151 reviews
In the first two Omen films, we were presented with a boy learning to adjust to his unusual personality and his future position in the destiny of the cosmos, but in this last film, Damien is in complete control as he prepares mankind for a " paradise of pain. " Sam Neill exudes a aura of amoral humanity, befriending a female reporter and her son while he seeks to defeat God; One very good sequence has Damien describing man as being naturally evil, claiming that God seeks to keep man from becoming truly innocent. Even though the atmosphere bounces from materialistic to spiritual, the film still gets a powerful message about corporations and their link to politics to the audience. Again, Sam Neill shows us a flawed, but arrogant man-beast, who pushes his way through without a backward glance. With such a performance, it is no wonder that Sam Neill is a great actor.
Neill is very good here. Neill would go on to be one of those few actors with such a range that he can convincingly play the hero to literally the devil incarnate.
Neill has some ear popping monologues with a statue of Jesus. It's so obnoxious that I'm half amazed it wasn't cut. It all strikes me as rather career threatening for an actor and I wonder if any American actor would have done it.
But those scenes do help give this movie a bit of depth.
The first Omen was great because the Thorns weren't sure if crazy supernatural things were occurring, or if they were just crazy. Unfortunately, this one, like Omen II mostly boil down to crazy death scenes.
There's one major annoyance here... why does Damien believe the second coming will be a child*? He literally reads from the Bible. And the producers were well aware that was wrong, considering the display the relevant passages of the Bible.
It's certainly not terrible, and has some effective horror scenes. Looked at simply as a horror movie, it's kind of an oddball, but it works. But considering the seemingly end of time apocalyptic stakes, not to mention closure of the three movie arc, it's lacking, and the world surrounding Damien seems surprisingly small.
* I think the reason Damien decides to kill babies is obvious: the production wanted to do the baby killing thing.
Neill has some ear popping monologues with a statue of Jesus. It's so obnoxious that I'm half amazed it wasn't cut. It all strikes me as rather career threatening for an actor and I wonder if any American actor would have done it.
But those scenes do help give this movie a bit of depth.
The first Omen was great because the Thorns weren't sure if crazy supernatural things were occurring, or if they were just crazy. Unfortunately, this one, like Omen II mostly boil down to crazy death scenes.
There's one major annoyance here... why does Damien believe the second coming will be a child*? He literally reads from the Bible. And the producers were well aware that was wrong, considering the display the relevant passages of the Bible.
It's certainly not terrible, and has some effective horror scenes. Looked at simply as a horror movie, it's kind of an oddball, but it works. But considering the seemingly end of time apocalyptic stakes, not to mention closure of the three movie arc, it's lacking, and the world surrounding Damien seems surprisingly small.
* I think the reason Damien decides to kill babies is obvious: the production wanted to do the baby killing thing.
- whatch-17931
- Nov 27, 2020
- Permalink
As far as horror films go, I believe The Final Conflict has gotten a bad rap. Now, this is obviously not some all time greatest movie of all time or anything like that, but it really is a well made film, and a good horror film. Considering that I only watch horror movies, and every review I've done on IMDb has been extremely negative of really horrible horror films (hence my name) this being the first positive review I've given is really saying something, at least for me anyway :) In The Final Conflict, our hero (or rather not I guess, since he IS the anti-Christ) Damien is all grown up and using his demonic ways to basically take over the world for Satan. The one melodramatic scene where he gives his little speech to his father Satan is pretty stupid and could have done without (although the scuptlure of Christ in that scnece is actually a pretty amazing work of art), but other than that this is a fine horror film. The atmosphere is great, decent performances. His scene with the president (played by Mason Adams) makes you chuckle and ties in so well how all politicians (as well as everything to do with politics) are so deeply in league with Satan.
A couple shocking violent scenes, really creepy atmosphere, great cinematogrpahy - this film is clearly from an analogue age, before digital anything was in use. Perhaps this is part of the reason many don't like this movie, today's horror films are a lot easier to make due to digital advances (which is a good thing) so they appear to have high production quality, but are really terrible made, written and directed. The final conflict is well made, and of course the score by Jerry Goldsmith is excellent and adds much to the film, definitely would have been a worse movie without his score, I can't say enough how good it is. The mix of very old musical ideas with modern ones, (as well as a few tritones of course) really makes the movie in many ways for me.
