Border River (1954) User Reviews (14)

Zona Libre

[bkoganbing · 5/10 · 18 December 2015]

Border River at it's time was one of a dwindling band of westerns where you could have a Confederate hero as the lead. Joel McCrea plays a man who was a major on Robert E. Lee's staff. He's pulled off one very big heist at the Denver Mint and he's got 2 million in gold bullion. But what to do with it? Actually the miracle is how he got it from Colorado to Texas, the stuff is pretty bulky.

McCrea crosses the Rio Grande to a place called Zona Libre where neither the writ of Emperor Maximilian nor that of Benito Juarez runs. Instead the guy in charge is Pedro Armendariz who's a tin-pot tyrant and his right hand man is Alfonso Bedoya who revs up his Gold Hat character from The Treasure Of The Sierra Madre. There's also saloon entertainer Yvonne DeCarlo who's the general's personal squeeze, but she takes a fancy to McCrea and later proves invaluable to him.

McCrea's interest is to buy supplies for the Confederate army with the stolen gold. But there's a real lack of trustworthy people around from Armendariz on down. There's a whole lot of intrigue going on in the Zona Libre. There's also the looming shadow of Juarez who'd really like to put Armendariz and remove a real problem from his rear.

Border River is a competently made western with the truest cowboy hero around Joel McCrea in the lead. He and DeCarlo work well together. But the ones to watch are Armendariz and Bedoya trying to outdo each other in evil. Bedoya looks like he's having a great old time out-acting the cast of about ten different films.

excellent example of western genre

[cwood5 · 7/10 · 9 October 2003]

this was yet another solid performance by joel mccrea. yvonne de carlo also adds strength to this feature. the film portrays a turbulent time in our history and the the film portrays just how dedicated some membersof the confederacy were in prolonging the war.

Great cast, mediocre action, retread plot

[ejhutchaz · 5/10 · 27 April 2011]

As a longtime Joel McCrea fan, I thought I had seen most all, if not all, of his westerns. But I evidently was wrong (for once in my 75 years!!!), as I had never seen this one until it showed up on the Western Channel recently.

As westerns go it was "Ho-um", which was surprising considering the cast: Joel McCrea, Luscious Yvonne De Carlo, and the always hilarious Alfonso Bedoya; who's animated performance steals every scene he is in.

Other reviewers have criticized this film for its sympathetic portrayal of Southern rebels trying to get stolen Yankee gold to the Confederacy, but this is not the first film to do a similar story. Virginia City with Errol Flynn & Randolph Scott, and Great Day in the morning with Robert Stack are two that come to mind. All three of these are fanciful Civil War out west tales about a Confederate scheme at the last minute to smuggle several millions in gold bullion into the South for supplies to keep the war going. And what happens in the end of all of these strains credulity to say the least.

BUT, these are movies, NOT documentaries, and made for entertainment, to sell tickets & popcorn, not to pay homage to the South, and not to be to closely analyzed as there are plenty of ridiculous plot holes and unreal situations.

Since this film was directed by George Sherman I had expected it to have the same quality great action scenes that he had been known for in all his many westerns from the 30's & 40's. Needless to say it fell flat there for the most part.

One area that they tried to be accurate on was the type of handgun every one carried: the Remington 1858 Cap & ball, fairly correct for the period. Except during the final showdown/shootout they more conveniently substituted the Single Action Colt, which was modified to look like the Remington. My guess is that this was more economical as it allowed used of the then popular 5-in-1 blanks used in most Westerns. For the uninitiated, these were blanks that would fit & fire in any revolver of 38-40, 44-40, 45 Colt calibers, and lever actions of 38-40 or 44-40 calibers.

The best part of any western, especially ones shot in color, are the beautiful outdoor location scenes, and here they almost overshadow the weak script.

This could've been a really good western, it's a shame it didn't live up to its potential, but its worth watching if only for the two leads.

Excellent little western

[searchanddestroy-1 · 15 January 2023]

And offered to us by the very professional George Sherman, a "home" director for Universal Studios, a western and adventure specialist for Universal. Yvonne De Carlo shines bright in this movie, as usual and is the exquisite co star of Joel McCrea. The story itself is not that exceptional but remains very worth watching. Action packed with splendid sequences, colorful, brilliant, and helped by an adequate score. An enchanted film for western lovers, and not only die hard fans. All audiences fond of this kind of stuff will be satisfied. The Free Zone element has not that been often used in westerns.

