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  • I don't know how I missed this film for 40 years, but I corrected that mistake.

    Not a blockbuster, with the only outstanding features being the cinematography and special effects, it is nevertheless a taut cold war thriller.

    The interplay between Rock Hudson, Ernest Borgnine. Patrick McGoohan, and to a lesser extent, Jim Brown made this a film where you are constantly focused on who is the good guy, and who is the bad.

    Long at 148 minutes, it never lags. There is a very good reason why Alistair MacLean novels make good pictures,
  • elgrego4 February 2007
    This film is very underrated on this site. It is in a genre that is not really made very often any more--action adventure that is plausible both in plot and technology. And the action adventure plays equal footing to the actual acting and dialog. It is closer to an World War II action film than to, say, one of Arnold Schwartzeneger's action films.

    As an artistic piece of work, the lack of women (and any romantic story) keeps this cold war picture completely focused on the primary story, and makes the actors work all that much harder to keep the viewer engaged.

    There is also a good bit of spectacular on-location filming that still takes your breath away with its beauty. The actual polar icecap scenes (with actors) where the focal point of the movie's action takes place is a set. And it is a glorious one. No CGI imagery here! I bought this DVD for this film in a bargain bin. If you get the chance snap one up, or rent it and watch it on a decent TV. Great transfer.

    Good score as well.
  • Spectacular film about Cold War filmed mostly in study that won two Academy Award nominations : Cinematography and special visual effects. Captain James Ferraday (this was Rock Hudson's favourite film of his own, and also of Howard Hughes ; Charlton Heston was originally offered the role but turned it down, saying there was no characterization in the script) , Commander of the nuclear submarine called USS Tigershark, is assigned to the polar ice region on a rescue mission when an emergency signal is heard from a research station, Ice Station Zebra (in real life, there was no "Ice Station Zebra", but there was an "Ice Station Alpha" which was situated in a Arctic's Ice Island). On board there is a civilian and possibly a spy named David Jones (Laurence Harvey was originally cast in Patrick McGoohan's role) , whose orders are dark . Ferraday doesn't like being kept in the secret but Jones is strongly secretive and doesn't give much away . Along the way, they collect two additional passengers, a Russian veteran named Boris Vaslov (the recently deceased Ernest Borgnine) , likely also a spy, and an African-American Marine Captain (Jim Brown) . Based on the novel (1963) by Alistair MacLean, Scottish author of Best-seller novels such as "The Guns of Navarone" . It's one of two Alistair MacLean filmed adaptations released in 1968, the other was ¨Where Eagles Dare¨. Changes made from the Alistair MacLean source novel of the same name for this film included the name of the nuclear submarine, the Dolphin, which was re-named the USS Tigerfish and the names of two characters: Submarine Commander Swanson became Commander Ferraday and spy Dr. Carpenter became David Jones .

    It is one of the most thrilling and exciting films set on the years of the Cold War. Great superproduction with all-star-cast , impressive scenes , shimmer photography and a vibrant sound , the time has increased its documentary value. The acting of the interesting characters is believable and convincing, especially by Patrick McGoohan and the Russian Colonel well played by Alf Kjellin . Special appearance by Lloyd Nolan and film debut for Ron Masak .The film's story has similarities with the real life events, reported in the media in April 1959, of the Discoverer II experimental Corona satellite capsule that went missing and was recovered by Soviet intelligence agents after it crashed near Spitsbergen in the Arctic Ocean ; Spitsbergen is in Norway's Svalbard archipelago of islands which is where both Alistair MacLean 's novel and the film of Bear Island is set. The screenplay has eloquent dialogue, continuous tension and surprising twists that keep the viewer's attention .The soundtrack by singer and French composer Michel Legrand -"The Umbrellas of Cherbourg"- , is full of vibrant sound , brings a solemn score, cutting edge, played by an orchestra of wind . Colorful cinematography in glimmer color by Daniel Fapp. Unique and innovative underwater camera equipment was developed for this movie by 2nd unit cameraman and cinematographer 'John M Stephens', a former U.S.A. Navy diver, who is billed in the credits for additional arctic photography , the camera system enabled the first ever filming of a continuous submarine dive and this technical innovation produced some outstanding photography for the picture.

