R | | Biography, Drama, History
The filmmakers often used music with text that could be interpreted as referential to the pathos of the story, and several times in Latin. One instance is where Mozart is furiously writing his Requiem mass without hearing the banging on the door. ... ...
Mozart! Mozart, forgive your assassin! I confess, I killed you...
Near the end when the bed-ridden Mozart is dictating a movement of his Requiem to Salieri, he tells him to write the bass instruments' notes as the "tonic and dominant" pitches in the key of A minor. But the notes that play, and the notes that actually appear in the score, are the tonic and sub-dominant.
The producer, screenplay writer and director thank the following for their boundless assistance in our effort to present the physical authenticity and aura you have seen and felt in "Amadeus": -The National Theatre of Czechoslovakia and Prague's Tyl Theatre management for allowing us to film in the Tyl sequences from the operas: "Abduction from the Seraglio," "The Marriage of Figaro," and "Don Giovanni." It was actually in this magnificently preserved theatre that Wolfgang Amadeus Mozart conducted the premiere performance of "Don Giovanni" on October 29, 1787. -His Eminence Cardinal Frantisek Tomasek for his kindness in permitting us to use his beautiful residence headquarters in Prague as the Emperor's palace. -The Barrandov Studios and CS Filmexport for their help in filming "Amadeus" in Prague and in castles and palaces throughout Czechoslovakia.
English, Italian, Latin, German
$86,764 (USA) (7 April 2002)
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