Run-of -the mill Western set in Mexico with three popular actors : Joel McCrea, Pedro Armendariz and gorgeous Yvonne De Carlo

[ma-cortes · 6/10 · 26 February 2020]

During the war between Maximilian and Juarez in 1865 , there was a small territory on the Mexican side of the Rio Grande known as Zona Libre , Free Zone . It was dominated by a man who called Eduardo Calleja (Pedro Armendariz) and he made it a haven for any man outside the law . This is the story of Zona Libre . Newly arrived is Clete Mattson (Joel McCrea) who has $2million in gold and he is grimly determined to buy guns for the Confederacy . He is a Confederate officer and along with his men journey to Mexico to buy guns to continue the war effort and they wind up in an area known as Zona Libre. As Mattson in a gun-running mission and transporting a treasure , as he finds out the blessings , and along the way delivering the gold proves harder . Then an Union officer determines to stop them. Meanwhile , being developed a triangular love story among Mattson , General Calleja and the eye-catching Carmelita (Yvonne De Carlo who puts deep personalility into the charming heroine) . However , the nasty General has his own plans for both the gold and the Confederate officer whom the girl he loves has fallen for. The General believes she's his property but she seems rather to fancy Mattson . As Clete Manson/McCrea and General Calleja/Armendariz battling for a beautiful girl/Yvonne . Throughout the dangerous paths , the tough Confederate Mattson carrying the valuable hidden treasure and being chased by the ambitious General Calleja , and Union agents , in pursuit, too . A slice of living history out of Mexican frontier's fabulous saga! With gust and gunfire and more dangers lurk. ¡ , they blasted their way into history! Zona Libre ... where everything had its price ... but her kind of trouble was free !..filmed in Morelos (Mexico)'s wild regions where it once happened, as it once happened! The cry that rooked the world'd hottest strip the hell ¡.They Had a Date With Destiny in the Powder-Keg of the West...ZONA LIBRE.

Western drama set in Zona Libre , a small enclave across the river from America controlled by a renegade Mexican general named Calleja, who agrees to sell foreign people what they need ; it packs dramatic moments , noisy action , shootouts , crosses , doublé crosses and a highly commendable musical score . Bursting with attractive characters, interesting sub-plots , and with very decent filmmaking and interpretation . It is set in 1865 , Mexican Civil War between Juarez and Emperor Maximiliano who finally would be deposed, subsequently executed and where governs another tyrant : General Eduardo Calleja . A rugged B class Western from the unheralded Universal Picture medium-budget stable . It is an action-packed , vivid Western and there's plenty of tough action with Joel McCrea in the lead continuing his image as the quietly spoken but grimly determined man who it's dangerous to double-cross , he puts personality into the headstrong hero .And it contains an excellent final climatic fight betwen Joel McCrea and Pedro Armendariz at the exciting end , both of whom fighting into quicksands , it must have left both heroes needing a bath . Mexican revolution often brings out the best in Hollywood's Soldier Of Fortune action heroes , they are apt to give quite a lift , too, to a routine Western story ; these heroes were usually starred by Robert Mitchum , such as ¨Bandolero¨ by Richard Fleischer with Robert Mitchum , Zachary Scott , Ursula Thies ; ¨Viva rides¨by Buzz Kulik with Mitchum , Yul Bynner , Charles Bronson ; ¨The wonderful country¨1959 by Robert Parish with Robert Mitchum , Julie London , Garry Merrill , Albert Dekker and ¨The treasure of Pancho Villa¨ by George Sherman with Rory Calhoun , Shelley Winters , Gilbert Roland . Photographically with portentous images , being spectacularly filmed among the deserts and treacherous canyons of old Mexico and musically , it's a continuous treat , including an excellently thrilling climax . The picture centers on Joel McCrea as a Confederate officer battling for a fortune in arms , he along with his men rob a $2-million Union gold shipment and travel to Mexico to buy guns and supplies to continue the war effort. , all in aid of the Confederacy . Stars Joel McCrea, a coping six-footer in the Gary Cooper tradition , as he grapples rather unsteadly with his role as a Confederate officer who ends with his heart in the right place . Joel McCrea was a ¨B-actor¨ and ¨A-actor¨at times , who starred a lot of films of all kinds of genres , outstanding in Western . And a nice support cast , standing-out two Mexican actors : Pedro Armendariz as a General who despotically rules a safe haven , as he offers sanctuary to outlaws at a price and Alfonso Bedoya as his drunk henchman who makes a smiling and greasy villian as any Western buffs could possiblr wish . An other notorious secondaries in brief appearances as Howard Petrie, George J. Lewis, Galindo , Fred Beir , Bob Reeves , feature-movie debut of Jody McCrea , Joel McCrea's son, and Lane Chandler .