    The visual effects, despite its quality, not 'see that snow is artificial, that the landscape of the polar station is mounted on set ; his picture is the first of two movies based on an Alistair MacLean novel set in rugged icy and snowy terrain , the second would be Bear Island about eleven years later. John Sturges' filmmaking is absorbent and entertaining , a good job , It's one of two filmed Alistair MacLean adaptations directed by Sturges , the other was ¨The Satan Bug¨ made and released about three years earlier . The production shoot for ¨Ice Station Zebra¨ went for nineteen weeks, from Spring 1967 until October 1967. Rating : Very good , wholesome seeing .
  • Big-budget, all-star, action-packed adventure about an American submarine sent to the North Pole to retrieve a downed satellite which contains a roll of film. The Russians want it as badly as the Americans because the film contains high-orbit pictures of BOTH country's missile sites.

    Rock Hudson is the sub commander, Patrick McGoohan is the cynical secret agent with a dry wit (a roll he made famous in two famous British TV shows, `The Secret Agent' and `The Prisoner'), Jim Brown is a hard-nosed Marine captain, and Earnest Borgnine is a Russian defector working with McGoohan and the Americans to retrieve the valuable film.

    The special effects of the Russian jets could have been much better, even in 1968. But the fantastic exterior arctic sets create a stylized North Pole as appealing as the sets of Altair 4 in `Forbidden Planet'. Sure they don't look `real' -- but that's doesn't mean they don't look good. And brother, they sure look BIG. Furthermore, these sets don't just sit there, they actually DO neat stuff: hugh blocks of ice converge and threaten to crush the sub's conning tower, and the conning tower raises and lowers through cracks in the ice!

    Dynamite score by Michel LeGrand. Sterling screenplay by Douglas Heyes, riddled with sharp dialogue that the fine cast delivers perfectly (I love it when McGoohan tells Hudson that the film invented by America's German scientists was put into the camera invented by Britain's German scientists and sent up in the satellite invented by the Russian's German scientists. Funny.

    Based on Alistair MacLean's best-selling novel. A genuine techno-thriller that predated Tom Clancy's work. And it was originally released at Cinerama theaters! Gotta love it . . .
  • Commander James Ferraday (Rock Hudson), the captain of the nuclear submarine USS Tigerfish, receives the assignment to get three persons to North Pole: the civilian David Jones (Patrick McGoohan), the Russian deserter Boris Vaslov (Ernest Borgnine) and the marine Capt. Leslie Anders (Jim Brown). Their secret mission is to recover an American film from an English camera in a Russian spy satellite, which felt close to the Ice Station Zebra. The persons who work in the station are not responding to the radio call and nobody knows what might have happened with them. Along the voyage of USS Tigerfish, there is some sabotage on board meaning that probably one of the new passengers is a Russian spy. A tense and cynical end finishes a long but attractive story. Although the cold war is gone in the present days, this movie is still a good film. Rock Hudson and Patrick McGoohan have a great performance. My vote is seven.
  • ptb-822 March 2008
    In each year of the 60s MGM seemed to release three $10 million dollar movies. I have never seen a film company so dedicated to ensure their output was simply colossal. With this aim, some good ideas were boosted up and into mega colossal whopper H-U-G-E ambitions that were presented in 70mm, ran over 2.5 hours and commanded luxury picture palace sized first release cinemas world wide. As such an experience they all looked sounded and presented with this aim intact. Today the lion is in a cage at Warner Bros and Foxtel screens the films in the centre panel crippled by pan and scan only. I can hear the poor beast crying. ICE STATION ZEBRA is the MGM version of a James Bond film and succeeds in the experience offered above. On TV it is a compromised "TV show" and faults become so apparent that you might switch off. I suggest any chance to see this film on a large cinema screen will allow you to be swept up in the excitement of a pensive thriller. By the time we get to the location of the title, and the hilariously silly set made clearly of plastic icebergs and santasnow to see what seems to be a cold war picnic at the North Pole, you will be more aghast that the climax could be so shoddy and lame. It looks like a TV station Santa-set with fur parkas and guns instead of helpers. But, under the spell of the cinema, belief is suspended and the film succeeds. On TV you start wondering why there is no frosty breath and warm heads under beanies.
  • Warning: Spoilers
    Like his earlier 'The Satan Bug' ( 1964 ), John Sturges' 'Ice Station Zebra' is based on a novel by Alistair Maclean. Rock Hudson is 'Ferraday', commander of U.S.S. submarine Tigerfish, assigned to go to Drift Ice Station Zebra, a British weather station at the North Pole. Something has gone wrong; distress messages are being sent, but no-one knows why. Air rescue is impossible due to the severity of the weather. But there is more to the mission than simply rescuing people - there is another reason, one which could have terrible repercussions for the entire world. Ferraday is given an passenger - mysterious British secret agent 'David Jones' ( Patrick McGoohan ). Jones is an arrogant character who sleeps with a gun under his pillow and won't tell the Captain what is really going on. After picking up Russian defector 'Boris Vaslov' ( Ernest Borgnine ) and 'Captain Anders ) things start to go wrong. The submarine is almost sunk when one of the torpedo tubes is opened. Sabotage? Jones suspects Anders...

