PG-13 | | Crime, Drama, Film-Noir
Scenes that the studio ordered to be retaken were not filmed by Orson Welles, but by Harry Keller. Charlton Heston at first refused to be filmed by anyone other than Welles and caused a delay of one day. He later reimbursed the studio $8,000 for the delay.
Uh, you folks American citizens?
In every scene in which a player piano is operating, the action of piano keys never matches the music that is heard.
Opening statement (restored version): In 1957, Orson Welles completed principal photography on TOUCH OF EVIL and edited the first cut. Upon screening the film, the Studio felt it could be improved, shot additional scenes and re-edited it. Welles viewed this new version and within hours wrote a passionate 58-page memo requesting editorial changes. This version represents an attempt to honor those requests and make TOUCH OF EVIL the film Orson Welles envisioned it to be. "... I close this memo with a very earnest plea that you consent to this brief visual pattern to which I gave so many long hard days of work." -- Orson Welles
$70,725 (USA) (11 September 1998)
$2,237,659 (USA) (1 January 1999)
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