User Reviews (9)

Add a Review

  • Roddy McDowell (who was also executive producer for this film,) was the perfect David Balfour. His accent was more toward the English than the Scottish, but that can be overlooked. At McDowell's age in 1948, it was natural for him to play this role.

    Having been a big fan of the original Stevenson novel, I was disappointed that they felt they had to add a "love interest." It completely changed the point of the movie. In the novel, the focus was upon the relationship between the two characters, Alan Breck and David Balfour; how they liked each other despite their severe political differences, and how they came to respect each other as well.

    The addition of the girl just made it into a trite coming of age romance, with Alan Breck turning into hardly more than a colorful sidekick.

    I also feel that Dan O'Herlihy played Alan Breck as an entirely too genteel a gentleman. Peter Finch captured him much more closely in the Disney film of 1960. Alan Breck was a gentleman, yes, but also a wild highlander with none of the daintiness affected by O'Herlihy.
  • The above reviewer made the exact points that I would make. Roddy McDowall was a natural for David Balfour, but the addition of a love interest spoiled the plot. They did the same thing in the 1938 version, only the love interest was for Warner Baxter's Alan Breck.

    The only version of this tale to stick to the real Stevenson plot was the 1960 Disney version.

    Also, I agree that Dan O'Herlihy made Alan Breck too genteel and dainty. Peter Finch fit the character. If only we could pluck Roddy McDowall out of 1948 and drop him down into 1960 to replace James MacArthur in the Disney version! --- Stan
  • It's a good but cheap version of the Robert Louis Stevenson novel, with some good casting (Roddy McDowall as David Balfour, Dan O'Herlihy as Alan Breck) good scenic photography and a general level of competence -- a hallmark of the often despised William Beaudine, when given a half-decent budget. On the downside, the fight scenes are very badly choreographed, and I wonder why everyone in Scotland uses the same variety of sword, whether they're sailors, soldiers of the French king or elderly landowners, all with approximately equal levels of competence -- save O'Herlihy who, although he looks to be at the same level, can defeat three other men.

    The story is one that has been remade many times, from a major production by the Edison in 1917 to a TV movie in 2005. Stevenson basically basically invented the Young Adult Novel with this and TREASURE ISLAND, and his youthful heroes, strong stories and exciting adventures have made him a favorite for movie-makers. Although there are better versions of this story (I prefer the superbly cast Disney version), there's little to complain of in this one -- I have, in my usual manner, already done so -- and MacDowall's performance is perfect.
  • Warning: Spoilers
    I am a direct descendant of Robert Stevenson, the grandfather of Robert Louis Stevenson, so I guess I owe it to my cousin to have my thoughts on this movie published. Fortunately, this is one of the better Monogram films. It was produced by Roddy McDowall and Ace Herman. When you look at the cast line-up, you see some good names there including of course, Roddy McDowall himself (perfectly cast as a convincing, young David), and Dan O' Herlihy (cutting a fine figure as Alan Breck). Our old friend, Roland Winters, much more animated than usual, hands in a good account of Captain Hoseason, while Jeff Corey, Houseley Stevenson, Alex Frazer and Olaf Hytten submit admirable portraits of many-sided villainy. The scriptwriter, W. Scott Darling, is to be commended for preserving so much of Stevenson's narrative and even his dialogue. It's a shame the direction by William Beaudine does not exactly capture our imagination. It's efficient but uninteresting. Fortunately, other production values are at least a cut above Monogram's none too stylish average.
  • Warning: Spoilers
    . . . KIDNAPPED? Keep in mind that you can rack your brain till Doomsday, and the only so-called "contributions" any Scot ever has made to Civilization can be counted upon just three fingers: 1)Golf, 2)Mutton "cuisine," and 3)Scotch tape. Remember what Mark Twain famously observed about the first-listed Highlander "achievement:" "Golf is simply a matter of good walking shoes soiled." As for legs of lamb, sheep are pretty much indigestible, no matter how you slice them. And when it comes to the Scots' sticky adhesive strips, even the ducks have something more solid, sturdy and stalwart!
  • Warning: Spoilers
    Based on the Robert Louis Stevenson novel, the 1948 film adaptation was financed by the low budget Monogram studio. It starred Roddy McDowall who later became famous for his role as Clarence in the Planet of the Apes series in the 60s and 70s. McDowall plays the 17 year old Scot, David Balfour, who is given a letter written by his recently deceased father to present to his uncle Ebenezer, a mean-spirited curmudgeon, who spends his days holed up in a large ramshackle house which features an unfinished staircase. Once David arrives at the house, the vile uncle sends him up the staircase to retire for the night, intending to murder his nephew expecting him to fall to the abyss below. Fortunately David (while inching his way up the unlit staircase), manages to avoid falling to his death.

    So right away Kidnapped seems interesting as we have this crazed uncle who will do anything not to have the inheritance of his estate fall to his nephew (as it turns out David's father was older than Ebenezer-a dispute over a woman led to an informal agreement between the brothers that David's father would marry the woman and Ebenezer keep the house). Ebenezer now admits that David is heir to the estate but remains undeterred in preventing David from taking possession of the house and his money, so he employs Captain Hoseason (Roland Winters) to kidnap him and ferry him across the Atlantic in his ship, where he'll be sold as a slave in the Carolinas.