    It all sounds typically Maclean - a dangerous mission endangered by a traitor. Douglas Heyes and Harry Julian Fink's script adds a new element - superpower confrontation. The film opens with radar dishes tracking a Russian spy satellite as it comes down near the North Pole ( it was supposed to have landed in Siberia, but one of the retro rockets failed ). The camera it contains took more pictures than it should have, not only of American missile bases but Russian ones too.

    The main problem with this is that it promises more adventure than it delivers. The first ten or so minutes give the impression it is going to be fantastic. Shot in Cinerama and Super Panavision, with bombastic Michel Legrand music, it looks and sounds sensational. Then the sub sets off from Scotland, and the pace grinds to a halt. Nothing much happens until the aforementioned sabotage attempt. What keeps the picture from descending into total boredom is Patrick McGoohan. He acts everyone - Hudson in particular - off the screen. It is surprising he did not become a major star on the back of this. The resemblance between 'Jones' and 'John Drake' from 'Danger Man' is as strong as the one between 'Drake' and 'Number Six'. He used the alias 'Smith' in 'The Prisoner', so why not Jones? It is not difficult to see 'Zebra' as the missing link between the two shows. After leaving Japan at the end of 'Shinda Shima', Drake is given a new identity and sent to the North Pole. Failing to correctly identify the traitor, he is ashamed of himself, goes back to London, and resigns. Its a plausible theory.

    There is some action towards the end, but is over all too quickly and the film does not warrant its two-hour plus running time. I never saw it in a cinema alas. B.B.C.-1 premiered it on Christmas Eve in 1973. The snowy scenes made it seem perfect festive viewing.
  • John Sturges brings his deft movie touch to this cold-war actioner by Alistair McLean.

    It's got all of the novelist's usual stuff: hand-picked individuals, impossible mission, traitor in the camp and so on. Both McLean and Sturges knew how to keep a story moving.

    A rogue commie satellite has been photographing strategic allied locations. Unfortunately; it has also turned on its makers and photographed commie locations too, making it the most valuable/dangerous piece of political/military gear in the world. It has crashed in the arctic at a civilian research site named 'Ice-Station Zebra'. Whoever finds it has the world in his hands. So; it's a race against time.

    There's an interesting mix of players led by Rock Hudson as captain of a US nuclear submarine, and Patrick McGoohan doing his devious special-agent routine from British terrestrial TV's 'Danger Man' - later reprised in his immortal 'The Prisoner'. The chemistry between them is very good, emphasised by a witty and intelligent script. Ernie Borgnine also features well as a Russian-born double-agent.

    It's a lavish movie. There's plenty of wide sweeps of the submarine both at sea and under it, with some interesting camera angles. These help offset the rather claustrophobic interior. That interior looks sufficiently realistic to pass muster to the uninformed as a genuine nuclear submarine of the time, with its curious mix of solid machinery and tacky 'modern' accommodation. Add to these a decent sound-effects and music package and little else is missing.

    It's a taut, plot with lots of nice twists and a satisfactory conclusion. The most disappointing aspect is the rather stagy presentation of the arctic. The disintegrated base looks believable enough - though not a patch on Carpenter's later work in his 'Thing', but there's a little too much salt-n-Styrofoam for genuine plausibility. It's a pity they didn't spend the extra bucks and go on location big-time.

    Still; like most of McLean's novels brought to screen, it's a worthy effort that still entertains today. The plot, script and characters see to that.
  • The very first film Rock Hudson did after finishing his contractual obligations at Universal Studios was no cheapie. Ice Station Zebra was spared no expense by MGM in bringing the Alistair McLean Cold War novel to the screen. Unfortunately this and some other ill conceived projects are what brought MGM to bankruptcy in the next decade.