This modest drama/action/Western picture was professionally and firmly directed by George Sherman , assisted by a Mexico production unit ; though slowly filmed, as I miss more action and shots, but it also has crossfire , pursuits and impressive fights . The movie was a collaboration between independient producer Albert J. Cohen and Universal Pictures , supported by the prestigious craftsman fimmaker Sherman . Colorful and brilliant cinematography by Irving Glassberg shot on location in Courthouse Wash, Arches National Park, Utah, Colorado River, Moab, Utah,Professor Valley, Moab, White's Ranch , Moab and Universal studios . In fact , this was the last film shot in the Three-Strip Technicolor process .As well as an evocative and thrilling musical score by uncredited and Universal's regular : William Lava , Henry Mancini and Herman Stein . The motion picture was professionally directed by George Sherman in B-style , though has some flaws . Entertainment , atmosphere , action and excitement surge along with the tale under the hand of filmmaker George Sherman , who is clearly more at home with the thrilling scenes than with somewhat excessively talking storyline . Sherman made reliable low-budget fare for Columbia between 1945-48, then moved on to do the same at Universal for another eight years , where he directed this ¨War Arrow¨ . Sherman specialized almost exclusively in "B" westerns there , including the "Three Musketeers" series, which featured a young John Wayne. George directed lots of Westerns as ¨The Last of the Fast Guns¨ , ¨The Lone Hand¨, ¨Santa Fe stampede¨ , ¨Red skin¨ , ¨Chief Crazy Horse¨ ¨Calamity Jane¨, ¨Relentless¨ , ¨Comanche Territory¨ , ¨Dawn at Socorro¨, ¨Border River¨ and many others . He also made occasional forays into action and horror themes, often achieving a sense of style over substance . The only "A"-grade films to his credit were two westerns starring John Wayne: ¨Comancheros¨ (1961) (as producer) and ¨The big Jack¨ (1971) . His last films were realized in Spain as "Find That Girl" , ¨The new Cinderella¨ and ¨Joaquin Murrieta¨. Rating : 6/10 . Acceptable and passable . Well worth watching , a decent oater and rousing entertainment with the West as wild you could wish

Good "Shaky A" Western

[boblipton · 6/10 · 11 August 2021]

In the last days of the Civil War, Confederate officer Joel McCrea and associates rob a Union storehouse of $2,000,000. They head down to a small patch of Mexican territory controlled by renegade general Pedro Armendariz and start negotiating to turn that into arms for the Confederacy. McCrea gets various offers -- and attempted beatings -- from people who think the gold and a ticket to Europe are better to have, although Armendariz's mistress, Yvonne De Carlo is warmly friendly.

This seems to have been movie shot in three-strip Technicolor, and under cinematographer Irving Glassberg, it offers the rich blacks that process excelled in. Director George Sherman, an expert in "Shaky A" westerns, directs the script well enough, and themain cast is excellent. With Armendariz weaselly under his bravado, De Carlo sad and cynical, and McCrea, as aways, bluff and straightforward. A very pleasant movie.

Free Zone and the Quicksand Quandaries!

[hitchcockthelegend · 6/10 · 12 June 2019]

Border River is directed by George Sherman and written by William Sackheim and Louis Stevens. It stars Joel McCrea, Yvonne De Carlo, Pedro Armendariz, Alfonso Bedoya and Howard Petrie. Music is by Joseph Gershenson and cinematography by Irving Glassberg.

During the war between Maximillian and Juarez in 1865, there was a small territory on the Mexican side of the Rio Grande River known as Zona Libre - - - "Free Zone". It was dominated by a man who called himself General Eduardo Calleja and he made it a haven for any man outside of the law. This is the story of Zona Libre.

The above statement that opens the pic is actually a bit of a lie since the film is a story that operates out of Zona Libre. It essentially finds McCrea as a Confederate soldier who has hidden stolen gold bullion in the territory. He then sets about keeping it safe in readiness for the buying of Henry Repeater rifles to aid the Confederacy in keeping the Civil War on going. Naturally there are plenty of folk in Zona Libre interested in finding out where the gold is stashed...