    Hoseason's ship rams a small boat which leads to Alan Breck (Dan O'Herlihy), a fugitive wanted by the English crown, getting on board and attempting to make a deal with Hoseason to take him to France, where the French government is supporting the secessionist Jacobite movement which Breck is a member of). The Jacobites swear allegiance to Charles Edward Stuart, the son of the Catholic King James II, who was deposed in the Glorious Revolution of 1688 by Charles's half-sister Mary II and her husband, William III, both Protestants. Charles led a revolt in Scotland beginning in 1745.

    Breck's deal with the Captain never materializes and David gets wind that the Captain and main mate are planning to kill Breck and take his money. David informs Breck about the Captain's designs, and the two, outnumbered about eight to one, manage to stave off defeat by some unrealistic sword fights and use of firearms that David conveniently has access to.

    Eventually they're forced overboard where David and Breck are separated. The rest of the second Act involves the two being reunited, after Breck kills "The Red Fox," the king's enforcer agent, regarded as a terrorist by the largely sympathetic Jacobite-leaning Scottish population. David, however, remains loyal to the English king, and he and Breck are often at odds on political views which gives the narrative a bit of historical verisimilitude. The duo is joined by an innkeeper's daughter, Aileen (Sue England), who--despite being a Jacobite sympathizer--falls in love with the headstrong and idealistic David (the film provides the innkeeper's daughter a much bigger role than featured in the Stevenson novel).

    There are some encounters with soldiers and more derring-do including more silly sword fighting, in which David becomes proficient after being tutored by Breck. Eventually the three make their way back home where they conscript a lawyer as a witness to Ebenezer's crime in having David kidnapped and attempting to defraud him of his inheritance.

    The climax ends rather surprisingly with Ebenezer and Hoseason getting into a sword fight and both falling to their deaths into the abyss, off the unfished staircase. It was a little bit of a disappointing finish as the bad guys were so easily dispatched.

    Kidnapped is a reasonable adaptation of a classic novel with performances that seem credible enough despite all the hokey swordfights. Next stop for me is the 1960 Disney film adaptation. We'll have to see how that one measures up to this low-budget entry.
  • In 1751 Scotland, freshly orphaned teenager Roddy McDowall (as David Balfour) prepares to collect his estate, but a nasty uncle has other ideas. Although he survives a murder attempt, young McDowall is disposed of in another manner. He is "Kidnapped" and put aboard a ship bound for America, where he is to be sold into slavery. Luckily, McDowall meets rascally Dan O'Herlihy (as Alan Breck) and jumps ship. Back on dry land, they share danger, adventure and romance. The latter occurs when pretty brunette Sue England (as Aileen Fairlie) enters the picture, wearing a dress worn tight in the top...

    For his second "Monogram" picture, McDowall keenly opted for Robert Louis Stevenson's classic "Kidnapped" adventure story. McDowall is fine as the young hero, but he is often left poised by a crew unable to go anywhere with their young star. The direction appears disengaged. For a low-budget studio, this "Kidnapped" was likely an enjoyable Saturday matinée. However, there is clearly a need for finer action and adventure on the screen. The addition of a timid romantic "love interest" isn't recommended, if you consider the original novel - but an additional pretty face helps a relatively dull adaptation.

    ***** Kidnapped (11/28/48) William Beaudine ~ Roddy McDowall, Dan O'Herlihy, Sue England, Roland Winters
  • mossgrymk17 January 2021
    'Bout half as good as Uncle Walt's version. Particularly egregious was substituting the sere brown hills of Agoura for Scotland! And while Dan O'Herlihy is a decent actor he's no Peter Finch. As for the two Macs, Dowell and Arthur, they're about the same. Give this version a C.
  • What an excellent film for adults and children alike to have seen at the theaters when it was released over seventy (70) years ago. Roddy McDowell plays a young and naive Scotsman named David Balfour who unbeknownst to him, has inherited a large fortune from a deceased Uncle he hardly knew. It is a film about trust and betrayal, cruel men who are greedy as well as men with morals such as the Scottish rebel Alan Breck played superbly Dan O'Herlihy.

    When reviewing a classic film older than five (5) decades I try and take into consideration what the world looked like "at that time period." In the late 1940's the world had already been through two (2) recent World wars and the general population needed to be reminded that there were bad people whose greed would take them to a dark place (such as kidnapping and slave selling). There were also naive people such as the young David Balfour (Roddy McDowell) who had not yet been victimized.

    So the world needed this young victim to be saved and who better to be his savior than the Scottish swashbuckler rebel hero, Alan Breck (Dan O'Herlihy). Keep in mind that women of the time period were also seeking adventure, heroes, and of course romance, which is where the beautiful innkeepers daughter Aileen Fairlie (Sue England) comes into the picture.

    I thought it was a film filled with adventure, double crossing, and a youth realizing that the world can be cruel and one has to keep their wits about them. The romance between the star crossed lovers of Aileen Fairlie and David Balfour added value to the famous author Robert Louis Stevenson's book, Kidnapped, in a time period after two World Wars when both young and old men and women alike wanted to escape to the movies for a few hours to find adventure and romance and this film delivered it all.

    For the above reasons I give it a highly rated 8 out of 10 IMDB rating