    Though it got only so-so reviews and didn't have the box office that MGM wanted and needed, Ice Station Zebra has stood up well and is really best seen on the big screen. Even a letter boxed version doesn't do the vast polar landscapes justice nor the underwater shots neither. The film was nominated for special effects and color cinematography.

    Watching Rock Hudson in command of the U.S.S. Tigerfish was like watching James T. Kirk in charge of the Enterprise. I wouldn't be surprised if Hudson took a few cues from William Shatner in his performance.

    Hudson has an Enterprise like mission and later on leads an away team on a polar icecap where a Russian spy satellite has been busy photographing all of the U.S. missile launching sites. The film is wanted by both sides and both sides send teams to get it.

    It's a curious bunch that Hudson has to deal with on his team. A Russian defector scientist Ernest Borgnine, British agent Patrick McGoohan (wasn't that ever natural casting) and spit and polish Marine captain Jim Brown. They've all got varying agendas and one in his crew is a double agent.

    The highlight of the film is the standoff with Hudson and Russian colonel Alf Kjellin. They are an evenly matched pair, I would not like to be playing poker with.

    Ice Station Zebra is far better than the reviews it got at the time. Even with the Cold War over, it's still an exciting and suspense filled film.
  • After re-discovering Patrick McGoohan, I decided to give this film a try. I had heard the title mentioned for years, but had no clue what it was about.

    The overall look of the film was rather impressive. I appreciated most of the technical aspects. You really feel like you would NOT want to be stationed on(in?) a submarine! The special effects weren't bad for 1968. The soundtrack is good as well.

    When you have Borgnine and Jim Brown in a movie, you automatically think in terms of "The Dirty Dozen". They both did better in that film...

    I have never been at all impressed with Rock Hudson, and found his acting to be rather wooden here. He does a good job with the regulation "sub speak", but, for example, in the post-flooding scene with McGoohan, he is very obviously not as impressive an actor as the Englishman (ok ok, McGoohan was born in the US to Irish parents, but they moved back to Ireland, then to England).

    In fact, I (and so many others) feel McGoohan steals the movie. Of course, he had many years experience playing "secret agents", so this film may have been a cake-walk for him... just speak a bit more and trade in a black & white blazer for a warm parka! (He did, in fact have to take time off from filming "The Prisoner" to make Zebra.) His character's comments regarding bullet velocity in cold climates is a fan-favorite, along with "the coffee cup" and post-flood explanation. I swear the other actors were just standing there, watching his performance, forgetting the cameras were rolling.