"Never saw a Southern boy yet didn't have a lily sprouting out of his liver"

Utterly frustrating piece of Western genre film making. We have a top draw premise on the page - where a hot bed of a neutral area inhabited by crooks and various Civil War(s) operatives operate - is not brought about for fire cracker ignition. Screenplay is more concerned with putting McCrea's Clete Mattson through the standard formula tropes of protecting gold from others, whilst courting the attention of the local beauty. Even more galling from a wasted opportunity point of view is that this is one of those rare occasions where the film is siding with the Southern protagonist. Any genre fan will tell you that it's nice to have some Civil War balance once in a while...

Annoyance is further enhanced by just how spiffing the tech credits are for this production. Irving Glassberg often came up with quality when asked to be the cinematographer of choice in various Western entries, and so is the case here where he tantalises the eyes as the Utah locales boom in Technicolour. So to with the costuming (Joan Joseff) of De Carlo, who has not only never looked so ravishing in attractiveness prior to 1954, but also with Glassberg's colour lenses her dressage becomes scintillating.

Action only fluctuates, again annoying since Sherman knows how to stage a good action set piece, and when McCrea is your leading man in a Western then you should be making hay while the sun shines. Sadly, great set pieces are in short supply, though McCrea once again proves what a great punch thrower he was. Highlight has to be a sequence where McCrea and his stunt horse land in quicksand (a critical narrative device in fact), the subsequent fight from man and beast to escape is quality - as is McCrea's (a bona fide horseman in real life) response to the equine post the sequence.

In the mix there is Armendariz and Bedoya seemingly in a contest to see who can outdo each other in the over acting stakes, which is actually fun and one of the plus points in the production. Which leaves us with what?. Well as a Western lover I just love many facets of the production on show, so much so I couldn't rate it below average. On the flip side, however, I couldn't remotely recommend it to genre fans in confidence, the proviso being that the writers should have been rounded up and fired upon by the Henry Repeaters in the play. 6/10

Given a fair trial and shot in the morning.

[mark.waltz · 6/10 · 28 November 2023]

According to Yvonne de Carlo's charscter, only the wealthy can afford to be idealists, so she's been happy as a paid companion to Mexican general Pedro Armendáriz, a rather disgusting pig as a man with absolutely no romantic leanings in his nature, only lust. Lust for her, lust for power, lust for money. His demeanor is of a buffoon, but even a buffoon can be a villain, and his envy towards American gunrunner Joel McCrea who wants weapons for the confederate, not making him a sympathetic character either.

The film is stolen by Alfonso Bedoya whom I've been catching in scene thievery recently several times, delightfully over the top, drunk or sober. As Armendáriz's right hand man, he makes being twice as buffoonish an art. Armendáriz is almost nearly as guilty of scene stealing. De Carlo isn't a pearl of virtue either so it's hard to find any of these characters worth rooting for. As entertainment however, it never shirks on intrigue and action and romance, delightfully colorful which makes it easy to overlook everyone's odd sense of ethics.

Average in just about every way

[planktonrules · 5/10 · 29 October 2006]

This isn't a particularly good or bad Western and the only reason I watched it is because Joel McCrea was a pretty good actor. Aside from his excellent as always performance, the film doesn't have a whole lot to distinguish it one way or the other. It's a definite time-passer, though Yvonne de Carlo and Pedro Armendariz do provide some decent supporting chemistry in this film about stolen Union gold during the US and Mexican Civil wars.

Armendariz plays a rogue Mexican general who sets up his own government along the US and Mexican border. Here is where wanted men and those who are seeking to do illegal stuff congregate. McCrea shows to buy arms for the Confederacy from the slick general and most of the movie concerns how McCrea can both keep the gold hidden AND eventually exchange it for weapons without getting killed or robbed. The film is competently made and interesting, but that's all.

Well-photographed but aimless Western

[gridoon2024 · 5/10 · 8 September 2012]

In Civil War time, officer of the South Joel McCrea shows up in Zona Libre, a "neutral" territory ruled by a suave-slimy Mexican general, offering gold in exchange for guns and supplies. The general agrees....and not much more happens for the rest of the movie. While the political machinations of the plot give it some interest, there just isn't enough drive in it. McCrea and Yvonne De Carlo (exceptionally beautiful in a succession of dresses that cover nearly all the colors of the rainbow!) have some interesting discussions, but mostly go through the motions; Perdo Armendariz gives the most entertaining performance as the general. On the whole, apart from a scene of McCrea trying to pull his horse out of a quicksand pit, a quite forgettable film. ** out of 4.

