Safari Drums (1953) User Reviews (11)

Remember if you kill one of them the rest will trample you to death

[sol1218 · 5/10 · 29 January 2012]

**SPOILERS*** Bomba, Johnny Sheffield, plays private detective here in trying to find a killer who's a member of a safari taking wild life movies in the bush and plain country of Central East Africa. There's the head of the safari Larry Conrad, Emory Parnell, who's so obsessed with taking wild life action film that he's secretly trying to arraigned a fight between two big cats so he can bring the footage back to the states and make, by showing it in the movies and on TV, millions off it. Bomba who's been informed by his good friend the district Deputy Commissioner Barnes, Leonard Mudie, to stay with the safari until the local police arrive is forced to put with with Conrad and his kill crazy, in killing wildlife, assistant Brad Morton's, Douglas Kennedy, antics in killing anything that moves with him being almost totally helpless to stop it in order to prevent blowing his cover! there's also pretty Peggy Morton, Barbara Bestar, Conrad's secretary who knows what her boss is up to but is in no position about it in fear ending up as dead on the animals that he and his trigger happy assistant Morton are planning to gun down.

Getting to the murder victim it's famed geologist Staplenton who was killed by a member of Conrad's safari who not only stole a cache of uncut diamonds hat he had in his possession but the map where they came from where there's a whole cave or mine loaded with them.

It's the action scenes that really make "Safari Drums" worth watching with it's plot so confusing that at times you feel like your seeing two or even three films with different story lines at the same time. Bomba does his best to keep the audience from falling asleep with his vine tree swinging and fights to the death with a black panther, who tried to attack and kill Peggy, and man-eating lion who almost mauled him to death.

In the end Bomba did his job as a jungle PI or private detective as well as jungle, at age 22, boy by finding just who murdered Stapleton but it was one of his jungle friends who ended up doing the killer in. As for Conrad's once in a lifetime movie of the big cat fight that he secretly staged, behind Bomba's back, it was gone forever! In that Bomba's monkey friend and companion chimpanzee N'Kimba broke into his makeshift jungle dark room, looking for what he thought was a stack of bananas, and exposed it-the film-to the light of day!

P.S I noticed that the writer producer and director of the movie "Safari Drums" Ford Bebee was so hard up for scenes to put into it, to fill it's 70 minutes running time, that he was forced to insert footage from previous Bomba films to fill the gap.

Lax African adventure...

[moonspinner55 · 4/10 · 28 January 2012]

Bomba the Jungle Boy smells a rat when a rifle-happy team of filmmakers invades the African jungle to shoot a moving picture--and, Bomba fears, to shoot innocent wildlife as well. Turns out one member of the nefarious troupe has robbed a local guide of his diamonds and killed him, so a drum warning is played for Bomba to keep the unit preoccupied until the police arrive. Thoroughly routine low-budget adventure, the first "Bomba" episode to bear the Allied Artists distribution logo, is sluggishly-paced, with much of the action taking place via stock footage. Johnny Sheffield's Bomba wrestles (clumsily) with a panther and a lion, while the requisite 'pretty girl' (Barbara Bestar) wrestles with the hokey dialogue. *1/2 from ****

He Ought To Be In Pictures

[bkoganbing · 4/10 · 28 January 2012]

The Bomba The Jungle Boy Pictures series was running out of gas by the time Safari Drums were telling Johnny Sheffield that a movie company was in the neighborhood shooting. Safari Drums adds a mystery element to the proceedings here.

Now granted the Bomba series was intended for juvenile audiences, but just by looking at the cast list you should be able to tell Sheffield and Commissioner Leonard Mudie just who was the individual who killed an archaeologist and is hiding with the film crew. I think most of the juveniles in 1953 could have told as well.

Emory Parnell is the producer/director who wants and stages unusual action shots, Barbara Bestar is the film star, Paul Marion is the cameraman and Douglas Kennedy is their guide. Things never go quite right for Parnell in this film.

Bomba's adventures are getting a bit thin here.

Better Than Average Bomba Movie

[Michael_Elliott · 31 January 2012]

Safari Drums (1953)