    In short, if you like submarines, spies, and mild action, you should like Zebra.
  • Then this is your movie. The entire first half seems like nothing more than technical blabber about the workings of the sub. The real mystery is not to be revealed until after intermission. However by then the audience suffering in the dark will be totally indifferent. The final confrontation is confusing and absolutely anticlimactic. I like Patrick McGoohan, but even his presence cannot save this 150 minute clunker. To top things off, the Arctic scenes look more like the set for a high school play than the frigid outdoors. In summary, "Ice Station Zebra", despite a respectable cast, is a total waste of a considerable amount of time. - MERK
  • Oh what happened to those saturday evenings with great films? This was one such film, a great cast, riveting from start to finish, its not totally clear as to what is really going on at "Ice Station Zebra" and the 3 chaps on the sub may or may not be who they say they are (brown, borgnine or mcgoohan). All becomes clear as you continue to watch, so dont expect me to spoil it all for you. A great "spy" type thriller with good action scenes and dialogue that fits the film. One of the 1st films which does not have a female actress anywhere in the cast, so its to be hoped no one tries to remake it....really great entertainment....catch this!
  • Warning: Spoilers
    No real Spoilers, but seeing the film would help. While not nearly as good as "Guns of Navarone" or "Where Eagles Dare", this is still a very good flick. Why? Easy. Patrick McGoohan as "David Jones." He plays Jones just like he did John Drake of "Secret Agent" fame AND just like Number Six, the hero of "The Prisoner." My view of this film has always been that it's a story that sits chronologically between the two series. In fact, I like to look at it as Drake's last mission before he resigns and begins the Prisoner. With a little imagination and tongue in cheek, I'm sure you'll see my point. Jones talks like Drake and #6. In fact, at the end of "Zebra," Jones says "Do svidAniya," which can be taken as "Be Seeing You," the signature phrase of The Prisoner. He has the same amazing array of knowledge, like how to sink a sub, that the other two have. He is also very much a born survivor. A lesser actor would have died 4-5 times. McGoohan makes this film much more fun than it has any right to be. Without him, it would be very rough going for 2.5 hours until the rather flat ending. To those who are up to speed on "Secret Agent" and "The Prisoner", give this a look. You'll be very pleased to see an old friend at his best. McGoohan actually took time off from filming "The Prisoner" to make this and it shows. He was in Prisoner-mode the whole time, and for that I would recommend this film. RATING: 7 out of 10.
  • Warning: Spoilers
    Considering it's length, it's shocking how little action there is in this supposed adventure yarn. Rock Hudson, looking bored, is a submarine captain leading a secret mission to the North Pole to help British spy Patrick McGoohan uncover some stolen film. Nearly devoid of any real suspense or excitement, this is a major misstep for the great director John Sturges. The effects are not very special and the miniatures (of which there are many) are extremely obvious. In addition to Hudson and McGoohan, the large cast includes Ernest Borgnine as a Russian double agent, Jim Brown as a hot-headed soldier and Tony Bill, in a nearly silent role as one of Brown's subordinates. Borgnine is hammy while McGoohan keeps his cool and is saddled with a really dumb scene in which he explains the plot to Hudson (and the audience). Presumably the Alistair MacLean novel on which this is based is more thrilling. Adapter Douglas Hayes, whose dubious credits include KITTEN WITH A WHIP as well as the William Castle film DRUMS OF TAHITI, infuses his script with absolutely nothing of interest. The rousing music score is by Michel Legrand and is wasted on this inert movie.
  • I first saw this film when it was released in 1968 at the Summit Cinerama theater in Detroit, and it was a fantastic movie going experience. I think the first thing that draws you into this film is the rousing score by Michel Legrand and the marvelous cinematography. The engrossing story moves along at a good pace aided by some very intelligent and witty dialogue. A superb cast of seasoned professionals including Rock Hudson, Ernest Borgnine, Jim Brown and especially a very suave and droll Patrick MacGoohan create fully realized characters that act and react in very real human emotions to some extremely tense and suspenseful situations. The next time you see this film in the TV listings, be sure to check it out and I think you will find it superior to many films of the same genre that have been made since. One thing I find puzzling is the fact that this classic has not been released on DVD, and I only hope it is very soon.
  • Now I have always steered from watching this film most notably because of the distinctively average reviews it appears to get. A perfect example of ignore other reviews and enjoy it. After all a certain late Howard Hughes did! There are plenty of examples of films I liked better than the critics!

    It has plenty of Cold Ward action as the US (aided by Britain) and the old USSR race towards a crash landed Soviet spy satellite with some juicy photos on board, in the Polar landscape of the North Pole. With a screenplay based on a literary work by Alistair MacLean who has had several successful films based on his books to note. If you like submarine films (like me) then this film is for you with a US nuclear powered sub racing to the North Pole under the ice-cap.

    The director John Sturges had plenty of experience with ensemble casts and big budget films and this film doesn't disappoint in that respect. I'm thinking along the lines of The Great escape (1963) and The Magnificent Seven (1960).

    I watched the film on a large screen TV. Watching some of the photography and seeing it was filmed in the old Cinerama, 70mm process I bet it looked amazing on big cinema projections? Indeed I believe it got an Oscar nomination for its cinematography.

    The music has one of those chords that you just hum for hours. It also had an intermission in the cinema which I bet was amazing.

    The cast put in good performances including Rock Hudson and Patrick MacGoohan, better known to British television audiences perhaps? (The Prisoner).

    In my humble opinion a Cold War thriller worth the viewing.
  • During the height of the Cold War, in the 1960's, Hollywood produced movies that not only portrayed the USSR as the bad guys but also gave hope for a thaw in the war. Ice Station Zebra was such a movie.

    The combination rescue mission and spy story makes for a good mix and Rock Hudson looks dashing as the commander of the sub sent to get to Zebra. Jim Brown is seen as a military figure like we saw in the Dirty Dozen, this time he is a Captain.

