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  • Saw 'Desert Sands' due to primarily finding the subject matter fascinating, the foreign legion is always interesting to portray on film and there are films that have done so very well. It also had the always reliable Ralph Meeker and John Carradine in the cast, with Carradine especially having the sort of role that was well suited to him. It also appeared in my more like this section after seeing other Meeker and Carradine films some time back.

    'Desert Sands' was an example of a film that had such a promising story on paper. It is sadly also an example of a film that has very uneven execution. A big part of me wanted to be on the same wavelength of those reviewing 'Desert Sands' positively, but to me there were too many things that worked against it. It is though not near as bad as those that commented unfavourably have said and does have some major strengths that raise it to average level.

    It is a good-looking film. The photography is particularly beautifully crafted in the action and is quite vibrant. The scenery is quite attractive and the way the camera is used shooting it prevents it from being static. The music fits quite well and sweeps effectively, with stirring use of "Le Boudin" and a suitably nostalgic theme song.

    The action and battle choreography is exciting and has tension, things not present in much of the rest of the story. A few of the performances are good. Meeker is suitably brooding and Marla English is alluring, but menacingly ruthless Carradine gets the acting honours.

    However, the story outside of the action just didn't grab me and felt on the thin side. The film takes forever to get started and the first portions are pretty dull. The romance is not very interesting at all and is not particularly believable. Other than Meeker, English and Carradine the acting is nothing really to write home about in roles that come over as sketchy stereotypes rather than real people and portraying the legionnaires as complacent is not going to go down well with some. And no it is not the lack of authenticity or the accents that bother me.

    Being somebody that wanted to not take things too seriously or nit-pick. It does have to be said that it is distracting that there doesn't really seem to be a discernible sense of time and place. With things present that don't belong in the period. Worst of all is the dialogue, which is more often than not cringe-worthingly awful, far too much cheese, unintentional humour and with not a shred of originality.

    Summarising, not terrible but to me regrettably it was not particularly good either. 5/10
  • This film, admittedly not a masterpiece generally or even of its genre, does have a certain charm about it mainly in its easygoing, almost casual, depiction of Legionairres.

    Worst thing about it: had to wait an awfully long time and endure too much tawdry action before the Arab princess (Marla English) -- who I worshiped -- strode in on her roan steed and before her first line strikes Meeker sharply with her whip! (Don't see entrées like that much anymore.) Anyone notice the sheik's playing loose and easy with prisoner of war rules -- reviewing their bios, finding their weak spots, choosing special informers who manifest weak character flaws, and...will...talk.

    And how about that Alita's, the princess's slave girl, man savvy, learning from the smartest...and the simplest.

    One more thing: why in hell does Maltin omit this pic from his book? Does anyone know?
  • 1955's "Desert Sands" is a long forgotten United Artists programmer benefiting from its colorful action sequences. The legendary John Carradine stands out in a decent cast, as Arab wine merchant Jala, who ruthlessly targets his own brother for murder, done by marauders disguised as French Legionnaires. His niece (Marla English) and nephew (Keith Larsen) grow up just as he wanted, hating the French and constantly in attack mode. Keith Larsen's career virtually tanked by the next decade, such titles as "Women of the Prehistoric Planet" and "The Omegans" giving way to self-directed items like "Mission Batangas," "The Trap on Cougar Mountain," "Run to the High Country," "Young and Free," "Whitewater Sam," and his cult classic "Night of the Witches." In between hard bitten turns in "Big House, U. S. A." and the iconic "Kiss Me Deadly" (as Mike Hammer), Ralph Meeker actually gets to play a more likable hero. In just her second starring role, the gorgeous Marla English disappeared from the screen as quickly as she lit the fire, in a pair of low budget AIP horrors, "The She-Creature" and "Voodoo Woman." Philip Tonge would reunite with Carradine in his last film, 1959's "Invisible Invaders," but this was John's final appearance opposite J. Carrol Naish, from "Ramona," "Blood and Sand," "Waterfront," and "House of Frankenstein."
  • I saw this film only once in 1957 at a local cinema when I was nine years old. The plot outline is a little dim after the passage of time but I recall that the story centred upon a misunderstanding that took place between the son and daughter of an Arab chieftain and the local garrison of the French Foreign Legion. War ensues and Ralph Meeker as the commander of the garrison, fights heroically against the Arabs.