So see The Final Conflict if your a horror fan.
A couple shocking violent scenes, really creepy atmosphere, great cinematogrpahy - this film is clearly from an analogue age, before digital anything was in use. Perhaps this is part of the reason many don't like this movie, today's horror films are a lot easier to make due to digital advances (which is a good thing) so they appear to have high production quality, but are really terrible made, written and directed. The final conflict is well made, and of course the score by Jerry Goldsmith is excellent and adds much to the film, definitely would have been a worse movie without his score, I can't say enough how good it is. The mix of very old musical ideas with modern ones, (as well as a few tritones of course) really makes the movie in many ways for me.
So see The Final Conflict if your a horror fan.
- Horrorible_Horror_Films
- Aug 17, 2006
- Permalink
A fairly good end to the trilogy, although it's a shame the threatened armaggeddon never comes off (as in the later novels). Sam Neill puts in a good performance as the Devil's son and is surrounded by decent character actors. However, how Jerry Goldsmith didn't win an Oscar for the score, I will never know. It's absolutely amazing and proves music really can improve a film (just imagine a score-less Psycho, for example).
Firstly, it has a seemingly fool-proof concept: the Antichrist, now a successful corporate CEO, is appointed U.S. Ambassador to England, AND president of the UN youth council. It practically writes itself. But, no, social commentary isn't brought into it; he doesn't kill his way into the U.S. Presidency, and the country is never thrown into a third world war. And to think I believed in him! You think this might also present a good chance for some overacting- but, once again, only missed opportunities. It was quite talky; Damien plays it cool, and Sam Neill's performance mostly involved making sinister expressions (at which he's a natural, granted,) and, frankly, the big lines he delivers come out kind of funny-sounding when modulated through his fake American accent (he has one of these in Jurassic Park, too, but at least that role didn't call for any serious acting.) I blame the director more than my man Sam, but I've seen some pretty terrible movies salvaged by one good performance.
Why, this film even let down my bloodlusting side. It opens with a nice, gruesome death, but subsequent killings are either too silly to even guffaw at, or just plain uninspired- especially the climax.
Why, this film even let down my bloodlusting side. It opens with a nice, gruesome death, but subsequent killings are either too silly to even guffaw at, or just plain uninspired- especially the climax.
The horror in this movie is so bad it's funny! Every time a monk gets anywhere near Damien the poor guy falls off a bridge or drops down a hole or just slips on a banana peel or something.
On the other hand, the smart and pretty lady reporter gets her hands on Damien right away, without any trouble. It's said that Sam Neill who plays Damien and Lisa Harrow who plays Kate Reynolds were actually falling in love for real as this movie was being made. It really shows! Aside from being just gorgeous, Lisa Harrow was a good actress. You can see that her character has at least three sides to her. As a reporter, she's intrigued by Damien's vast wealth and growing political power. As a mother, she's frightened of his influence over her troubled teenage son. And as a woman, she can't help responding to the sheer excitement of his darkly sexual charisma. But what makes this interesting is that the story line always treats her character with respect. Her sexual feelings don't cancel out her heart or her intelligence, they just make her more mature and sympathetic.
Why is it that major stars like Julia Roberts and Meg Ryan never play anyone half as interesting as this?
On the other hand, the smart and pretty lady reporter gets her hands on Damien right away, without any trouble. It's said that Sam Neill who plays Damien and Lisa Harrow who plays Kate Reynolds were actually falling in love for real as this movie was being made. It really shows! Aside from being just gorgeous, Lisa Harrow was a good actress. You can see that her character has at least three sides to her. As a reporter, she's intrigued by Damien's vast wealth and growing political power. As a mother, she's frightened of his influence over her troubled teenage son. And as a woman, she can't help responding to the sheer excitement of his darkly sexual charisma. But what makes this interesting is that the story line always treats her character with respect. Her sexual feelings don't cancel out her heart or her intelligence, they just make her more mature and sympathetic.
Why is it that major stars like Julia Roberts and Meg Ryan never play anyone half as interesting as this?
