny, witty and surprisingly sophisticated and the story for the near-perfect first two thirds is immensely engaging with plenty of well done scenes (including a hilarious scene in a beauty parlour).

It is a shame that the last third is not as good. The pace slackens, the wit and sophistication disappears and the patriotic element that is introduced feels heavy-handed and almost tacky, it just felt very misplaced. With the more action-heavy and political edge 'They Met in Bombay' did feel like a completely different film, and one that wasn't near as interesting or entertaining as the first two thirds (which only had the predictability to fault it).

Also thought that Gerald's character went through a character change to a more heroic personality trait that also jarred, almost like there were two different Geralds.

Concluding, a good and entertaining film let down by a disappointing final third that was enough to bring the film's quality quite a bit. 7/10 Bethany Cox

The time-worn cliche of the glamorous, romantic jewel thief can be charming when done with a touch of class, as in "Trouble in Paradise," "Grand Hotel," or "I Was An Adventuress." Here, it's handled with so little taste or imagination it positively degrades the profession. We're given to understand that Gable and Russell are just nice kids down on their luck, and the sundry larcenies they engage in are just playful antics they'll grow out of as soon as they've stolen enough money to settle down in that little cottage with roses round the door. Come ON. Even more appalling are the hideous false "Chinese" eyelids Peter Lorre is forced to wear, which would have been good for his role as the burn victim in "The Face Behind the Mask" but here just add to the general aura of gauche insensitivity.

Gerald Meldrick (Clark Gable) is a wanted jewel thief. He arrives in Bombay to steal the Star of Asia from the Duchess of Beltravers. Unbeknownst to him, con woman Anya Von Duren (Rosalind Russell) has the same idea. The two thieves quickly figure each other out. They compete and end up together. After both stealing the gem at different times, they escape the authorities on board Captain Chang (Peter Lorre)'s ship to Hong Kong. They arrive with war looming over the horizon.

The first half is a fun little screw-ball caper. I like both Gable and Russell having fun with the characters and each other. It's loads of fun in a light affair. The movie eventually turns into war movie and it's not always the best. Gable and Russell get separated in a large middle section. Gable's con is a bit fun until the war breaks out. The action, the vehicles, and the gears are not the most realistic. It's also wartime in the real world and a bit of war propaganda is to be expected. This is a good pairing and one can excuse any flaws for the greater cause. The mix of a real war and light comedy is just a bit awkward.

Gable and Rosalind Russell play a couple of jewel thieves who meet in ..... well, guess where, and keep running into each other thereafter.

It's a fairly formulaic film carried on the charms of the leads; director Clarence Brown can't overcome the MGM gloss to provide the screwball details that the first half of the film really needs, although Peter Lorre as a shady and unctuous tramp steamer captain is a lot of fun.

I have the feeling Miss Russell replaced Myrna Loy at some stage in the production and the first couple of reels show damage. Clarence Brown directs the comedy bits for everyone but the two leads, a telling indictment of his opinion of their chops. Even worse, William H. Daniel's high-lit camerawork makes Miss Russell look a trifle jowly.

One of those Hollywood booboos - one of many - that passed their scrutinization with their typical blind eye. Both eyes, in fact., wide open but unseeing. What started off as mildly amusing, turned, post haste, into a mish-mash of morass. To begin with, Clark Gable and Rosalind Russell are jewel thieves, independent of one another in their thievery, outwitting one another in the heist of a priceless necklace owned by the grande dame, Jessie Ralph, who plays drunk well. No surprise here, they hook up by hook and crook, and continue thieving, often taking from regular old small business owners, which was not funny at all. Peter Lorre, somehow or other, shows up as another character of bad character, his specialty. No big surprise, duplicitous character, in this case, a cargo ship captain who is anxious to betray his new passengers and attain the stolen goods for a handsome reward. Eventually, and for the final too many minutes, Gable is suddenly in the military, receiving honors as a hero. Russell underplaying for a change, proves she did not have to indulge in ham when she wanted to. Gable, all smirk and grin and raised eyebrow and innuendo, is Gable. Better to get on a slow boat to China then join this crew of miscreants.

Professional jewel thief Clark Gable (as Gerald Meldrick) has a perfect replica of the fabulously valuable necklace called "Star of Asia" made. He goes to Bombay, India posing as a Lloyd's of London detective. Keeping his British accent under wraps, Mr. Gable plans to steal the jeweled necklace, and leave the fake in its place. He meets phony baroness and socialite Rosalind Russell (as Anya Von Duren), another thief who wants the necklace. Learning "Duchess of Beltravers" Jessie Ralph has a fondness for alcohol, Ms. Russell maneuvers herself a seat at Ms. Ralph's table and gets the old woman drunk...

After Ralph passes out, Gable and Russell vie for the necklace. They become mutually attracted. All goes well when director Clarence Brown guides it around the Bombay hotel, where we follow the real and fake necklaces. Next, the co-stars escape authorities on a boat. Peter Lorre appears, briefly, as a Chinese captain with a yen for money. Uneasily, the heist story becomes a war movie. The playful first half is forgotten. They should have showed more of the delightful Jessie Ralph, looking for her necklace, and finally accepting Gable and Russell as imaginary heirs and occasional drinking buddies.

***** They Met in Bombay (6/27/41) Clarence Brown ~ Clark Gable, Rosalind Russell, Jessie Ralph, Peter Lorre

Plot: a jewel thief and a con artist are rivals in the theft of a valuable gem as the Japanese army invades China. Much more glamorous and romantic were Arsène Lupin or the jewel thieves with plenty of class, style and pizzazz in ¨Raffles,¨"Trouble in Paradise," and "Grand Hotel,"