    I recall that the colour was very good and the actors portraying the legionaires seemed quite authentic. The actor portraying the French sergeant was very affecting. Marla English as the Arab princess was beautiful and sensual.

    I would enjoy seeing this film again and it is a pity that the copyright holders have not released it as a video or a DVD. I hope that it may be offered to television networks to take up and show in future.
  • Extremely silly plot that makes zero sense. The most un-Arab looking Arabs ever seen in any film ever. All of the French and all of the Arabs speak perfect English with no accents whatsoever. It was impossible to work out which time period this was set in. The large Arab tent would have needed thousands of horses or camels to transport it as in was also extravagently furnished. The Arab females were white with very non-Arab hair and makeup.

    All of these flaws may not have mattered to audiences in the mid 1950s so if they can be ignored now it is an entertaining, and very silly, film. A must watch for those who love bad films.
  • While this 1955 Foreign Legion movie from United Artists may not be in the category of "Beau Geste" (which starred Gary Cooper) it is nonetheless drawing. Personally, I felt the cast was well-chosen. Ralph Meeker, noted for playing Mike Hammer in "Kiss Me Deadly", here played David Malekom, a sometimes cold yet always a no-nonsense officer who was definitely strict toward the men under him. The very pretty Marla English was an unusually pretty lady who was in love with Malekom. John Carradine was perfect for the role of Jala the wine merchant who was a very ruthless man; he in the movie was the uncle of Princess Zara. Keith Larsen, who played the brother of Princess Zara, El Zanel, was mean-spirited and ruthless, a man who was so anxious for power that he wanted to possess the Sahara Desert. John Smith, who would later be known for "Laramie" fame was his same cowboy self from Texas; he played Pvt. Rex Tyle, a pugnacious and brave soldier. The drama starts off with Jala having some of his own men, who were disguised as Legionnaires, kill his own brother who was the father of Zara and El Zanel, and the killing caused Zara and El Zanel to hate the Foreign Legion with a passion; they were very young when the killing took place. Thus there were several attacks on the outpost in North Africa. Yet the strange thing was that when Jala confessed that he had killed El Zanel's father, he said that men of power must do such things sometimes; no, El Zanel did not care about human lives. What will happen now to Malekom, El Zanel, Jala, and Zara? There are points where there is romance between Zara and Malekom, but will this have a great effect on how Malekom will be toward Zara after a very climatic battle? The movie was a "Sahara western" replete with handguns and machine guns. Yes, it was a very exciting movie of any kind.
  • richardchatten13 November 2023
    Ralph Meeker gets to take a break from playing poachers to play a gamekeeper in the form of a megalomaniac captain in the French foreign legion of whom its said "He could lead a hundred grandmothers through the Boxer Rebellion without disturbing their coiffure".

    The story suggests the twenties but his arrival by helicopter shows it's actually set much later. People get massacred but director Lesley Selander makes it all seem rather tame, with characters just standing about and talking.