- Dan1863Sickles
- Jan 15, 2004
- Permalink
Damien Thorn (Sam Neill) is now 32 years old and powerfully wealthy. He is appointed US Ambassador to Great Britain like his father. A celestial alignment proclaims the second coming of Christ. Damien organizes to kill all the baby boys born at the alignment. In the meanwhile, a group of priests attempt to kill Damien with the only weapon capable of the task: the 7 knives of Megiddo.
This is the third movie of the series and guess what, the style isn't there anymore. There isn't one memorable scene in this movie. The biggest draw is the acting skills of Sam Neill. He shows that he has power and the presence to be the antichrist. Other than him, there isn't anything there. He's very compelling as the evil Damien, but there is a lot of unreasonableness going on here. It seems that the cops would notice something is going on. And it seems that the priests should be better armed. I know only the knives can kill Damien but having guns would be very useful.
This is the third movie of the series and guess what, the style isn't there anymore. There isn't one memorable scene in this movie. The biggest draw is the acting skills of Sam Neill. He shows that he has power and the presence to be the antichrist. Other than him, there isn't anything there. He's very compelling as the evil Damien, but there is a lot of unreasonableness going on here. It seems that the cops would notice something is going on. And it seems that the priests should be better armed. I know only the knives can kill Damien but having guns would be very useful.
- SnoopyStyle
- Oct 24, 2013
- Permalink
This second sequel to huge hit 'Richard Donner's Omen (Gregory Peck, Lee Remick)' centres on anti-Christ personified by Damien (Sam Neill) . Now grown-up Damien (as a teen was incarnated by Jonathan Taylor) is the only proprietary of Thorn industries , one time deceased his forested parents (William Holden , Lee Grant from Omen 2 by Don Taylor) . Damien is named American Ambassador to London by the US President (Mason Adams). A group of monks (Rossano Brazzi , Tony Voguel , among others) get the seven daggers , as Damien Thorn can now only be murdered by one of the daggers . In England Damien is helped by an assistant (Don Gordon) and he falls in love with a TV journalist (Lisa Howard) . The film talks, fundamentally, about the rebirth of Christ and confrontation to anti-Christ Damien . The devilish Damien is poised for ruling over earth supported by his underlings .
This exciting follow-up contains thrills , chills , suspense ,tension and grisly killings . The chief excitement resides in seeing what amazing and creepy murders happen every few minutes of picture . The eerie scenes range from the genuinely fantastic to the bizarre and horrifying images . The movie is quite predictable but we have seen the previous chapters but also its predictability is redeemed in part by the charismatic acting by Sam Neill , the New Zealand-born player , and an effective secondary casting . Colorful and adequate cinematography by Phil Meheux (The Zorro) . Again evocative musical score by the great Jerry Goldsmith (Planet of apes) with soundtrack-alike first entry , winner a deserved Oscar . The motion picture was professionally directed by Graham Baker (Beowulf , Alien Nation) . Followed by an inferior television movie , Omen IV (2001) , and for genre addicts only , directed by Jorge Montesi with Faye Grant and Michael Woods .
This exciting follow-up contains thrills , chills , suspense ,tension and grisly killings . The chief excitement resides in seeing what amazing and creepy murders happen every few minutes of picture . The eerie scenes range from the genuinely fantastic to the bizarre and horrifying images . The movie is quite predictable but we have seen the previous chapters but also its predictability is redeemed in part by the charismatic acting by Sam Neill , the New Zealand-born player , and an effective secondary casting . Colorful and adequate cinematography by Phil Meheux (The Zorro) . Again evocative musical score by the great Jerry Goldsmith (Planet of apes) with soundtrack-alike first entry , winner a deserved Oscar . The motion picture was professionally directed by Graham Baker (Beowulf , Alien Nation) . Followed by an inferior television movie , Omen IV (2001) , and for genre addicts only , directed by Jorge Montesi with Faye Grant and Michael Woods .
- Leofwine_draca
- Sep 7, 2016
- Permalink
- poolandrews
- Feb 2, 2007
- Permalink
- aazell1-853-695525
- Oct 3, 2010
- Permalink
This was great i think,, you have Damien all grown up,, not a kid anymore,, this is pretty cool i think,, now you have all that evil in an adult, which by the way is very scary, Sam Neill does a wonderful job in this, and is very creepy evil at the same time. Add to the fact that the plot was very good too,, you have the monks trying to kill Damien for one,, then you have Damien trying to kill all of the male babies born of the 24th of March,, makes for a very interesting race against time for Damien. If you follow the trilogy though the timeline is quite off, but i guess when they made the first one, they didn't realize it would become a franchise,, but nonetheless, over the past week i have watched all 3 of the Omen's and have seen the new one in the Theatre's when it came out,, i think the trilogy is very good with the story tied together the way it is, overall i give this part 3 a definite thumbs up.
