PG-13 | | Crime, Drama, Film-Noir
Orson Welles shot predominantly at night in order to fend off meddlesome studio suits.
Uh, you folks American citizens?
At about the 50-minute mark, Vargas tells Quinlan that he knows the shoebox did not contain dynamite, and that ten minutes earlier he knocked it onto the bathroom floor and it was empty. But ten minutes earlier the audience saw Vargas knock the box into the bathtub, not onto the floor.
Opening statement (restored version): In 1957, Orson Welles completed principal photography on TOUCH OF EVIL and edited the first cut. Upon screening the film, the Studio felt it could be improved, shot additional scenes and re-edited it. Welles viewed this new version and within hours wrote a passionate 58-page memo requesting editorial changes. This version represents an attempt to honor those requests and make TOUCH OF EVIL the film Orson Welles envisioned it to be. "... I close this memo with a very earnest plea that you consent to this brief visual pattern to which I gave so many long hard days of work." -- Orson Welles
$70,725 (USA) (13 September 1998)
$2,237,659 (USA) (3 January 1999)
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