** (out of 4)

Number nine in the Monogram series has Bomba (Johnny Sheffield) once again in the jungle minding his own business when some movie people show up to film some animals. Bomba gets involved when it turns out that one of them murdered a man and the jungle boy must also be sure that the men don't try to harm any of his animal friends. By this time in the series there's no question that they were running out of fresh ideas and the films were becoming quite a hard chore to sit through. Thankfully this entry is a step up from the previous ones and I'd argue that the final ten-minutes here are the best moments in the series to date. With that said, the typical issues are still here including the ultra low-budget that really doesn't allow the filmmakers to do too much. As usual, there are way too many scenes where nothing is going on other than cast members standing around talking about stuff that really doesn't add up to anything. These dialogue scenes might work if they were actually saying something interesting but rarely does anything you care about come from their mouths. Another problem is of course the stock footage but at times this can add some campy charm. As with the previous films, Sheffield is at least entertaining in the part and you can tell he's giving it his all even though he probably shouldn't be. Barbara Bestar plays the love interest here and the supporting cast includes Emory Parnell, Douglas Kennedy and Paul Marion. I won't spoil who the killer is but the actor makes for a good villain. The final ten-minutes has more action than any of the previous movie put together. This includes a sequence where the filmmakers (in the movie) get a tiger and lion to fight a rather violent battle, which might offend some. There's also the action/chase sequence with Bomba that contains some nice drama. SAFARI DRUMS isn't a classic and it's not even a good movie but for a Bomba movie it's certainly not bad.

Bomba Leads the Way

[lugonian · 5/10 · 12 July 2015]

SAFARI DRUMS (Allied Artists, 1953), Produced, Written and Directed by Ford Beebe, the first of four "Bomba" adventures under the new Allied Artists banner, following its previous eight installments for the then folded Monogram Studios, is an agreeable story helped somewhat by a better-than-average script. A far cry from the Johnny Weissmuller/ Tarzan adventures produced by Metro-Goldwyn-Mayer in the 1930s, SAFARI DRUMS, in reference to drum beat code messages sent across the jungle, resumes John Sheffield, formerly Johnny Sheffield of Boy fame in the Weissmuller/Tarzan series, in leopard skin loincloth and spear weapon carrier, for another fun-filled 71 minute adventure for the Saturday matinée crowd, to predictable results.

Based on the Roy Rockwood character created in the "Bomba" books, the story, set in Africa, begins with a motion picture crew, headed by Larry Conrad (Emory Parnell), watching footage of animals captured on film by Steve (Paul Marion). Unhappy with such amateurish production, Conrad takes the suggestion of Deputy Andy Barnes (Leonard Mudie) to hire Bomba, the Jungle Boy (John Sheffield) to join their party and assist them in getting some authentic and realistic action shots. Bomba, living many miles away in a cave at the side of a volcano with his pet monkey, N'Kimba, hears the safari drum message asking him to assist the crew. Bomba's drum beat reply happens to be "No." Conrad, refusing to take no for an answer, decides to journey out and meet with Bomba. Accompanied by Brad Morton (Douglas Kennedy) and his secretary, Peggy Jethro (Barbara Bestar), the crew, headed by Eli (Smoki Whitfield), the crew journeys four days before encountering the the jungle boy, whose answer is still no, in spite of some pleading by the young and attractive Peggy. Only after receiving another drum message from Barnes that one of the members of the expedition robbed and killed his good friend, Stapleton, does Bomba agree to guide the crew long enough before the police, hired by Sergeant Collins (Russ Conway), to come make an arrest. The problem is, which one of the crew members is wanted for murder? And what's in the back of the truck that Bomba is not allowed to see?

With volcano eruptions and some frightful lion and tiger fights being common ground in the series, SAFARI DRUMS makes good use of murder mystery with a killer being among the production crew. As with the Tarzan of the movies, Bomba fears for his animals and doesn't trust outsiders invading his territory. His only human friends are Deputy Barnes and safari guide, Eli. Naturally Bomba encounters broken promises where one of the members shoots a lion against his wishes. And like The Lone Ranger, Bomba disappears before being thanked for his services. Other common factors found here as with others in the "Bomba" series is the extensive use of animal footage obviously from newsreels inserted into the story, and Bomba's pet monkey for comedy relief, but not as extensive as Tarzan's very own Cheta.

Not quite as legendary as Tarzan, the Bomba series did have television exposure in the sixties and seventies on commercial television before turning up on cable television, only in recent years from Turner Classic Movies (TCM premiere: January 28, 2012). Next installment: THE GOLDEN IDOL (1954). (**1/2)

Hypocrisy ruins an ok entry

[soapfumes · 3/10 · 5 October 2020]

I actually liked this one better than most of the later Bombas (maybe a 5 star) with decent action and a mystery plot line they don't usually do.

But why, in a movie emphasizing how cruel it would be to force a tiger and lion to fight for a film, did the filmmakers do just that? It feels like it goes on forever and is pretty tough to watch. I wish Akimba had been around to ruin Beebe's footage and save this film.