- kairingler
- Jun 15, 2008
- Permalink
This film begins with a construction project uncovering some ancient daggers which were buried many years earlier. It is then revealed that these 7 daggers are known as the "Daggers of Megiddo" and they were made for only one purpose--to kill the Antichrist when he finally appears on Earth. The scene then shifts to a corporate CEO by the name of "Damien Thorn" (Sam Neill) negotiating with the "President of the United States" (played by Mason Adams) on his conditions for accepting the ambassadorship to Great Britain. For purely political reasons, the President gives Damien everything he wants. In the process, however, he unwittingly fulfills an ancient prophecy that the Antichrist would begin his rise to power in the British Isles. Not long afterward, a special astronomical event occurs which is interpreted by certain monks in an Italian monastery that Jesus is about to be reborn. Not only that, but in order to facilitate this event, they are now obligated to use the Daggers of Megiddo to kill the person they know to be the Antichrist--Damien Thorne. What they don't realize, however, is that Damien is fully aware of their intentions--and he is willing to do whatever it takes to ensure his claim to world power. Now, rather than reveal any more, I will just say that this turned out to be a satisfactory final installment of the Omen Trilogy as it contained some decent suspense along with solid performances by both Sam Neill and Lisa Harrow (as "Kate Reynolds"). Admittedly, I didn't much care for the rather phony religious mumbo-jumbo thrown in at various times, but even so, the film still managed to pass the time well enough, and I have rated it accordingly. Average.
The first two installments of The Omen franchise were good and enjoyable to watch. They were filled with suspense, thrilling and horror elements. This third installment is opposite of all that. It was a major letdown and boring.
The story was bad and boring, the screenplay was bad and slowly paced, the direction was also bad. The performances were average and maybe the only positive point in this movie. Though, it concludes the trilogy, I won't recommend it to anyone. The first two are enough to entertain you.
Overall, it was a bad continuation of once a promising franchise and nothing went right in this installment.
The story was bad and boring, the screenplay was bad and slowly paced, the direction was also bad. The performances were average and maybe the only positive point in this movie. Though, it concludes the trilogy, I won't recommend it to anyone. The first two are enough to entertain you.
Overall, it was a bad continuation of once a promising franchise and nothing went right in this installment.
- akshatmahajan
- May 6, 2024
- Permalink
The now adult Antichrist (Sam Neill) plots to eliminate his future divine opponent while a cabal of monks plot to stop him.
This movie has the distinction of being Sam Neill's first American film, as well as Hazel Court's final film appearance (albeit a cameo and uncredited). While I wish Court had more screen time, what better debut than as the son of the Devil?
If I am not mistaken, this movie sort of brought the idea of horror sequels into the modern age. Universal had plenty of secrets to its films, but there was never a "Dracula II" or "Mummy III". While "Friday the 13th" and "Nightmare on Elm Street" are now past ten sequels, "Omen" was the first to get a third film. And a very, very good one at that, with the same feel as the original and the important plot point of the return of Christ.
(We will just ignore the fourth film in the series...)
This movie has the distinction of being Sam Neill's first American film, as well as Hazel Court's final film appearance (albeit a cameo and uncredited). While I wish Court had more screen time, what better debut than as the son of the Devil?
If I am not mistaken, this movie sort of brought the idea of horror sequels into the modern age. Universal had plenty of secrets to its films, but there was never a "Dracula II" or "Mummy III". While "Friday the 13th" and "Nightmare on Elm Street" are now past ten sequels, "Omen" was the first to get a third film. And a very, very good one at that, with the same feel as the original and the important plot point of the return of Christ.
(We will just ignore the fourth film in the series...)
Terrible. There's nothing frightening about this movie except for the writing and the acting.