Rugged But Politically Subversive Civil War Western

[zardoz-13 · 8/10 · 8 January 2010]

This rugged, above-average, American Civil War-era horse opera set on the Mexican border depicts the efforts of a Confederate officer and his men who robbed the Union of $2-million in gold bars and plans to convert the loot into supplies and firearms for the South to prolong the combat. Whether "Big Jake" director George Sherman or his scenarists, William Sackheim of "First Blood" and Louis Stevens of "The Texas Rangers" consciously realized the significance of it, "Border River" qualifies as a politically subservice western because they allow South to triumph in the end. "Virginian" star Joel McCrea toplines as the dedicated Southern officer out of uniform who refuses to let the declining fortunes of the Jefferson Davis regime to dissuade him from his mission. McCrea tangles with a thoroughly treacherous Mexican general who not only bucks the legally constituted authority of both Mexico and the United States but also provides safe haven in his border town for felons. Pedro Armendáriz is well cast as the greedy, amoral general who plays a cat & mouse game with McCrea, while bosomy beauty Yvonne De Carlo comes between them. Alfonso Bedoya plays the general's second-in-command villain and he is remembered in cinema history for his immortal phrase "We don't need no stinking badges" as Gold Tooth in director John Houston's classic "The Treasure of the Sierra Madre." Sackheim and Stevens slip in a surprise or two and the finale is an action-packed fight in a quicksand pit that, though it remains predictable, generates a modicum of suspense.

"Border River" opens with the following preamble. "During the war between Maximilian and Juarez in 1865, there was a small territory on the Mexican side of the Rio Grande River known as Zona Libre—'Free Zone.' It was dominated by a man who called himself General Eduardo Calleja and he made it a haven for any man outside the law. This is the story of Zone Libre." The action opens as our hard-riding hero, Clete Mattson (Joel McCrea), splashes across the Rio Grande on horseback with several blue-uniformed U.S. Army riders hard on his heels, slinging lead at him. Watching this life and death drama unfold from the opposite bank are General Eduardo Calleja (Pedro Armendáriz of "3 Godfathers"), his lady friend Carmelita Carjas (Yvonne de Carlo of "McLintock! ") and Calleja subordinate Captain Felipe Vargas (Alfonso Bedoya) and Calleja wagers with Carmelita that the gringo won't survive. Miraculously, Clete manages to survive, but the Union troops demand the Calleja turn him over to them. Captain Vargas runs them off and they take Clete back to Zona Libre and another American expatriate Newlun (Howard Petrie of "The Tin Star") provides a place for our wounded hero in his hotel room until Clete recovers.

Although Clete adopts an alias initially when Calleja inquires about his business, our hero isn't fooling anybody in Zona Libre. Calleja and everybody else have heard about the robbery. When he recuperates and finally meets Calleja, the amoral General observes that Clete and his Confederates appropriated a $2-million shipment of gold bullion that belonged to the private Denver, Colorado, firm of Clark Hoover & company. "Gold that belongs or to be exact belonged to the army of the North. Five men, you all disappeared, horses, gold everything, superb military logistics." We learn that Clete served under General Robert E. Lee. Calleja explains that he controls the town of Zona Libre and furnishes sanctuary for outlaws, but for this sanctuary he claims twenty percent of everything. The avaricious Calleja allows Clete to remain in town, but Carmelita warns him that he should watch his back. Indeed, a couple of ruffians try to beat the whereabouts of the gold out of Clete when they get the drop on him one evening. Newlun helps thwart these cattle rustlers and Calleja orders Felipe to run them out of Zona Libre and turn them over to Texas authorities.

Meanwhile, Clete doesn't trust anybody, least of all an unscrupulous businessman, Baron Kurt von Hollden (Ivan Triesault of "Von Ryan's Express"), who has a warehouse bursting at the seams with thousands of contraband U.S. Army Henry repeating rifles that Clete wants to buy for the Confederacy. Hollden warns Clete that he will have to fork over the usual twenty percent to Calleja, but Clete doesn't trust the general. Eventually, Clete's accomplices arrive on a raft with the gold and bury it on the Mexico side of the river. Calleja discovers the Hollden is trying to double-cross him after Clete gives the shady entrepreneur with a gold bar. Calleja confiscates the bar and his men kill Hollden. Calleja is infatuated with Carmelita and doesn't like the attention that she pays to Clete. When a drunken Felipe gets the drop on Carmelita, Clete, and his men after they bring the gold over, he gets a knife in the back and they deposit his body in the river. This is the one flaw in the story. The Confederates leave the knife in Felipe's back and this arouses Calleja's suspicions.

