***SPOILERS*** ***SPOILERS*** When I viewed this film almost 30 years ago, I expected nothing more than another 'run of the mill' made for television movie. Surprisingly, that's not what I got.Within the first 15 minutes of the two hour production, my eyes were glued to the small screen.
Telly (pre-Kojac) Savalas and Monte Markham deliver believable human, performances. And even Barbara Anderson, an actress who never achieved early career expectations, is superb within a limited characterization.
They key element here is the deft underplaying of the roles by competent actors,under skillful direction. Other contributing factors are a tight, well written, script that turns the unbelievable into the far more frightening, possible. The plot is quite simple, and within it's simplicity lies it's credibility.
Markam is a college professor who experiences inexplicable visions from the mind of a mad bomber. He can't see the man's face, but he does envision everything else. The Professor doesn't want these visions, but they keep coming, and events authenticate that they're real. And though he fears for both his safety and privacy, he is driven by a strong moral sense to contact the authorities.
The key authority in this case is a highly skeptical,veteran police officer played by Savalas, whose early skepticism is eventually worn down by an undeniable chain of deadly events. Slowly, he becomes first a believer, then forceful employer of Markham's powers.
Unfortunately, word of the Professor's powers leaks to the press, and the bomber is alerted to the visions he's been having from the Professor's head. And this unseen villain is not stupid, which becomes chillingly evident as he works through his visions to backtrack to the one person who can reveal his identity, the Professor.
Very little attempt is made to explain the Professor's visions and, this absence of complex theoretical science does not subtract from, but actually furthers the believability of the plot. The production is not perfect, but it's damn good.
The limited special effects of the time are, surprisingly, highly effective by their equally limited use. Why is that a plus? Well think about it. There were only three key violent scenes in the 60's film classic "Psycho", but they were incredibly effective because everything in between was suspense. So it is for this television movie.
Hopefully, somewhere out there is a smart producer who will see this almost forgotten TV production, and realize it's potential as big screen fare in a quality remake. But until then, should you get the chance to view this movie, don't pass up the opportunity. Try to find it on video, without the TV commercials of the original airing. You won't be disappointed.