R | | Action, Sci-Fi
A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
During the final chase, as Reese tosses pipe bombs at the Terminator, there is a single white frame spliced in just before some of the explosions, which is a trick employed by editor Mark Goldblatt. Director James Cameron would later use this trick to heighten the visual ... ...
What the hell? Goddamn son of a bitch...
When Sarah tries to escape from Reese in the first car chase, he grabs her by the hair. His grip on her (grabbing her hair, pinning her to the seat with his arm, shoving her head to the floor, or not holding her at all) changes frequently during the chase.
The opening credits run while large outlines of the two halves of THE TERMINATOR cross each other. After the last directorial credit is shown, the title THE TERMINATOR zooms backward, is filled by metallic blue, and reveals itself.
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