    Although the plot is a bit predictable, and the Station a bit fake, the story still holds up to the end and makes the 2 1/2 hour plus movie into a "page turner".
  • Warning: Spoilers
    The late Howard Hughes (the reclusive multi-billionare, eccentric/weirdo that never cut his fingernails, peed in milk bottles lest his urine be stolen, and employed an army of trusty Mormons to cater to his every whim, and oh yeah, was a notable pilot/engineer/movie producer) firmly believed "Ice Station Zebra" was literally the finest motion picture ever made, and for a time even had the movie on an endless loop on a projector playing non-stop in his sleeping area. And Saul Goodman (played by Bob Odenkirk in "Better call Saul" and "Breaking Bad") even names his corporation after the movie ("Ice Station Zebra Associates"). So what's it all about? WHAT could be the amazing block-buster that'll change your life plus bleach your teeth in only one viewing according to pop culture?

    "Ice Station Zebra" is yet another take on an Alister Maclaine novel, this one about an American nuclear sub that is on a top-secret mission to locate some important satellite film that has come down from space to land somewhere at the north pole. Both the Americans and the Russians badly want this film and are more than willing to kill to retrieve it. So the film is a race to retrieve the film: US Navy submarine plus a complement of dodgy spy types vs. Soviet paratroopers supported (for no apparent reason) by a single flight of Mig fighters, all in competition to grab the satellite film first.

    Not a bad plot overall (and if anything it does foreshadow the later, and better submarine film "The Hunt for Red October" of 1990) but the way it unravels is not nearly as dramatic as it could have been. The elements of tension and conflict are there, but are spoiled by its slow pacing overall, the static nature of the film, and the obvious on-screen cost-cutting done by the producers.

    The movie takes place primarily in only two places: inside the American submarine "Tigerfish" and Ice Station Zebra itself. Too much of the movie looks colorless and drab because that's exactly what these surroundings are like in real life. More than half the movie is spent inside the (very cramped and quite dull) interior of the "Tigerfish", but once the men (because there isn't one female in this whole movie) climb out of the sub at the North Pole, it doesn't get any better. The greys and greens of the submarine are merely exchanged for the (fake) endless white expanse of "the arctic". "Ice station zebra" and its environs just looks exactly like the sound stage that it is... and this does not help the visual much.

    Also the movie has an odd mix of first-class model work along with some amazingly bad effects as well. The exterior submarine model work is impressive and reasonably life-like - but the effect is somewhat spoiled by the rest of it. The viewer cannot fail to notice the cheap scale models in use to show several Russian Mig fighters on their way to Ice Station Zebra. In this scene it's a toss-up which is worse, the badly filmed and poorly made model airplanes or the cheap rear projection work of the background behind them.

    The plot is only murky and mysterious until it gets explained, and then it's a bit underwhelming. And by the end, the viewer may be feeling cheated as the payoff to watching this rather clunky story unfold. All in all, I've seen many worse movies - but it's just disappointing to watch what could have been a classic turn into an over-produced, under-budgeted and slightly boring movie.
  • DAS BOOT meets THE THING is how I would describe this Alistair MacLean thriller in retrospect. It's one of the tentpole movies of the 1960s, a larger-than-life thriller that makes full use of Cold War tensions in its tale of a desperate race to the North Pole to grab a MacGuffin that the other side can't be allowed to get its hands upon.

    ICE STATION ZEBRA is an unashamedly old-fashioned film, brought to life by the sterling direction of surehand John Sturges (who'd previously completed, so memorably, THE GREAT ESCAPE and THE MAGNIFICENT SEVEN). The running time is lengthy and there's barely any action, but there is plenty of suspense and a handful of exciting set-pieces that don't disappointment. I'd previously watched the hammier MacLean adaptation BEAR ISLAND previously, but it wasn't anywhere near as assured - or, indeed, well made - as this film.

    The late, much missed Rock Hudson grabs the main role of the submarine commander and proves to be a likable and realistic hero. Ernest Borgnine is a delight, as always, and Patrick McGoohan is excellent as well. It was a pleasure to see Jim Brown in an early role in his career, but the real star of the thing is the submarine, which is brought to expert life. The only thing you can really criticise about ICE STATION ZEBRA is that some of the miniature effects are a bit shonky - the model planes flying in front of the back screen projection are appalling - but poor effects have never tempered my enjoyment of a movie. This one's a delight.
  • Oh sorry - did I say "splendid" twice?? Well, that sums up what I feel about this film. Particularly "splendid" in my humble opinion was the portrayal of David Jones by the wonderful Patrick McGoohan, who is my favourite actor, so OK I'm a little biased here - but he really stood out for me. I love the way he seemed genuinely shaken after the "sabotage" act on the sub - drinking whisky-laden coffee with trembling hands. And of course Number 6's dry sense of humour, and heroic deeds.

