Approved | | Western
Cinematographer Hal Mohr, who had previously photographed Marlene Dietrich in Destry Rides Again (1939) attempted to resign from the film due to Dietrich's insistence that he achieve for her, greater youth-through-lighting, than he felt possible.
Go away and come back ten years ago.
When Altar and Frenchy argue about her going away, the close up shows them with shoulders in parallel. After the cut to medium, her left shoulder is instantly pressed against his chest.
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