    The cute little fortress is quite striking in a Germanic sort of way. Conspicuous by their absence are any actual Frenchman: Aussie Ron Randall assuming an English accent to boast about his expulsion from Sandhurst and the University of Cambridge Medical School; while John Carradine invests the Arab chieftain with the sort of accent only a Shakespearean actor could manage.
  • I am amazed as I watch this film, as it sure doesn't seem anything like the other reviews have described. They are all quite glowing in the film's praise--saying it's the best of the Foreign Legion films and filled with excitement. Were we watching the same film?! "Desert Sands" is a terrible film--not at all convincing and, in some ways, rather silly. My biggest complaints are the casting and the the writing. Among the cast, there is no one who seems the least bit French but even more importantly, there's no one who seems remotely North African! Now perhaps you could explain the troops not being French because it's the FOREIGN Legion...but the North Africans are all very white and some (particularly the leader) sound as if they were educated at prep school! It's utterly ridiculous and sloppy...very, very sloppy. As for the writing, it's bad--particularly when it comes to dialog. None of it sounds the least bit realistic and is filled with clichés. This is a bad movie! The bottom line is that there are LOTS of better desert films--such as "Beau Gest", "The Lost Patrol"....even "Abbott and Costello in the Foreign Legion"!! I just think this is a terrible film--one that inexplicably is adored by some others.
  • This military adventure/romance contains some mildly interesting action footage of battle scenes, but on the whole, is so poorly cast with Arabs who resemble California beach boys and the biggest array of phony accents you can ever imagine anyone assembling. There is really only one character who is remotely plausible as a Frenchman and very few who are plausible as Arabs. The absurdity of the film is further compounded by stilted, cliché-ridden dialogue and a romantic interest by the Arab heroine that strains credulity, to say the least. All of this results in an unintentionally laughable and ludicrous film which irreparably spoils any chance of the viewer being swept away by its pathetic pretense at being an adventure epic and grand romance. A Lawrence of Arabia or Beau Geste it is not! Positive reviewers are obviously delusionally waxing nostalgic from their memories as 8 year old viewers.
  • My cherished memories of "Desert Sands" still remain after 26 years. It played on the bottom of a double-bill (can't remember the main feature--a forgettable 'A' big-studio stinker, I'm certain) but was a swift, beautifully photographed, Foreign Legion humdinger of escapism with a memorable cast--Ralph Meeker at his most stalwart, gorgeous Marla English, John Carradine & J. Carroll Naish at their outlandish best, and young, dashing John Smith poised for stardom (after charming supporting roles in "The High and the Mighty," "We're No Angeles" and the forthcoming "Friendly Persuasion"). But the film seems to have vanished after playing on TV in the early '70s. Dismissed in its time as a 'B' programmer, "Desert Sands" was a sweeping, actionful treat--the actors seemed to be having as much fun as the cheering audience (and when has that happened in today's zillion-dollar stinkers? The stars seem to be wincing and working almost as hard as the audiences do trying to keep awake while enduring these "blockbuster" bombs). Come on, Turner Classic Movies. You've got the rights to these UA programmers of the '50s. Granted, most of them aren't worth reviving, but "The Desert Sands" definitely is. A throwback to the days when even medium-budget films could be class-A efforts, depending on the talents of all those (director, actors, script, cinematographer, etc.) involved. In this instance, "The Desert Sands" comes up trumps! Suffer thru other expensive big-studio adventure epics of the time ("Beau Brummel," "Prince Valiant," "The Egyptian," etc.) and you'll relish the unpretentious, lighthearted "Desert Sands" even more. An unheralded gem of 1955, long-overdue to be recognized as a heralded gem of any day. And it demands to be letterboxed in Superscope. A dazzling wide-screen delight--for precarious adventurers of all ages and times!
  • Warning: Spoilers
    The most important thing according to Prince Keith Larsen is victory and power, for avenging his father's death, seemingly unaware that his father's murder was arranged by his own uncle, John Carradine. For years Larsen believed that French legionaires were responsible for the brutal assassination, and even when he finds out the truth, he's still determined to destroy the friends even after he confronts his uncle whom he praises. Sister Marta Toren, having fallen in love with one of the legionaires (Ralph Meeker) realizes a little too late the truth about her brother and uncle, the fact that her brother has gone insane with revenge and a lust for power, playing right into uncle Carradine's hands.

    Hokey nonsense ain't no "Beau Geste" or "Gunga Din", perhaps maybe "Gumby Dumb". It's watchable for sure, but very dated and cliched with the underused Carradine stealing his few moments, cleverly manipulating his nephew. Larsen in Arab attire is melodramatic, impish and completely wrong for the part, and Toren and Meeker not providing much heat on those steamy desert sands. Even the battle scenes seem dull. J. Carroll Naish provides another exuberant over the top performance that wakes the viewer up every now and then. This one could be buried under a camel lot for centuries and no one would miss it.
  • An exciting adventure film, with good battle scenes, interesting characters, stirring renditions of "Le Boudin" (the signature march of the Legion) and the little known and sexy Elizabeth Taylor lookalike Marla English, as the "Arab" princess. It seems like the Legion outpost is a modified "wild west" set and Marla and her maidservant's costumes appear to be reworked Mexican cowgirl outfits. Entirely apropos for the unintentionally hilarious love scenes with the Legion commandant (Ralph Meeker). Her brother, the sheikh, has a prep school accent, but it's not quite as bad as the Brooklynese dialect of Richard Conte's villain sheikh in 1953's "Desert Legion" ("Det ta da lejun!"). Mama Mia!!