Sherman alternates between the Universal Studios backlot for all the scenes in Zona Libre and then goes out on location in Colorado River, Moab, Utah, USA for the showdown between Clete and Felipe and later Calleja. Sherman doesn't let the action bog down in this 80-minute Technicolor epic and McCrea makes an appropriately stalwart hero. Eventually, the newly christened Juarez government takes over and they allow Clete to ship his rifles and supplies to the Confederacy. Consequently, "Border River" shows its sympathy to the Confederacy and endorses their rebellious efforts, something that seems extremely subversive considering its politically incorrect attitude for an American movie in the early 1950s when civil rights movement was gaining momentum during the Eisenhower administration. Remember, the Confederates are never shown in uniform, nevertheless it is surprising that Universal Studios would endorse this crime against the Union and not punish McCrea's hero.

Suffered from Rather Bland Performances by All Involved

[Uriah43 · 4/10 · 13 October 2021]

This film begins with a Confederate officer by the name of "Major Clete Mattison" (Joel McCrea) barely escaping from Union cavalry by crossing the Rio Grande into Mexico. Although he is shot and wounded for his efforts he is allowed sanctuary into that specific part of the country by a corrupt Mexican Army commander named "General Calleja" (Pedro Armendariz) who has received intelligence reports that Major Mattison has stolen over $2 million in gold-and both he and several of his business associates want it badly. Further complicating matters for him is that there is a specific woman named "Carmelita Carias" (Yvonne De Carlo) who has caught his eye and the fact that Major Mattison has begun spending some time with her infuriates him to no small extent as well. Now rather than reveal any more I will just say that this was a mediocre Western which suffered somewhat by the rather bland acting of all of the aforementioned actors involved. Likewise, I didn't quite care for the abrasive character of Major Mattison either. Be that as it may, while I don't consider this to be a terribly bad film, it didn't really impress me that much and I have rated it accordingly. Slightly below average.

Very Underrated Western

[januszlvii · 9/10 · 26 September 2020]

I was never the biggest Joel McCrea fan in westerns ( Ride The High Country excluded). Why? I always considered him "Gary Cooper lite" and as a Cooper fan it made sense. I just read where McCrea left Samuel Goldwyn after his contract ended. Why ? "I realized I will never get the best parts as long as Gary Cooper was there." ( I guess I am not the only one who felt that way). As for the movie, it was better then I expected. It is about Clete Mattson ( McCrea) a Confederate soldier who along with his troops stole some northern gold from a bank and had to flee into Mexico. The town is run by General Calleja ( Pedro Armandariz) a particularly nasty wanna be dictator. He had a very beautiful girlfriend named Carmelita Carias ( Yvonne de Carlo), who eventually falls for McCrea. Carmelita is not just a pretty love interest: She saves Cleve's life three times ( very unusual). There is a lot of action and great stunts ( including McCrea getting a horse out of quicksand). If you are looking for history, this is not it. Why? Spoilers ahead: Mattson is able after defeating Calleja to bring needed supplies from the stolen gold back to the South, and of course, he is bringing Carmelita home with him. Since this movie takes place in 1865 and the Civil War will be ending in April, the supplies will not help the south with the war effort ( but unsaid it can help with the rebuild), and he does have Carmelita. Again an underrated movie 9/10 stars.

one of the worst westerns even made

[rightwingisevil · 1 May 2014]

terrible screenplay, terrible actors, bad and weak screenplay, ridiculous scenarios and plots. there's nothing worth praising whatsoever. guy was chased by soldiers, was shot crossed the river, then woke up in the hotel, then suddenly wearing all custom made new shirt, jacket and pants and hat showed up in the bar, then again, he kept changing into tailor made dresses after finished one scene. those dresses were ironed and pressed and so fit on his body. all the fights were poorly carried out. the dialog and acting by most supporting actors were just overly exaggerated and pretentious to the extreme. you need to turn of your I.Q. to watch this stupid western movie. the heist of the gold about two million dollars worth was another joke. the scenes by the river with stupid quick sand also was just too stupid to watch. all the fighting scenes just looked stupid and fake. there are so many good western movies from 1940 to 1970, but this one definitely is not one of them.