Bomba the Jungle Boy

[deadzombie · 4/10 · 28 January 2012]

What can you say about Safari Drums. Bomba is a white man-Boy. wearing a leopard loin cloth,who lives in the Jungle. He has no job,no clothes no monies, no credit cards or cell phones. they made a few of these Bomba boy movies in the 1950's. I only remember the Tarzan movies. They were like B movies. The script were always the same. white men come to the Jungle to shoot wild animals,smuggle animals for the zoo,shoot movies of wild animals fighting etc. The stories were contrived.they appeared as the second feature movie on the marquee. It hard to write anything about these Bomba movies because they were not bad and not good. If you like Jungle Boy movies, Tarzan movies you might like Bomba, he got left in the Jungle when Tarzan and Jane left the Jungle for Hollywood and left Bomba the Jungle boy to hunt,fish,learn to read and write English from Johnny Weismuller before he left Africa/. Did Bomba the Jungle boy ever have a girlfriend.?

some good animal footage

[SnoopyStyle · 5/10 · 8 July 2023]

Filmmakers are in Africa to film wildlife. Wealthy benefactor Larry Conrad doesn't want the regular travelogue. He wants something special and unique for his private collection. He wants the life and death struggle in the wild. Deputy Commissioner Barnes suggests contacting Bomba (Johnny Sheffield). A message is sent through the network of Safari Drums, but the reply comes back no. Conrad insists and directs the group to find Bomba. A volcano erupts and Bomba comes to their aid. Bomba insists that they do not kill animals just to film them. Conrad is unwilling to obey.

This is the ninth of the 12 movie in the series. Bomba is basically a copycat Tarzan. I actually like Sheffield. There is a lot of animal footage. This film could have been good if it does what Conrad wants his movie to be. The animal footage is the most compelling parts of the movie. Bomba should just leave them as soon as Safari Conrad shoots that lion. The story gets messier from that point onwards. Those stuff is much less compelling.

Bomba vs. Evil Jungle Guide

[a_chinn · 3/10 · 4 June 2018]

Johnny Sheffield, Bomba the Jungle Boy, faces off with a dangerous jungle guide, which he takes on with the help of his jungle animal friends. As with most all the Bomba films, there's a ridiculously small budgets, lots of stock footage, and some embarrassingly bad looking backlot jungles. Stick with the early Weissmuller Tarzan films if you need a black and white jungle adventure fix.

Once again, white intruders bring lawlessness to the jungle.

[mark.waltz · 4/10 · 23 May 2020]

Reports of a murderer being in the area have commissioner Leonard Mudie alarmed, and if that isn't enough, he has to deal with the arrival of an American film crew looking for footage of wildlife fighting. Mudie contacts Bomba (Johnny Sheffield) through drum beats to ask him if he will guide them through the jungle, and the answer comes back quickly from four days journey away, a very blunt no. But the film crew (which includes attractive Barbara Bestar) insist on finding them, and through one of Mudie's guides, they reach Bamba who has, along with them, just heard an explosion for the high above sea level lake that surrounds a dormant volcano.

If only the plot line had to do with the dormant volcano rather than the exposure of the killer, it might have been a better film because nothing untypical occurs other than fights between man and beast, attempts of man to kill beast, and fights between various beasts, either for lunch or for power. The film crew has brought with it a tiger, not native to this land, and it ends up fighting a lion king which is placed on film. The stock footage is poor, especially noticeable when quickly edited into the newly filmed footage, and that makes it cheap looking. this isn't a bad entry in the series, but it introduces possible plot developments that are never explored, exposing the fact that this was rushed together for release.

"Money means nothing to Bomba."

[utgard14 · 5/10 · 29 June 2015]

An amateur film crew comes to Africa to shoot some footage. They don't just want any old wildlife footage (which is a shame as the Bomba series had more than enough of that to go around). They want something exciting and unique. When they hear about Bomba the jungle boy, you can pretty much guess their reaction. It also turns out one of the film crew is a murderer and it's up to Bomba to figure out who it is. Douglas Kennedy is in the cast so I'll let you put two and two together on that particular plot point.

Another Bomba movie starring Johnny Sheffield. This is the first of the series released under the Allied Artists brand. Sheffield is good in the lead but it's not exactly Hamlet. The only other regulars in the series besides Sheffield and his chimp are the Scrooge McDuck-ish Leonard Mudie as Andy Barnes and Smoki Whitfield as Eli. Barbara Bestar plays the requisite cute girl in the film. She's one of the more forgettable female guest-stars in the series. Which is all the more strange since she's one of the few Bomba seems romantically interested in. The movie makes use of stock footage as well as footage from previous Bomba movies, which just makes the whole thing seem cheap. Routine entry in the series with little to recommend it above the others, save for nice fight scenes between Bomba and a panther and Bomba and a lion. Those fight scenes are Hollywood movie magic. But there's also a fight between a lion and a tiger that is very much real. That won't sit well with many today. The irony is that in staging this fight between the two animals just for footage, writer/director/producer Ford Beebe becomes exactly like the arrogant filmmakers in this story.