    The legionnaires are uncharacteristically complacent. After all, this is 1955 and the tribes just don't surround and attack Legion forts a la Beau Geste anymore. Not! They get a rude awakening when Marla and her brother; who believe their father was murdered by the French; unite the desert tribes and wipe out a column of legionnaires. The film does have some reality deficits. Even though it is the 1950s there isn't a motor vehicle in sight, although the new commandant arrives at the fort by helicopter, and the radio man is building a television set. The rifles carried by the legionnaires were over 20 years out of date at the time, and rifle grenades can't blow up buildings. But, this is an escapist actioner with some unintended laughs thrown in, not a History Channel Special. In that respect, it really hits the spot. It even begins with a sultry, James Bondish theme song!

    I recently saw this movie for the first time since the early 70s (on TMC) and I find it hard to believe that it was never put on commercial video.
  • Reviewers panning the whiteness of the Arabs, the diction of the Arab revolutionist? It's a drama, made in the USA as entertainment, not a documentary. The Arab princess, Marla English,had me excited in the 1950s and I loved how her servant assisted her escape from close confinement. Of course it's all implausible, but I don't watch movies for plausibility. Of course the officers of the Legion are supposed to be French and the enlisted fighters all foreigners. Again, I have to complaint that might demonstrate my 'intelligence' as a critic. The plot is a pan Islamic uprising against the French annexation of North Africa as colonial affront to the locals. The 'bad guy' is a fanatic with murderous ambition to rule as Mohammad had ruled, with an iron fist and discipline. I still prefer Ten Tall Men and Jody Lawrence in that, but this film was delightful in unexpected timeliness, after the Arab Spring. Now I'll go look up Marla English and find out what happened to her.
  • januszlvii27 December 2021
    Warning: Spoilers
    I watched Desert Sands because I wanted to see what Marla English ( Princess Zara) looked like in a movie: Answer: Drop dead beautiful like other 50's actresses such as Sophia Loren, Marilyn Monroe, Kim Novak, Elsa Martinelli etc. The movie was actually quite good: While it was not Beau Geste it certainly was not Desert Legion ( the worst Alan Ladd film ever) either. Besides Marla there was Lita Baron who played her Assistant Alita and was even hotter then Marla. The story is about two Arab leaders Zara and her brother El Zanal ( Keith Larsen) who hate the French Foreign Legion for apparently murdering their father when they were children. The word "Apparently" is the key, because El Zanal found out the truth that it was actually their uncle Jala The wine merchant ( John Carradine) responsible but he was happy because the hate essentially turned him into a Mohammed like leader with no room for sentiment. Zara however, did not know until she heard El Zanal and Jala talking about it. Zara ( unlike her brother) was not a complete hater: She loved the American Captain David Malcolm ( Ralph Meeker) of the French Foreign Legion ( and although he hates to admit it, the feeling is very mutual). Spoilers Ahead: Zara and Alita are actually the heroes of the movie. Alita by killing Zala ( who was holding Zara hostage after she found out about her father), which allowed Zara to free Malcolm and save a troop of Legionnaires from being ambushed by El Zanal and his followers. El Zanal decided then to take revenge and kill his sister, by Malcolm saved her. At the end, Malcolm noted that the French will be lenient on Zara because of her assistance ( maybe even no charges when the find out she was used and lied to about her father). A poster here named David asked about what will happen with Zara and David? The end does not outright say except for being lenient on her, but the smiles on both of their faces, is a strong clue that they are going to get married. One other clue, is her asking about America. I suspect that is the outcome, after the authorities are finished with her, David will bring her home with him, so she can have a fresh start and will not have to worry about revenge from her brothers's followers. Again a good movie. 8/10 stars ( Mostly for looking at Marla English and Lita Baron).
  • This movie begins before the opening credits, very unusual for the fifties. For the rest it belongs to the movies speaking of a French Foreign Legion topic. It is actually a sort of poor man's BEAU GESTE. But it is an action provider, though it could have been a bit more, and powerfully directed by a very inspired Lesley Selander, who proved here to be more gifted than many moviegoers may think about him. It is not actually a B picture, though produced by Bel Air - which speciality were mostly B movies. This one could have been a Jo Pevney or Newman's feature. I confouds both directors whose careers were quite similar. So, DESERT SANDS is really worth watching.