- lovellcrown
- Oct 14, 2019
- Permalink
The original The Omen laid a solid foundation for the mythology of Damien Thorn, the Antichrist coming to Earth to bring the Apocalypse. With the elements well defined and the hook left at the end, we could expect a sequel that expands this mythology in a dignified way. Unfortunately, A The Omen 2 didn't know how to work well with the original elements, creating a film that followed a formula and nothing new, that only jumped from death to death and disappointed those who expected something more intelligent.
Fortunately, in 1981, The Omen 3: The Final Conflict appeared. Director Graham Baker and screenwriter Andrew Birkin knew how to create a film that took the bases given by the initial chapter of the series, as well as some elements of the second, and created a rich and differentiated final product, which, although inferior to the first, is years- light ahead of part 2. The first big innovation was to abandon the figure of Damien as a little boy discovering his place in the world, and to throw him once and for all in the shoes of an adult. Considering that one of the biggest assets of the previous films was the fact that the villain was a child, this was a risky move, one that could sink everything if not done carefully. Then enter Sam Neill, a great actor who lives up to the role of Antichrist, with a mixture of charm, suffering and sacrilege. Neill is the cornerstone of the film, and creates a new personality for Damien, cruel and bloodthirsty, but at the same time seductive and likeable. At times, he even looks like a nice guy, to show his true face in the next scene.
The second daring on the part of Baker and Birkin was to focus the plot on the Second Coming, the return of Jesus Christ to Earth. In the plot, Damien is now one of the most powerful men in the world, having taken control of Thorn Industries. As a true James Bond villain, he has the world's leaders in the palm of his hand, and manipulates the president of the United States himself to get the post of US ambassador to England. Damien follows an ancient The Omen, which says that Christ will be reincarnated in the UK, and so he decides, like Herod, to kill all the babies that are born in the esteemed time and place. Meanwhile, he poses as a philanthropist, and becomes involved with reporter Kate Reynolds (Lisa Harrow) and her son Peter (Barnaby Holm), with whom he develops a strange relationship.
The only person who knows of Damien's plans is his secretary Harvey Dean (Don Gordon), who helps him plan the slaughter of the babies. The problem is that Harvey's wife Barbara (Leueen Willoughby) gives birth to their child at the Second Coming, which puts them in conflict with Damien. Only this time, Antichrist will have to face a group of monks, led by Father De Carlo (Rossano Brazzi), took possession of Meggido's daggers, which, as seen in recent films, are the only thing capable of killing Damien. They try to attack him, but he defeats one by one until only De Carlo is left, who must seek Kate's help to destroy Antichrist and stop the Apocalypse.
In this concluding sequence, there is a considerable loss of the suspense and horror of the first film, which leads to something more like an adventure. It is, in fact, the fight of good against evil, and the force of good is represented by the seven priests mentioned above. The script is much more sophisticated than you might expect, and this is a sequel that really tries to tell a story, rather than just collecting death scenes. The script even manages to proceed with the story in an interesting way, but unfortunately it fails to complete it satisfactorily. The final confrontation between Damien and De Carlo is rushed, and the last scene is too hot, unable to explain the fate of some characters.
But The Final Conflict has enough merit to circumvent these defects. One of the best scenes in the entire franchise is Damien's monologue to a statue of the sacrificed Christ, in a moment that manages to be scary based only on Neill's performance. Another creative scene is the massacre of babies, which terrifies without showing blood, and still shows the reach of the followers of Antichrist. Rich and intelligent, this third part has a life of its own, and it works by itself, not just a continuation. Of course, those who haven't seen the previous ones can get lost in some references, but even so the film stands on its own feet and breaks rules launched in the previous chapters.
This last part of the trilogy shows signs of fatigue. Things seem to happen automatically and the dialogues show us characters who don't seem to believe the sentences they pronounce. Released in 1981, it felt like the end of the franchise. In fact, Damien's story ends in this movie, with the happy ending that Hollywood loves: good won over evil, even after so many dead bodies and three movies. The fourth part, released straight to television, is not related to the first three, nor to the 2006 remake, nor to the television series that debuted in 2016.