    And everyone else was pretty good too :) I know some of the scenery was obviously fake, but the sense of space across the ice flow, and the scenes of the sub trying to emerge from the ice were pretty impressive.

    Anyway, I bought this yesterday on DVD and it was £16 well spent.

    9/10.
  • Not a masterpiece, but a much better film than some of the reviews would lead you to believe. It goes on a bit too long, and Ernest Borgnine chews up every bit of scenery he can find, but Rock Hudson (not normally one of my favorite actors) is extremely convincing as the sub commander, and he and Patrick McGoohan (one of my all-time favorite actors) have unusually good acting chemistry. I first saw this in Cinerama, and it works very well on a huge screen, less so on TV.
  • Ice Station Zebra is an adaptation of an Alistair MacLean book. Spies! Submarines! Suspense! Well, not really suspense. The very first scene shows a satellite dropping a payload into the arctic that is obviously of some importance. Then, the next two thirds of the movie involves our fearless captain tasked with taking a British agent to the scene of the drop. Could it be that the agent has something to do with this capsule? Gee, I wonder? Our brave captain doesn't know, but of course we do, since the director bizarrely lets us in on this little secret, ruining about an hour and a half of suspense.

    The actual bits of the movie inside the submarine are well done. The crew is professional and the technical jargon they use impressive. While some may find this boring, I found it nice to watch a believable captain command a believable ship.

    And then, they make their way to the ice, and it all falls apart. Plot holes big enough to drive a submarine through. MiG 21s that magically turn into F4s through lazy use of stock film, greatly confusing the viewer. Spies that do things so illogical you'll just be shaking your head in disbelief. Acting so wooden and arbitrary you'll have trouble differentiating the corpses.

    And of course, the fakeness. There is something so artificial in this movie that it just hurts. No, I'm not talking about the fact that the last third was obviously filmed in a sound studio with Styrofoam ice. Rather, it's Ernest Borgnine (you know, the captain from McHale's navy TV shows) trying to fake a Russian accent. Really and truly painful.

    Ultimately, the bad accents, wooden acting, and Styrofoam ice would be forgivable if the plot made sense. Alas, it does not. It's as if the good scriptwriter was fired or took to drink halfway through. Unfortunately, the unsatisfactory feeling that results is enough for me to confidently give you a recommendation of "don't bother."
  • I've seen my share of movies, and Patrick McGoohan's performance in this one is my favorite of all time. Rock Hudson-led American sub ventures to remote arctic weather station on what is thought to be a rescue mission. Innocent trip develops into search and struggle for film that threatens the survival of the free world. Hudson's characteristic bluster fits sub captain role to a "T", and we finally get to see McGoohan in action as a British spy in a full-length film. McGoohan's chilling explanation to Hudson of the true purpose of the mission, which comes well into the film, is the crowning moment of the cold-war/spy movie genre ("and that is when the lights began to burn in the Kremlin...."). McGoohan is awesome throughout, although Hudson nearly upstages him in the finale if such a thing is possible. Good supporting cast includes the always-welcome Jim Brown. Deserves a DVD!! 10 out of 10
  • emryse10 November 2021
    For a film of this period I was pleasantly surprised, movies of this genre made at this time have the tendency to feel rather dated and while there is a bit of that here on the whole it all looked good. The special effects were good and there was some interesting use of miniatures. The sets looked great, the latter part of the film is set in the polar icecaps and the set that was constructed for these scenes is brilliant. Inside as well the submarine, the main location used in the film, feels substantive and makes sense geographically, there is also some fun attention to detail with how the entire set tilts whenever they are diving. The acting is decent but in the end the way I'd describe this film is charming. You know it's all fake and some scenes do feel quite cliché but in the end it's a fun Cold War Thriller with a good cast and interesting mystery. Something nice to settle down and watch for a spare couple hours. 7/10.
  • ovemunk24 November 2008
    Why is it that Hollywood have such a problem with scripts? What is the horror of making a movie that actually has the same story as the book it took it's title from? This MIGHT be a good movie provided that you haven't read the book but if you have, -don't bother.

    The really good plot from the book that makes it impossible to put down the book until you have finished it is here transformed into a sad action caper with actors playing stereotypes.

    Sorry but i really don't like this movie. The only DECENT McLean film is "Where Eagles Dare", probably because he wrote the book AFTER the script for the movie.
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