Approved | | Comedy, Musical, Romance
Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long.
From 1954-56, Arthur Freed had to battle the Hays Code in order to bring Colette's tale of a courtesan-in-training to the cinema. He eventually convinced the film industry's Code Office to view the story as condemning rather than glorifying a system of mistresses.
Good afternoon! As you see, this lovely city all around us is Paris, and this lovely park is of course the Bois de Boulogne. Who am I? Well, allow me to introduce myself: I am Honore Lachaille. Born: Paris. When...
Honore Lachaille: ...not lately. This is 1900, so ...
Aunt Alicia puts the green jar on the table twice: she reaches to put the jar down, the camera cuts to the same scene at an angle, and she reaches again.
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