Fortunately, in 1981, The Omen 3: The Final Conflict appeared. Director Graham Baker and screenwriter Andrew Birkin knew how to create a film that took the bases given by the initial chapter of the series, as well as some elements of the second, and created a rich and differentiated final product, which, although inferior to the first, is years- light ahead of part 2. The first big innovation was to abandon the figure of Damien as a little boy discovering his place in the world, and to throw him once and for all in the shoes of an adult. Considering that one of the biggest assets of the previous films was the fact that the villain was a child, this was a risky move, one that could sink everything if not done carefully. Then enter Sam Neill, a great actor who lives up to the role of Antichrist, with a mixture of charm, suffering and sacrilege. Neill is the cornerstone of the film, and creates a new personality for Damien, cruel and bloodthirsty, but at the same time seductive and likeable. At times, he even looks like a nice guy, to show his true face in the next scene.
The second daring on the part of Baker and Birkin was to focus the plot on the Second Coming, the return of Jesus Christ to Earth. In the plot, Damien is now one of the most powerful men in the world, having taken control of Thorn Industries. As a true James Bond villain, he has the world's leaders in the palm of his hand, and manipulates the president of the United States himself to get the post of US ambassador to England. Damien follows an ancient The Omen, which says that Christ will be reincarnated in the UK, and so he decides, like Herod, to kill all the babies that are born in the esteemed time and place. Meanwhile, he poses as a philanthropist, and becomes involved with reporter Kate Reynolds (Lisa Harrow) and her son Peter (Barnaby Holm), with whom he develops a strange relationship.
The only person who knows of Damien's plans is his secretary Harvey Dean (Don Gordon), who helps him plan the slaughter of the babies. The problem is that Harvey's wife Barbara (Leueen Willoughby) gives birth to their child at the Second Coming, which puts them in conflict with Damien. Only this time, Antichrist will have to face a group of monks, led by Father De Carlo (Rossano Brazzi), took possession of Meggido's daggers, which, as seen in recent films, are the only thing capable of killing Damien. They try to attack him, but he defeats one by one until only De Carlo is left, who must seek Kate's help to destroy Antichrist and stop the Apocalypse.
In this concluding sequence, there is a considerable loss of the suspense and horror of the first film, which leads to something more like an adventure. It is, in fact, the fight of good against evil, and the force of good is represented by the seven priests mentioned above. The script is much more sophisticated than you might expect, and this is a sequel that really tries to tell a story, rather than just collecting death scenes. The script even manages to proceed with the story in an interesting way, but unfortunately it fails to complete it satisfactorily. The final confrontation between Damien and De Carlo is rushed, and the last scene is too hot, unable to explain the fate of some characters.
But The Final Conflict has enough merit to circumvent these defects. One of the best scenes in the entire franchise is Damien's monologue to a statue of the sacrificed Christ, in a moment that manages to be scary based only on Neill's performance. Another creative scene is the massacre of babies, which terrifies without showing blood, and still shows the reach of the followers of Antichrist. Rich and intelligent, this third part has a life of its own, and it works by itself, not just a continuation. Of course, those who haven't seen the previous ones can get lost in some references, but even so the film stands on its own feet and breaks rules launched in the previous chapters.
This last part of the trilogy shows signs of fatigue. Things seem to happen automatically and the dialogues show us characters who don't seem to believe the sentences they pronounce. Released in 1981, it felt like the end of the franchise. In fact, Damien's story ends in this movie, with the happy ending that Hollywood loves: good won over evil, even after so many dead bodies and three movies. The fourth part, released straight to television, is not related to the first three, nor to the 2006 remake, nor to the television series that debuted in 2016.
- fernandoschiavi
- Oct 15, 2021
- Permalink
There are good "So Bad It's Good" movies. And then there are "So bad, well, they're BAD" movies and THE FINAL CONFLICT belongs in the latter category. I saw this at the movies and what a disappointment it was. I was too young to have seen the other two OMEN flicks in theaters (but saw them on TV) and when FINAL CONFLICT was released, I was old enough to see it. Well, what a freaking letdown that was. Everything about it was bad: script, direction, acting, fx. You name it, it's bad. Only the ever reliable Jerry Goldsmith comes up with a good score for this dreck.
The thing that made me angry is that the movie doesn't even follow the plot points the two previous movies set-up years ago. Like the fact that Damien has to be killed with the six knives all at once. In FC, every knife is given to six monks, who try to kill Damien with their single individual knives. What? The story was supposed to take place in the near future and yet everything looked "late 70s/early 80s". And then there's the "alignment" scene, which is too stupid for words. Everyone in the audience laughed out loud during these scenes, certainly during the scenes when the (very stupid) monks tried to kill Damien and they died in goofy ways. All in all, one of the worst film experience I've ever had.
