Dying aliens kidnap the pop group, Toomorrow, whose social musical instrument's "vibrations" are needed for their race to survive.Dying aliens kidnap the pop group, Toomorrow, whose social musical instrument's "vibrations" are needed for their race to survive.Dying aliens kidnap the pop group, Toomorrow, whose social musical instrument's "vibrations" are needed for their race to survive.
Roy Beck
- Concert audience - The Round House
- (uncredited)
Celestine Burden
- Art Student
- (uncredited)
Louis Cabot
- Shaving Student
- (uncredited)
Shakira Caine
- Karl's friend
- (uncredited)
Lindsay Campbell
- 2nd Policeman
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaOlivia Newton-John was told to strip to her underwear for a scene in the film, but she found the notion so humiliating that she burst into tears and refused to undress.
- GoofsAt the (live) lunchtime jam session, when the Professor cuts the power to the group's instruments, the music slows to a stop, as if on a record, instead of stopping immediately.
- SoundtracksYou're My Baby Now
Written by Ritchie Adams and Mark Barkan
Featured review
Like many Olivia Newton-John fans, I sought out TOOMORROW to catch an early film performance by Olivia (and also because I enjoy seeking out "lost movies"), and while the film is certainly lightweight and contrived I'll admit I enjoyed watching it. The concept here was to take a prefabricated rock group (sort of a British take on The Monkees), inject a sci-fi story line and tie everything together with a groovy pop music soundtrack (with the requisite soundtrack LP and singles). History has told the story: the "aliens desperately looking for new musical vibes" plot was way out there, the tunes were too lightweight and the resulting film opened and closed quickly then promptly disappeared. Despite all that TOOMORROW is still worth viewing for those fortunate enough to come across it. Olivia is absolutely charming here as a college student/band member, and while she later admitted in interviews that she literally resorted to shouting in order to project her voice it really doesn't detract from her performance or the film. Her interaction with her bandmates is lighthearted and carefree. The music is pretty much by-the-numbers pop bordering on bubblegum (perhaps Don Kirshner leaned a little too close to his musical creation The Archies here) and it's a bit of a stretch imagining an alien race finding just the thing they're looking for in these tunes. Hugo Montenegro's musical interludes are definitely dated but they're in context with the time and setting, and the special effects are also decent considering the age of the film. There's also an amusing bit of light farce when a female Alphoid named "Johnson" is summoned "to seduce Vic Cooper"; problem is, Johnson apparently wasn't informed as to which one was Vic Cooper and her crash course in the art of seduction came from viewing a couple of nudie flicks. I'll concur that while TOOMORROW isn't exactly top-rate, it's worthy entertainment (if approached with the mindset of a "midnight movie") and it certainly deserves to be rescued from obscurity. I'm not holding my breath, but if by some miracle "the powers that be" who are keeping TOOMORROW from being officially rereleased have a change of heart, I'd love to see a genuine DVD issue with some cool bonuses to do the film justice (especially if Anchor Bay is given that chance).
- How long is Toomorrow?Powered by Alexa
Details
- Runtime1 hour 35 minutes
- Aspect ratio
- 2.35 : 1
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