The thing that made me angry is that the movie doesn't even follow the plot points the two previous movies set-up years ago. Like the fact that Damien has to be killed with the six knives all at once. In FC, every knife is given to six monks, who try to kill Damien with their single individual knives. What? The story was supposed to take place in the near future and yet everything looked "late 70s/early 80s". And then there's the "alignment" scene, which is too stupid for words. Everyone in the audience laughed out loud during these scenes, certainly during the scenes when the (very stupid) monks tried to kill Damien and they died in goofy ways. All in all, one of the worst film experience I've ever had.
- Maciste_Brother
- Jul 21, 2003
- Permalink
20 years later... Now Damien Thorn (Sam Neill) is becoming Ambassador of England to becoming President of the United States. Which Damien truly wants to be the ruler of the world. When the leader of the monks (Rossano Brazzi) has the seven diggers to destroy Damien. While the second coming of Christ is born. Damien gives order to his followers to kill all the new born babies that could destroy him. While Damien starts falling for an ambitious reporter (Lisa Horrow) and this reporter slowly finding out his true identity.
Directed by Graham Baker (Alien Nation, Beowulf, Impulse) made an interesting, strong sequel was supposed to be the last of the Omen films until Omen 4 was made for television. Which the character is mention in the T.V. movie. The third film didn't perform well at the box office but die hard fans of the series will certainly enjoy it. Neill gives an terrific performance, the supporting cast are good and another memorable score by the late Oscar-Winner:Jerry Goldsmith (Legend, Planet of the Apes, Poltergeist).
DVD has an fine anamorphic Widescreen (2.35:1) transfer and an good-Dolby 2.0 Surround Sound. DVD has an commentary track by the director but it has plenty of dead air and he gives some interesting comments. But not as informative as the first and second film commentaries. DVD also has the original theatrical trailer with trailers of the first and second movie. This is a satisfying picture that is certainly strong and different from the other two. Executive Produced by Richard Donner (The Lethal Weapon Series). Written by Andrew Birkin (The Messenger:The Story of Joan of Arc, The Name of the Rose, Perfume:The Story of a Murderer). Panavision. (****/*****).
Directed by Graham Baker (Alien Nation, Beowulf, Impulse) made an interesting, strong sequel was supposed to be the last of the Omen films until Omen 4 was made for television. Which the character is mention in the T.V. movie. The third film didn't perform well at the box office but die hard fans of the series will certainly enjoy it. Neill gives an terrific performance, the supporting cast are good and another memorable score by the late Oscar-Winner:Jerry Goldsmith (Legend, Planet of the Apes, Poltergeist).
DVD has an fine anamorphic Widescreen (2.35:1) transfer and an good-Dolby 2.0 Surround Sound. DVD has an commentary track by the director but it has plenty of dead air and he gives some interesting comments. But not as informative as the first and second film commentaries. DVD also has the original theatrical trailer with trailers of the first and second movie. This is a satisfying picture that is certainly strong and different from the other two. Executive Produced by Richard Donner (The Lethal Weapon Series). Written by Andrew Birkin (The Messenger:The Story of Joan of Arc, The Name of the Rose, Perfume:The Story of a Murderer). Panavision. (****/*****).
After watching the latest Damien movie The First Omen (2024), a prequel to the original The Omen with Gregory Peck I decided to rewatch all the movies about the Antichrist Damien Thorn. The prequel was not bad but not as good as the first movie. The second one was of the same quality as the prequel. The Final Conflict (The third Omen) was like I feared, just watchable but nothing else. Sam Neil is this time playing an adult Damien Thorn. Nothing wrong with his acting but you just don't get that evil feeling when Damien was a kid. Also the ominous soundtrack that was so typical in the other movies is this time of poor quality which results in just an average movie. Rarely sequels are getting better and since I just checked the ratings for the fourth movie I think I'll leave it at that. It was a fun ride, good to remember a classic horror movie. Sometimes you have to let it go instead of trying to milk a good story.
- deloudelouvain
- Jun 3, 2024
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- avalonjoyous
- Aug 21, 2017
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